Come Away with Me is the debut album of pianist and singer Norah Jones, released by Blue Note Records on February 26, 2002. Recording sessions for the album took place at New York City's Sorcerer Sound Studio and Shokan's Allaire Studios in 2001.
The album's critical and commercial success was a breakthrough for Jones in 2002, as it reached the top of the Billboard 200 chart and several jazz charts. The album also topped many critics' "albums of the year" lists and gathered major music awards in the process, including eight Grammy Awards. Following initial sales, Come Away with Me was certified diamond by the RIAA on February 15, 2005 after having shipped over 10 million copies in its first three years of release. It has sold more than 26 million copies worldwide as of April 2012.
Come Away With Me
Don’t Know Why
en: Come Away with Me [info]
Imagine the voice of a husky Eva Cassidy, or Macy Gray after deep-tissue massage, singing to you in an empty bar late at night. That's Norah Jones on her debut album, Come Away With Me. Though released on Blue Note, it's not quite jazz. It's a set of country-blues ballads more reminiscent of 'Eric Clapton Unplugged'.
Come Away With Me acknowledges its roots in tracks by country music's Hank Williams and J.D.Loudermilk. Hank's "Cold Cold Heart" is delicately jazz-flavoured, with skeletal instrumentation, a syncopated bass riff and Norah's voice the texture of suede; while J.D. Loudermilk's "Turn Me On" reveals a grittier edge.
Most of the other numbers here were written by Norah and her posse, and feature her light touch on piano. "Feelin' the Same Way" and "Lonestar" by Norah's bassist boyfriend, Lee Alexander, have simple melodic lines and lyrics which don't warrant scrutiny, but the subtle and sensitive vocal performances elevate them. Tom Waits could be hiding in the shadows in the best song on the album, "I've Got to See You Again" by guitarist Jesse Harris. Here, the combination of Norah's controlled vocals and strains of mournful gypsy jazz violin evoke a dark mood which turns to nostalgia in "Painter Song" with its folky accordion and Fairground Attraction-style rhythm section.
As Norah and producer Arif Mardin were switching out the lights in the recording studio, waving goodbye to the band and heading for the bar, they must have realised 'Dammit, we didn't record any jazz!' That would explain the last track on the album - 'The Nearness of You'. It's an intimate cocktail lounge portrait of the jazz standard, with a soulful edge; just Norah accompanying herself on piano - simple but tasteful.
If you're looking for out-and-out jazz you'll be disappointed with Come Away With Me. It doesn't swing, it sways. But Norah has such a feel for the music that she can make her voice soar and carry you with her, then deposit you gently back in your living room. The bare bones instrumentation is a perfect vehicle for her, and her timing and feel are just right. Try it.