It’s Time

~ Release by Michael Bublé (see all versions of this release, 15 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Feeling Good
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor and Jochem van der Saag
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
guitar:
Dean Parks (American session guitarist)
percussion:
Rafael Padilla
piano:
Randy Waldman
arranger:
David Foster (Canadian music producer, arranger and composer) and Don Sebesky
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
Feeling Good
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Michael Bublé4.353:57
2A Foggy Day (in London Town)
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Dave Tull
guitar:
Brian Green (producer)
percussion:
Rafael Padilla
piano:
Randy Waldman
arranger:
Bill Holman
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Michael Bublé42:32
3You Don’t Know Me
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
guitar:
Dean Parks (American session guitarist)
piano:
Alan Chang
solo guitar:
Brian Green (producer)
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
You Don’t Know Me
writer:
Eddy Arnold and Cindy Walker (US songwriter, singer and dancer)
publisher:
ソニー・ミュージックパブリッシング A事業部, Unichappell Music, Inc. (in 1955), Hill and Range Songs, Inc. (on 1955-08-19) and Mijac Music (in 2006)
sub-publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2006)
Michael Bublé44:14
4Quando, quando, quando
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
flute and saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
guitar:
Heitor Pereira
keyboard:
David Foster (Canadian music producer, arranger and composer)
percussion:
Rafael Padilla
guest lead vocals:
Nelly Furtado
strings arranger:
Jorge Calandrelli
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
Quando, quando, quando (English version)
lyricist:
Alberto Testa
composer:
Tony Renis
translator:
Charles Boone and Ervin Drake (Songwriter)
translated version of:
Quando, quando, quando
Michael Bublé duet with Nelly Furtado44:45
5Home
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor and Jochem van der Saag
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
guitar:
Dean Parks (American session guitarist)
percussion:
Rafael Padilla
piano:
David Foster (Canadian music producer, arranger and composer)
solo guitar:
Brian Green (producer)
background vocals:
Debbie Timuss
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
recording of:
Home
writer:
Michael Bublé, Alan Chang and Amy Foster-Gillies
Michael Bublé23:45
6Can’t Buy Me Love
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor and Jochem van der Saag
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Robert Hurst (jazz bassist composer)
drums (drum set):
Jeff Hamilton (jazz drummer)
organ:
Jochem van der Saag
percussion:
Rafael Padilla
piano:
Tamir Hendelman
arranger:
John Clayton Jr. and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
Can’t Buy Me Love
writer:
John Lennon (The Beatles) (in 1964-01) and Paul McCartney (The Beatles) (in 1964-01)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Sony/ATV Tunes LLC and Unart Music Corp.
written at:
George V Hotel in Paris, Île-de-France, France (from 1964-01 until 1964-02)
Michael Bublé23:15
7The More I See You
recording engineer and mixer:
Al Schmitt
assistant engineer:
Andy Brohard, Wil Donovan (engineer) and Bruce Monical
engineer:
Steve Genewick (task: Pro Tools)
producer:
Tommy LiPuma
alto saxophone:
Keith Fiddmont
baritone saxophone:
Lee Callet
bass guitar:
Christian McBride (American jazz bassist)
bass trombone:
Bill Reichenbach, Jr. (jazz trombonist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Anthony Wilson (guitarist and composer)
piano:
Tamir Hendelman
solo alto saxophone:
Jeff Clayton (saxophonist and flautist)
solo tenor saxophone:
Rickey Woodard
tenor saxophone:
Charles Owens (US jazz & session saxophonist, from Phoenix, born 193)
trombone:
George Bohanon, Ira Nepus and Ryan Porter (jazz trombonist)
trumpet:
Gilbert Castillanos, Sal Cracchiolo, Kye Palmer and Bijon Watson
arranger:
John Clayton Jr.
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
cover recording of:
The More I See You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
Michael Bublé53:48
8Save the Last Dance for Me
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor and Jochem van der Saag
additional engineer:
Neil Devor, Alejandro Rodríguez (engineer based in Los Angeles) and Jorge Vivo (engineer)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
acoustic guitar:
Brandon Jenner
bass guitar and piano:
David Foster (Canadian music producer, arranger and composer)
drums (drum set):
Vinnie Colaiuta (drummer)
electric guitar:
Michael Thompson (session guitarist)
percussion:
Rafael Padilla
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
Save the Last Dance for Me
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Hill & Range (publisher) (in 1974) and Trio Music (publisher) (in 1974)
Michael Bublé43:39
9Try a Little Tenderness
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
acoustic guitar:
Brian Green (producer)
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
electric guitar:
Dean Parks (American session guitarist)
piano:
Randy Waldman
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Michael Bublé4:06
10How Sweet It Is
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor and Jochem van der Saag
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
David Foster (Canadian music producer, arranger and composer)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Dean Parks (American session guitarist)
harmonica and organ:
Jochem van der Saag
piano:
Tamir Hendelman
arranger:
John Clayton Jr.
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
How Sweet It Is (to Be Loved by You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
Michael Bublé2:59
11Song for You
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
guest trumpet:
Chris Botti
guitar:
Michael Thompson (session guitarist)
piano:
David Foster (Canadian music producer, arranger and composer)
arranger:
David Foster (Canadian music producer, arranger and composer) and William Ross (composer, orchestrator, arranger, conductor)
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
A Song for You
lyricist and composer:
Leon Russell
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Michael Bublé featuring Chris Botti4:43
12I’ve Got You Under My Skin
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Frank Capp
guitar:
John Chiodini
piano:
Randy Waldman
arranger:
Nelson Riddle
orchestrator:
Sammy Nestico
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Michael Bublé43:40
13You and I
recording engineer and mixer:
Humberto Gatica
programming:
Neil Devor
additional engineer:
Neil Devor and Alejandro Rodríguez (engineer based in Los Angeles)
audio engineer:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) and Joe Wohlmuth
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Christian Robles
bass guitar:
Brian Bromberg
drums (drum set):
Dave Tull
piano:
David Foster (Canadian music producer, arranger and composer)
arranger:
David Foster (Canadian music producer, arranger and composer) and Jeremy Lubbock
phonographic copyright (℗) by:
Reprise Records (in 2005) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
You and I
lyricist and composer:
Stevie Wonder
publisher:
Arabella Éditions Musicales SARL, Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
sub-publisher:
大洋音楽
Michael Bublé3:55

Credits

Release

photography:Olaf Heine (photographer and artist)
miscellaneous support:Bruce Allen (Canadian artist manager) (task: management)
Courtney Blooding (task: production coordinator)
Kathy Frangetis (task: production coordinator)
assistant engineer:Jason Carson (engineer) (task: assistant at Record Plant)
Norm Dlugatch (task: assistant at Paramount Studios)
Alex Gibson (American music producer) (task: assistant at Henson Recording)
Dominic Gonzales (task: assistant at Paramount Studios)
Anthony Kilhoffer (task: assistant at Record Plant)
Mark Valentine (task: assistant at Henson Recording)
Paul Wertheimer (engineer) (task: assistant at Paramount Studios)
assistant recording engineer:Wade Childers
Patrick Spain
Rich Toenes
mastering:Vlado Meller
design:Mick Haggerty
manufactured by and distributed by:Warner Music Canada Co. (subsidiary of WMG, formerly Warner Music Canada Ltd until 2004)
copyrighted (©) by and phonographic copyright (℗) by:Reprise Records (in 2005)
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
pressed by:Cinram (CD/DVD/Blu‐ray manufacturer)
additionally recorded at:Henson Recording (former A&M Studios) in Hollywood, Los Angeles, California, United States
Paramount Studios in Hollywood, Los Angeles, California, United States
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
Signet Sound in Los Angeles, California, United States
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
Warner Bros. Sound Stage
mastered at:Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
Discogs:https://www.discogs.com/release/1045704 [info]
ASIN:CA: B00070Q7VO [info]