Blue Öyster Cult

~ Release by Blue Öyster Cult (see all versions of this release, 12 available)

Tracklist

▼ Digital Media 1
#TitleRatingLength
1Transmaniacon MC
engineer:
David Lucas and Billy Robertson
associate producer:
David Lucas
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Transmaniacon MC (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Donald Roeser and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (in 1972)
3.253:21
2I’m on the Lamb but I Ain’t No Sheep
engineer:
David Lucas and Billy Robertson
associate producer:
David Lucas
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
I'm on the Lamb but I Ain't No Sheep (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard and Sandy Pearlman
publisher:
Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (in 1972)
33:10
3Then Came the Last Days of May
engineer:
David Lucas and Billy Robertson
associate producer:
David Lucas
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar and lead vocals:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Joe Bouchard (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Then Came the Last Days of May (in 1971-10)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (in 1972)
4.43:31
4Stairway to the Stars
engineer:
David Lucas and Billy Robertson
associate producer:
David Lucas
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Stairway to the Stars (in 1971-10)
writer:
Albert Bouchard, Donald Roeser and Richard Meltzer
publisher:
Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (in 1972)
3.353:43
5Before the Kiss, a Redcap
engineer:
David Lucas and Billy Robertson
associate producer:
David Lucas
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar and lead vocals:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Joe Bouchard (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Before the Kiss, a Redcap (in 1971-10)
writer:
Donald Roeser, Allen Lanier and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (in 1972)
3.354:57
6Screams
engineer:
David Lucas and Billy Robertson
associate producer:
David Lucas
producer:
Murray Krugman and Sandy Pearlman
bass and lead vocals:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Screams (in 1971-10)
lyricist and composer:
Joe Bouchard
publisher:
Sony/ATV Tunes LLC (in 1972)
2.653:10
7She’s as Beautiful as a Foot
engineer:
David Lucas and Billy Robertson
associate producer:
David Lucas
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
She's as Beautiful as a Foot (in 1971-10)
writer:
Albert Bouchard, Allen Lanier and Richard Meltzer
publisher:
Sony/ATV Tunes LLC (in 1972)
32:56
8Cities on Flame With Rock and Roll
engineer:
David Lucas and Billy Robertson
associate producer:
David Lucas
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Albert Bouchard (in 1971-10)
vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10), Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1972)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Cities on Flame With Rock and Roll (in 1971-10)
writer:
Albert Bouchard, Buck Dharma and Sandy Pearlman
publisher:
Blue Öyster Cult Music, Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (in 1973)
3.94:03
9Workshop of the Telescopes
engineer:
David Lucas and Billy Robertson
associate producer:
David Lucas
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Workshop of the Telescopes (in 1971-10)
writer:
Eric Bloom (Blue Öyster Cult), Albert Bouchard, Joe Bouchard, Donald Roeser, Allen Lanier and Sandy Pearlman
publisher:
Sony Tunes, Inc. and Sony/ATV Tunes LLC (in 1972)
44:00
10Redeemed
engineer:
David Lucas and Billy Robertson
associate producer:
David Lucas
producer:
Murray Krugman and Sandy Pearlman
bass:
Joe Bouchard (in 1971-10)
guitar:
Donald Roeser (in 1971-10)
guitar and keyboard:
Eric Bloom (Blue Öyster Cult) (in 1971-10) and Allen Lanier (in 1971-10)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1971-10)
vocals:
Joe Bouchard (in 1971-10) and Donald Roeser (in 1971-10)
recorded at:
The Warehouse (New York studio) in Manhattan, New York, New York, United States (in 1971-10)
recording of:
Redeemed (in 1971-10)
writer:
Albert Bouchard, Harry Farcas, Allen Lanier and Sandy Pearlman
publisher:
Sony/ATV Tunes LLC (in 1972)
3.53:51