Cannonball Adderley, Vol. 2: Seven Classic Albums

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Quintet at the Lighthouse / African Waltz
#TitleArtistRatingLength
1Sack o’ Woe
alto saxophone:
Cannonball Adderley (on 1960-10-16)
cornet:
Nat Adderley (on 1960-10-16)
double bass:
Sam Jones (US jazz bassist) (on 1960-10-16)
drums (drum set):
Louis Hayes (on 1960-10-16)
piano:
Victor Feldman (jazz musician) (on 1960-10-16)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
The Lighthouse Cafe in Hermosa Beach, California, United States (on 1960-10-16)
The Cannonball Adderley Quintet10:42
2Azule Serape
alto saxophone:
Cannonball Adderley (on 1960-10-16)
cornet:
Nat Adderley (on 1960-10-16)
double bass:
Sam Jones (US jazz bassist) (on 1960-10-16)
drums (drum set):
Louis Hayes (on 1960-10-16)
piano:
Victor Feldman (jazz musician) (on 1960-10-16)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
The Lighthouse Cafe in Hermosa Beach, California, United States (on 1960-10-16)
The Cannonball Adderley Quintet9:27
3Big "P"
alto saxophone:
Cannonball Adderley (on 1960-10-16)
cornet:
Nat Adderley (on 1960-10-16)
double bass:
Sam Jones (US jazz bassist) (on 1960-10-16)
drums (drum set):
Louis Hayes (on 1960-10-16)
piano:
Victor Feldman (jazz musician) (on 1960-10-16)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
The Lighthouse Cafe in Hermosa Beach, California, United States (on 1960-10-16)
recording of:
Big “P”
composer:
Jimmy Heath
publisher:
MJQ Music, Inc.
The Cannonball Adderley Quintet5:53
4Blue Daniel
alto saxophone:
Cannonball Adderley (on 1960-10-16)
cornet:
Nat Adderley (on 1960-10-16)
double bass:
Sam Jones (US jazz bassist) (on 1960-10-16)
drums (drum set):
Louis Hayes (on 1960-10-16)
piano:
Victor Feldman (jazz musician) (on 1960-10-16)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
The Lighthouse Cafe in Hermosa Beach, California, United States (on 1960-10-16)
live recording of:
Blue Daniel (on 1960-10-16)
writer:
Frank Rosolino
The Cannonball Adderley Quintet7:28
5Exodus
alto saxophone:
Cannonball Adderley (on 1960-10-16)
cornet:
Nat Adderley (on 1960-10-16)
double bass:
Sam Jones (US jazz bassist) (on 1960-10-16)
drums (drum set):
Louis Hayes (on 1960-10-16)
piano:
Victor Feldman (jazz musician) (on 1960-10-16)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
The Lighthouse Cafe in Hermosa Beach, California, United States (on 1960-10-16)
The Cannonball Adderley Quintet7:38
6What Is This Thing Called Love
alto saxophone:
Cannonball Adderley (on 1960-10-16)
cornet:
Nat Adderley (on 1960-10-16)
double bass:
Sam Jones (US jazz bassist) (on 1960-10-16)
drums (drum set):
Louis Hayes (on 1960-10-16)
piano:
Victor Feldman (jazz musician) (on 1960-10-16)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
The Lighthouse Cafe in Hermosa Beach, California, United States (on 1960-10-16)
live instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1960-10-16)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
The Cannonball Adderley Quintet4:47
7Something Different
recorded in:
New York, New York, United States (on 1961-05-09)
alto saxophone:
Cannonball Adderley (on 1961-05-09)
alto saxophone and flute:
George Dorsey (on 1961-05-09)
baritone saxophone:
Arthur Clarke (baritone saxophonist) (on 1961-05-09)
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-05-09)
congas:
Ray Barretto (on 1961-05-09)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-09)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-05-09)
flute and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-05-09)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-09)
piano:
Wynton Kelly (on 1961-05-09)
trombone:
Jimmy Cleveland (on 1961-05-09) and Melba Liston (on 1961-05-09)
trumpet:
Nat Adderley (on 1961-05-09), Ernie Royal (on 1961-05-09), Clark Terry (American swing trumpeter) (on 1961-05-09) and Nick Travis (on 1961-05-09)
tuba:
Don Butterfield (on 1961-05-09)
valve trombone:
Bob Brookmeyer (on 1961-05-09)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012) and Kendal (in 2014)
Cannonball Adderley3:03
8West Coast Blues
recorded in:
New York, New York, United States (on 1961-05-09)
alto saxophone:
Cannonball Adderley (on 1961-05-09)
alto saxophone and flute:
George Dorsey (on 1961-05-09)
baritone saxophone:
Arthur Clarke (baritone saxophonist) (on 1961-05-09)
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-05-09)
congas:
Ray Barretto (on 1961-05-09)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-09)
drums (drum set):
Louis Hayes (on 1961-05-09)
flute and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-05-09)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-09)
piano:
Wynton Kelly (on 1961-05-09)
trombone:
Jimmy Cleveland (on 1961-05-09) and Melba Liston (on 1961-05-09)
trumpet:
Nat Adderley (on 1961-05-09), Ernie Royal (on 1961-05-09), Clark Terry (American swing trumpeter) (on 1961-05-09) and Nick Travis (on 1961-05-09)
tuba:
Don Butterfield (on 1961-05-09)
valve trombone:
Bob Brookmeyer (on 1961-05-09)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Kendal (in 2014)
recording of:
West Coast Blues (on 1961-05-09)
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
Cannonball Adderley4:03
9Smoke Gets in Your Eyes
recorded in:
New York, New York, United States (on 1961-05-09)
alto saxophone:
Cannonball Adderley (on 1961-05-09)
alto saxophone and flute:
George Dorsey (on 1961-05-09)
baritone saxophone:
Arthur Clarke (baritone saxophonist) (on 1961-05-09)
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-05-09)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-09)
drums (drum set):
Louis Hayes (on 1961-05-09)
flute and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-05-09)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-09)
piano:
Wynton Kelly (on 1961-05-09)
trombone:
Jimmy Cleveland (on 1961-05-09) and Melba Liston (on 1961-05-09)
trumpet:
Nat Adderley (on 1961-05-09), Ernie Royal (on 1961-05-09), Clark Terry (American swing trumpeter) (on 1961-05-09) and Nick Travis (on 1961-05-09)
tuba:
Don Butterfield (on 1961-05-09)
valve trombone:
Bob Brookmeyer (on 1961-05-09)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
instrumental recording of:
Smoke Gets in Your Eyes (on 1961-05-09)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
translated version of:
Sen jag mötte dig
part of:
Roberta
Cannonball Adderley3:01
10The Uptown
recorded in:
New York, New York, United States (on 1961-05-15)
alto saxophone:
Cannonball Adderley (on 1961-05-15)
alto saxophone and flute:
George Dorsey (on 1961-05-15)
baritone saxophone:
Arthur Clarke (baritone saxophonist) (on 1961-05-15)
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-05-15)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-15)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-05-15)
flute and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-05-15)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-15)
piano:
Wynton Kelly (on 1961-05-15)
trombone:
Jimmy Cleveland (on 1961-05-15) and Melba Liston (on 1961-05-15)
trumpet:
Nat Adderley (on 1961-05-15), Ernie Royal (on 1961-05-15), Clark Terry (American swing trumpeter) (on 1961-05-15) and Nick Travis (on 1961-05-15)
tuba:
Don Butterfield (on 1961-05-15)
valve trombone:
Bob Brookmeyer (on 1961-05-15)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
recording of:
The Uptown (on 1961-05-15)
composer:
Junior Mance
Cannonball Adderley2:13
11Stockholm Sweetnin’
recorded in:
New York, New York, United States (on 1961-05-15)
alto saxophone:
Cannonball Adderley (on 1961-05-15)
alto saxophone and flute:
George Dorsey (on 1961-05-15)
baritone saxophone:
Arthur Clarke (baritone saxophonist) (on 1961-05-15)
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-05-15)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-15)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-05-15)
flute and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-05-15)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-15)
piano:
Wynton Kelly (on 1961-05-15)
trombone:
Jimmy Cleveland (on 1961-05-15) and Melba Liston (on 1961-05-15)
trumpet:
Nat Adderley (on 1961-05-15), Ernie Royal (on 1961-05-15), Clark Terry (American swing trumpeter) (on 1961-05-15) and Nick Travis (on 1961-05-15)
tuba:
Don Butterfield (on 1961-05-15)
valve trombone:
Bob Brookmeyer (on 1961-05-15)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
recording of:
Stockholm Sweetnin' (on 1961-05-15)
composer:
Quincy Jones
publisher:
Silhouette Music Corp.
Cannonball Adderley3:40
12African Waltz
recorded in:
New York, New York, United States (on 1961-02-28)
alto saxophone:
Cannonball Adderley (on 1961-02-28)
alto saxophone and flute:
George Dorsey (on 1961-02-28)
baritone saxophone:
Arthur Clarke (baritone saxophonist) (on 1961-02-28)
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-02-28)
bongos and congas:
Michael Olatuja (UK electric and acoustic bassist/composer, based in New York) (on 1961-02-28)
double bass:
Sam Jones (US jazz bassist) (on 1961-02-28)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-02-28)
flute and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-28)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-02-28)
piano:
Wynton Kelly (on 1961-02-28)
trombone:
Jimmy Cleveland (on 1961-02-28), George Matthews (trombone) (on 1961-02-28) and Arnett Sparrow (on 1961-02-28)
trumpet:
Nat Adderley (on 1961-02-28), Joe Newman (US jazz trumpeter) (on 1961-02-28), Ernie Royal (on 1961-02-28) and Clark Terry (American swing trumpeter) (on 1961-02-28)
tuba:
Don Butterfield (on 1961-02-28)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
Cannonball Adderley2:09
13Blue Brass Groove
alto saxophone:
Cannonball Adderley
alto saxophone and flute:
George Dorsey
baritone saxophone:
Arthur Clarke (baritone saxophonist)
bass:
Sam Jones (US jazz bassist)
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.)
bongos and congas:
Michael Olatuja (UK electric and acoustic bassist/composer, based in New York)
congas:
Ray Barretto
drums (drum set):
Louis Hayes and Charlie Persip (American jazz drummer)
flute and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) and Jerome Richardson
piano:
Wynton Kelly
trombone:
Jimmy Cleveland, Melba Liston, George Matthews (trombone) and Arnett Sparrow
trumpet:
Nat Adderley, Joe Newman (US jazz trumpeter), Ernie Royal, Clark Terry (American swing trumpeter) and Nick Travis
tuba:
Don Butterfield
valve trombone:
Bob Brookmeyer
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
Cannonball Adderley4:49
14Kelly Blue
recorded in:
New York, New York, United States (on 1961-02-28)
alto saxophone:
Cannonball Adderley (on 1961-02-28)
alto saxophone and flute:
George Dorsey (on 1961-02-28)
baritone saxophone:
Arthur Clarke (baritone saxophonist) (on 1961-02-28)
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-02-28)
bongos and congas:
Michael Olatuja (UK electric and acoustic bassist/composer, based in New York) (on 1961-02-28)
double bass:
Sam Jones (US jazz bassist) (on 1961-02-28)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-02-28)
flute and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-28)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-02-28)
piano:
Wynton Kelly (on 1961-02-28)
trombone:
Jimmy Cleveland (on 1961-02-28), George Matthews (trombone) (on 1961-02-28) and Arnett Sparrow (on 1961-02-28)
trumpet:
Nat Adderley (on 1961-02-28), Joe Newman (US jazz trumpeter) (on 1961-02-28), Ernie Royal (on 1961-02-28) and Clark Terry (American swing trumpeter) (on 1961-02-28)
tuba:
Don Butterfield (on 1961-02-28)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
Cannonball Adderley3:49
15Letter From Home
recorded in:
New York, New York, United States (on 1961-05-09)
alto saxophone:
Cannonball Adderley (on 1961-05-09)
alto saxophone and flute:
George Dorsey (on 1961-05-09)
baritone saxophone:
Arthur Clarke (baritone saxophonist) (on 1961-05-09)
bass trombone:
Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (on 1961-05-09)
congas:
Ray Barretto (on 1961-05-09)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-09)
drums (drum set):
Louis Hayes (on 1961-05-09)
flute and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-05-09)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-09)
piano:
Wynton Kelly (on 1961-05-09)
trombone:
Jimmy Cleveland (on 1961-05-09) and Melba Liston (on 1961-05-09)
trumpet:
Nat Adderley (on 1961-05-09), Ernie Royal (on 1961-05-09), Clark Terry (American swing trumpeter) (on 1961-05-09) and Nick Travis (on 1961-05-09)
tuba:
Don Butterfield (on 1961-05-09)
valve trombone:
Bob Brookmeyer (on 1961-05-09)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
Cannonball Adderley1:58
16I’ll Close My Eyes
phonographic copyright (℗) by:
Kendal (in 2014)
Cannonball Adderley3:40
▼ CD 2: Know What I Mean / Plus
#TitleRatingLength
1Waltz for Debby
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
double bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2011), Dobre Records (in 2009), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Waltz for Debby (instrumental) (on 1961-03-13)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
45:14
2Goodbye
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-01-27)
double bass:
Percy Heath (on 1961-01-27)
drums (drum set):
Connie Kay (on 1961-01-27)
piano:
Bill Evans (pianist) (on 1961-01-27)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012) and Vantage Music (in 2012)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-01-27)
instrumental recording of:
Goodbye (on 1961-01-27)
lyricist and composer:
Gordon Jenkins
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
6:12
3Who Cares
recorded in:
New York, New York, United States (on 1961-01-27)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-01-27)
bass and double bass:
Percy Heath (on 1961-01-27)
drums (drum set):
Connie Kay (on 1961-01-27)
piano:
Bill Evans (pianist) (on 1961-01-27)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012) and Vantage Music (in 2012)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-01-27)
instrumental cover recording of:
Who Cares? (Of Thee I Sing) (on 1961-01-27)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing (1931 musical)
instrumental recording of:
Who Cares? (Of Thee I Sing) (on 1961-01-27)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing (1931 musical)
cover recording of:
Who Cares? (Of Thee I Sing) (on 1961-01-27)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing (1931 musical)
5:56
4Venice
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
double bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Venice (on 1961-03-13)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
publisher:
MJQ Music, Inc. and Rayven Music
2:53
5Toy
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (on 1961-02-21)
producer:
Orrin Keepnews (in 1961-02)
alto saxophone:
Cannonball Adderley (on 1961-02-21)
double bass and double bass [bass]:
Percy Heath (on 1961-02-21)
drums (drum set):
Connie Kay (on 1961-02-21)
piano:
Bill Evans (pianist) (on 1961-02-21)
phonographic copyright (℗) by:
HHO Licensing (in 2005, in 2008), Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Xelon Productions (in 2010), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-21)
recording of:
Toy (on 1961-02-21)
composer:
Clifford Jordan
publisher:
Upam Music Co.
5:07
6Elsa
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
engineer:
[Recording] Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-02-21)
double bass:
Percy Heath (on 1961-02-21)
drums (drum set):
Connie Kay (on 1961-02-21)
piano:
Bill Evans (pianist) (on 1961-02-21)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012) and Vantage Music (in 2012)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-21)
recording of:
Elsa (on 1961-02-21)
composer:
Earl Zindars
publisher:
Zindars Music and Zindars Publishing
5:49
7Nancy (With the Laughing Face)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-01-27)
bass and double bass:
Percy Heath (on 1961-01-27)
drums (drum set):
Connie Kay (on 1961-01-27)
piano:
Bill Evans (pianist) (on 1961-01-27)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-01-27)
instrumental recording of:
Nancy (With the Laughing Face) (on 1961-01-27)
lyricist:
Phil Silvers
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
4:06
8Know What I Mean (Retake 7)
recorded in:
New York, New York, United States (on 1961-03-13)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
bass and double bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011, in 2012), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Know What I Mean? (on 1961-03-13)
composer:
Bill Evans (pianist)
publisher:
Orpheum Music
4:53
9Arriving Soon
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987) and Swanley (in 2014)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-05-11)
recording of:
Arriving Soon (on 1961-05-11)
writer:
Eddi Vinson
8:08
10Well, You Needn’t
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Wynton Kelly (on 1961-05-11)
vibraphone:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987) and Swanley (in 2014)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-05-11)
recording of:
Well, You Needn’t (on 1961-06-11)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
6:25
11New Delhi
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Wynton Kelly (on 1961-05-11)
vibraphone:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987) and Swanley (in 2014)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-05-11)
recording of:
New Delhi (on 1961-05-11)
writer:
Victor Feldman (jazz musician)
6:56
12Winetone
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Wynton Kelly (on 1961-05-11)
vibraphone:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012) and Swanley (in 2014)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1961-05-11)
recording of:
Winetone (on 1961-05-11)
composer:
Victor Feldman (jazz musician)
6:57
13Star Eyes
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Wynton Kelly (on 1961-05-11)
vibraphone:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1987) and Swanley (in 2014)
recording of:
Star Eyes
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
7:03
▼ CD 3: Plus (cont.) / Sextet in New York / In Europe
#TitleArtistRatingLength
1Lisa
recorded in:
New York, New York, United States (on 1961-05-11)
alto saxophone:
Cannonball Adderley (on 1961-05-11)
cornet:
Nat Adderley (on 1961-05-11)
double bass:
Sam Jones (US jazz bassist) (on 1961-05-11)
drums (drum set):
Louis Hayes (on 1961-05-11)
piano:
Victor Feldman (jazz musician) (on 1961-05-11)
phonographic copyright (℗) by:
Swanley (in 2014)
recording of:
Lisa
composer:
Victor Feldman (jazz musician) and Torrie Zito
Cannonball Adderley6:41
2Introduction By Cannonball
Cannonball Adderley Sextet1:54
3Gemini
alto saxophone:
Cannonball Adderley (from 1962-01-12 until 1962-01-14)
cornet:
Nat Adderley (from 1962-01-12 until 1962-01-14)
double bass:
Sam Jones (US jazz bassist) (from 1962-01-12 until 1962-01-14)
drums (drum set):
Louis Hayes (from 1962-01-12 until 1962-01-14)
flute, oboe and tenor saxophone:
Yusef Lateef
piano:
Joe Zawinul (jazz and fusion keyboard player)
recorded at:
Village Vanguard in New York, New York, United States (from 1962-01-12 until 1962-01-14)
recording of:
Gemini
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Cannonball Adderley Sextet11:44
4Planet Earth
recorded at:
Village Vanguard in New York, New York, United States (from 1962-01-12 until 1962-01-14)
Cannonball Adderley Sextet7:57
5Dizzy's Business
recorded at:
Village Vanguard in New York, New York, United States (from 1962-01-12 until 1962-01-14)
recording of:
Dizzy’s Business
composer:
Ernest Brooks “Ernie” Wilkins
Cannonball Adderley Sextet6:58
6Syn-anthesia
recorded at:
Village Vanguard in New York, New York, United States (from 1962-01-12 until 1962-01-14)
Cannonball Adderley Sextet7:01
7Scotch and Water
recorded at:
Village Vanguard in New York, New York, United States (from 1962-01-12 until 1962-01-14)
Cannonball Adderley Sextet5:52
8Cannon's Theme
recorded at:
Village Vanguard in New York, New York, United States (from 1962-01-12 until 1962-01-14)
Cannonball Adderley Sextet3:16
9P Bouk
alto saxophone:
Cannonball Adderley (on 1962-08-04)
cornet:
Nat Adderley (on 1962-08-04)
double bass:
Sam Jones (US jazz bassist) (on 1962-08-04)
drums (drum set):
Louis Hayes (on 1962-08-04)
flute, oboe and tenor saxophone:
Yusef Lateef (on 1962-08-04)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1962-08-04)
recorded at:
Festival International de Jazz (1962-08-04 – 1962-08-05) (1962)
recording of:
P Bouk (on 1962-08-04)
composer:
Yusef Lateef
Cannonball Adderley10:58
10Gemini
alto saxophone:
Cannonball Adderley (from 1962-08-04 until 1962-08-05)
cornet:
Nat Adderley (from 1962-08-04 until 1962-08-05)
double bass:
Sam Jones (US jazz bassist) (from 1962-08-04 until 1962-08-05)
drums (drum set):
Louis Hayes (from 1962-08-04 until 1962-08-05)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-08-04 until 1962-08-05)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-08-04 until 1962-08-05)
recorded at:
Festival International de Jazz (1962-08-04 – 1962-08-05) (1962)
recording of:
Gemini (in 1962-08)
composer:
Jimmy Heath
Cannonball Adderley12:43
▼ CD 4: In Europe / Jazz Workshop Revisited
#TitleRatingLength
1Work Song
alto saxophone:
Cannonball Adderley (from 1962-08-04 until 1962-08-05)
cornet:
Nat Adderley (from 1962-08-04 until 1962-08-05)
double bass:
Sam Jones (US jazz bassist) (from 1962-08-04 until 1962-08-05)
drums (drum set):
Louis Hayes (from 1962-08-04 until 1962-08-05)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-08-04 until 1962-08-05)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-08-04 until 1962-08-05)
recorded at:
Festival International de Jazz (1962-08-04 – 1962-08-05) (1962)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991)
instrumental recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1962-08)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ
version of:
Work Song (original instrumental)
8:25
2Trouble in Mind
double bass:
Sam Jones (US jazz bassist) (from 1962-08-04 until 1962-08-05)
drums (drum set):
Louis Hayes (from 1962-08-04 until 1962-08-05)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-08-04 until 1962-08-05)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-08-04 until 1962-08-05)
recorded at:
Festival International de Jazz (1962-08-04 – 1962-08-05) (1962)
instrumental recording of:
Trouble in Mind (in 1962-08)
lyricist and composer:
Richard M. Jones
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
10:44
3Dizzy's Business
alto saxophone:
Cannonball Adderley (from 1962-08-04 until 1962-08-05)
cornet:
Nat Adderley (from 1962-08-04 until 1962-08-05)
double bass:
Sam Jones (US jazz bassist) (from 1962-08-04 until 1962-08-05)
drums (drum set):
Louis Hayes (from 1962-08-04 until 1962-08-05)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-08-04 until 1962-08-05)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-08-04 until 1962-08-05)
recorded at:
Festival International de Jazz (1962-08-04 – 1962-08-05) (1962)
recording of:
Dizzy’s Business (in 1962-08)
composer:
Ernest Brooks “Ernie” Wilkins
7:37
4An Opening Comment Or Two By Cannonball
alto saxophone:
Cannonball Adderley (from 1962-09-22 until 1962-09-23)
cornet:
Nat Adderley (from 1962-09-22 until 1962-09-23)
double bass:
Sam Jones (US jazz bassist) (from 1962-09-22 until 1962-09-23)
drums (drum set):
Louis Hayes (from 1962-09-22 until 1962-09-23)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-09-22 until 1962-09-23)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-09-22 until 1962-09-23)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1962-09-22 until 1962-09-23)
0:52
5Primitivo
alto saxophone:
Cannonball Adderley (from 1962-09-22 until 1962-09-23)
cornet:
Nat Adderley (from 1962-09-22 until 1962-09-23)
double bass:
Sam Jones (US jazz bassist) (from 1962-09-22 until 1962-09-23)
drums (drum set):
Louis Hayes (from 1962-09-22 until 1962-09-23)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-09-22 until 1962-09-23)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-09-22 until 1962-09-23)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1962-09-22 until 1962-09-23)
live recording of:
Primitivo (in 1962-09)
composer:
Julian Edwin Adderley
9:12
6Jessica's Birthday
alto saxophone:
Cannonball Adderley (from 1962-09-22 until 1962-09-23)
cornet:
Nat Adderley (from 1962-09-22 until 1962-09-23)
double bass:
Sam Jones (US jazz bassist) (from 1962-09-22 until 1962-09-23)
drums (drum set):
Louis Hayes (from 1962-09-22 until 1962-09-23)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-09-22 until 1962-09-23)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-09-22 until 1962-09-23)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1962-09-22 until 1962-09-23)
recording of:
Jessica’s Birthday (in 1962-09)
composer:
Quincy Jones
live recording of:
Jessica’s Birthday (in 1962-09)
composer:
Quincy Jones
6:29
7Marney
alto saxophone:
Cannonball Adderley (from 1962-09-22 until 1962-09-23)
cornet:
Nat Adderley (from 1962-09-22 until 1962-09-23)
double bass:
Sam Jones (US jazz bassist) (from 1962-09-22 until 1962-09-23)
drums (drum set):
Louis Hayes (from 1962-09-22 until 1962-09-23)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-09-22 until 1962-09-23)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-09-22 until 1962-09-23)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1962-09-22 until 1962-09-23)
live recording of:
Marney
composer:
Donald Byrd (American jazz trumpeter)
6:52
8Another Few Words
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
0:27
9The Jive Samba
alto saxophone:
Cannonball Adderley (from 1962-09-22 until 1962-09-23)
cornet:
Nat Adderley (from 1962-09-22 until 1962-09-23)
double bass:
Sam Jones (US jazz bassist) (from 1962-09-22 until 1962-09-23)
drums (drum set):
Louis Hayes (from 1962-09-22 until 1962-09-23)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-09-22 until 1962-09-23)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-09-22 until 1962-09-23)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1962-09-22 until 1962-09-23)
live recording of:
The Jive Samba (in 1962-09)
composer:
Nat Adderley
11:00
10Lillie
alto saxophone:
Cannonball Adderley (from 1962-09-22 until 1962-09-23)
cornet:
Nat Adderley (from 1962-09-22 until 1962-09-23)
double bass:
Sam Jones (US jazz bassist) (from 1962-09-22 until 1962-09-23)
drums (drum set):
Louis Hayes (from 1962-09-22 until 1962-09-23)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-09-22 until 1962-09-23)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-09-22 until 1962-09-23)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1962-09-22 until 1962-09-23)
recording of:
Lillie
composer:
Sam Jones (US jazz bassist)
4:42
11Mellow Bruno
alto saxophone:
Cannonball Adderley (from 1962-09-22 until 1962-09-23)
cornet:
Nat Adderley (from 1962-09-22 until 1962-09-23)
double bass:
Sam Jones (US jazz bassist) (from 1962-09-22 until 1962-09-23)
drums (drum set):
Louis Hayes (from 1962-09-22 until 1962-09-23)
flute, oboe and tenor saxophone:
Yusef Lateef (from 1962-09-22 until 1962-09-23)
piano:
Joe Zawinul (jazz and fusion keyboard player) (from 1962-09-22 until 1962-09-23)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1962-09-22 until 1962-09-23)
recording of:
Mellow Buno
composer:
Yusef Lateef
6:00
12Time To Go Now
0:35