Aida

~ Release by Giuseppe Verdi; Maria Callas, Orchestra e Coro del Teatro alla Scala di Milano, Tullio Serafin (see all versions of this release, 7 available)

Annotation

Maria Callas: Aida * Richard Tucker: Radamès * Fedora Barbieri: Amneris * Tito Gobbi: Amonasro * Giuseppe Modesti: Ramfis * Nicola Zaccaria: Il re d'Egitto * Elvira Galassi: Una sacerdotessa * Franco Ricciardi: Un messaggero

Coro del Teatro alla Scala, Milano * Maestro del coro: Norbert Mola

Orchestra del Teatro all Scala, Milano * conductore: Tullio Serafin

℗ 1956 Original sound recording made by EMI Records Ltd.
Digital remastering ℗ 1987 by EMI Records Ltd.
Printed in W. Germany. Made in W. Germany.

Mono recording. Presented in a 'fatboy' jewel case in a slipcase with a 144-page booklet containing liner notes, synopsis and libretto in German, Italian, English and French.

Annotation last modified on 2023-12-12 01:42 UTC.

Tracklist

| |
CD 1
#TitleArtistRatingLength
1Aida: Preludio
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida (German lyrics)
part of:
Aida
Giuseppe Verdi3:45
2Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès)
bass vocals and bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
tenor vocals and tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:33
3Aida: Atto I, scena 1. Romanza “Se quel guerriero io fossi!” (Radamès)
tenor vocals:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi0:50
4Aida: Atto I, scena 1. Romanza “Celeste Aida” (Radamès)
tenor vocals:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:39
5Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:26
6Aida: Atto I, scena 1. Terzetto “Vieni, o diletta appressati” (Amneris, Aida, Radamès)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:56
7Aida: Atto I, scena 1. Scena e pezzo d'assieme “Alta cagion v'aduna” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-24)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:16
8Aida: Atto I, scena 1. Scena e pezzo d'assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
bass vocals:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24) and Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-24)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:57
9Aida: Atto I, scena 1. Scena ”Ritorna vincitor!” (Aida)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l'amor mio …” – “I sacri nomi di padre, d'amante” (Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:40
10Aida: Atto I, scena 2. Gran scena della consacrazione ”Possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)
bass vocals:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:08
11Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse “Immenso Fthà!...” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti)
bass vocals:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:59
12Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Rademès, Sacerdoti, Sacerdotesse, Sacerdotessa)
bass vocals:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
tenor vocals:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:48
CD 2
#TitleArtistRatingLength
1Aida: Atto II, scena 1. Introduzione-Scena e coro di donne “Chi mai fra gl'inni e i plausi"”(Schiave, Amneris)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:59
2Aida: Atto II, scena 1. Danza degli Schiavi Mori
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:31
3Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:40
4Aida: Atto II, scena 1. Scena e duetto “Fu la sorte dell'armi a'tuoi funesta” (Amneris, Aida)Giuseppe Verdi5:27
5Aida: Atto II, scena 1. Scena e duetto “Pietà ti prenda del mio dolor” (Amneris, Aida)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:56
6Aida: Atto II, scena 1. Scena e duetto “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro)Giuseppe Verdi2:38
7Aida: Atto II, scena 1. Gran Finale II “Gloria all'Egitto, ad Iside” (Popolo, Sacerdoti)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:24
8Aida: Atto II, scena 2. Marcia trionfale
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
Giuseppe Verdi1:39
9Aida: Atto II, scena 2. Ballabile
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:18
10Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:13
11Aida: Atto II, scena 2. “Salvator della patria” (Is Re, Radamès, Ramfis, Sacerdoti)
bass vocals:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
tenor vocals:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:08
12Aida: Atto II, scena 2. ”Che veggo! Egli? Mio padre” / “Anch'io pugnai” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
baritone vocals:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-24)
bass vocals:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24) and Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-24)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:26
13Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti)Giuseppe Verdi2:14
14Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all'Egitto” (Tutti)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:10
CD 3
#TitleArtistRatingLength
1Aida: Atto III. Introduzione-Preghiera “O tu che sei d'Osiride”
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:26
2Aida: Atto III. Introduzione-Preghiera “Vieni d'Iside al tempio“ (Coro, Ramfis, Amneris)
bass vocals:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Introduzione-Preghiera: “Vieni d’Iside al tempio” (Sacerdotesse, Sacerdoti, Ramfis, Amneris) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:16
3Aida: Atto III. Romanza “Qui Radamès verrá!”
soprano vocals and soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:38
4Aida: Atto III. Romanza “O patria mia” (Aida)
soprano vocals and soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:24
5Aida: Atto III. Duetto “Ciel! mio padre!”
baritone vocals [Amonasro]:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:09
6Aida: Atto III. Duetto “Rivedrai le foreste imbalsamate“ (Aida, Amonasro)
baritone vocals [Amonasro]:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:57
7Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida...“
soprano vocals and soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals and tenor vocals [Radames]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:22
8Aida: Atto III. Duetto “Nel fiero anelito di nuova guerra“ (Radamès, Aida)
soprano vocals and soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals and tenor vocals [Radames]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Duetto: “Nel fiero anelito di nuova guerra” (Radamès, Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:41
9Aida: Atto III. Duetto “Fuggiam gli ardori inospiti“ / “Là, tra foreste vergini“ (Aida, Radamès)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:17
10Aida: Atto III. Finale III “Ma dimmi; per qual via“ (Aida, Radamès, Amonasro, Amneris, Ramfis)
baritone vocals and baritone vocals [Amonasro]:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-24)
bass vocals and bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
mezzo-soprano vocals and mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals and soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals and tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:17
11Aida: Atto IV, scena 1. Scena “L'abborrita rivale a me sfuggia“ (Amneris)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:05
12Aida: Atto IV, scena 1. Duetto “Già i sacerdoti adunansi“ (Amneris, Radamès)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:37
13Aida: Atto IV, scena 1. Scena del giudizio “Ohimè! morir mi sento!“
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:30
14Aida: Atto IV, scena 1. Scena del giudizio “Spirto del nume“
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Spirto del nume” (Amneris, Ramfis, Sacerdoti) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:34
15Aida: Atto IV, scena 1. Scena del giudizio “A lui vivo, la tomba“ / “Sacerdoti: compiste un delitto!“ (Amneris, Ramfis, Sacerdoti)
bass vocals:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:21
16Aida: Atto IV, scena 2. Scena e duetto “La fatal pietra sovra me si chiuse“
soprano vocals and soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals and tenor vocals [Radames]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1946) and Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (in 1946, from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1946)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:22
17Aida: Atto IV, scena 2. Scena e duetto “Vedi? Di morte l'angelo“ / Finale Ultimo “Immenso Fthà“ (Sacerdotesse, Sacerdoti, Aida, Radamès)
soprano vocals and soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals and tenor vocals [Radames]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 2: Finale ultimo: “Immenso Fthà” – “Triste canto” (Sacerdotesse, Sacerdoti, Aida, Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi1:44
18Aida: Atto IV, scena 2. Finale ultimo “O terra addio“ (Aida, Radamès, coro, Amneris)
mezzo-soprano vocals:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1955)
conductor:
Tullio Serafin (conductor) (in 1955)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:51