Catch Me If You Can

~ Release by John Williams (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Catch Me If You Can
recording engineer and mixer:
Shawn Murphy (producer/engineer)
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
solo vibraphone:
Alan Estes
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
John Williams2:41
2The “Float”
recording engineer and mixer:
Shawn Murphy (producer/engineer)
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
solo vibraphone:
Alan Estes
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
John Williams4:56
3Come Fly With Me
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1957-10-08)
recording of:
Come Fly With Me (on 1957-10-08)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック
Frank Sinatra4.53:19
4Recollections (The Father’s Theme)
recording engineer and mixer:
Shawn Murphy (producer/engineer)
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
solo vibraphone:
Alan Estes
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
John Williams5:16
5The Airport Scene
recording engineer and mixer:
Shawn Murphy (producer/engineer)
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
solo vibraphone:
Alan Estes
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
John Williams2:27
6The Girl From Ipanema
performer:
Antônio Carlos Jobim
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & João Gilberto feat. Antônio Carlos Jobim5:15
7Learning the Ropes
recording engineer and mixer:
Shawn Murphy (producer/engineer)
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
solo vibraphone:
Alan Estes
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
John Williams8:44
8Father and Son
recording engineer and mixer:
Shawn Murphy (producer/engineer)
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
solo vibraphone:
Alan Estes
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
John Williams3:15
9Embraceable You
vocals:
Judy Garland (on 1939-10-16)
orchestra:
Victor Young and His Orchestra (on 1939-10-16)
recording of:
Embraceable You (on 1939-10-16)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Judy Garland52:50
10The Flash Comics Clue
recording engineer and mixer:
Shawn Murphy (producer/engineer)
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
solo vibraphone:
Alan Estes
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
John Williams1:47
11Deadheading
recording engineer and mixer:
Shawn Murphy (producer/engineer)
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
solo vibraphone:
Alan Estes
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
John Williams2:25
12The Christmas Song
producer:
Lee Gillette
piano:
Nat King Cole
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
orchestrator:
Charles R. Grean and Pete Rugolo
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire) (on 1961-03-30)
lyricist:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter) (from 1944 until 1945)
composer:
Mel Tormé (“The Velvet Fog”) (from 1944 until 1945)
publisher:
Chappell/Morris Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Sony/ATV Tunes LLC, Warner Chappell Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
Nat King Cole3.353:10
13A Broken Home
recording engineer and mixer:
Shawn Murphy (producer/engineer)
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
solo vibraphone:
Alan Estes
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
John Williams4:25
14Doctor, Lawyer, Lutheran
recording engineer and mixer:
Shawn Murphy (producer/engineer)
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
solo vibraphone:
Alan Estes
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
John Williams3:12
15The Look of Love
recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Dusty Springfield53:31
16Catch Me If You Can (reprise and end credits)
recording engineer and mixer:
Shawn Murphy (producer/engineer)
miscellaneous support:
Sandy De Crescent (task: music contractor)
assistant engineer:
Sue McLean
producer:
John Williams (American score composer)
editor:
Kenneth Wannberg
solo saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
solo vibraphone:
Alan Estes
conductor:
John Williams (American score composer)
recorded at and mixed at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
John Williams5:14