| holds phonographic copyright (℗) for |
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2012 | Set a5 in A - I. Fantasy a5 (No. 1) | | Phantasm | 5:09 |
2012 | Set a5 in A - II. Fantazia a5 (No. 2) | | Phantasm | 2:49 |
2012 | Set a5 in A - III. Aire a5 | | Phantasm | 2:03 |
2012 | Set a5 in C - I. Fantazia a5 | | Phantasm | 3:12 |
2012 | Set a5 in C - I. Fantazy a5 | | Phantasm | 2:24 |
2012 | Set a5 in C - II. Aire a5 (No. 1) | | Phantasm | 1:38 |
2012 | Set a5 in C - II. Paven a5 | | Phantasm | 5:06 |
2012 | Set a5 in C - III. Aire a5 | | Phantasm | 2:24 |
2012 | Set a5 in C - III. Paven a5 | | Phantasm | 6:31 |
2012 | Set a5 in C - IV. Aire a5 (No. 2) | | Phantasm | 1:32 |
2012 | Set a5 in G - I. Fantazya a5 | | Phantasm | 3:05 |
2012 | Set a5 in G - II. On the Playnesong: a5 | | Phantasm | 4:13 |
2012 | Set a5 in G - III. Aire a5 | | Phantasm | 1:34 |
2012 | Set a6 in B flat - I. Fantazy a6 | | Phantasm | 4:24 |
2012 | Set a6 in B flat - II. Aire a6 | | Phantasm | 2:37 |
2012 | Set a6 in B flat - III. Inominy a6 | | Phantasm | 4:26 |
2012 | Set a6 in F - I. Aire a6 (No. 1) | | Phantasm | 2:28 |
2012 | Set a6 in F - II. Fantazy a6 (No. 1) | | Phantasm | 4:56 |
2012 | Set a6 in F - III. Aire a6 (No. 2) | | Phantasm | 1:35 |
2012 | Set a6 in F - IV. Fantazy a6 (No. 2) | | Phantasm | 3:16 |
2012 | Set a6 in G - I. Paven a6 | | Phantasm | 6:35 |
2012 | Set a6 in G - II. Fantazy a6 | | Phantasm | 3:18 |
2012 | Set a6 in G - III. Aire a6 | | Phantasm | 2:15 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Prologue: Mortal cosa son io (L'Humana Fragilità/Il Tempo/La Fortuna/Amore) | | Boston Baroque, Musical Director | 8:41 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 01: Di misera regina (Penelope/Ericlea) | | Boston Baroque, Musical Director | 10:04 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 02: Duri e penosi (Melanto/Eurimaco) | | Boston Baroque, Musical Director | 10:09 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 04: Sinfonia | | Boston Baroque, Musical Director | 0:19 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 05: Superbo è l'huom (Nettuno/Giove) | | Boston Baroque, Musical Director | 6:08 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 06: In questo basso mondo (Coro di Feaci/Nettuno) | | Boston Baroque, Musical Director | 2:02 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 07: Dormo encora (Ulisse) | | Boston Baroque, Musical Director | 4:39 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 08: Cara e lieta gioventù (Minerva/Ulisse) | | Boston Baroque, Musical Director | 11:49 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 09: Tu, d'Aretusa al fonte (Minerva/Ulisse) | | Boston Baroque, Musical Director | 2:10 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 10: Donata un giorno (Penelope/Melanto) | | Boston Baroque, Musical Director | 8:34 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 11: Oh come mal si salva (Eumete) | | Boston Baroque, Musical Director | 1:40 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 12: Pastor d'armenti può (Iro/Eumete) | | Boston Baroque, Musical Director | 1:44 |
2015 | Il ritorno d'Ulisse in patria - Act 1 Scene 13: Ulisse generoso! (Eumete/Ulisse) | | Boston Baroque, Musical Director | 3:19 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 01: Lieto cammino (Telemaco/Minerva) | | Boston Baroque, Musical Director | 2:35 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 02: O gran figlio d'Ulisse (Eumete/Ulisse) | | Boston Baroque, Musical Director | 5:07 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 03: Che veggio, ohimè, che miro? (Telemaco/Ulisse) | | Boston Baroque, Musical Director | 7:33 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 04: Eurimaco, la donna insomma (Melanto/Eurimaco) | | Boston Baroque, Musical Director | 3:02 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 05: Sono l'altre regine (Antinoo/Anfinomo/Pisandro/Penelope) | | Boston Baroque, Musical Director | 7:51 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 07: Apportator d'alte novelle (Eumete/Penelope) | | Boston Baroque, Musical Director | 1:07 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 08: Compagni, udiste (Antinoo/Anfinomo/Pissandro/Eurimaco) | | Boston Baroque, Musical Director | 6:35 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 09: Perir non può (Ulisse/Minerva) | | Boston Baroque, Musical Director | 3:36 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 10: Io vidi, o pellegrin (Eumete/Ulisse) | | Boston Baroque, Musical Director | 1:56 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 11: Del mio lungo viaggio (Telemaco/Penelope) | | Boston Baroque, Musical Director | 5:16 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 12a: Sempre villano Eumete (Antinoo/Eumete/Iro/Ulisse/Telemaco) | | Boston Baroque, Musical Director | 4:55 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 12b: Tu vincitor (Antinoo/Penelope/Pisandro/Anfinomo/Telemaco) | | Boston Baroque, Musical Director | 7:13 |
2015 | Il ritorno d'Ulisse in patria - Act 2 Scene 12c: Ecco l'arco d'Ulisse (Penelope/Pisandro/Anfinomo/Antinoo/Ulisse) | | Boston Baroque, Musical Director | 10:12 |
2015 | Il ritorno d'Ulisse in patria - Act 3 Scene 01: O dolor, o martir (Iro) | | Boston Baroque, Musical Director | 6:14 |
2015 | Il ritorno d'Ulisse in patria - Act 3 Scene 03: E quai nuovi rumori (Melanto/Penelope) | | Boston Baroque, Musical Director | 2:11 |
2015 | Il ritorno d'Ulisse in patria - Act 3 Scene 04: Forza d'occulto affetto (Eumete/Penelope) | | Boston Baroque, Musical Director | 2:30 |
2015 | Il ritorno d'Ulisse in patria - Act 3 Scene 05: È saggio Eumete (Telemaco/Penelope/Eumete) | | Boston Baroque, Musical Director | 2:41 |
2015 | Il ritorno d'Ulisse in patria - Act 3 Scene 06: Fiamma è l'ira, o gran Dea (Minerva/Giunone) | | Boston Baroque, Musical Director | 3:33 |
2015 | Il ritorno d'Ulisse in patria - Act 3 Scene 07: Gran Giove (Giunone/Giove/Nettuno/Minerva/Coro in cielo/Coro marittimo) | | Boston Baroque, Musical Director | 6:40 |
2015 | Il ritorno d'Ulisse in patria - Act 3 Scene 08: Ericlea, che vuoi far (Ericlea) | | Boston Baroque, Musical Director | 3:31 |
2015 | Il ritorno d'Ulisse in patria - Act 3 Scene 09: Ogni nostra ragion (Penelope/Telemaco/Eumete) | | Boston Baroque, Musical Director | 0:47 |
2015 | Il ritorno d'Ulisse in patria - Act 3 Scene 10: O delle mie fatiche (Ulisse/Penelope/Ericlea) | | Boston Baroque, Musical Director | 10:09 |
2017 | Cello Suite No. 1 in G major, BWV 1007: I. Prelude | | Kuniko | 3:20 |
2017 | Cello Suite No. 1 in G major, BWV 1007: II. Allemande | | Kuniko | 4:40 |
2017 | Cello Suite No. 1 in G major, BWV 1007: III. Courante | | Kuniko | 3:56 |
2017 | Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande | | Kuniko | 3:27 |
2017 | Cello Suite No. 1 in G major, BWV 1007: V. Menuett I & II | | Kuniko | 5:18 |
2017 | Cello Suite No. 1 in G major, BWV 1007: VI. Gigue | | Kuniko | 2:12 |
2017 | Cello Suite No. 3 in C Major, BWV 1009: I. Prelude | | Kuniko | 4:24 |
2017 | Cello Suite No. 3 in C Major, BWV 1009: II. Allemande | | Kuniko | 4:06 |
2017 | Cello Suite No. 3 in C Major, BWV 1009: III. Courante | | Kuniko | 4:18 |
2017 | Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande | | Kuniko | 4:32 |
2017 | Cello Suite No. 3 in C Major, BWV 1009: V. Bourree I & II | | Kuniko | 5:28 |
2017 | Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue | | Kuniko | 3:48 |
2017 | Cello Suite No. 5 in C Minor, BWV 1011 (Transcribed from Lute Suite in G Minor, BWV 995): I. Prelude | | Kuniko | 6:57 |
2017 | Cello Suite No. 5 in C Minor, BWV 1011 (Transcribed from Lute Suite in G Minor, BWV 995): II. Allemande | | Kuniko | 5:10 |
2017 | Cello Suite No. 5 in C Minor, BWV 1011 (Transcribed from Lute Suite in G Minor, BWV 995): III. Courante | | Kuniko | 2:41 |
2017 | Cello Suite No. 5 in C Minor, BWV 1011 (Transcribed from Lute Suite in G Minor, BWV 995): IV. Sarabande | | Kuniko | 4:32 |
2017 | Cello Suite No. 5 in C Minor, BWV 1011 (Transcribed from Lute Suite in G Minor, BWV 995): V. Gavotte I | | Kuniko | 2:44 |
2017 | Cello Suite No. 5 in C Minor, BWV 1011 (Transcribed from Lute Suite in G Minor, BWV 995): VI. Gavotte II | | Kuniko | 1:51 |
2017 | Cello Suite No. 5 in C Minor, BWV 1011 (Transcribed from Lute Suite in G Minor, BWV 995): VII. Gigue | | Kuniko | 3:09 |
2017 | Prelude in C Minor, BWV 999 | | Kuniko | 2:32 |
2017 | The Well‐Tempered Clavier Book I: Prelude No. 1 in C Major, BWV 846 | | Kuniko | 2:29 |
2017 | Violin Sonata No. 1 in G minor, BWV 1001: I. Adagio | | Kuniko | 4:33 |
2017 | Violin Sonata No. 1 in G minor, BWV 1001: II. Fuga (BWV 1000) | | Kuniko | 6:51 |
2017 | Violin Sonata No. 1 in G minor, BWV 1001: III. Siciliana | | Kuniko | 4:18 |
2017 | Violin Sonata No. 1 in G minor, BWV 1001: IV. Presto | | Kuniko | 5:37 |
2017 | Violin Sonata No. 2 in A minor, BWV 1003: I. Grave | | Kuniko | 4:01 |
2017 | Violin Sonata No. 2 in A minor, BWV 1003: II. Fuga | | Kuniko | 9:56 |
2017 | Violin Sonata No. 2 in A minor, BWV 1003: III. Andante | | Kuniko | 6:35 |
2017 | Violin Sonata No. 2 in A minor, BWV 1003: IV. Allegro | | Kuniko | 7:31 |
2017 | Violin Sonata No. 3 in C major, BWV 1005: I. Adagio | | Kuniko | 4:31 |
2017 | Violin Sonata No. 3 in C major, BWV 1005: II. Fuga | | Kuniko | 12:07 |
2017 | Violin Sonata No. 3 in C major, BWV 1005: III. Largo | | Kuniko | 3:38 |
2017 | Violin Sonata No. 3 in C major, BWV 1005: IV. Allegro assai | | Kuniko | 6:09 |
| Black Coffee | | Claire Martin | 5:26 |
| Blue Motel Room | | Claire Martin | 1:59 |
| Curiosity Threatens | | Perfect Houseplants | 3:46 |
| Damp Dog | | Perfect Houseplants | 5:17 |
| EE | | Perfect Houseplants | 5:09 |
| Emerald | | Perfect Houseplants | 3:15 |
| Four Walls | | Claire Martin | 5:29 |
| Hush | | Perfect Houseplants | 3:58 |
| I Can Let Go Now | | Claire Martin | 3:43 |
| See all 115 relationships |
| holds copyright (©) for |
---|
1998 | Ars subtilior | | New London Consort, Philip Pickett | |
2001 | Linn Records | | Various Artists | |
2012 | Consorts to the Organ | | William Lawes; Phantasm | |
2015 | Il ritorno d'Ulisse in patria | | Claudio Monteverdi; Martin Pearlman & Boston Baroque | |
2015 | Opera Arias & Overtures | | Mozart; Scottish Chamber Orchestra, Christian Baldini, Elizabeth Watts | |
2017 | Bach: Solo Works for Marimba | | Kuniko | |
| holds phonographic copyright (℗) for |
---|
1998 | Ars subtilior | | New London Consort, Philip Pickett | |
2001 | Linn Records | | Various Artists | |
2004 | The Paul Robeson Legacy | | Willard White | |
2015 | Il ritorno d'Ulisse in patria | | Claudio Monteverdi; Martin Pearlman & Boston Baroque | |
2015 | Opera Arias & Overtures | | Mozart; Scottish Chamber Orchestra, Christian Baldini, Elizabeth Watts | |
| Consorts Flat and Sharp | | Matthew Locke; Phantasm | |
| Four‐Part Consorts | | John Jenkins; Phantasm | |
| Partitas (Re‐imagined for Small Orchestra by Thomas Oehler) | | Bach; Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School, Thomas Oehler | |
| The Very Best of Chopin | Linn | Chopin | |
| licensed |
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| Bach on the Lute, Volume 3 | | Johann Sebastian Bach; Nigel North | |
| Inchcolm | | William Jackson | |