This page has not been reviewed by our documentation team (more info).

This page contains a listing for (almost) every work by Wolfgang Amadeus Mozart using K6/(K3/K2)/KV 1 notation in correct CSG/Opera Style.

Can I edit this page?

Many people have sent me a PM asking if they can or should fix errors here. Yes!:) If you see notice a typo, please feel free to fix it. Please contact me, however, if you think you've found a factual error or omission in the lower table here (the 100% verified one).

My thanks to all who have helped to fix errors and improve the quality of this data.

BrianFreud

Catalogs of Wolfgang Amadeus Mozart's works

Unlisted Works

This listing has attempted to be as entirely complete as is possible. However, some few works are so obscure that there is simply not enough information to list them. If you find a release containing any of these works, please contact BrianFreud so that we can add a listing for that work to this list.

  • K6 135a / KV Anh 109

  • Anything in K6 Anhang B

  • K6 453b

  • K6 470a

  • K6 509b

  • K6 509c

  • K6 626 (completion by Geoffrey McNeely)

The following works will only be added if a release can be found which requires the addition of the work to this list:

  • Köchel (6th edition): K. 626b/*

  • Köchel (6th edition): K. 626aII/*

  • Anhang works from any edition of Köchel

  • Any F., Fr, Sk, or Skb works

  • Any NMA numbered works which do not have a Köchel number

  • Completions, including

    • 417a, reconstructed 'complete' version by Alois Schmitt

You may also want to look here to see if perhaps you can find some help identifying obscure works or versions of works.

If you do need a work added to this list, please PM BrianFreud and include any identifying information that you can regarding the track and the release.

Mozart completionists/reconstructors/orchestrators/etc.

A note on tempos

Liners often shorten tempo information. However, "Allegro" is not the same exact thing as "Allegro assai", nor are "Adagio" and "Adagio cantabile" interchangeable. "Andantino" should not be used as just a way to make "Andantino sostenuto e cantabile" shorter. Mozart made full use of meter indications, not just tempo-words, using nearly one hundred different tempos in his career. He didn't use only the basic tempo-words (Andante, Adagio, Allegro, etc).

Note, too, that some of his tempo-word+meter pairings were intended as intentional musical humor 4 - abbreviating these tempos loses that humorous touch.

That said, those exact tempos meter indications currently are the weak part of this listing - namely, many of them are currently missing from this listing; many works do currently list just the tempo-word, and not the tempo-word + meter pair. If you have information to allow you to expand a generic "Andante" out to the "Andante mà un poco sostenuto" it ought to be, please do correct it. The [WWW] Neue Mozart-Ausgabe archives can also be of significant assistance. (Just make sure to select "KV" and not "zu KV" from the drop down menu.)

Also note that "Allegretto mà non troppo" and "Allegretto non troppo" were both tempo indications used by Wolfgang Amadeus Mozart, and each can be correct.

Quick Links to Famous Works

Concertos

Horn

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Violin

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Piano

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Sonatas

Church

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Piano

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Violin [Note]

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Masses

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Requiem

Serenades

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Quartets for Strings

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Der Stein der Weisen

Der Stein der Weisen is a collaboratively composed opera. Rather than confuse this listing, that work is [WWW] listed separately.

Please keep in mind that the capitalization within K6 catalog numbers does make a difference. K. 22 is not the same as K. 22a, K. 22A, K. 22Aa or K. 22aA.

Regarding Guess Case in classical mode: It will make a mess of your track titles. Do not use it - the cases and punctuation in this listing are already correct.

Note: This list is currently being verified for tempos and omissions against the NMA scores. As each work is verified to be 100% correctly listed, a movement column is being added, and the work is being moved to the lower table. If you don't see the work you need in the upper table, please remember to also check the lower table.

Temporary Link down to the new table.

K6

K1

Title

10

10

Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: I. Allegro

10

10

Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: II. Andante

10

10

Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: III. Minuetto

11

11

Sonata for Violin (or Flute) & Piano No. 6 in G major, K. 11: I. Andante

11

11

Sonata for Violin (or Flute) & Piano No. 6 in G major, K. 11: II. Minuetto. Allegro

12

12

Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: I. Andante

12

12

Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: II. Allegro

13

13

Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: I. Allegro

13

13

Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: II. Andante

13

13

Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: III. Minuetto

14

14

Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: I. Allegro

14

14

Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: II. Allegro

14

14

Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: III. Minuetto

15

15

Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: I. Andante maestoso

15

15

Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: II. Allegro grazioso

16a

Anh 220

Symphony for Orchestra in A minor, K. 16a/Anh 220 "Odense": I. Allegro moderato

16a

Anh 220

Symphony for Orchestra in A minor, K. 16a/Anh 220 "Odense": II. Andantino

16a

Anh 220

Symphony for Orchestra in A minor, K. 16a/Anh 220 "Odense": III. Rondo. Allegro moderato

19d

deest

Sontata for Piano with 4 Hands in C major, K. 19d/deest: I. Allegro

19d

deest

Sontata for Piano with 4 Hands in C major, K. 19d/deest: II. Minuetto

19d

deest

Sontata for Piano with 4 Hands in C major, K. 19d/deest: III. Rondeau. Allegretto

24

24

8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, K. 24

25

25

7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, K. 25

33

33

Kyrie for Chorus & Orchestra in F major, K. 33

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: I. Parte I. Sinfonia

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: II. Parte I. Recitativo "Die Löblich' und gerechte bitte" (Gerechtigkeit, Christgeist, Barmherzigkeit)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: III. Parte I. No. 1 Aria "Mit Jammer muss ich schauen" (Christgeist)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: IV. Parte I. Recitativo "So vieler Seelen Fall" (Barmherzigkeit, Gerechtigkeit)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: V. Parte I. No. 2 Aria "Ein ergrimmter Löwe brüllet" (Barmherzigkeit)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: VI. Parte I. Recitativo "Was glaubst du" (Bermherzigkeit, Gerechtigkeit, Christgeist)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: VII. Parte I. No. 3 Aria "Erwache, fauler Knecht" (Gerechtigkeit)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: VIII. Parte I. Recitativo "Er reget sich" (Christgeist, Barmherzigkeit, Gerechtigkeit)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: IX. Parte I. Recitativo "Wie, wer erwecket mich" (Christ, Weltgeist)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: X. Parte I. No. 4 Aria "Hat der Schöpfer von Leben" (Weltgeist)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: XI. Parte I. Recitativo "Daß Träume Träume sind" (Christ)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: XII. Parte I. No. 5 Aria "Jener Donnerworte Kraft" (Christ)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: XIII. Parte I. Recitativo "Ist dieses, o so zweifle nimmermehr" (Weltgeist, Christ, Christgeist)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: XIV. Parte I. No. 6 Aria "Schildre einen Philosophen" (Weltgeist)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: XV. Parte I. Recitativo "Wen hör' ich nun hier in der Nähe" (Weltgeist, Christ, Christgeist)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: XVI. Parte I. No. 7 Aria "Manches Übel will zuweilen" (Christgeist)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: XVII. Parte I. Recitativo "Er halt mich einem Kranken gleich" (Christ, Christgeist, Weltgeist)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: XVIII. Parte I. Recitativo "Hast du nunmehr erfahren" (Barmherzigkeit, Christgeist, Gerechtigkeit)

35

35

Die Schuldigkeit des ersten Gebots in C major, K. 35: XIX. Parte I. No. 8 Terzetto "Laßt mir euer Gnade Schein" (Christgeist, Barmherzigkeit, Gerechtigkeit)

35a

42

Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": I. Recitativo "Wo bin ich bittrer Schmerz" (Die Seele) / II. Aria "Felsen, spaltet euren Rachen" (Die Seele)

35a

42

Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel`" (Der Engel) / IV. Aria "Betracht dies Herz" (Der Engel)

35a

42

Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": V. Recitativo "O Himmel, was ein traurig Licht (Die Seele, Basso)" (Die Seele)

35a

42

Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele)

35a

42

Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VII. Recitativo "O lobenswerter Sinn!" (Der Engel) / VIII. Coro "Jesu, wahrer Gottessohn" (Coro)

37

37

Concerto for Piano No. 1 in F major, K. 37: I. Allegro

37

37

Concerto for Piano No. 1 in F major, K. 37: II. Andante

37

37

Concerto for Piano No. 1 in F major, K. 37: III. Allegro

39

39

Concerto for Piano No. 2 in B-flat major, K. 39: I. Allegro spirituoso

39

39

Concerto for Piano No. 2 in B-flat major, K. 39: II. Andante staccato

39

39

Concerto for Piano No. 2 in B-flat major, K. 39: III. Allegro molto

40

40

Concerto for Piano No. 3 in D major, K. 40: I. Allegro maestoso

40

40

Concerto for Piano No. 3 in D major, K. 40: II. Andante

40

40

Concerto for Piano No. 3 in D major, K. 40: III. Presto

41

41

Concerto for Piano No. 4 in G major, K. 41: I. Allegro

41

41

Concerto for Piano No. 4 in G major, K. 41: II. Andante

41

41

Concerto for Piano No. 4 in G major, K. 41: III. Allegro molto

46b

50

Bastien und Bastienne, K. 46b/50: Intrada

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene I. No. 1 Aria "Mein liebster Freund hat mich verlassen," (Bastienne)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene I. Dialog "Du fliehest von mir Bastien?" (Bastienne)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene I. No. 2 Aria "Ich geh jetzt auf die Weide" (Bastienne)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 3 Pastorale "Colas' Auftritt" (Orchester)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 4 Aria "Befraget mich ein zartes Kind" (Colas)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "Guten Morgen, Herr Colas!" (Bastienne)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 5 Aria "Wenn mein Bastien einst im Scherze" (Bastienne)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "O, die Edelfrau vom Schlosse weiss ihn noch besser zu verpflichten" (Colas)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 6 Aria "Würd ich auch wie manche Buhlerinnen" (Bastienne)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "Giebdich, zufrieden! Ich bin Bürge für deinen Wetterhahn" (Colas, Bastienne)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 7 Duetto "Auf den Rat, den ich gegeben" (Colas, Bastienne)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene III. Dialog "Dieses Liebhaberpaar ist wahrlich ein rechtes Wunderwerk" (Colas)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 8 Aria "Großen Dank dir abzustatten" (Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Es freut mich, dass du endlich zu dir selber kommst" (Colas)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 9 Aria "Geh! Du sagst mir eine Fabel" (Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Das kann sein; aber genug, dass deine Geliebte einen andern Ambeter hat" (Colas, Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 10 Aria "Diggi, daggi, schurry, murry" (Colas)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Ist die Hexerei zu Ende?" (Bastien, Colas)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene V. No. 11 Aria "Meiner Liebsten schöne Wangen" (Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Da ist sie…Soll ich ihre Blicke fliehen?" (Bastienne, Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 12 Aria "Er war mir sonst treu und ergeben" (Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "O sich sehe schon, was dich verdriesst" (Bastienne, Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 13 Aria "Geh hin! Dein Trotz soll mich nicht schrecken" (Bastienne, Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Sieh' da! bist du noch hier?" (Bastienne, Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 14 Aria "Dein Trotz vermehrt sich durch mein Leiden?" (Bastienne, Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Und sollte ich wohl ein solcher Narr sein" (Bastienne, Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 15 Duetto "Geh! Herz von Flandern!" (Bastienne, Bastien)

46b

50

Bastien und Bastienne, K. 46b/50: Act I, Scene VII. No. 16 Terzetto "Kinder! Kinder! Seht, nach Sturm und Regen" (Bastienne, Bastien, Colas)

46c

52

Note: The author of the libretto is unknown. This is a piano transcription of Aria No. 11 from Bastien und Bastienne. There is no doubt that Wolfgang Amadeus Mozart composed the source music, but it is debated as to whether Wolfgang Amadeus Mozart, or Leopold Mozart created the later piano transcription. Most, however, tend towards the piano arranger being Leopold.

46c

52

Song for Voice and Piano in A major, K. 46c/52: "Daphne, deine Rosenwangen"

46d

deest

Sonate in C for Violin and Bass (or Piano) in C major, K. 046d/deest

61b

deest

7 Minuets with Trio for Violin, Cello, & Bass in A major, K. 61b/K2 65a: III.

61b

deest

7 Minuets with Trio for Violin, Cello, & Bass in C major, K. 61b/K2 65a: V.

61b

deest

7 Minuets with Trio for Violin, Cello, & Bass in D major, K. 61b/K2 65a: II.

61b

deest

7 Minuets with Trio for Violin, Cello, & Bass in D major, K. 61b/K2 65a: VII.

61b

deest

7 Minuets with Trio for Violin, Cello, & Bass in F major, K. 61b/K2 65a: IV.

61b

deest

7 Minuets with Trio for Violin, Cello, & Bass in G major, K. 61b/K2 65a: I.

61b

deest

7 Minuets with Trio for Violin, Cello, & Bass in G major, K. 61b/K2 65a: VI.

12 Movement K1 version

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 1, KV 103: I.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 2, KV 103: II.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 3, KV 103: III.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 4, KV 103: IV.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 5, KV 103: V.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 6, KV 103: VI.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 7, KV 103: VII.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 8, KV 103: VII.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 9, KV 103: IX.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 10, KV 103: X.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 11, KV 103: XI.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 12, KV 103: XII.

19 Movement K6 version

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 1 in C major, K. 61d/103: I.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 2 in G major, K. 61d/103: II.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 3 in D major, K. 61d/103: III.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 4 in F major, K. 61d/103: IV.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 5 in C major, K. 61d/103: V.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 6 in G major, K. 61d/103: VI.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 7 in D major, K. 61d/103: VII.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 8 in F major, K. 61d/103: VII.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 9 in D major, K. 61d/103: IX.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 10 in G major, K. 61d/103: X.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 11 in F major, K. 61d/103: XI.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 12 in C major, K. 61d/103: XII.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 13 in C major, K. 61d/103: XIII.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 14 in E-flat major, K. 61d/103: XIV.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 15 in B-flat major, K. 61d/103: XV.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 16 in G major, K. 61d/103: XVI.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 17 in E major, K. 61d/103: XVII.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 18 in A major, K. 61d/103: XVIII.

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 19 in C major, K. 61d/103: IXX.

20 Movement NMA version

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 1] in C major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 2] in G major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 3] in D major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 4] in F major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 5] in C major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 6] No. 13 in G major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 7] in D major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 8] in F major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 9] in D major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 10] in G major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 11] in F major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 12] in C major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 13] No. 1 in C major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 14] No. 15 in E-flat major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 15] No. 14 in B-flat major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 16] No. 19 in G major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 17] No. 16 in E major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 18] No. 9 in A major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 19] No. 17 in A major, K. 61d/103

61d

103

19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 20] in C major, K. 61d/103

61e

104

6 Minuets for Orchestra in C major, K. 61e/104: I.

61e

104

6 Minuets for Orchestra in F major, K. 61e/104: II.

61e

104

6 Minuets for Orchestra in C major, K. 61e/104: III.

61e

104

6 Minuets for Orchestra in A major, K. 61e/104: IV.

61e

104

6 Minuets for Orchestra in G major, K. 61e/104: V.

61e

104

6 Minuets for Orchestra in G major, K. 61e/104: VI.

61f

105

6 Minuets for Orchestra in D major, K. 61f/105: I.

61f

105

6 Minuets for Orchestra in D major, K. 61f/105: II.

61f

105

6 Minuets for Orchestra in D major, K. 61f/105: III.

61f

105

6 Minuets for Orchestra in G major, K. 61f/105: IV.

61f

105

6 Minuets for Orchestra in G major, K. 61f/105: V.

61f

105

6 Minuets for Orchestra in G major, K. 61f/105: VI.

61g/I

deest

Minuet for Orchestra in A major, K. 61g/I/KV deest

61h

deest

6 Minuets for Orchestra in C major, K. 61h/deest: I.

61h

deest

6 Minuets for Orchestra in A major, K. 61h/deest: II.

61h

deest

6 Minuets for Orchestra in D major, K. 61h/deest: III.

61h

deest

6 Minuets for Orchestra in B-flat major, K. 61h/deest: IV.

61h

deest

6 Minuets for Orchestra in G major, K. 61h/deest: V.

61h

deest

6 Minuets for Orchestra in C major, K. 61h/deest: VI.

64

64

Minuet for 2 Violins, 2 Horns and Bass in D major, K. 64 (doubtful)

66a

117

Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": I. "Benedictus sit Deus"

66a

117

Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": II. "Aria"

66a

117

Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": III. "Jubilate"

66b

141

Te Deum for Chorus & Orchestra in C major, K. 66b/141: I. "Te Deum laudamus"

66b

141

Te Deum for Chorus & Orchestra in C major, K. 66b/141: II. "Te ergo quaesumus"

66b

141

Te Deum for Chorus & Orchestra in C major, K. 66b/141: III. "Aeterna fac"

66b

141

Te Deum for Chorus & Orchestra in C major, K. 66b/141: IV. "In te Domino speravi"

73a

143

Recitative and Aria for Soprano & Orchestra in G major, K. 73a/143: "Ergo interest. Quaere superna"

73D

deest

Aria for Soprano in E-flat major, K. 73D/deest Fr 1766a (fragment): "Per quel paterno amplesso"

73f

80

Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": I. Adagio

73f

80

Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": II. Allegro

73f

80

Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": III. Minuetto

73f

80

Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": IV. Rondo

73g

123

Contredanse for Orchestra in B-flat major, K. 73g/123

73s

85

Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": I. "Miserere"

73s

85

Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": II. "Et secundum"

73s

85

Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": III. "Quoniam"

73s

85

Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": IV. "Ecce"

73s

85

Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": V. "Asperges"

73s

85

Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VI. "Averte"

73s

85

Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VII. "Ne projicias"

73s

85

Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VIII. "Docebo"

73t

122

Minuet for Orchestra in E-flat major, K. 73t/122

73v

86

Antiphon for Chorus in D minor, K. 73v/86: "Quaerite primum regnum Dei"

73x

deest

Canonical Study, K. 73x/K2 Anh 109d

74a

74a

Mitridate, rè di Ponto, K. 74a/87: Ouverture: Allegro, andante grazio, presto

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. No. 2 Aria "Soffre il mio cor con pace" (Sifare)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. No. 3 Aria "L'odio nel cor frenate" (Arbate)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VII. No. 4 Aria "Nel sen mi palpita" (Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. Recitativo "Un tale addio, germano" (Farnace, Sifare)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. No. 5 Aria "Nel gran cimento" (Sifare)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" (Farnace, Marzio)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 7 Marcia. Maestoso

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 8 Cavata "Se di lauri il crine adorno" (Mitridate)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII-XIII. Recitativi "Teme Ismene a ragion… Respira alfin, respira" (Mitridate, Arbate)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. No. 10 Aria "Quel ribelle e quell'ingrato" (Mitridate)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. Recitativo "Questo è l'amor, Franace" (Farnace)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. No. 11 Aria "Va, l'error mio palesa" (Farnace)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IV. No. 12 Aria "Tu, che fedel mi sei" (Mitridate)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. Recitativo accompagnato "Non più, Regina, oh Dio!" (Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VIII. No. 14 Aria "Nel grave tormento" (Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XII. No. 15 Aria "So quanto a te dispiace" (Ismene)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. Recitativo "Ah, giacché son tradito" (Farnace)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. No. 16 Aria "Son reo; l'error confesso" (Farnace)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. Recitativo "E crederai, Signor" (Sifare, Mitridate, Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. No. 17 Aria "Già di pietà mi spoglio" (Mitridate)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. Recitativi "Sifare, per pietà stringi l'acciaro" (Aspasia, Sifare)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. Recitativo "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. No. 19 Aria "Tu sai per chi m'accese" (Ismene)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene II-III. Recitativi "Re crudel, Re spietato… Mio re, t'affretta" (Aspasia, Mitridate, Arbate)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. Recitativo "Lagrime internpestive" (Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. No. 21 Recitativo accompagnato e Cavatina "Ah ben ne fui presaga!… Pallid'ombre, che scorgete" (Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene V-VI. Recitativi "Che fai, Regina?… Che mi val questa vita" (Sifare, Aspasia)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VI. No. 22 Aria "Se il rigor d'ingrata sorte" (Sifare)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VII-VIII. Recitativi "Sorte crudel, stelle inimiche… Tecco i patti, oh Farnace" (Farnace, Marzio)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VIII. No. 23 Aria "Se di regnar sei vago" (Marzio)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. Recitativo accompagnate "Vadasi… Oh ciel" (Farnace)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. No. 24 Aria "Gia darli occhi il velo e tolto" (Franace)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene)

74a

87

Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Coro "Non si ceda al Campidoglio" (Aspasia, Sifare, Farnace)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": I. Parte prima: Overtura

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": II. Parte prima: Recitativo "Popoli di Betulia" (Ozia)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": III. Parte prima: No. 1 Aria "D’ogni colpa la colpa maggiore" (Ozia)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": IV. Parte prima: Recitativo "E in che sperar?" (Cabri, Amital)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": V. Parte prima: No. 2 Aria "Ma qual virtù non cede" (Cabri)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": VI. Parte prima: Recitativo "Già le memorie antiche" (Ozia, Cabri, Amital)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": VII. Parte prima: No. 3 Aria "Non hai cor" (Amital)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": VIII. Parte prima: Recitativo "E qual pace sperate" (Ozia, Amital, Coro)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": IX. Parte prima: No. 4 Aria con il Coro "Pietà, se irato sei" (Ozia, Coro)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": X. Parte prima: Recitativo "Chi è costei che qual sorgente aurora" (Cabri, Amital, Ozia, Giuditta)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XI. Parte prima: No. 5 Aria "Del pari infeconda" (Giuditta)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XII. Parte prima: Recitativo "Oh saggia, oh santa" (Ozia, Cabri, Giuditta)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XIII. Parte prima: No. 6 Aria con il Coro "Pietà, se irato sei" (Ozia, Coro)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XIV. Parte prima: Recitativo "Signor, Carmi a te viene" (Cabri, Amital, Carmi, Ozia, Achior)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XV. Parte prima: No. 7 Aria "Terribile d’aspetto" (Achior)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XVI. Parte prima: Recitativo "Ti consola, Achior" (Ozia, Cabri, Achior, Giuditta)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XVII. Parte prima: No. 8 Aria "Parto inerme, e non pavento" (Giuditta)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XVIII. Parte prima: No. 9 Coro "Oh prodigio! Oh stupor!" (Coro)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XIX. Parte seconda: Recitativo "Troppo mal corrisponde" (Achior, Ozia)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XX. Parte seconda: No. 10 Aria "Se Dio veder tu vuoi" (Ozia)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXI. Parte seconda: Recitativo "Confuso io son" (Achior, Ozia, Amital)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXII. Parte seconda: No. 11 Aria "Quel nocchier che in gran procella" (Amital)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIII. Parte seconda: Recitativo "Lungamente non dura" (Ozia, Amital, Coro, Cabri, Giuditta, Achior)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIV. Parte seconda: No. 12 Aria "Prigionier che fa ritorno" (Giuditta)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXV. Parte seconda: Recitativo "Giuditta, Ozia, popoli, amici" (Achior)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVI. Parte seconda: No. 13 Aria "Te solo adoro" (Achior)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVII. Parte seconda: Recitativo "Di tua vittoria" (Ozia, Amital)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVIII. Parte seconda: No. 14 Aria "Con troppa rea viltà" (Amital)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIX. Parte seconda: Recitativo "Quanta cura hai di noi" (Cabri, Carmi, Ozia, Amital)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXX. Parte seconda: No. 15 Aria "Quei moti che senti" (Carmi)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXI. Parte seconda: Recitativo "Seguansi, oh Carmi" (Ozia, Amital, Cabri, Achior, Giuditta)

74c

118

Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXII. Parte seconda: No. 16 Aria con il Coro "Lodi al gran Dio" (Giuditta, Coro)

74d

108

Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: I. Allegro

74d

108

Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: II. Tempo moderato

74d

108

Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: III. Adagio un poco andanta

74d

108

Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: IV. Allegro

74f

72

Offertorium for Chorus & Orchestra in G major, K. 74f/72 "Inter natos mulierum"

90

90

Kyrie for 4 Voices & Organ (in Figured Bass) in D minor, K. 90: (no tempo indication). (Soprano, Alto, Tenor, Bass)

90a

116

Composed by Wolfgang Amadeus Mozart, but arranged by Leopold Mozart.

107/1

107/1

Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: I. Allegro

107/1

107/1

Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: II. Andante

107/1

107/1

Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: III. Tempo di menuetto

107/2

107/2

Concerto for Piano No. 1 in G major, K. 107/2, after J.C. Bach: Keyboard Sonata, Opus 5. No. 3 in G major: I. Allegro

107/2

107/2

Concerto for Piano No. 1 in G major, K. 107/2, after J.C. Bach: Keyboard Sonata, Opus 5. No. 3 in G major: II. Allegretto

107/3

107/3

Concerto for Piano No. 1 in E-flat major, K. 107/3, after J.C. Bach: Keyboard Sonata, Opus 5. No. 4 in E-flat major: I. Allegro

107/3

107/3

Concerto for Piano No. 1 in E-flat major, K. 107/3, after J.C. Bach: Keyboard Sonata, Opus 5. No. 4 in E-flat major: II. Allegretto

111

111

Ascanio in Alba, K. 111: Ouverture

111

111

Ascanio in Alba, K. 111: Act I, Scene I. No. 1 Ballet. Andante grazioso

111

111

Ascanio in Alba, K. 111: Act I, Scene I. No. 2 Coro "Di te più amabile" (Coro di geni e grazie)

111

111

Ascanio in Alba, K. 111: Act I, Scene I. Recitativo "Genie, grazie, ed amori" (Venere)

111

111

Ascanio in Alba, K. 111: Act I, Scene I. No. 3 Aria "L'ombra de' rami tuoi" (Venere)

111

111

Ascanio in Alba, K. 111: Act I, Scene I. Recitativo "Ma la Ninfa gentil" (Ascanio & Venere)

111

111

Ascanio in Alba, K. 111: Act I, Scene I. No. 4 Coro "Di te più amabile, nè Dea maggiore" (Coro di geni e grazie)

111

111

Ascanio in Alba, K. 111: Act I, Scene II. Recitativo "Perché tacer degg'io?" (Ascanio)

111

111

Ascanio in Alba, K. 111: Act I, Scene II. No. 5 Aria "Cara, lontano ancora" (Ascanio)

111

111

Ascanio in Alba, K. 111: Act I, Scene III. No. 6 Coro "Venga, de' sommi eroi" (Coro di Pastore)

111

111

Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma qual canto risona?" (Ascanio & Fauno)

111

111

Ascanio in Alba, K. 111: Act I, Scene III. No. 7 Coro "Venga, de' sommi eroi" (Coro di pastori)

111

111

Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma tu, chi sei" (Fauno & Ascanio)

111

111

Ascanio in Alba, K. 111: Act I, Scene III. No. 8 Aria "Se il labbro più non dice" (Fauno)

111

111

Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Quanto soavi al core" (Ascanio & Fauno)

111

111

Ascanio in Alba, K. 111: Act I, Scene III. No. 9 Coro "Hai di Diana il core" (Coro di pastori e Pastorelle)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Oh generosa Diva" (Aceste)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. No. 10 Coro "Venga, de' sommi eroi" (Coro di pastori)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Di propria man la Dea" (Aceste)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. No. 11 Coro "Venga, de' sommi eroi" (Coro di pastori)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Oh mia gloria" (Aceste)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. No. 12 Aria "Per la gioia in questo seno" (Aceste)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Misera! che farò?" (Silvia, Aceste)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. No. 13 Cavatina "Sì, sì, ma d'un altro amore" (Silvia)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Ah no, Silvia t'inganni" (Aceste, Silvia)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. No. 14 Aria "Come è felice stato" (Silvia)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Silvia, mira, che il sole" (Aceste)

111

111

Ascanio in Alba, K. 111: Act I, Scene IV. No. 15 Coro "Venga, de' sommi Eroi" (Coro di pastori)

111

111

Ascanio in Alba, K. 111: Act I, Scene V. Recitativo "Cielo! che vidi mai?" (Ascanio & Venere)

111

111

Ascanio in Alba, K. 111: Act I, Scene V. No. 16 Aria "Ah di sì nobil alma" (Ascanio)

111

111

Ascanio in Alba, K. 111: Act I, Scene V. Recitativo "Un'altra prova" (Venere & Ascanio)

111

111

Ascanio in Alba, K. 111: Act I, Scene V. No. 17 Aria "Al chiaror di que' bei rai" (Venere)

111

111

Ascanio in Alba, K. 111: Act I, Scene V. No. 18 Coro "Di te più amabile, nè Dea maggiore" (Coro di geni e grazie)

111

111

Ascanio in Alba, K. 111: Act II, Scene I. Recitativo "Star lontana non so" (Silvia)

111

111

Ascanio in Alba, K. 111: Act II, Scene I. No. 19 Aria "Spiega il desio, le piume" (Silvia)

111

111

Ascanio in Alba, K. 111: Act II, Scene I. No. 20 Coro "Già l'ore sen volano" (Coro di pastorelle)

111

111

Ascanio in Alba, K. 111: Act II, Scene II. Recitativo "Cerco di loco in loco" (Ascanio)

111

111

Ascanio in Alba, K. 111: Act II, Scene II. Recitativo accompagnato "Oh ciel! che miro?" (Silvia, Ascanio)

111

111

Ascanio in Alba, K. 111: Act II, Scene III. Recitativo "Silvia, ove sei?" (Silvia, Ascanio, Fauno)

111

111

Ascanio in Alba, K. 111: Act II, Scene III. No. 21 Aria "Dal tuo gentil sembiante" (Fauno)

111

111

Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo "Ahime! Che veggio mai?" (Ascanio & Silvia)

111

111

Ascanio in Alba, K. 111: Act II, Scene IV. No. 22 Aria "Al mio ben mi veggio avanti" (Ascanio)

111

111

Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo "Ferma, aspetta, ove vai?" (Silvia)

111

111

Ascanio in Alba, K. 111: Act II, Scene IV. No. 23 Aria "Infelici affetti miei" (Silvia)

111

111

Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo e Coro "Ascanio, Silvia, coro di pastorelle" (Silvia, Coro)

111

111

Ascanio in Alba, K. 111: Act II, Scene V. Recitativo "Ahi la crudel come scoccato dardo" (Ascanio)

111

111

Ascanio in Alba, K. 111: Act II, Scene V. No. 25 Aria "Torna mio bene, ascolta" (Ascanio)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. No. 26 Coro "Venga, venga, de' sommi eroi" (Coro di pastori)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Che strana meraviglia" (Aceste)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. No. 27 Aria "Sento, che il cor mi dice" (Aceste)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Sì, padre" (Silvia)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. No. 28 Coro "Scendi celeste Venere" (Coro di pastori e Ninfe o Pastorelle)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ma s'allotani almen" (Silvia, Aceste, Ascanio)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. No. 29 Coro "No, non possiamo vivere" (Coro di pastori e Pastorelle)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ecco, ingombran l'altare" (Aceste)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. No. 30 Coro "Scendi celeste Venere" (Coro)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Invoca, oh figlia" (Aceste, Silvia, Ascanio, Venere)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. No. 31 Terzetto "Ah caro sposo, oh dio!" (Silvia, Ascanio, Aceste)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Eccovi al fin" (Venere)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. No. 32 Terzetto "Che bel piacer io sento" (Silvia, Ascanio, Aceste)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ah chi nodi più forti" (Silvia, Ascanio, Aceste, Venere)

111

111

Ascanio in Alba, K. 111: Act II, Scene VI. No. 33 Coro "Alma Dea, tutto il mondo governa" (Coro ultimo di geni, grazie, pastori e ninfe)

113

113

Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: I. Allegro

113

113

Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: II. Andante

113

113

Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: III. Minuetto

113

113

Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: IV. Allegro

123a

381

Sontata for Piano with 4 Hands in D major, K. 123a/381: I. Allegro

123a

381

Sontata for Piano with 4 Hands in D major, K. 123a/381: II. Andante

123a

381

Sontata for Piano with 4 Hands in D major, K. 123a/381: III. Allegro molto

125a

136

Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": I. Allegro

125a

136

Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": II. Andante

125a

136

Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": III. Presto

125b

137

Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony No. 2": I. Andante

125b

137

Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony No. 2": II. Allegro di molto

125b

137

Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony No. 2": III. Allegro assai

125c

138

Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": I. Allegro

125c

138

Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": II. Andante

125c

138

Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": III. Presto

125d

149

Composed by Leopold Mozart, not Wolfgang Amadeus Mozart.

125d

149

Song for Voice & Piano, K. 125d/149 "Die grossmütige Gelassenheit"

125e

150

Composed by Leopold Mozart, not Wolfgang Amadeus Mozart.

125e

150

Song for Voice & Piano, K. 125e/150 "Geheime Liebe"

125f

151

Composed by Leopold Mozart, not Wolfgang Amadeus Mozart.

125f

151

Song for Voice & Piano, K. 125f/151 "Die Zufriedenheit": "Ich trachte nicht"

126

126

Il sogno di Scipione, K. 126: Overtura

126

126

Il sogno di Scipione, K. 126: Act I Recitativo "Vieni e segui i mici passi" (Fortuna, Constanza, Scipione)

126

126

Il sogno di Scipione, K. 126: Act I No. 1 Aria "Risolver non osa" (Scipione)

126

126

Il sogno di Scipione, K. 126: Act I Recitativo "Giusta è la tua richiesta" (Constanza, Fortuna)

126

126

Il sogno di Scipione, K. 126: Act I No. 2 Aria "Lieve sono al par del vento" (Fortuna)

126

126

Il sogno di Scipione, K. 126: Act I Recitativo "Dunque ove son?" (Scipione, Constanza, Fortuna)

126

126

Il sogno di Scipione, K. 126: Act I No. 3 Aria "Ciglio che al sol si gira" (Constanza)

126

126

Il sogno di Scipione, K. 126: Act I Recitativo "E quali abitatori" (Scipione, Fortuna, Constanza)

126

126

Il sogno di Scipione, K. 126: Act I No. 4 Coro "Germe di cento eroi" (Coro)

126

126

Il sogno di Scipione, K. 126: Act I Recitativo "Numi, è vero o m'inganno?" (Scipione, Publio)

126

126

Il sogno di Scipione, K. 126: Act I No. 5 Aria "Se vuoi che te raccolgano" (Publio)

126

126

Il sogno di Scipione, K. 126: Act I Recitativo "Se qui vivon gli eroi" (Scipione, Fortuna, Constanza, Publio, Emilio)

126

126

Il sogno di Scipione, K. 126: Act I No. 6 Aria "Voi colaggiù ridete" (Emilio)

126

126

Il sogno di Scipione, K. 126: Act I Recitativo "Publio, padre, ah lasciate" (Scipione, Fortuna, Constanza, Publio, Emilio)

126

126

Il sogno di Scipione, K. 126: Act I No. 7 Aria "Quercia annosa su l'erte pendici" (Publio)

126

126

Il sogno di Scipione, K. 126: Act I Recitativo "Giacche al voler de' Fati" (Scipione, Constanza, Fortuna, Publio, Emilio)

126

126

Il sogno di Scipione, K. 126: Act I No. 8 Aria "A chi serena io miro" (Fortuna)

126

126

Il sogno di Scipione, K. 126: Act I Recitativo "E a sì enorme possanza" (Scipione, Costanza)

126

126

Il sogno di Scipione, K. 126: Act I No. 9 Aria "Biancheggia in mar lo scoglio" (Constanza)

126

126

Il sogno di Scipione, K. 126: Act I Recitativo "Non più, bella Costanza" (Scipione, Fortuna)

126

126

Il sogno di Scipione, K. 126: Act I No. 10 Aria "Di che sei l'arbitra del mondo intero" (Scipione)

126

126

Il sogno di Scipione, K. 126: Act I Recitativo accompagnato "E v'è mortal" (Fortuna, Scipione)

126

126

Il sogno di Scipione, K. 126: Act I Recitativo "Non è Scipio" (La Licenza)

126

126

Il sogno di Scipione, K. 126: Act I No. 11a+b Aria "Ah, perché cercar degg'io" (La Licenza)

126

126

Il sogno di Scipione, K. 126: Act I No. 12 Coro "Cento volte con lieto sembiante" (Coro)

127

127

Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127: Regina coeli: I. Allegro maestoso

127

127

Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127: Regina coeli: II. Andante

127

127

Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127: Regina coeli: III. Allegro

130a

164

6 Minuets for Orchestra No. 1 in D major, K. 130a/1/164/1: Minuetto & Trio

130a

164

6 Minuets for Orchestra No. 2 in D major, K. 130a/2/164/2: Minuetto & Trio

130a

164

6 Minuets for Orchestra No. 3 in D major, K. 130a/3/164/3: Minuetto & Trio

130a

164

6 Minuets for Orchestra No. 4 in G major, K. 130a/4/164/4: Minuetto & Trio

130a

164

6 Minuets for Orchestra No. 5 in G major, K. 130a/5/164/5: Minuetto & Trio

130a

164

6 Minuets for Orchestra No. 6 in G major, K. 130a/6/164/6: Minuetto & Trio

131

131

Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: I. Allegro

131

131

Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: II. Adagio

131

131

Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: III. Minuetto & Trio I & Trio II & Trio III & Coda

131

131

Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: IV. Allegretto

131

131

Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: V. Minuetto & Trio I & Trio II & Coda

131

131

Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: VI. Adagio - allegro moto - allegro assai

134a

155

Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": I. Allegro

134a

155

Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": II. Andante

134a

155

Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": III. Allegro molto

134b

156

If you're not sure which second movement you need, most likely it's the revised version. The revised runs, typically, around 6:30 to 7:00. The original runs around 2:45 to 3:15.

134b

156

Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": I. Presto

134b

156

Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": II. Adagio (revised version)

134b

156

Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": II. Adagio (original version)

134b

156

Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": III. Tempo di minuetto

135

135

Lucio Silla, K. 135: Ouverture. Allegro molto

135

135

Lucio Silla, K. 135: Ouverture. Andante

135

135

Lucio Silla, K. 135: Ouverture. Allegro molto

135

135

Lucio Silla, K. 135: Act I, Scene I. Recitativo "Ah ciel l'amico cinna" (Cecilio, Cinna)

135

135

Lucio Silla, K. 135: Act I, Scene I. No. 1 Aria "Vieni ov'amor t'invita" (Cinna)

135

135

Lucio Silla, K. 135: Act I, Scene II. Recitativo accompagnato "Dunque sperar poss'io" (Cecilio)

135

135

Lucio Silla, K. 135: Act I, Scene II. No. 2 Aria "Il tenero momento" (Cecilio)

135

135

Lucio Silla, K. 135: Act I, Scene III. Recitativo "A te dell'amor mio" (Silla, Celia, Aufidio)

135

135

Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia)

135

135

Lucio Silla, K. 135: Act I, Scene IV. Recitativo "Signor, duolmi vederti" (Silla, Aufidio)

135

135

Lucio Silla, K. 135: Act I, Scene V. Recitativo "Sempre dovrò vederti" (Silla, Giunia)

135

135

Lucio Silla, K. 135: Act I, Scene V. No. 4 Aria "Dalla sponda tenebrosa" (Giunia)

135

135

Lucio Silla, K. 135: Act I, Scene VI. Recitativo accompagnato "E tollerare lo posso" (Silla)

135

135

Lucio Silla, K. 135: Act I, Scene VI. No. 5 Aria "Il desio de vendetta" (Silla)

135

135

Lucio Silla, K. 135: Act I, Scene VII. Recitativo accompagnato "Morte, morte fatal" (Cecilio)

135

135

Lucio Silla, K. 135: Act I, Scene VIII. No. 6 Coro è Arioso "Fuor di queste urne dolenti" (Coro)

135

135

Lucio Silla, K. 135: Act I, Scene VIII. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia)

135

135

Lucio Silla, K. 135: Act I, Scene IX. Recitativo "Eccomi, oh cara" (Giunia, Cecilio)

135

135

Lucio Silla, K. 135: Act I, Scene IX. No. 7 Duetto "D'Elisio in sen m'attendi" (Giunia, Cecilio)

135

135

Lucio Silla, K. 135: Act II, Scene I. Recitativo "Tel' predissi, oh Signor, che la superba" (Silla, Aufidio)

135

135

Lucio Silla, K. 135: Act II, Scene II. Recitativo "Ah non mai non credea" (Celia, Silla)

135

135

Lucio Silla, K. 135: Act II, Scene III. Recitativo accompagnato "Al fiero suon… Ah corri, vola" (Cecilio, Cinna)

135

135

Lucio Silla, K. 135: Act II, Scene III. No. 9 Aria "Quest'improvviso tremito" (Cecilio)

135

135

Lucio Silla, K. 135: Act II, Scene IV. Recitativo "Ah sì, s'affretti il colpo" (Cinna, Celia)

135

135

Lucio Silla, K. 135: Act II, Scene V. Recitativo accompagnato "Vanne. T'affretta" (Cinna, Giunia)

135

135

Lucio Silla, K. 135: Act II, Scene V. No. 11 Aria "Ah se il crudel periglio" (Giunia)

135

135

Lucio Silla, K. 135: Act II, Scene VI. Recitativo accompagnato "Ah sì, scuotasi omai" (Cinna)

135

135

Lucio Silla, K. 135: Act II, Scene VI. No. 12 Aria "Nel fortunato istante" (Cinna)

135

135

Lucio Silla, K. 135: Act II, Scene VII. Recitativo "Signor, ai cenni tuoi… Silla? L'odiato aspetto" (Aufidio, Silla)

135

135

Lucio Silla, K. 135: Act II, Scene VIII. Recitativo accompagnato "Silla? L'odiato aspetto" (Giunia, Silla)

135

135

Lucio Silla, K. 135: Act II, Scene VIII. No. 13 Aria "D'ogni pietà mi spoglio" (Silla)

135

135

Lucio Silla, K. 135: Act II, Scene IX. Recitativo "Che intesi, eterni Dei?" (Giunia, Cecilio)

135

135

Lucio Silla, K. 135: Act II, Scene IX. Recitativo accompagnato "Chi sa, che non sia questa" (Cecilio, Giunia)

135

135

Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio)

135

135

Lucio Silla, K. 135: Act II, Scene X. Recitativo "Perché mi balzi in seno" (Giunia, Celia)

135

135

Lucio Silla, K. 135: Act II, Scene X. No. 15 Aria "Quando sugl'arsi campi" (Celia)

135

135

Lucio Silla, K. 135: Act II, Scene XI. Recitativo accompagnato "In un istante oh come" (Giunia)

135

135

Lucio Silla, K. 135: Act II, Scene XI. No. 16 Aria "Parto,m'affretto" (Giunia)

135

135

Lucio Silla, K. 135: Act II, Scene XII. No. 17 Coro "Se gloria il crin ti cinse" (Coro)

135

135

Lucio Silla, K. 135: Act II, Scene XII. Recitativo "Padri Coscritti, Io che pugnai per Roma" (Silla, Giunia, Aufidio)

135

135

Lucio Silla, K. 135: Act II, Scene XIII. Recitativo "Sposa ah no,non temer" (Cecilio, Cinna)

135

135

Lucio Silla, K. 135: Act II, Scene XIV. No. 18 Terzetto "Quell'orgoglioso sdegno" (Cecilio, Giunia, Cinna)

135

135

Lucio Silla, K. 135: Act III, Scene I. Recitativo "Ah si tu solo, amico" (Cecilia, Celia, Cinna)

135

135

Lucio Silla, K. 135: Act III, Scene I. No. 19 Aria "Strider sento la procella" (Celia)

135

135

Lucio Silla, K. 135: Act III, Scene II. Recitativo "Forse tu credi, amico" (Cecilio, Cinna)

135

135

Lucio Silla, K. 135: Act III, Scene II. No. 20 Aria "De' più superbi il core" (Cinna)

135

135

Lucio Silla, K. 135: Act III, Scene III. Recitativo "Ah no, che il fato estremo" (Giunia, Cecilio)

135

135

Lucio Silla, K. 135: Act III, Scene IV. Recitativo "Tosto seguir tu dei" (Aufidio, Giunia, Cecilio)

135

135

Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio)

135

135

Lucio Silla, K. 135: Act III, Scene V. Recitativo accompagnato "Sposo, mia vita" (Giunia)

135

135

Lucio Silla, K. 135: Act III, Scene V. No. 22 Aria "Fra i pensier più funesti di morte" (Giunia)

135

135

Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativo "Celia, Cinna, non più… Anima vil, da Giunia" (Cinna, Silla, Celia, Giunia)

135

135

Lucio Silla, K. 135: Act III, Scene Ultima. Recitativo "Lo sposo mio" (Giunia, Cinna, Cecilio, Silla)

135

135

Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro)

135a

Anh 109

Unrecorded work(?): Sketches for a Ballet K. 135a/Anh 109 "Le gelosie del Serraglio" A recording of this work is needed to create a correct listing here.

157

157

Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": I. (No tempo indication)

157

157

Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": II. Andante

157

157

Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": III. Presto

158

158

Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": I. Allegro

158

158

Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": II. Andante un poco allegretto

158

158

Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": III. Tempo di minuetto

158a

165

Note: There are three different versions of this work, depending on which text is being used. If yours has "Fulget amica dies" as the first line of movement 2, it is the Milano version. If it has "Tandem ad venit hora" it is one of the 2 Salzburg versions. If yours is a Salzburg version, look at line 4 of the libretto for movement 1. If that line is "Summa Trinitas revelatur", yours is the Salzburg 1 version. If that line is "Caro factus, factus homo ubique adoratur", yours is the Salzburg 2 version.

158a

165

Milano version:

158a

165

Motet