Christmas Oratorio

~ Release by Johann Sebastian Bach:Sir Philip Ledger (see all versions of this release, 1 available)

Tracklist

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CD 1
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1Cantata No.1 'Jauchzet, Frohlocket': Chorus: Jauchzet, Frohlocket8:17
2Cantata No.1 'Jauchzet, Frohlocket': Recitative: Es Begab Sih Aber Zu Der Zeit
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:27
3Cantata No.1 'Jauchzet, Frohlocket': Arioso: Nun Wird Mein Liebster Brautigam
alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:06
4Cantata No.1 'Jauchzet, Frohlocket': Aria: Bereite Dich, Zion
mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:30
5Cantata No.1 'Jauchzet, Frohlocket': Chorale: Wie Soll Ich Dich Empfangen
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:18
6Cantata No.1 'Jauchzet, Frohlocket': Recitative: Und Sie Gebar Ihren Ersten Sohn
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:30
7Cantata No.1 'Jauchzet, Frohlocket': Recitative & Chorale: Es Ist Auf Erden Kommen Arm
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
3:43
8Cantata No.1 'Jauchzet, Frohlocket': Aria: Grosser Herr, O Starker Konig
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:54
9Cantata No.1 'Jauchzet, Frohlocket': Chorale: Ach Mein Herzliebes Jesulein!
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:15
10Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Sinfonia
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:02
11Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: Und Es Waren Hirten In...
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:48
12Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Chorale: Brich An, O Schones Morgenlicht
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:17
13Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: Und Der Engel Sprach Zu Ihnen
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:49
14Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: Was Gott Dem Abraham Verheissen
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:56
15Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Aria: Frohe Hirten, Eilt, Ach Eilet
tenor vocals:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
3:57
16Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: Und Das Habt Zum Zeichen
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:28
17Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Chorale: Schaut Hin, Dort Liegt Im...
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:43
18Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: So Geht Denn Hin, Ihr Hirten...
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:02
19Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Aria: Schlafe, Mein Liebster
alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
9:10
20Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: Und Alsobald War Da Bei Dem...
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:17
21Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Chorus: Ehre Sei Gott In Der Hohe
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:45
22Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Recitative: So Recht, Ihr Engel, Jauchzt...
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:31
23Cantata No.2 'Und Es Waren Hirten In Derselben Gegend': Chorale: Wir Singen Dir In Deinem Heer
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (from 1976-07 until 1976-12)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:26
24Cantata No.3 'Herrsher Des Himmels': Chorus: Herrscher Des Himmels, Erhore Das Lallen
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:09
25Cantata No.3 'Herrsher Des Himmels': Recitative: Und Da Die Engel Von Ihnen Gen Himmel Fuhren
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:13
26Cantata No.3 'Herrsher Des Himmels': Chorus: Lasset Uns Nun Gehen Gen Bethlehem
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:45
27Cantata No.3 'Herrsher Des Himmels': Recitative: Er Hat Sein Volk Getrost't
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:47
28Cantata No.3 'Herrsher Des Himmels': Chorale: Dies Hat Er Alles Uns Getan
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:51
29Cantata No.3 'Herrsher Des Himmels': Duet: Frohe Hirten, Eilt, Ach Eilet
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
7:19
30Cantata No.3 'Herrsher Des Himmels': Recitative: Und Sie Kamen Eilend Und Fanden Beide
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:27
31Cantata No.3 'Herrsher Des Himmels': Aria: Schliesse, Mein Herze, Dies Selige Wunder
alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:26
32Cantata No.3 'Herrsher Des Himmels': Recitative: Ja, Ja, Mein Herz Soll Es Bewahren
alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:35
33Cantata No.3 'Herrsher Des Himmels': Chorale: Ich Will Dich Mit Fleiss Bewahren
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:05
CD 2
#TitleRatingLength
1Cantata No.3 'Herrsher Des Himmels': Recitative: Und Die Hirten Kehrten Wieder Um
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:30
2Cantata No.3 'Herrsher Des Himmels': Chorale: Seid Froh Dieweil
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:55
3Cantata No.3 'Herrsher Des Himmels': Chorus: Herrscher Des Himmels, Erhore Das Lallen2:16
4Cantata No.4 'Fallt Mit Danken, Fallt Mit Loben': Chorus: Fallt Mit Danken, Fallt Mit Loben
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:56
5Cantata No.4 'Fallt Mit Danken, Fallt Mit Loben': Recitative: Und Da Acht Tage Um Waren
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:43
6Cantata No.4 'Fallt Mit Danken, Fallt Mit Loben': Recitative And Arioso With Chorale: Immanuel...
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:56
7Cantata No.4 'Fallt Mit Danken, Fallt Mit Loben': Aria: Flosst, Mein Heiland
soprano vocals:
Elly Ameling (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:39
8Cantata No.4 'Fallt Mit Danken, Fallt Mit Loben': Recitative And Arioso: Wohlan! Dein Name Soll...
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:36
9Cantata No.4 'Fallt Mit Danken, Fallt Mit Loben': Aria: Ich Will Nur Dir Zu Ehren Leben
tenor vocals:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:01
10Cantata No.4 'Fallt Mit Danken, Fallt Mit Loben': Chorale: Jesus Richte Mein Beginnen
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:21
11Cantata No.5 'Ehre Sei Dir, Gott, Gesungen': Chorus: Ehre Sei Dir, Gott, Gesungen
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
7:08
12Cantata No.5 'Ehre Sei Dir, Gott, Gesungen': Recitative: Da Jesus Geboren War Zu Bethlehem
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:25
13Cantata No.5 'Ehre Sei Dir, Gott, Gesungen': Chorus & Recitative: Wo Ist Der Neugeborne Konig Der...
alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:59
14Cantata No.5 'Ehre Sei Dir, Gott, Gesungen': Chorale: Dein Glanz All Finsternis Verzehrt
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:57
15Cantata No.5 'Ehre Sei Dir, Gott, Gesungen': Aria: Erleucht Auch Meine Finstre Sinnen4:05
16Cantata No.5 'Ehre Sei Dir, Gott, Gesungen': Recitative: Da Das Der Konig Herodes Horte
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:15
17Cantata No.5 'Ehre Sei Dir, Gott, Gesungen': Recitative: Warum Wollt Ihr Erschrecken?
alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:42
18Cantata No.5 'Ehre Sei Dir, Gott, Gesungen': Recitative: Und Liess Versammeln Alle Hohenpriester
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:21
19Cantata No.5 'Ehre Sei Dir, Gott, Gesungen': Trio: Ach, Wann Wird Die Zeit Erscheinen
alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
tenor vocals:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:27
20Cantata No.5 'Ehre Sei Dir, Gott, Gesungen': Recitative: Mein Liebster Herrschet Schon
alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:37
21Cantata No.5 'Ehre Sei Dir, Gott, Gesungen': Chorael: Zwar Ist Solche Herzensstube
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:03
22Cantata No.6 'Herr, Wenn Die Stolzen Feinde Schnauben': Chorus: Herr, Wen Die Stolzen Feinde...
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:20
23Cantata No.6 'Herr, Wenn Die Stolzen Feinde Schnauben': Recitative: Da Berief Herodes Die Weisen...
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:52
24Cantata No.6 'Herr, Wenn Die Stolzen Feinde Schnauben': Recitative: Du Falscher, Suche Nur Den...
soprano vocals:
Elly Ameling (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:00
25Cantata No.6 'Herr, Wenn Die Stolzen Feinde Schnauben': Aria: Nur Ein Wink Von Seinen Handen
soprano vocals:
Elly Ameling (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
3:38
26Cantata No.6 'Herr, Wenn Die Stolzen Feinde Schnauben': Recitative: Als Sie Nun Den Konig Gehoret...
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:18
27Cantata No.6 'Herr, Wenn Die Stolzen Feinde Schnauben': Chorale: Ich Steh An Deiner Krippen Hier
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:08
28Cantata No.6 'Herr, Wenn Die Stolzen Feinde Schnauben': Recitative: Und Gott Befahl Ihnen Im Traum
tenor vocals [Evangelist]:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:25
29Cantata No.6 'Herr, Wenn Die Stolzen Feinde Schnauben': Recitative: So Geht! Genug, Mein Schatz...
tenor vocals:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:59
30Cantata No.6 'Herr, Wenn Die Stolzen Feinde Schnauben': Aria: Nun Mogt Ihr Stolzen Feinde Schrecken
tenor vocals:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:48
31Cantata No.6 'Herr, Wenn Die Stolzen Feinde Schnauben': Recitative: Was Will Der Holle Schrecken...
alto vocals:
Dame Janet Baker (mezzo-soprano and alto)
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
soprano vocals:
Elly Ameling (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:50
32Cantata No.6 'Herr, Wenn Die Stolzen Feinde Schnauben': Chorale: Nun Seid Ihr Wohl Gerochen
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Philip Ledger
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 1976-07 until 1976-12)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
3:27

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ASIN:UK: B001MXTQVS [info]