Talk on Corners (special edition)

~ Release by The Corrs (see all versions of this release, 15 available)

Annotation

This is the Talk on Corners European Special Edition.

The sleeve lists the duration (4:26) for the album version of I Never Loved You Anyway, but it is actually a shorter remixed version. The correct duration is shown here.

This version includes four signed color pictures (one for each member) with cat number 7567 80917-2 on the back and a 12-page booklet. A repress version has a 16-page booklet with the band member pictures included on the additional pages.

Some copies may include a hype sticker "Featuring the hit singles DREAMS, WHAT CAN I DO & SO YOUNG 7567-80917-2" and/or a hologram sticker with the Warner logo and a code on it.

Made in Germany by Warner Music Manufacturing Europe

Has French Price Code
EW 851

Rights Society
GEMA
BIEM

Matrix / Runout
Warner Music (logo) 756780917-2 10/98
Second pressing :
Warner Music (logo) 756780917-2.2 10/98

Annotation last modified on 2023-08-14 12:31 UTC.

Tracklist

CD 1
#TitleRatingLength
1What Can I Do (Tin Tin Out remix)
remix of:
What Can I Do (original version, read annotation before use, DON’T blindly trust tracklist or ISRC) by The Corrs
recording of:
What Can I Do
writer:
Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
44:17
2So Young (K-Klass remix)34:14
3Only When I Sleep
recording engineer:
Oliver Leiber and Barry Rudolph
programming and producer:
Oliver Leiber
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
bass and keyboard:
Paul Peterson (multi-instrumentalist St. Paul Peterson)
drums (drum set):
Matt Laug
guitar:
Oliver Leiber and John Shanks
tin whistle and lead vocals:
Andrea Corr
violin:
Sharon Corr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Noise Club, Inc. (Oliver Leiber production company)
recorded at:
Ollywood Studios in Hollywood, Los Angeles, California, United States
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
recording of:
Only When I Sleep
writer:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr, Oliver Lieber, Paul Peterson (multi-instrumentalist St. Paul Peterson) and John Shanks
publisher:
Beacon Communications Music Co. (in 1997), EMI‐Virgin Music, Inc (in 1997), Flying One Publishing (in 1997), Songs of PolyGram International, Inc. (in 1997), St. Paul Music, Inc. (in 1997) and Tattoons Music, Inc. (in 1997)
44:23
4When He’s Not Around
recording engineer:
Felipe Elgueta
synthesizer [synth] programming:
Felipe Elgueta and Leo Pearson (Irish music producer)
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
bodhrán:
Caroline Corr
guitar:
Jim Corr and Michael Thompson (session guitarist)
keyboard:
Jim Corr and David Foster (Canadian music producer, arranger and composer)
tin whistle and lead vocals:
Andrea Corr
violin:
Sharon Corr
arranger:
The Corrs and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Chartmaker, Inc.
recorded at:
Chartmaker Studios in Malibu, California, United States
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
recording of:
When He’s Not Around
writer:
Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
34:25
5Dreams (Tee’s Radio)
recording engineer:
Oliver Leiber and Barry Rudolph
guitar programming:
Oliver Leiber
programming:
Peter Rafelson
assistant sound engineer:
Stuart Grusin and Matt Silva
audio engineer:
Phillip Begley (Engineer) (lead vocals, background vocals)
additional producer:
Todd Terry (American DJ, record producer and remixer)
mixer:
Rob Chiarelli (US mixer)
drums (drum set):
Caroline Corr
guitar:
Jim Corr
tin whistle and lead vocals:
Andrea Corr
violin:
Sharon Corr
background vocals:
Caroline Corr, Jim Corr and Sharon Corr
remixer:
Tee and Todd Terry (American DJ, record producer and remixer)
recorded at:
Ollywood Studios in Hollywood, Los Angeles, California, United States, Rafelson Recording in Los Angeles, California, United States and Westland Studios in Dublin, County Dublin, Leinster, Ireland
mixed at:
Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Dreams
lyricist and composer:
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. and Welsh Witch Music (BMI affiliated) (in 1977)
2.53:54
6I Never Loved You Anyway43:40
7Don't Say You Love Me
additional recording engineer:
David Reitzas
recording engineer:
Felipe Elgueta
synthesizer [synth] programming:
Felipe Elgueta
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski Productions
bodhrán:
Caroline Corr
drums (drum set):
John Robinson (session drummer)
guitar:
Jim Corr and Michael Thompson (session guitarist)
keyboard:
Jim Corr and David Foster (Canadian music producer, arranger and composer)
violin:
Sharon Corr
lead vocals:
Andrea Corr
arranger:
The Corrs and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Chartmaker, Inc.
additionally recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recorded at:
Chartmaker Studios in Malibu, California, United States
mixed at:
Barking Doctor Studios in Mount Kisco, New York, United States
recording of:
Don’t Say You Love Me
writer:
Carole Bayer Sager, Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
publisher:
All About Me Music (BMI-affiliated) (in 1997), Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
4:39
8Love Gives, Love Takes
recording engineer:
Oliver Leiber and Barry Rudolph
programming and producer:
Oliver Leiber
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
accordion:
Jim Corr
bass:
Lance Morrison
drums (drum set):
Matt Laug
guitar:
Oliver Leiber, Dean Parks (American session guitarist) and John Shanks
keyboard:
John Gilutin
violin:
Sharon Corr
lead vocals:
Andrea Corr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Noise Club, Inc. (Oliver Leiber production company)
recorded at:
Ollywood Studios in Hollywood, Los Angeles, California, United States
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
recording of:
Love Gives Love Takes
writer:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr, Dane DeViller, Sean Syed Hosein, Oliver Leiber, Stacey Piersa and Elliot Wolff
publisher:
Beacon Communications Music Co. (in 1997), Bubalas Music (in 1997), Careers‐BMG Music Publishing, Inc. (in 1997), Klup and Mo Music (in 1997), On Board Music (publisher) (in 1997), peermusic, Ltd. (BMI) (in 1997), Songs of PolyGram International, Inc. (in 1997) and Tattoons Music, Inc. (in 1997)
3:40
9Runaway (Tin Tin Out remix)4:35
10Hopelessly Addicted
recording engineer:
Oliver Leiber and Barry Rudolph
producer:
Oliver Leiber
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
bass and keyboard:
Paul Peterson (multi-instrumentalist St. Paul Peterson)
drums (drum set):
Matt Laug
guitar:
Oliver Leiber and John Shanks
mandolin [electric mandolin]:
John Shanks
violin:
Sharon Corr
lead vocals:
Andrea Corr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Noise Club, Inc. (Oliver Leiber production company)
recorded at:
Ollywood Studios in Hollywood, Los Angeles, California, United States
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
recording of:
Hopelessly Addicted
writer:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr, Oliver Leiber and John Shanks
publisher:
Beacon Communications Music Co. (in 1997), Songs of PolyGram International, Inc. (in 1997) and Tattoons Music, Inc. (in 1997)
4:02
11Paddy McCarthy
recording engineer and programming:
Leo Pearson (Irish music producer)
additional producer:
Larry Robinson (US producer, arranger, remixer, songwriter, programmer)
co-producer:
Leo Pearson (Irish music producer)
producer:
Jim Corr
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
bodhrán:
Caroline Corr
guitar and keyboard:
Jim Corr
tin whistle:
Andrea Corr
violin:
Sharon Corr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
Peak Studios in Dublin, County Dublin, Leinster, Ireland
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
recording of:
Paddy McCarthy
composer:
Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
5:00
12Intimacy
assistant recording engineer:
Yuzuru “Joe” Koyanazi and Al Lay
recording engineer:
Randall Wine
miscellaneous support:
Colleen Reynolds (task: production coordination)
programming:
George Black
producer:
Rick Nowels and Billy Steinberg
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
bass synthesizer [synth bass]:
David Foster (Canadian music producer, arranger and composer)
cello:
Suzy Katayama and Lisa Wagner (cellist)
guitar:
Rick Nowels
keyboard:
Jeff Hull (songwriter and producer)
percussion:
Luis Conte (percussionist)
lead vocals:
Andrea Corr
strings arranger:
Jeff Hull (songwriter and producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States and Mulhullond Studios
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Intimacy
writer:
Neil Giraldo, Rick Nowels and Billy Steinberg
publisher:
EMI April Music, Inc. (in 1995), Future Furniture Music (in 1995), Jerk Awake (in 1995) and Spider Maze Music (in 1995)
3:59
13Queen of Hollywood
recording engineer:
Bryan Carrigan, Dane DeViller, Chris Fogel (engineer) and Sean Hosein
programming:
Dane DeViller and Sean Hosein
co-producer:
Dane DeViller and Sean Hosein
producer:
Glen Ballard
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
bass:
Lance Morrison
drums (drum set):
Matt Chamberlain (American drummer)
guitar:
Dane DeViller and Dean Parks (American session guitarist)
organ:
Mike Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
tin whistle and lead vocals:
Andrea Corr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
Aerowave Studios in Encino, California, United States
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
recording of:
Queen of Hollywood
writer:
Glen Ballard, Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr, Dane DeViller and Sean Syed Hosein
publisher:
Aerostation Corporation (in 1997), Beacon Communications Music Co. (in 1997), Bubalas Music (in 1997), Careers‐BMG Music Publishing, Inc. (in 1997), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1997), On Board Music (publisher) (in 1997) and Songs of PolyGram International, Inc. (in 1997)
5:02
14No Good for Me
additional recording engineer:
David Reitzas
recording engineer:
Felipe Elgueta
synthesizer [synth] programming:
Felipe Elgueta
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
drums (drum set):
John Robinson (session drummer)
guitar:
Jim Corr and Tim Pierce (US session guitarist)
keyboard:
Jim Corr and David Foster (Canadian music producer, arranger and composer)
mandolin:
Tim Pierce (US session guitarist)
tin whistle and lead vocals:
Andrea Corr
violin:
Sharon Corr
arranger:
The Corrs and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Chartmaker, Inc.
additionally recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recorded at:
Chartmaker Studios in Malibu, California, United States
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
recording of:
No Good for Me
writer:
Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) and Songs of PolyGram International, Inc. (in 1997)
4:00
15Little Wing
recording engineer:
Tim Martin (engineer) and Brian Masterson
producer:
John Hughes (new age artist; manager of The Corrs)
assistant mixer:
Ryan Freeland
mixer:
Bob Clearmountain
bass:
Keith Duffy (bass player for the Corrs)
bodhrán:
Kevin Conneff and Caroline Corr
fiddle:
Martin Fay and Seán Keane (fiddler)
flute:
Matt Molloy
guitar:
Anto Drennan and Jim Corr
harp:
Derek Bell
keyboard:
Jim Corr
tin whistle:
Andrea Corr and Paddy Moloney
uilleann pipes:
Paddy Moloney
violin:
Sharon Corr
lead vocals:
Andrea Corr
arranger:
Paddy Moloney
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
Westland Studios in Dublin, County Dublin, Leinster, Ireland and Windmill Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
mixed at:
Mix This! Studio in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Little Wing
lyricist and composer:
Jimi Hendrix
publisher:
Experience Hendrix, L.L.C. (company, not a label), Interworld Music Ltd., Warner/Chappell Music Ltd. (1996–2019) and Bella Godiva Music (in 1967)
3.55:09

Credits

Release

manufactured in:Germany
printed in:Germany
photography:Mike Owen (photographer)
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
copyrighted (©) by and phonographic copyright (℗) by:Atlantic Recording Cooporation for the United States (not for release label use! copyrights holder, distributor within the US) (in 1998)
WEA International Inc. for the world outside of the United States (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
mastered at:Warner Music Manufacturing Europe in Alsdorf, Nordrhein-Westfalen, Germany (in 1998-10)
manufactured at:Warner Music Manufacturing Europe in Alsdorf, Nordrhein-Westfalen, Germany (in 1998-10)
Discogs:https://www.discogs.com/release/680814 [info]
ASIN:UK: B00000GB27 [info]