Big Band Cole

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1She's Funny That Way
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
She’s Funny That Way (on 1958-06-30)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:04
2Anytime, Anyday, Anywhere
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
Anytime, Anyday, Anywhere (on 1958-06-30)
writer:
Max Kortlander and Louis Weslyn
2:22
3I Want a Little Girl
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
I Want a Little Girl (on 1958-06-30)
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
recording of:
I Want a Little Girl
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
2:50
4Mood Indigo
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1958-06-30)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:23
5The Blues Don't Care
2:12
6Avalon
1:47
7Baby Won't You Please Come Home
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
Baby Won’t You Please Come Home (on 1958-07-01)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
2:13
8The Late, Late Show
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
The Late Late Show (on 1958-07-01)
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
recording of:
The Late Late Show
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
2:33
9Welcome to the Club
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
recording of:
Welcome to the Club (on 1958-07-01)
writer:
Noel Sherman and Dick Wolf
2:46
10Look Out for Love
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-02)
recording of:
Look Out for Love (on 1958-07-02)
writer:
Danny Meehan (Broadway actor turned songwriter) and Colin Romoff
1:58
11Wee Baby Blues
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-02)
cover recording of:
Wee Baby Blues (on 1958-07-02)
writer:
Pete Johnson (US Boogie-woogie pianist) and Big Joe Turner
publisher:
Leeds Music Ltd.
3:16
12Madrid
alto saxophone:
Marshall Royal (on 1958-07-02) and Frank Wess (on 1958-07-02)
baritone saxophone:
John Fowlkes (on 1958-07-02)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-02)
drums (drum set):
Sonny Payne (on 1958-07-02) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-02)
guitar:
Freddie Green (on 1958-07-02)
piano:
Gerald Wiggins (on 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-02) and Billy Mitchell (US jazz saxophonist) (on 1958-07-02)
trombone:
Henry Coker (on 1958-07-02), Al Grey (trombone) (on 1958-07-02) and Benny Powell (on 1958-07-02)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-02), Wendell Culley (on 1958-07-02), Gene "Snooky" Young (on 1958-07-02), Thad Jones (on 1958-07-02) and Joe Newman (US jazz trumpeter) (on 1958-07-02)
vocals:
Nat King Cole (on 1958-07-02)
orchestra:
The Count Basie Orchestra (on 1958-07-02)
conductor:
Dave Cavanaugh (on 1958-07-02)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-02)
recording of:
Madrid (on 1958-07-02)
writer:
Nat King Cole and Johnny Lange
is based on:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
2:50
13Orange Colored Sky
producer:
Lee Gillette
piano:
Nat King Cole (on 1961-07-06)
vocals:
Nat King Cole (on 1961-07-06)
orchestra:
Stan Kenton and His Orchestra (on 1961-07-06)
conductor:
Stan Kenton (on 1961-07-06)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1961-07-06)
recording of:
Orange Colored Sky (on 1961-07-06)
writer:
Milton DeLugg and William Stein
publisher:
Amy Dee Music Corp.
2:33
14Jam-Bo
recording of:
Jam-Bo
composer:
Shorty Rogers (trumpet)
2:55
15Orange Colored Sky
producer:
Lee Gillette
piano:
Nat King Cole (on 1961-07-06)
vocals:
Nat King Cole (on 1961-07-06)
orchestra:
Stan Kenton and His Orchestra (on 1961-07-06)
conductor:
Stan Kenton (on 1961-07-06)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1961-07-06)
recording of:
Orange Colored Sky (on 1961-07-06)
writer:
Milton DeLugg and William Stein
publisher:
Amy Dee Music Corp.
2:35
16Steady
2:20
17My Love
2:40