Super Classic

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

CD with collection of MP3 files. Partially also found here: http://fire-mp3.net/popmusic/70752-super-classic-hits-2006.html

Annotation last modified on 2013-10-10 16:35 UTC.

Tracklist

▼ Data CD 1
#	Title	Artist	Rating	Length
1	Токката Bwv 565 organ: Hans-Christoph Becker-Foss (organist and choir leader) recording of: Toccata und Fuge d-Moll, BWV 565: I. Toccata composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Toccata und Fuge d-Moll, BWV 565	Бах		2:24
2	Турецкий Марш piano: Silvia Čápová (pianist) and Hélène Gàl (pianist, an Alfred Scholz pseudonym) recording of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto composed in: Paris, Île-de-France, France (in 1778) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”	Моцарт		3:30
3	Времена Года: Весна recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”	Вивальди		3:33
4	Лунная Соната recording of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (German composer) (in 1801) part of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”	Бетховен		5:35
5	Аве Мария	Шуберт		4:42
6	Каприччио 1 24	Паганини		4:49
7	Щелкунчик' Вальс Цветов	Чайковский		6:43
8	Кармен' Сюита №1 orchestra: Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz recording of: Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) composer: Georges Bizet (composer) is based on: Carmen : Acte III. Entr’acte (intermission between Acts III & IV) part of: Carmen Suite no. 1	Бизе		2:09
9	Пер Гюнт' В Пещере recording of: Peer Gynt, op. 23: 2. akt: I Dovregubbens hall composer: Edvard Grieg (composer) (in 1875) librettist: Henrik Ibsen (in 1867) part of: Peer Gynt, op. 23	Григ		2:01
10	Свадебный Марш orchestra: London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61	Мендельсон		4:46
11	Полонез Прощание С Родиной	Огинский		2:58
12	Полонез №3	Шопен		5:14
13	Венгерские Танцы №5	Брамс		2:18
14	Итальянская Полька	Рахманинов		1:57
15	Маленькая Ночная Серенада orchestra: Vienna Mozart Ensemble (recorded for Decca) (in 1968) conductor: Willi Boskovsky (violinist and conductor) (in 1968) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1969) recorded at: Sofiensaal in Landstraße, Wien, Austria (in 1968) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (in 1968) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Моцарт		5:33
16	К Элизе recording of: Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto composer: Ludwig van Beethoven (German composer) (from 1808 until 1810) part of: Kinsky catalogue (Beethoven WoO works) (number: WoO 59)	Бетховен		3:15
17	Радецки Марш orchestra: London Symphony Orchestra conductor: John Georgiadis recording of: Radetzky‐Marsch, op. 228 composer: Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848) dedicated to: Joseph Radetzky von Radetz premiered at: Wasserglacis in Wien, Austria (on 1848-08-31) part of: Works of Johann Strauss Sr. by opus number (number: op. 228)	Штраус		2:56
18	Сюита №5	Бах		1:20
19	Болеро piano: Mee Chou Lee (pianist) orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect) conductor: Samo Hubad (conductor), Anton Nanut (Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) recording of: Boléro composer: Maurice Ravel (classical composer) (in 1928) publisher: Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?) premiered at: Palais Garnier in Paris, Île-de-France, France (on 1928-11-22) part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)	Равель		13:45
20	Симфония №9 partial recording of: Symphony no. 9 in C major, K. 75a/73 composer: Wolfgang Amadeus Mozart (classical composer) part of: Köchelverzeichnis (original numbering) (number: 73) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 75a)	Моцарт		7:48
21	Лебединое Озеро' Танец Маленьких	Чайковский		1:28
22	Ария Из Сюиты №3 orchestra: Moscow Concertino conductor: Andreĭ Korsakov recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068	Бах		4:44
23	Звуки Весеннего Вальса recording of: Frühlingsstimmen, op. 410 composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882) part of: Works of Johann Strauss Jr. by opus number (number: op. 410)	Штраус		5:33
24	Симфония №5 recording of: Symphony no. 5 in C minor, op. 67: I. Allegro con brio composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Бетховен		7:49
25	Танец Рыцарей recording of: Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets composer: Сергей Сергеевич Прокофьев (Russian composer) part of: Romeo and Juliet: Suite no. 2, op. 64ter	Прокофьев		5:06
26	Кан Кан recording of: Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (widely known as “Can-can”) composer: Jacques Offenbach (German-French composer, cellist and impresario) part of: Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)	Оффенбах		2:01
27	Сказка О Царе recording of: Полёт шмеля (Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) composer: Николай Андреевич Римский‐Корсаков (Russian composer) (from 1899 until 1900) part of: The Tale of Tsar Saltan: Act III	Римский корсаков		1:22
28	Полет Валькирий recording of: Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt composer: Richard Wagner (composer) (from 1854 until 1856) publisher: Schott Music International (publisher; do not use as label) part of: Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"	Вагнер		5:05
29	Кармен' Сюита №2 orchestra: Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (fictitious conductor, Alfred Scholz pseudonym) recording of: Carmen Suite no. 2: II. Habanera composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) part of: Carmen Suite no. 2	Бизе	4	2:05
30	Танец С Саблями recording of: Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance composer: Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942) version of: Gayaneh: Act III, Scene VII (Expiation). Sabre Dance part of: Third Suite from the ballet “Gayaneh” for orchestra, op. 55	Хачатурян		2:21
31	Концерт №2	Паганини		5:02
32	Князь Игорь' Половецкие Пляски	Бородин		2:58
33	Времена Года' Весна instruments: I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti) orchestra: Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”	Вивальди		4:24
34	Венгерские Танцы №1 orchestra: Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym) recording of: 21 Hungarian Dances for Orchestra, WoO 1: No. 1 in G minor (Allegro molto) (catch-all for unknown and one-off orchestrations) orchestrator: Johannes Brahms (German composer) (in 1873) composer: Johannes Brahms (German composer) (from 1858 until 1868) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto part of: 21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations) recording of: Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration) orchestrator: Johannes Brahms (German composer) (in 1873) composer: Johannes Brahms (German composer) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto part of: Hungarian Dances for orchestra, WoO 1, Book 1	Брамс		3:24
35	Фигаро	Россини		3:41
36	Панорама	Чайковский		5:22
37	Аве Мария piano: Roger Steptoe recording of: Ave Maria (catch-all for arrangements of the Bach / Gounod work) miscellaneous support: Vladimir Cosma (French-Romanian composer, conductor and violinist) composer: Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) publisher: Lam Larghetto Music (from 1993 to present) arrangement of: Ave Maria (Bach/Gounod)	Бах		1:52
38	Руслан И Людмила recording of: Руслан и Людмила: Увертюра composer: Mikhail Glinka (Russian composer) (from 1837 until 1842) part of: Руслан и Людмила	Глинка		5:00
39	Щелкунчик' Марш orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques recording of: Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (March) composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)	Чайковский		2:42
40	Метель' Вальс	свиридов		3:54
41	Риголетто' Сердце Красавиц recording of: Rigoletto: Atto III. “La donna è mobile” (Duca) composer: Giuseppe Verdi (Italian opera composer) (until 1851-03-11) librettist: Francesco Maria Piave (until 1851-03-11) part of: Rigoletto: Atto III	Верди		2:08
42	Маленькая Ночная Серенада' Аллегро orchestra: Salzburg Consort and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Моцарт	3	5:37
43	Картинки С Выствки' Прогулка recording of: Tableaux d’une exposition: Promenade (orchestrated by Ravel, 1st promenade) orchestrator: Maurice Ravel (classical composer) (in 1922) composer: Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22) orchestration of: Pictures at an Exhibition: Promenade (1st) (original piano version) part of: Tableaux d’une exposition (orchestrated by Ravel)	Мусоргский		1:47
44	Карнавал Животных' Лебедь recording of: Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) composer: Camille Saint‐Saëns (composer) (in 1886-02) part of: Le Carnaval des animaux (Grande fantaisie zoologique, R 125)	Сен‐Санс		2:33
45	Аллегро partial recording of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version) composer: Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02) part of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)	Чайковский		3:24
46	Двойной Концерт violin: Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi orchestra: Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), London Symphony Orchestra and Musici di San Marco (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Francesco Macci (an Alfred Scholz pseudonym) recording of: Concerto for 2 Violins in D minor, BWV 1043: I. Vivace composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Бах		3:55
47	Лунная Соната recording of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (German composer) (in 1801) part of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”	Бетховен		5:42
48	Времена Года' Весна Аллегро recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”	Вивальди		3:21
49	Фуга Вwv 565 recording of: Toccata und Fuge d-Moll, BWV 565: II. Fuge composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Toccata und Fuge d-Moll, BWV 565	Бах		7:24
50	Менуэт	Бокеринни		3:38
51	Вальс	Хачатурян		4:26
52	Грезы Любви	Лист		3:55
53	Похищение Из Сераля orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonic Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Die Entführung aus dem Serail, K. 384: Ouvertüre composer: Wolfgang Amadeus Mozart (classical composer) (in 1782) part of: Die Entführung aus dem Serail, K. 384	Моцарт		5:32
54	Лебединое Озеро' Неаполитанский Танец	Чайковский		2:01
55	Вальс До Минор №7	Шопен		4:15
56	Серенада	Шуберт		3:50
57	Так Говорил Заратустра recording of: Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) composer: Richard Strauss (German composer) (in 1896) part of: Also sprach Zarathustra (op 30; TrV 176)	Штраус		1:25
58	Ода К Радости	Бетховен		16:33
59	Времена Года' Лето recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”	Вивальди		2:39
60	Лебединое Озеро' Сцена orchestra: London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) recording of: The Swan Lake (suite from the ballet), op. 20a: I. Scène composer: Пётр Ильич Чайковский (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Чайковский		3:08
61	Летучая Мышь' Увертюра recording of: Die Fledermaus: Ouvertüre composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Die Fledermaus (English version, lyrics by Dietz) part of: Die Fledermaus (English version, lyrics by Mandel/Sachs) part of: Die Fledermaus part of: Die Fledermaus (english; unknown version)	Штраус		8:12
62	Женитьба Фигаро recording of: Le nozze di Figaro, K. 492: Sinfonia composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Die Hochzeit des Figaro (German translation) part of: Le nozze di Figaro, K. 492	Моцарт		4:13
63	Весенняя Песня	Мендельсон		2:14
64	Полонез	Огинский		2:13
65	Князь Игорь' Аллегро	Бородин		2:16
66	Орфей И Эвридика' Танец	Глюк		2:44
67	Севильский Цирюльник' Увертюра orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra, Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Anton Nanut (conductor), Rouslan Raychev (conductor) and Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989) recording of: Il barbiere di Siviglia: Sinfonia composer: Gioachino Rossini (composer) librettist: Cesare Sterbini part of: Der Barbier von Sevilla (german lyrics) part of: Il barbiere di Siviglia part of: Le Barbier de Séville (french lyrics) part of: The Barber of Seville (english lyrics)	Россини	4	7:42
68	Модерато orchestra: Hungarian State Orchestra (probably fictitious, or Alfred Scholz related), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Stuttgarter Kammerorchester conductor: Milan Horvat (Croatian conductor, 1919-2014), Reinhardt Lutz and Martin Sieghart (Austrian conductor and cellist) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Serenade for Strings in E major, op. 22, B. 52: I. Moderato composer: Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14) revised by: Antonín Dvořák (composer) (in 1878) part of: Smyčcová serenáda E dur, op. 22, B. 52	Дворжак		4:26
69	Парижский Балет' Галлоп	Оффенбах		1:03
70	Соната №4 Аллегро harpsichord: Наталия Зерцалова (in 1987) violin: Игорь Ойстрах (violinist) (in 1987) recording of: Sonate für Violine und Klavier c-Moll, BWV 1017: II. Allegro (in 1987) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Sonate für Violine und Klavier c-Moll, BWV 1017	Бах		4:26
71	Грезы Любви №3	Лист		4:21
72	Серенада	Гайдн		3:12
73	Озеро В Лунном Свете	Чайковский		3:02
74	Полька-Анна recording of: Annen‐Polka, op. 117 premiered in: Wien, Austria (on 1852-07-24) composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1852) part of: Works of Johann Strauss Jr. by opus number (number: op. 117)	Штраус		4:26
75	Грустный Вальслиус recording of: Valse triste, op. 44 no. 1 (for orchestra) composer: Jean Sibelius (Finnish composer) (in 1903) revised by: Jean Sibelius (Finnish composer) (in 1904) premiered at: Konsertti (1904-04-25) premiered at: Svenska Teatern (theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25) part of: 2 Pieces from Kuolema, op. 44 revision of: Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)	Сибулиус		4:58
76	Времена Года' На Тройке	Чайковский		3:29
77	Танец Феи Драже orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy) recording of: Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy) composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)	Чайковский		2:04
78	На Прекрасном Голубом Дунае recording of: An der schönen blauen Donau, op. 314 premiered in: Wien, Austria (on 1867-02-15) composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866) part of: Works of Johann Strauss Jr. by opus number (number: op. 314)	Штраус		9:39
79	Времена Года' Осень #2 recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”	Вивальди		4:08
80	Минуэт	Стравинский		4:01
81	Лондонская Симфония №104	Гайдн		4:57
82	Концерт Для Фортепиано №5	Бетховен		3:28
83	Щелкунчик' Китайский Танец orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques	Чайковский		1:18
84	Концерт Для Фортепиано	Шопен		2:46
85	Вокализ	Рахманинов		5:48
86	Реквием №3 recording of: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) orchestrator: Franz Xaver Süßmayr additional composer: Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)	Моцарт		3:15
87	Чардаш	Монти		4:32
88	Полька Для Танцев	Чайковский		4:40
89	Романс	Шостакович		3:00
90	Аделита	Тарегга		1:42
91	Ария Да Капо harpsichord: Christiane Jaccottet (harpsichord) recording of: Goldberg-Variationen, BWV 988: Aria da capo composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Бах		2:12
92	Ададжио	Марчелло		4:24
93	Времена Года' Зима orchestra: Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor) recording of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”	Вивальди		3:40
94	Времена Года' Осенняя Песня	Чайковский		4:18
95	Музыка Для Концерта В	Гендель		4:54
96	Аллилуйя choir vocals: RIAS Kammerchor (German chamber choir) orchestra: RIAS Berlin Sinfonietta conductor: Marcus Creed (conductor) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Гендель	3	3:46
97	Испанский Танец orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Чайковский		2:19
98	Времена Года' Осень #1 recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”	Вивальди		5:32
99	Соната №6 Ададжио harpsichord: Наталия Зерцалова (in 1987) violin: Игорь Ойстрах (violinist) (in 1987) recording of: Sonate für Violine und Klavier G-Dur, BWV 1019: IV. Adagio (in 1987) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Sonate für Violine und Klavier G-Dur, BWV 1019	Бах		4:20
100	Концерт Для Фортепиано recording of: Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: III. Rondeau. Presto – Adagio & Menuetto. Cantabile – Tempo primo composer: Wolfgang Amadeus Mozart (classical composer) (in 1777) part of: Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”	Моцарт		4:51
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