Category:Engineer Relationship Class
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Description
Advanced relationships used to assign engineering credits.
Guidelines
The presence of any relationship type from this class does not imply that the engineer also is then valid for a Engineer Position Relationship Type relationship with the label that released the track or release, nor are any of these relationship types implied by there being an engineer at the releasing label at the time it was recorded or released.
For assistance in determining the correct relationship types to use when describing compiling, DJ mixing, mastering, mixing, remastering, remixing, and sampling, please refer to Mix Terminology.
Relationship Types for this Class
- Audio Engineer Relationship Type
- This describes an engineer involved with the machines used to generate sound, such as effects processors and digital audio equipment used to modify or manipulate sound in either an analogue or digital form.
- Artist audio engineered Release
- Release was audio engineered by Artist
- Artist audio engineered Recording
- Recording was audio engineered by Artist
- Artist balance engineered Release
- Release was balance engineered by Artist
- Artist balance engineered Recording
- Recording was balance engineered by Artist
- Editor Relationship Type
- This describes an engineer responsible for either connecting disparate elements of the audio recording, or otherwise redistributing material recorded in the sessions.
- Artist edited Release
- Release was edited by Artist
- Artist edited Recording
- Recording was edited by Artist
- Engineer Relationship Type
- This describes an engineer who performed a general engineering role.
- Artist engineered Release
- Release was engineered by Artist
- Artist engineered Recording
- Recording was engineered by Artist
- Live Sound Engineer Relationship Type
- This describes an engineer responsible for the acoustic environment of a live performance, to ensure that the sounds that the artists make reach the microphones sounding pleasant, without unwanted resonance or noise.
- Artist live sound engineered Release
- Release was live sound engineered by Artist
- Artist live sound engineered Recording
- Recording was live sound engineered by Artist
* Mastering Engineer Relationship Type
- This describes an engineer responsible for preparing and transferring recorded audio from a source containing the final mix to a master (the audio source from which all copies will then be manufactured).
- Artist mastered Release
- Release was mastered by Artist
- Artist mastered Recording
- Recording was mastered by Artist
- This describes an engineer responsible for using a mixing console to mix a recorded track into a single piece of music suitable for release.
- This links an entity to the artist who did the programming for electronic instruments used in the entity.
- Artist programmed Release
- Release was programmed by Artist
- Artist programmed Recording
- Recording was programmed by Artist
- This describes an engineer responsible for comitting the performance to tape. This can be as complex as setting up the microphones, amplifiers, and recording devices, or as simple as pressing the 'record' button on a 4-track.
- Artist recorded Release
- Release was recorded by Artist
- Artist recorded Recording
- Recording was recorded by Artist
- Also sometimes known as acoustical engineering, this describes an engineer responsible for ensuring that the sounds that the artists make reach the microphones sounding pleasant, without unwanted resonance or noise.
- Artist sound engineered Release
- Release was sound engineered by Artist
- Artist sound engineered Recording
- Recording was sound engineered by Artist
- This links an entity to the Tonmeister who engineered an entity.
- Artist Tonmeister engineered Release
- Release was Tonmeister engineered by Artist
- Artist Tonmeister engineered Track
- Track was Tonmeister engineered by Artist
Examples
- The Offspring's release Americana has the credits:
- Engineered by Bryan Carlstrom
- Assistant Engineer: Annette Cisneros
- In this case they both have the general Engineer Relationship Type. However, Annette Cisneros has the "additional" attribute as well.
- Assistant Engineer: Annette Cisneros
- Elis' release Dark Clouds in a Perfect Sky says in the liner notes:
- Recording Assistants: Martin Schmidt, Mathias Röderer and Thorsten Bauer
- Here the "additional" attribute is used to model Recording Assistants.
- XP8's release HRS:MIN:SEC was mastered by Len Lemeire.
- Michael Jackson's track One More Chance was edited by Jon Nettlesbey.
Articles in category "Engineer Relationship Class"
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