Weihnachtsoratorium

~ Release by Johann Sebastian Bach (see all versions of this release, 4 available)

Annotation

CD1 is for I & II, CD2 for III & IV, CD3 for V & VI, there are three different jewel boxes with slightly different cover art.

Annotation last modified on 2017-06-04 22:52 UTC.

Tracklist

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▼ CD 1: Volume 1: Ⅰ und Ⅱ
#TitleRatingLength
1Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket!“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
7:47
2Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:21
3Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:17
4Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:40
5Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:22
6Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:24
7Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral con Recitativo (Basso) „Er ist auf Erden kommen arm“
bass vocals:
Wolfgang Schöne (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
3:18
8Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:35
9Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:22
10Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:24
11Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:43
12Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:14
13Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:48
14Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:47
15Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
3:24
16Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:22
17Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:43
18Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:57
19Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
11:03
20Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:13
21Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:54
22Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:27
23Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (from 1984-04 until 1984-07)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:21
▼ CD 2: Volume 2: Ⅲ und Ⅳ
#TitleRatingLength
1Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:06
2Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:08
3Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:46
4Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst’“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:45
5Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:50
6Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“
bass vocals:
Wolfgang Schöne (bass-baritone)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
7:26
7Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:23
8Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
6:00
9Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:33
10Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:07
11Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:24
12Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral „Seid froh dieweil“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:57
13Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro da capo „Herrscher des Himmels, erhöre das Lallen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ (from 1984-04 until 1984-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:22
14Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:53
15Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:32
16Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale „Immanuel, o süßes Wort“
bass vocals:
Wolfgang Schöne (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:41
17Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“
additional soprano vocals and soprano vocals [echo soprano]:
Christa Muckenheim (Soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:51
18Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale „Wohlan, dein Name soll allein“
bass vocals:
Wolfgang Schöne (bass-baritone)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:41
19Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:57
20Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:28
▼ CD 3: Volume 3: Ⅴ und Ⅵ
#TitleRatingLength
1Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
7:29
2Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:22
3Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro „Wo ist der neugeborne König“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:32
4Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:00
5Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:14
6Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:10
7Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum sollt ihr erschrecken“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:45
8Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:18
9Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, alto, tenore) „Ach, wenn wird die Zeit erscheinen“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:38
10Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:38
11Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:07
12Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:42
13Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista)
bass vocals:
Wolfgang Schöne (bass-baritone)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:44
14Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:01
15Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
3:14
16Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:13
17Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:09
18Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:27
19Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:05
20Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:26
21Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, alto, tenore, basso) „Was will der Höllen Schrecken nun“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals:
Wolfgang Schöne (bass-baritone)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:43
22Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') (from 1984-04 until 1984-07)
conductor:
Helmuth Rilling (conductor) (from 1984-04 until 1984-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 1984-04 until 1984-07)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
3:08