Why Am I Treated So Bad!

~ Release by The Cannonball Adderley Quintet (see all versions of this release, 3 available)

Annotation

Label: Capitol - Catalog #: ST 2617 - Format: LP - Rel: 1967 (USA) - Omit: #9-#10
Location: Los Angeles, CA, USA
Recording Date: 1967
Additional:
Following Mercy, Mercy, Mercy!, this is again produced by Axelrod.
While reasonably interesting, it's not the best of Adderley, and definitely not as good as the wonderfull Mercy, Mercy, Mercy!.
Adderley fans will still want it, and this particular edition (2006) features two previously unreleased tracks.

Annotation last modified on 2008-04-26 15:53 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1[introduction]
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
0:13
2Mini Mama
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recording of:
Mini Mama (in 1967-03)
composer:
Curtis Fuller
6:42
3I'm on My Way
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recording of:
I'm on My Way (in 1967-03)
composer:
Nat Adderley, Jr.
7:49
4Why Am I Treated So Bad
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recording of:
Why Am I Treated So Bad (in 1967-03)
lyricist and composer:
Roebuck “Pops” Staples
7:47
5One for Newk
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004) and Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recording of:
One for Newk (in 1967-03)
composer:
Joe Zawinul (jazz and fusion keyboard player)
5:16
6Yvette
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recording of:
Yvette (in 1967-03)
composer:
Joe Zawinul (jazz and fusion keyboard player)
2:22
7The Other Side
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recording of:
The Other Side (in 1967-03)
composer:
Nat Adderley
9:04
8The Scene
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recording of:
The Scene (in 1967-03)
composer:
Nat Adderley and Joe Zawinul (jazz and fusion keyboard player)
2:40
9Heads Up! Feet Down!
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recording of:
Heads Up! Feet Down! (in 1967-03)
composer:
Jimmy Heath
7:00
10The Girl Next Door
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
instrumental recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (in 1967-03)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 film)
12:07

Credits

Release

producer:David Axelrod (baroque pop composer) (in 1967-03)
alto saxophone:Cannonball Adderley (in 1967-03)
cornet:Nat Adderley (in 1967-03)
double bass:Victor Gaskin (in 1967-03)
drums (drum set):Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1967-03)
electric piano and piano:Joe Zawinul (jazz and fusion keyboard player) (in 1967-03)
ASIN:US: B000F9RM8E [info]

Release group

Wikipedia:en: Why Am I Treated So Bad! [info]
Wikidata:Q7997718 [info]