Red Hot + Blue: A Tribute to Cole Porter

~ Release by Various Artists (see all versions of this release, 5 available)

Tracklist

CD 1
#TitleArtistRatingLength
1I've Got U Under My Skin
producer:
Baby Afrika Bambaataa (Nathaniel Hall), Booga Bear, Neneh Cherry and Jonny Dollar (UK producer & songwriter)
mixer:
Baby Afrika Bambaataa (Nathaniel Hall), Booga Bear and Bryan “Chuck” New
piano:
Nick Plytas
vocals:
Neneh Cherry
recorded at:
The Coach House Studios in Bristol, England, United Kingdom
mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Neneh Cherry4:30
2In the Still of the Night
engineer:
David Farrell (Engineer)
producer:
Steve Lillywhite
bass guitar [bass]:
Tony Hall (bass player)
drums (drum set) [drums]:
Willie Green (drummer)
keyboard [keyboards]:
Art Neville
percussion:
Cyril Neville
saxophone:
Charles Neville
lead vocals:
Aaron Neville
vocals:
Art Neville and Cyril Neville
recorded at and mixed at:
Ultrasonic Studios in New Orleans, Louisiana, United States
cover recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
The Neville Brothers5:22
3You Do Something to Me
recording engineer:
Chris Birkett
engineer:
Chris Dickie
producer and mixer:
Steve Lillywhite
vocals:
Sinéad O’Connor (Irish singer-songwriter)
orchestra:
The Malcolm Griffiths Orchestra
recorded at:
RAK Recording Studios in London (Greater London), England, United Kingdom
mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
Sinéad O’Connor32:36
4Begin the BeguineSalif Keita3:26
5Love for Sale
engineer:
Phil Savage (engineer)
producer:
A. Cox (of The Beat), D. Steele (UK musician, member of The Beat and Fine Young Cannibals) and R. Gift
mixer:
A. Cox (of The Beat), D. Steele (UK musician, member of The Beat and Fine Young Cannibals) and Robert Musso (musician, producer and engineer)
bass guitar [bass] and keyboard [keyboards]:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drums (drum set) [drums]:
Martin Parry
guitar:
Andy Cox (of The Beat)
percussion and saxophone:
Saxa
piano and trumpet:
Graeme Hamilton
vocals:
Roland Gift
mixed at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
engineered at:
Outlaw Studios (Birmingham) in Birmingham, West Midlands, England, United Kingdom
cover recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Fine Young Cannibals2:51
6Well Did You Evah
recording engineer:
Chris Stein
additional assistant engineer:
Chris Bandy
additional engineer:
Mark Wallis
producer:
Steve Lillywhite and Chris Stein
bass guitar:
Guy Pratt
drums (drum set) [drums]:
Mel Gaynor
guitar and synthesizer:
Chris Stein
vocals:
Deborah Harry and Iggy Pop
additionally recorded at:
Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Red Night Studios in New York, New York, United States
cover recording of:
Well, Did You Evah!
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Chappell & Co. (in 1956)
part of:
DuBarry Was a Lady (1939 stage musical)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Deborah Harry & Iggy Pop43:30
7Miss Otis Regrets / Just One of Those Things
assistant engineer:
Daniel Duncan and Nigel Godrich (English record producer)
engineer:
Chris Dickie
producer and mixer:
Steve Lillywhite
vocals:
Kirsty MacColl and Shane MacGowan
performer:
The Pogues (Irish-British Celtic punk band)
recorded at and mixed at:
RAK Recording Studios in London (Greater London), England, United Kingdom
medley including a recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
medley including a recording of:
Miss Otis Regrets
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1934)
The Pogues & Kirsty MacColl4:44
8Don't Fence Me In
assistant engineer:
Simon Van Zwanenberg
engineer:
Bill Allen (engineer), Nick Prout (engineer) and Sandy Palmer
producer:
David Byrne (Talking Heads)
mixer:
Steve Lillywhite
accordion [accordian]:
Jimmy MacDonell
caixa:
Helio Schiavo
drums (drum set) [drums]:
Portinho
fiddle:
Kenny Kosek
guitar:
David Byrne (Talking Heads)
percussion [timbao]:
Tony Mola (BR percussionist Antonio Cezar de Oliveira Leite)
repinique:
Reinaldo Fernandes, Tony Mola (BR percussionist Antonio Cezar de Oliveira Leite) and Odimar
surdo:
Charlie Negrita, Herculano and Jose Sena Nego Gato
tamborim:
Mazinho Marques, Steve Sacks (jazz, sax/flute, US) and Seku Tonge
whistle:
Seku Tonge
background vocals:
Charlie Negrita, Brenda Dunlap, Reinaldo Fernandes, Herculano, Jose Sena Nego Gato, Mazinho Marques, Tony Mola (BR percussionist Antonio Cezar de Oliveira Leite), Odimar, Sandy Palmer, Portinho, Steve Sacks (jazz, sax/flute, US), Annie Sarabia, Helio Schiavo and Seku Tonge
other vocals [grito nego]:
Jose Sena Nego Gato
vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads)
recorded at:
BMG Studios in Theater District, New York, New York, United States
mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom
cover recording of:
Don’t Fence Me In
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
David Byrne3:13
9It's All Right With Me
engineer:
Biff Dawes and Bill Jackson (American engineer)
producer:
Greg Cohen and Tom Waits
bass guitar [bass]:
Greg Cohen
chamberlin:
Tom Waits
percussion:
Greg Cohen and Tom Waits
vocals:
Tom Waits
performer:
Kirsty MacColl
recorded at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States and Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
cover recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Tom Waits4:43
10Ev'rytime We Say Goodbye
engineer:
Chris Dickie and Karl Madert
producer and mixer:
Steve Lillywhite
accordion [accordian]:
James Fearnley
bass guitar [bass]:
Chucho Merchan
piano:
Ed Shearmur (English score composer)
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
recorded at:
RAK Recording Studios in London (Greater London), England, United Kingdom
mixed at:
Utopia Recording Studios (London) in London (Greater London), England, United Kingdom
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Annie Lennox3:56
11Night and Day
engineer:
Ian Bryan (in 1990-06) and Eoghan McCarron (in 1990-06)
executive producer:
Steve Lillywhite
producer:
Paul Barrett (U2 sound technician / brass player) and Edge (U2 guitarist David Evans)
congas:
Noel Eccles (percussionist) (in 1990-06)
electric guitar [infinite guitar]:
Edge (U2 guitarist David Evans) (in 1990-06)
keyboard [keyboards]:
Dr. Paul Barrett (U2 sound technician / brass player) (in 1990-06)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1990-06)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
U245:22
12I Love Paris
producer and mixer:
Clive and Sodi (French producer, musician and composer)
accordion [accordian]:
Mathieu Canavese
bass guitar [bass]:
Paulo
bongos:
Gaby Le Magnifique
clarinet and percussion:
Abraham Sirinix
drums (drum set) [drums]:
Ze Ze (drummer for Les Négresses Vertes)
guitar:
Jo Roz and Mellino
background vocals [backing vocals]:
Abraham Sirinix, Mathieu Crespin, Jo Roz, Julo (member of Les Négresses Vertes) and Stéfane Mellino
lead vocals:
Helno
recorded at:
Davout in Paris, Île-de-France, France and Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France
mixed at:
Mayfair (England) in London (Greater London), England, United Kingdom
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Les Négresses Vertes3:17
13So in Love
engineer:
Marc Ramaer and Joe Seta
producer:
k.d. lang, Mink and Penny
accordion [accordian]:
Ted Borowiecki
bass guitar [bass]:
David Piltch
drums (drum set) [drums]:
Kim Zick
guitar:
Ben Mink
keyboard [keyboards]:
Connie Grauer
vocals:
k.d. lang
recorded at:
Vancouver Studios in Vancouver, British Columbia, Canada
cover recording of:
So in Love (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
k.d. lang44:41
14Who Wants to Be a Millionaire?
assistant engineer:
Lee Curle
producer and mixer:
Tom Bailey (Thompson Twins), Keith Fernley and Steve Lillywhite
vocals:
Tom Bailey (Thompson Twins) and Alannah Currie
mixed at:
Mayfair Recording Studios (England) in London (Greater London), England, United Kingdom
cover recording of:
Who Wants to Be a Millionaire? (High Society)
lyricist and composer:
Cole Porter (composer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Chappell & Co. (in 1955)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
Thompson Twins3:21
15Too Darn Hot
assistant engineer:
John Azelvandre (engineer, painter) and Simon Van Zwanenberg
engineer:
Jim Goatley and Mark Wallis
producer:
Andy Bill (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
mixer:
Steve Lillywhite
arranger:
Andy Bill (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
recorded at:
Sorcerer Sound in New York, New York, United States
mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom
cover recording of:
Too Darn Hot (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
Erasure3:41
16I Get a Kick
engineer:
Robert Power
producer:
Baby Afrika Bambaataa (Nathaniel Hall)
background vocals:
Steve Finan and Lucien
performer:
Baby Afrika Bambaataa (Nathaniel Hall), Mike G. (US rapper Michael Small, member of Jungle Brothers) and Sammy B.
recorded at:
Calliope Studios in New York, New York, United States
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
Jungle Brothers2:56
17Down in the Depths
producer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
additional trumpet:
Stephen Gibson
brass:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
drums (drum set) [drums]:
Kevin Whitehead (drummer)
vocals:
Lisa Stansfield
cover recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
lyricist and composer:
Cole Porter (composer) (in 1936)
Lisa Stansfield4:31
18From This Moment On
assistant engineer:
Lee Curle
engineer:
Keith Fernley
producer:
Tom Bailey (Thompson Twins), Keith Fernley and Steve Lillywhite
guitar and lap steel guitar [lap steel]:
Mark Nevin
vocals:
Jimmy Somerville
recorded at:
Mayfair Recording Studio (England) in London (Greater London), England, United Kingdom
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
Jimmy Somerville3:21
19After You Who
assistant engineer:
Max Garcia
engineer:
Bobby Brooks (US producer/engineer/remixer)
producer:
Andre Cymone
double bass [bass]:
John Clayton (US jazz and classical double bassist)
drums (drum set) [drums]:
Vinnie Colaiuta (drummer)
piano:
Randy Waldman
vocals:
Jody Watley
recorded at:
Ocean Way Studios in Hollywood, Los Angeles, California, United States
cover recording of:
After You, Who? (Cole Porter; from “The Gay Divorcee”)
lyricist and composer:
Cole Porter (composer) (in 1932)
part of:
Gay Divorce
Jody Watley3:14
20Do I Love You
engineer:
Eric Calvi
producer:
Eric Calvi and Roddy Frame
bass guitar [bass]:
Paul Powell (UK bass player)
drums (drum set) [drums]:
Frank Tontoh
guitar:
Roddy Frame
keyboard [keyboards]:
Gary Sanctuary
vocals:
Roddy Frame
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
cover recording of:
Do I Love You?
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
DuBarry Was a Lady (1939 stage musical)
Aztec Camera4:40

Credits

Release group

tribute to:Cole Porter (composer)
part of:Red Hot (order: 1)
Discogs:https://www.discogs.com/master/179323 [info]
other databases:https://www.musik-sammler.de/album/164113/ [info]
Wikidata:Q2136007 [info]