It Happened One Night

~ Release by Holly Cole (see all versions of this release, 4 available)

Tracklist

▼ Enhanced CD 1
#TitleRatingLength
1Get Out of Town
recording engineer and mixer:
Leanne Ungar (on 1995-06-28)
assistant engineer:
Doug McClement (on 1995-06-28)
assistant audio engineer:
Peter Hamilton (engineer) (on 1995-06-28) and Philip Mercier (on 1995-06-28)
assistant mixer:
Denis Tougas (on 1995-06-28)
bass:
David Piltch (on 1995-06-28)
guitar:
Kevin Breit (on 1995-06-28)
percussion:
Dougie Bowne (on 1995-06-28)
piano:
Aaron Davis (on 1995-06-28)
vocals:
Holly Cole (on 1995-06-28)
recorded at:
St-Denis Theatre (Theatre in Montreal) in Ville-Marie, Montréal (city), Québec, Canada (on 1995-06-28)
live recording of:
Get Out of Town (on 1995-06-28)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
5:14
2Cry (If You Want To)
recording engineer and mixer:
Leanne Ungar (on 1995-06-28)
assistant engineer:
Doug McClement (on 1995-06-28)
assistant audio engineer:
Peter Hamilton (engineer) (on 1995-06-28) and Philip Mercier (on 1995-06-28)
assistant mixer:
Denis Tougas (on 1995-06-28)
bass:
David Piltch (on 1995-06-28)
guitar:
Kevin Breit (on 1995-06-28)
percussion:
Dougie Bowne (on 1995-06-28)
piano:
Aaron Davis (on 1995-06-28)
vocals:
Holly Cole (on 1995-06-28)
recorded at:
St-Denis Theatre (Theatre in Montreal) in Ville-Marie, Montréal (city), Québec, Canada (on 1995-06-28)
live recording of:
Cry (If You Want to) (on 1995-06-28)
lyricist and composer:
Casey Scott
3:15
3Train Song
recording engineer and mixer:
Leanne Ungar (on 1995-06-28)
assistant engineer:
Doug McClement (on 1995-06-28)
assistant audio engineer:
Peter Hamilton (engineer) (on 1995-06-28) and Philip Mercier (on 1995-06-28)
assistant mixer:
Denis Tougas (on 1995-06-28)
bass:
David Piltch (on 1995-06-28)
guitar:
Kevin Breit (on 1995-06-28)
percussion:
Dougie Bowne (on 1995-06-28)
piano:
Aaron Davis (on 1995-06-28)
vocals:
Holly Cole (on 1995-06-28)
recorded at:
St-Denis Theatre (Theatre in Montreal) in Ville-Marie, Montréal (city), Québec, Canada (on 1995-06-28)
live recording of:
Train Song (Tom Waits song) (on 1995-06-28)
lyricist and composer:
Tom Waits
3:31
4Losing My Mind
recording engineer and mixer:
Leanne Ungar (on 1995-06-28)
assistant engineer:
Doug McClement (on 1995-06-28)
assistant audio engineer:
Peter Hamilton (engineer) (on 1995-06-28) and Philip Mercier (on 1995-06-28)
assistant mixer:
Denis Tougas (on 1995-06-28)
bass:
David Piltch (on 1995-06-28)
guitar:
Kevin Breit (on 1995-06-28)
percussion:
Dougie Bowne (on 1995-06-28)
piano:
Aaron Davis (on 1995-06-28)
vocals:
Holly Cole (on 1995-06-28)
recorded at:
St-Denis Theatre (Theatre in Montreal) in Ville-Marie, Montréal (city), Québec, Canada (on 1995-06-28)
live recording of:
Follies: Losing My Mind (Follies) (on 1995-06-28)
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation (ended) and Herald Square Music, Inc.
part of:
Follies
5:48
5Tango Til They're Sore
recording engineer and mixer:
Leanne Ungar (on 1995-06-28)
assistant engineer:
Doug McClement (on 1995-06-28)
assistant audio engineer:
Peter Hamilton (engineer) (on 1995-06-28) and Philip Mercier (on 1995-06-28)
assistant mixer:
Denis Tougas (on 1995-06-28)
bass:
David Piltch (on 1995-06-28)
guitar:
Kevin Breit (on 1995-06-28)
percussion:
Dougie Bowne (on 1995-06-28)
piano:
Aaron Davis (on 1995-06-28)
vocals:
Holly Cole (on 1995-06-28)
recorded at:
St-Denis Theatre (Theatre in Montreal) in Ville-Marie, Montréal (city), Québec, Canada (on 1995-06-28)
live recording of:
Tango Till They’re Sore (on 1995-06-28)
lyricist and composer:
Tom Waits
4:58
6Don't Let the Teardrops Rust Your Shining Heart
recording engineer and mixer:
Leanne Ungar (on 1995-06-28)
assistant engineer:
Doug McClement (on 1995-06-28)
assistant audio engineer:
Peter Hamilton (engineer) (on 1995-06-28) and Philip Mercier (on 1995-06-28)
assistant mixer:
Denis Tougas (on 1995-06-28)
bass:
David Piltch (on 1995-06-28)
guitar:
Kevin Breit (on 1995-06-28)
percussion:
Dougie Bowne (on 1995-06-28)
piano:
Aaron Davis (on 1995-06-28)
vocals:
Holly Cole (on 1995-06-28)
recorded at:
St-Denis Theatre (Theatre in Montreal) in Ville-Marie, Montréal (city), Québec, Canada (on 1995-06-28)
live recording of:
Don't Let the Teardrops Rust Your Shining Heart (on 1995-06-28)
lyricist and composer:
Ben Watt
5:01
7Que Será, Será
recording engineer and mixer:
Leanne Ungar (on 1995-06-28)
assistant engineer:
Doug McClement (on 1995-06-28)
assistant audio engineer:
Peter Hamilton (engineer) (on 1995-06-28) and Philip Mercier (on 1995-06-28)
assistant mixer:
Denis Tougas (on 1995-06-28)
bass:
David Piltch (on 1995-06-28)
guitar:
Kevin Breit (on 1995-06-28)
percussion:
Dougie Bowne (on 1995-06-28)
piano:
Aaron Davis (on 1995-06-28)
vocals:
Holly Cole (on 1995-06-28)
recorded at:
St-Denis Theatre (Theatre in Montreal) in Ville-Marie, Montréal (city), Québec, Canada (on 1995-06-28)
live recording of:
Que será, será (Whatever Will Be, Will Be) (on 1995-06-28)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
5:43
8Calling You
recording engineer and mixer:
Leanne Ungar (on 1995-06-28)
assistant engineer:
Doug McClement (on 1995-06-28)
assistant audio engineer:
Peter Hamilton (engineer) (on 1995-06-28) and Philip Mercier (on 1995-06-28)
assistant mixer:
Denis Tougas (on 1995-06-28)
bass:
David Piltch (on 1995-06-28)
guitar:
Kevin Breit (on 1995-06-28)
percussion:
Dougie Bowne (on 1995-06-28)
piano:
Aaron Davis (on 1995-06-28)
vocals:
Holly Cole (on 1995-06-28)
recorded at:
St-Denis Theatre (Theatre in Montreal) in Ville-Marie, Montréal (city), Québec, Canada (on 1995-06-28)
live recording of:
Calling You (on 1995-06-28)
lyricist and composer:
Bob Telson
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 61st Academy Award for Best Original Song (number: 2)
5:33