Ariadne auf Naxos

~ Release by Richard Strauss; Gewandhausorchester Leipzig, Kurt Masur (see all versions of this release, 2 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Ariadne auf Naxos: Vorspiel. Orchestereinleitung
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [1] Orchestereinleitung (Orchestral Introduction)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss2:21
2Ariadne auf Naxos: Vorspiel. "Mein Herr Haushofmeister"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
baritone vocals [Musiklehrer]:
Dietrich Fischer‐Dieskau (baritone) (in 1988-01)
bass vocals [Lakai]:
Rolf Wollrad (german operatic bass) (in 1988-01)
soprano vocals [Komponist]:
Julia Varady (soprano) (in 1988-01)
spoken vocals [Haushofmeister]:
Rudolf Asmus (baritone) (in 1988-01)
tenor vocals [Offizier]:
Wolfgang Millgramm (German tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [2] “Mein Herr Haushofmeister!” (Musiklehrer, Haushofmeister, Lakai, Offizier)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [3] „Lieber Freund! Verschaffen Sie mir die Geigen” … „Hier finden Euer Gnaden die Mamsell Zerbinetta” (Komponist, Lakai)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss5:20
3Ariadne auf Naxos: Vorspiel. "Du allmächtiger Gott"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
baritone vocals [Musiklehrer]:
Dietrich Fischer‐Dieskau (baritone) (in 1988-01)
bass vocals [Lakai]:
Rolf Wollrad (german operatic bass) (in 1988-01)
bass-baritone vocals [Perückenmacher]:
Egbert Junghanns (baritone) (in 1988-01)
soprano vocals [Komponist]:
Julia Varady (soprano) (in 1988-01)
soprano vocals [Primadonna / Ariadne]:
Jessye Norman (soprano) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
spoken vocals [Haushofmeister]:
Rudolf Asmus (baritone) (in 1988-01)
tenor vocals [Tanzmeister・Scaramuccio]:
Martin Finke (german tenor) (in 1988-01)
tenor vocals [Tenor / Bacchus]:
Paul Frey (Canadian tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [4] „O, ich möcht' vieles ändern noch in zwölfter Stund'” … „Eselsgesicht…” … „Du allmächtiger Gott! O du mein zitterndes Herz!” (Komponist, Tenor, Perückenmacher, Zerbinetta, Primadonna, Musiklehrer, Tanzmeister)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [5] „Das! Für einen Bacchus!” (Komponist, Zerbinetta, Musiklehrer, Primadonna, Tanzmeister, Lakai, Haushofmeister)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [6] „Erst nach der Oper kommen wir daran” (Zerbinetta, Primadonna, Musiklehrer, Komponist, Tanzmeister)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [7] „Nach meiner Oper?” (Komponist, Musiklehrer)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss6:07
4Ariadne auf Naxos: Vorspiel. "Meine Partner, meine erprobten Freunde"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
baritone vocals [Musiklehrer]:
Dietrich Fischer‐Dieskau (baritone) (in 1988-01)
bass vocals [Lakai]:
Rolf Wollrad (german operatic bass) (in 1988-01)
soprano vocals [Komponist]:
Julia Varady (soprano) (in 1988-01)
soprano vocals [Primadonna / Ariadne]:
Jessye Norman (soprano) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
spoken vocals [Haushofmeister]:
Rudolf Asmus (baritone) (in 1988-01)
tenor vocals [Tanzmeister・Scaramuccio]:
Martin Finke (german tenor) (in 1988-01)
tenor vocals [Tenor / Bacchus]:
Paul Frey (Canadian tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [8] „Hast' ein Stückerl Notenpapier?” … „Meine Partner! Meine erprobten Freunde!” … „Die ungetreue Zerbinetta und ihre vier Liebhaber” (Zerbinetta, Komponist, Musiklehrer, Primadonna, Tanzmeister)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [9] „Die Herrschaften stehen von Tisch auf!” – „Meine Damen und Herren, an Ihre Plätze” … „Ist schon geschehen. Wir sind bereit” (Lakai, Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [10] „Ariadne auf Naxos, Herr” … „Ich weiss nicht, wo mir der Kopf steht” (Komponist, Tanzmeister, Haushofmeister, Musiklehrer, Tenor, Primadonna, Zerbinetta)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [11] „Nein, Herr, so kommt es nicht! (Komponist, Zerbinetta, Musiklehrer)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss15:58
5Ariadne auf Naxos: Vorspiel. "Ein Augenblick ist wenig"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
soprano vocals [Komponist]:
Julia Varady (soprano) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [12] „Kindskopf! Merkt auf: wir spielen mit in dem Stück 'Ariadne auf Naxos'” … „Ein Augenblick ist wenig - ein Blick ist viel” (Zerbinetta, Komponist)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss3:48
6Ariadne auf Naxos: Vorspiel. "An Ihre Plätze, meine Damen und Herrn"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
baritone vocals [Musiklehrer]:
Dietrich Fischer‐Dieskau (baritone) (in 1988-01)
soprano vocals [Komponist]:
Julia Varady (soprano) (in 1988-01)
soprano vocals [Primadonna / Ariadne]:
Jessye Norman (soprano) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [13] „An Ihre Plätze, meine Damen und Herrn!” (Musiklehrer, Primadonna, Komponist)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss1:00
7Ariadne auf Naxos: Vorspiel. "Sein wir wieder gut"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
baritone vocals [Musiklehrer]:
Dietrich Fischer‐Dieskau (baritone) (in 1988-01)
soprano vocals [Komponist]:
Julia Varady (soprano) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [14] „Seien wir wieder gut” (Musiklehrer, Komponist)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss3:24
8Ariadne auf Naxos: Oper. Ouvertüre
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. Ouvertüre
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:12
9Ariadne auf Naxos: Oper. "Schläft sie?"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
alto vocals [Dryade]:
Marianne Rørholm (mezzo-soprano) (in 1988-01)
soprano vocals [Echo]:
Julie Kaufmann (soprano) (in 1988-01)
soprano vocals [Najade]:
Eva Lind (soprano) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [1] „Schläft sie?” (Najade, Dryade, Echo)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:56
10Ariadne auf Naxos: Oper. "Ach! Wo war ich?"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
alto vocals [Dryade]:
Marianne Rørholm (mezzo-soprano) (in 1988-01)
baritone vocals [Harlekin]:
Olaf Bär (baritone) (in 1988-01)
bass vocals [Truffaldin]:
Gerd Wolf (german operatic bass) (in 1988-01)
soprano vocals [Echo]:
Julie Kaufmann (soprano) (in 1988-01)
soprano vocals [Najade]:
Eva Lind (soprano) (in 1988-01)
soprano vocals [Primadonna / Ariadne]:
Jessye Norman (soprano) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
tenor vocals [Tanzmeister・Scaramuccio]:
Martin Finke (german tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [2] ”Ach! Wo war ich?” (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
recording of:
Ariadne auf Naxos, op. 60: Oper. [3] „Ein Schönes war: hieß Theseus–Ariadne” (Ariadne, Najade, Echo, Dryade, Harlekin, Zerbinetta, Scaramuccio, Truffaldin)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss10:32
11Ariadne auf Naxos: Oper. "Lieben, Hassen, Hoffen, Zagen"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
baritone vocals [Harlekin]:
Olaf Bär (baritone) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [4] „Ach, so versuchet doch ein kleines Lied!” … „Lieben, Hassen, Hoffen, Zagen” (Zerbinetta, Harlekin)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss2:04
12Ariadne auf Naxos: Oper. "Es gibt ein Reich"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
soprano vocals [Primadonna / Ariadne]:
Jessye Norman (soprano) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss5:52
CD 2
#TitleArtistRatingLength
1Ariadne auf Naxos: Oper. "Die Dame gibt mir trübem Sinn" / "Wie sie sich schwingen"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
baritone vocals [Harlekin]:
Olaf Bär (baritone) (in 1988-01)
bass vocals [Truffaldin]:
Gerd Wolf (german operatic bass) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
tenor vocals [Brighella]:
Andreas Conrad (German tenor) (in 1988-01)
tenor vocals [Tanzmeister・Scaramuccio]:
Martin Finke (german tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [6] „Die Dame gibt mit trübem Sinn” (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss5:06
2Ariadne auf Naxos: Oper. "Großmächtige Prinzessin"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [7] „Großmächtige Prinzessin” … „Noch glaub ich dem einen” (Zerbinetta)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss11:37
3Ariadne auf Naxos: Oper. "Hübsch gepredigt! Aber tauben Ohren!" / "Eine Störrische zu trösten"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
baritone vocals [Harlekin]:
Olaf Bär (baritone) (in 1988-01)
bass vocals [Truffaldin]:
Gerd Wolf (german operatic bass) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
tenor vocals [Brighella]:
Andreas Conrad (German tenor) (in 1988-01)
tenor vocals [Tanzmeister・Scaramuccio]:
Martin Finke (german tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [8] „Hübsch gepredigt! Aber tauben Ohren!” (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:01
4Ariadne auf Naxos: Oper. "Ein schönes Wunder!"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
alto vocals [Dryade]:
Marianne Rørholm (mezzo-soprano) (in 1988-01)
soprano vocals [Echo]:
Julie Kaufmann (soprano) (in 1988-01)
soprano vocals [Najade]:
Eva Lind (soprano) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [9] „Ein schönes Wunder!” (Dryade, Najade, Echo)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:53
5Ariadne auf Naxos: Oper. "Circe, kannst du mich hören?"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
alto vocals [Dryade]:
Marianne Rørholm (mezzo-soprano) (in 1988-01)
soprano vocals [Echo]:
Julie Kaufmann (soprano) (in 1988-01)
soprano vocals [Najade]:
Eva Lind (soprano) (in 1988-01)
soprano vocals [Primadonna / Ariadne]:
Jessye Norman (soprano) (in 1988-01)
tenor vocals [Tenor / Bacchus]:
Paul Frey (Canadian tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [10] „Circe, Circe, kannst du mich hören?” (Bacchus, Ariadne, Najade, Echo, Dryade)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:10
6Ariadne auf Naxos: Oper. "Ich grüße dich, du Bote aller Boten!" / "Du schönes Wesen! Bist du die Göttin dieser Insel?"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
soprano vocals [Primadonna / Ariadne]:
Jessye Norman (soprano) (in 1988-01)
tenor vocals [Tenor / Bacchus]:
Paul Frey (Canadian tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [11] „Theseus! Nein, nein” … „Du schönes Wesen!” … „Wie? Kennst du mich denn?” (Bacchus, Ariadne)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
recording of:
Ariadne auf Naxos, op. 60: Oper. [12] „Bin ich ein Gott, schuf mich ein Gott” … „Das waren Zauberworte” (Bacchus, Ariadne)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss12:26
7Ariadne auf Naxos: Oper. "Gibt es kein Hinüber?"
recording engineer:
Hans-Jürgen Seiferth (in 1988-01) and Willem van Leeuwen (recording engineer) (in 1988-01)
assistant producer:
Martha de Francisco (classical producer and engineer) (in 1988-01)
executive producer:
Bernd Runge (in 1988-01)
editor:
Thomas Albrecht (editor) (in 1988-01) and Albert Kos (engineer/editor) (in 1988-01)
piano and additional conductor:
Helmut Oertel (organist) (in 1988-01)
alto vocals [Dryade]:
Marianne Rørholm (mezzo-soprano) (in 1988-01)
soprano vocals [Echo]:
Julie Kaufmann (soprano) (in 1988-01)
soprano vocals [Najade]:
Eva Lind (soprano) (in 1988-01)
soprano vocals [Primadonna / Ariadne]:
Jessye Norman (soprano) (in 1988-01)
soprano vocals [Zerbinetta]:
Edita Gruberova (soprano) (in 1988-01)
tenor vocals [Tenor / Bacchus]:
Paul Frey (Canadian tenor) (in 1988-01)
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
balance engineer:
Claus Strüben (german sound engineer) (in 1988-01)
concertmaster:
Karl Suske (violinist) (in 1988-01)
engineered at:
Neues Gewandhaus, Leipzig in Leipzig, Sachsen, Germany (in 1988-01)
recording of:
Ariadne auf Naxos, op. 60: Oper. [13] „Gibt es kein Hinüber?” (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:36