Hooked on Classics 2: Can’t Stop the Classics

~ Release by Royal Philharmonic Orchestra (see all versions of this release, 8 available)

Tracklist

CD 1
#TitleRatingLength
1Can’t Stop the Classics5:50
2Hooked on America
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
recording of:
Hooked on America
arranger:
Louis Clark
medley of:
Dixie
medley of:
Rhapsody in Blue (standard 1942 orchestration)
medley of:
Camptown Races
medley of:
An American in Paris
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto
medley of:
Poor Old Joe
medley of:
Battle Hymn of the Republic
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco
4:08
3Hooked on Romance, Part 2
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
10 Woodland Sketches, op. 51, no. 1: To a Wild Rose
composer:
Edward MacDowell (American composer, pianist) (in 1896)
part of:
10 Woodland Sketches, op. 51
medley including a recording of:
Aranjuez, mon amour (french lyrics)
lyricist:
Guy Bontempelli
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
is based on:
Concierto de Aranjuez
is based on:
Concierto de Aranjuez: II. Adagio
medley including a recording of:
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, T. 377: I. Canon
medley including a recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
part of:
Cavalleria rusticana (german lyrics)
part of:
Cavalleria rusticana
medley including a recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
composer:
Fryderyk Chopin (composer) (in 1832)
part of:
Études, op. 10
recording of:
Hooked on Romance, Part 2
arranger:
Louis Clark
medley of:
Canon and Gigue in D major, T. 377: I. Canon
medley of:
Warsaw Concerto (Dangerous Moonlight)
medley of:
Cavalleria rusticana: Intermezzo
medley of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
medley of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
medley of:
Aranjuez, mon amour (french lyrics)
medley of:
Spartacus: Adagio of Spartacus & Phrygia (catch-all for arrangements)
medley of:
10 Woodland Sketches, op. 51, no. 1: To a Wild Rose
medley of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
medley including a recording of:
Piano Concerto no. 2 in C minor, op. 18
premiered in:
Moscow, Russia (on 1901-11-09)
composer:
Сергей Рахманинов (Russian composer) (from 1900-10 until 1901-04)
dedicated to:
Nikolai Dahl
premiered at:
[Philharmonic Society Concert] (1901-11-09)
publisher:
A. Gutheil (in 1901)
part of:
Works of Sergei Rachmaninoff by opus number (number: op. 18)
medley including a recording of:
Second Suite from the ballet "Spartacus" for orchestra, op. 82B
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (in 1955)
part of:
Compositions of Aram Khachaturian (number: op. 82b)
is based on:
Spartacus, op. 82
medley including a recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
medley including a recording of:
Warsaw Concerto (Dangerous Moonlight)
orchestrator:
Roy Douglas (British composer, pianist)
composer:
Richard Addinsell (composer)
part of:
Dangerous Moonlight (film soundtrack)
6:41
4Can’t Stop the Classics, Part 26:32
5A Night at the Opera
choir vocals:
Royal Choral Society
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
Carmen : « Votre toast » (Air du toréador) (catch-all for arrangements)
composer:
Georges Bizet (composer)
arrangement of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
medley including a recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
medley including a recording of:
Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
medley including a recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
medley including a recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
medley including a recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
medley including a recording of:
Rule, Britannia!
lyricist:
James Thomson (Scottish poet, 1700-1748)
composer:
Thomas Arne (composer)
part of:
Alfred: Act III
medley including a recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
medley including a recording of:
The Pirates of Penzance: Act II, no. 26. “With cat-like tread, upon our prey we steal” (Samuel, Pirates, Policemen)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Pirates of Penzance: Act II
6:05
6Tales of the Vienna Waltz
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
An der schönen blauen Donau, op. 314
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
medley including a recording of:
Die Fledermaus: Ouvertüre
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
part of:
Die Fledermaus
medley including a recording of:
Geschichten aus dem Wienerwald, op. 325
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 325)
medley including a recording of:
Künstlerleben, op. 316
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1867)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 316)
medley including a recording of:
Morgenblätter, op. 279
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 279)
medley including a recording of:
Rosen aus dem Süden, op. 388
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 388)
medley including a recording of:
Wiener Blut, op. 354 (waltz)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 354)
4:06
7Hooked on Baroque
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050
medley including a recording of:
Concerto for Flute, Strings and Continuo in G major: I. Spiritoso
composer:
Giovanni Battista Pergolesi (composer)
part of:
Concerto for Flute, Strings and Continuo in G major
medley including a recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
medley including a recording of:
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo (catch-all for arrangements)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
arrangement of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (catch-all for arrangements)
medley including a recording of:
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto (catch-all for arrangements)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (catch‐all for arrangements)
medley including a recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
medley including a recording of:
Flute Concerto in G major
composer:
Giuseppe Tartini
medley including a recording of:
Recorder Sonata in C major, HWV 365, op. 1 no. 7: IV. A tempo di gavotta
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Recorder Sonata in C major, op. 1 no. 7, HWV 365
medley including a recording of:
Sonata for Flute and Basso Continuo in D major
composer:
Leonardo Vinci (Italian opera composer)
medley including a recording of:
Sonata for Flute and Continuo in E minor, BWV 1034
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Bach-Werke-Verzeichnis (number: BWV 1034)
medley including a recording of:
Sonate für Violine und Klavier c-Moll, BWV 1017
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1017)
medley including a recording of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430
medley including a recording of:
Suite in A minor for Recorder, Strings & Continuo, TWV 50:A3: I. Ouverture
composer:
Georg Philipp Telemann (composer)
part of:
Suite in A minor for Recorder, Strings & Continuo, TWV 50:A3
4:24
8If You Knew Sousa
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
Blaze Away
composer:
Abraham Holzmann (in 1901)
medley including a recording of:
Blaze Away
composer:
Abraham Holzmann (in 1901)
medley including a recording of:
Semper Fidelis
composer:
John Philip Sousa (conductor and composer) (in 1888)
medley including a recording of:
The Liberty Bell
composer:
John Philip Sousa (conductor and composer) (in 1893)
medley including a recording of:
The Liberty Bell
composer:
John Philip Sousa (conductor and composer) (in 1893)
medley including a recording of:
The Washington Post
composer:
John Philip Sousa (conductor and composer) (in 1889)
arrangement of:
Washington Post
3:33
9If You Knew Sousa (And Friends)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographic copyright (℗) by:
K-tel International (international budget record label) (in 1982)
medley including a recording of:
Colonel Bogey
composer:
Malcolm Arnold (composer) and Kenneth J. Alford (in 1914)
medley including a recording of:
Pomp and Circumstance Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
medley including a recording of:
Royal Air Force March Past
composer:
Sir Henry Walford Davies
medley including a recording of:
The Dam Busters March
composer:
Eric Coates (composer) (in 1955)
publisher:
Chappell & Co.
medley including a recording of:
The Stars and Stripes Forever
composer:
John Philip Sousa (conductor and composer) (in 1896)
medley including a recording of:
Vjezd gladiátorů, op. 68
composer:
Julius Fučík (Czech composer) (in 1897)
3:07