| # | Title | Rating | Length |
|---|
| 1 | Extraordinary- recording engineer:
- The Matrix and Krish Sharma (drums (drum set))
- producer:
- The Matrix
- mixer:
- Serban Ghenea
- drums (drum set):
- Victor Indrizzo
- guitar:
- Corky James
- additional vocals:
- The Matrix and The Wizardz of Oz
- arranger:
- The Matrix
- recorded at:
- Decoy Studios in Studio City, Los Angeles, California, United States and House of Blues Studios in Encino, California, United States (drums (drum set))
- mixed at:
- Windmark Recording in Virginia Beach, Virginia, United States
- recording of:
- Extraordinary
- writer:
- Lauren Christy, Graham Edwards, Liz Phair and Scott Spock
- publisher:
- Civil War Days Music (in 2003), Graham Edwards Songs (in 2003), Hollylodge Music (in 2003), Rainbow Fish (in 2003), Scott Spock Songs (in 2003), Sony/ATV Tunes LLC (in 2003) and Warner–Tamerlane Publishing Corp. (in 2003)
| 5 | 3:25 |
| 2 | Red Light Fever- recording engineer and producer:
- Michael Penn
- additional engineer:
- Howard Willing
- assistant engineer:
- Mike Glines
- mixer:
- Tom Lord‐Alge
- bass:
- Mike Elizondo
- drums (drum set):
- Matt Chamberlin
- guitar:
- Michael Penn
- keyboard:
- Patrick Warren
- percussion:
- Lenny Castro
- background vocals:
- Alison Clark
- vocals:
- Liz Phair
- additionally recorded at:
- Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sonora Recorders in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- South Beach Studios in Miami Beach, Florida, United States
- additionally engineered at:
- Sunset Sound in Hollywood, Los Angeles, California, United States
- recording of:
- Red Light Fever
- writer:
- Gary Clark and Liz Phair
- publisher:
- Chrysalis Music Ltd. (in 2003), Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (in 2003)
| 4 | 4:52 |
| 3 | Why Can’t I?- recording engineer:
- The Matrix and Krish Sharma (drums (drum set))
- producer:
- The Matrix
- mixer:
- Serban Ghenea
- drums (drum set):
- Victor Indrizzo
- guitar:
- Corky James
- additional vocals:
- The Matrix and The Wizardz of Oz
- arranger:
- The Matrix
- recorded at:
- Decoy Studios in Studio City, Los Angeles, California, United States and House of Blues Studios in Encino, California, United States (drums (drum set))
- mixed at:
- Windmark Recording in Virginia Beach, Virginia, United States
- recording of:
- Why Can’t I
- writer:
- Lauren Christy, Graham Edwards, Liz Phair and Scott Spock
- publisher:
- Civil War Days Music (in 2003), Graham Edwards Songs (in 2003), Hollylodge Music (in 2003), Rainbow Fish (in 2003), Scott Spock Songs (in 2003), Sony/ATV Tunes LLC (in 2003) and Warner–Tamerlane Publishing Corp. (in 2003)
| 5 | 3:28 |
| 4 | It’s Sweet- recording engineer and producer:
- Michael Penn
- assistant engineer:
- Mike Glines
- mixer:
- Serban Ghenea
- bass:
- Michael Penn
- drums (drum set):
- John Sands
- guitar:
- Michael Penn, Liz Phair and R. Walt Vincent
- vocals:
- Liz Phair
- additionally recorded at:
- Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sonora Recorders in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Windmark Recording in Virginia Beach, Virginia, United States
- recording of:
- It’s Sweet
- writer:
- Liz Phair
- publisher:
- Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (in 2003)
| 4 | 2:55 |
| 5 | Rock Me- recording engineer:
- The Matrix and Krish Sharma (drums (drum set))
- assistant engineer:
- Andrew Nast
- producer:
- The Matrix
- mixer:
- Tom Lord‐Alge
- drums (drum set):
- Victor Indrizzo
- guitar:
- Corky James
- additional vocals:
- The Matrix
- arranger:
- The Matrix
- recorded at:
- Decoy Studios in Studio City, Los Angeles, California, United States and Master Control in Burbank, California, United States (drums (drum set))
- mixed at:
- South Beach Studios in Miami Beach, Florida, United States
- recording of:
- Rock Me
- writer:
- Lauren Christy, Graham Edwards, Liz Phair and Scott Spock
- publisher:
- Civil War Days Music (in 2003), Graham Edwards Songs (in 2003), Hollylodge Music (in 2003), Rainbow Fish (in 2003), Scott Spock Songs (in 2003), Sony/ATV Tunes LLC (in 2003) and Warner–Tamerlane Publishing Corp. (in 2003)
| 5 | 3:20 |
| 6 | Take a Look- recording engineer and producer:
- Michael Penn
- additional engineer:
- Howard Willing
- assistant engineer:
- Mike Glines
- mixer:
- Serban Ghenea
- bass:
- Mike Elizondo
- drums (drum set):
- Matt Chamberlin
- guitar:
- Wendy Melvoin and Michael Penn
- keyboard:
- Patrick Warren
- percussion:
- Lenny Castro
- vocals:
- Liz Phair
- additionally recorded at:
- Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sonora Recorders in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Windmark Recording in Virginia Beach, Virginia, United States
- recording of:
- Take a Look
- writer:
- Liz Phair
- publisher:
- Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (in 2003)
| 4 | 3:29 |
| 7 | Little Digger- recording engineer and producer:
- Michael Penn
- additional engineer:
- Ryan Freeland
- assistant engineer:
- Mike Glines
- mixer:
- Serban Ghenea
- bass and guitar:
- Michael Penn
- drums (drum set):
- John Sands
- piano:
- Patrick Warren
- sampler:
- Michael Penn and Liz Phair
- vocals:
- Liz Phair
- additionally recorded at:
- Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sonora Recorders in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Windmark Recording in Virginia Beach, Virginia, United States
- recording of:
- Little Digger
- writer:
- Liz Phair
- publisher:
- Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (in 2003)
| 4 | 3:36 |
| 8 | Firewalker | 5 | 4:29 |
| 9 | Favorite- assistant recording engineer:
- Andrew Nast
- recording engineer and producer:
- The Matrix
- drums (drum set) programming:
- Krish Sharma
- mixer:
- Tom Lord‐Alge
- drums (drum set):
- Victor Indrizzo
- guitar:
- Corky James
- additional vocals:
- The Matrix
- arranger:
- The Matrix
- recorded at:
- Decoy Studios in Studio City, Los Angeles, California, United States and Master Control in Burbank, California, United States (drums (drum set))
- mixed at:
- South Beach Studios in Miami Beach, Florida, United States
- recording of:
- Favorite
- writer:
- Lauren Christy, Graham Edwards, Liz Phair and Scott Spock
- publisher:
- Civil War Days Music (in 2003), Graham Edwards Songs (in 2003), Hollylodge Music (in 2003), Rainbow Fish (in 2003), Scott Spock Songs (in 2003), Sony/ATV Tunes LLC (in 2003) and Warner–Tamerlane Publishing Corp. (in 2003)
| 4 | 3:24 |
| 10 | Love/Hate | 4 | 3:43 |
| 11 | H.W.C. | 4 | 2:56 |
| 12 | My Bionic Eyes | 4 | 3:52 |
| 13 | Friend of Mine- recording engineer and producer:
- Michael Penn
- assistant engineer:
- Mike Glines
- mixer:
- Serban Ghenea
- bass:
- Wendy Melvoin
- drums (drum set):
- Abe Laboriel Jr.
- guitar and background vocals:
- Michael Penn
- keyboard:
- Patrick Warren
- vocals:
- Liz Phair
- additionally recorded at:
- Sage and Sound Recording in Hollywood, Los Angeles, California, United States, Sonora Recorders in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Windmark Recording in Virginia Beach, Virginia, United States
- recording of:
- Friend of Mine
- lyricist and composer:
- Liz Phair
- publisher:
- Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (in 2003)
| 4 | 3:44 |
| 14 | Good Love Never Dies | 4 | 2:59 |
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