Quick Notes
I feel pretty confident about the works with green headers.
If the "AdvancedRelationships + Notes" section says someone else gets a "composed" AR then it will also outline which AR to give to LvB.
The dates in the "CompositionDate" column are for LvB "composed" ARs only. Other artists' composition credits will be outlined in the "AdvancedRelationships + Notes" column.
The releases part of the Deutsche Grammophon "Complete Beethoven Edition" have been
tagged.
Opus
|
Op. |
CompositionDate |
AdvancedRelationships + Notes |
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Op. 1 No. 1 - Piano Trio No. 1 |
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1/1 |
Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: I. Allegro |
1792-92 |
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1/1 |
Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: II. Adagio cantabile |
1792-93 |
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1/1 |
Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: III. Scherzo |
1792-93 |
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1/1 |
Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: IV. Finale. Presto |
1792-93 |
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Op. 1 No. 2 - Piano Trio No. 2 |
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1/2 |
Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: I. Adagio - Allegro vivace |
1794 |
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1/2 |
Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: II. Largo con espressione |
1794 |
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1/2 |
Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: III. Scherzo. Allegro |
1794 |
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1/2 |
Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: IV. Finale. Presto |
1794 |
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Op. 1 No. 3 - Piano Trio No. 3 |
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1/3 |
Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: I. Allegro con brio |
1794 |
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1/3 |
Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: II. Adagio cantabile con variazioni |
1794 |
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1/3 |
Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro |
1794 |
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1/3 |
Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: IV. Finale. Prestissimo |
1794 |
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Op. 2 No. 1 - Sonata for Piano No. 1 |
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2/1 |
Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro |
1795 |
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2/1 |
Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio |
1795 |
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2/1 |
Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto |
1795 |
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2/1 |
Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo |
1795 |
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Op. 2 No. 2 - Sonata for Piano No. 2 |
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2/2 |
Sonata for Piano No. 2 in A major, Op. 2 No. 2: I. Allegro vivace |
1795 |
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2/2 |
Sonata for Piano No. 2 in A major, Op. 2 No. 2: II. Largo appassionato |
1795 |
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2/2 |
Sonata for Piano No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto |
1795 |
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2/2 |
Sonata for Piano No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso |
1795 |
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Op. 2 No. 3 - Sonata for Piano No. 3 |
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2/3 |
Sonata for Piano No. 3 in C major, Op. 2 No. 3: I. Allegro con brio |
1795 |
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2/3 |
Sonata for Piano No. 3 in C major, Op. 2 No. 3: II. Adagio |
1795 |
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2/3 |
Sonata for Piano No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro |
1795 |
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2/3 |
Sonata for Piano No. 3 in C major, Op. 2 No. 3: IV. Allegro assai |
1795 |
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Op. 3 - String Trio |
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3 |
Trio for Violin, Viola, and Cello in E-flat major, Op. 3: I. Allegro con brio |
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3 |
Trio for Violin, Viola, and Cello in E-flat major, Op. 3: II. Andante |
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3 |
Trio for Violin, Viola, and Cello in E-flat major, Op. 3: III. Menuetto. Allegretto |
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3 |
Trio for Violin, Viola, and Cello in E-flat major, Op. 3: IV. Adagio |
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3 |
Trio for Violin, Viola, and Cello in E-flat major, Op. 3: V. Menuetto. Moderato |
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3 |
Trio for Violin, Viola, and Cello in E-flat major, Op. 3: VI. Finale. Allegro |
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Op. 4 - String Quintet |
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4 |
Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: I. Allegro con brio |
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4 |
Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: II. Andante |
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4 |
Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: III. Menuetto. Più allegretto |
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4 |
Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: IV. Presto |
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Op. 5 No. 1 - Sonata for Piano and Cello No. 1 |
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5/1 |
Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto - Allegro - Adagio - Presto - Tempo primo |
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5/1 |
Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: II. Allegro vivace |
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Op. 5 No. 2 - Sonata for Piano and Cello No. 2 |
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5/2 |
Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto |
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5/2 |
Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: II. Rondo. Allegro |
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Op. 6 - Sonata for 2 Pianos |
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6 |
Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto |
1796-97 |
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6 |
Sonata for 2 Pianos in D major, Op. 6: II. Rondo. Moderato |
1796-97 |
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Op. 7 - Sonata for Piano No. 4 |
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7 |
Sonata for Piano No. 4 in E-flat major, Op. 7: I. Allegro molto e con brio |
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7 |
Sonata for Piano No. 4 in E-flat major, Op. 7: II. Largo, con gran espressione |
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7 |
Sonata for Piano No. 4 in E-flat major, Op. 7: III. Allegro |
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7 |
Sonata for Piano No. 4 in E-flat major, Op. 7: IV. Rondo. Poco allegretto e grazioso |
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Op. 8 - Serenade for String Trio |
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8 |
Serenade for Violin, Viola, and Cello in D major, Op. 8: I. Marcia. Allegro - Adagio |
1796-97 |
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8 |
Serenade for Violin, Viola, and Cello in D major, Op. 8: II. Menuetto. Allegretto |
1796-97 |
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8 |
Serenade for Violin, Viola, and Cello in D major, Op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio |
1796-97 |
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8 |
Serenade for Violin, Viola, and Cello in D major, Op. 8: IV. Allegretto alla polacca |
1796-97 |
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8 |
Serenade for Violin, Viola, and Cello in D major, Op. 8: V. Tema con Variazioni. Andante quasi allegretto - Var. I-IV - Marcia. Allegro |
1796-97 |
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Op. 9 No. 1 - String Trio |
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9/1 |
Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: I. Adagio - Allegro con brio |
1797-98 |
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9/1 |
Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: II. Adagio, ma non tanto, e cantabile |
1797-98 |
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9/1 |
Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro |
1797-98 |
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9/1 |
Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: IV. Presto |
1797-98 |
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Op. 9 No. 2 - String Trio |
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9/2 |
Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: I. Allegretto |
1797-98 |
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9/2 |
Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto |
1797-98 |
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9/2 |
Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro |
1797-98 |
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9/2 |
Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: IV. Rondò. Allegro |
1797-98 |
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Op. 9 No. 3 - String Trio |
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9/3 |
Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito |
1797-98 |
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9/3 |
Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione |
1797-98 |
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9/3 |
Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace |
1797-98 |
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9/3 |
Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto |
1797-98 |
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Op. 10 No. 1 - Sonata for Piano No. 5 |
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10/1 |
Sonata for Piano No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio |
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10/1 |
Sonata for Piano No. 5 in C minor, Op. 10 No. 1: II. Adagio molto |
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10/1 |
Sonata for Piano No. 5 in C minor, Op. 10 No. 1: III. Prestissimo |
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Op. 10 No. 2 - Sonata for Piano No. 6 |
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10/2 |
Sonata for Piano No. 6 in F major, Op. 10 No. 2: I. Allegro |
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10/2 |
Sonata for Piano No. 6 in F major, Op. 10 No. 2: II. Allegretto |
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10/2 |
Sonata for Piano No. 6 in F major, Op. 10 No. 2: III. Presto |
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Op. 10 No. 3 - Sonata for Piano No. 7 |
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10/3 |
Sonata for Piano No. 7 in D major, Op. 10 No. 3: I. Presto |
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10/3 |
Sonata for Piano No. 7 in D major, Op. 10 No. 3: II. Largo e mesto |
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10/3 |
Sonata for Piano No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro |
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10/3 |
Sonata for Piano No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro |
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Op. 11 - Piano Trio No. 4 |
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11 |
Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11: I. Allegro con brio |
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11 |
Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11: II. Adagio |
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11 |
Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11: III. Allegretto con variazioni |
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Op. 12 No. 1 - Sonata for Piano and Violin No. 1 |
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12/1 |
Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio |
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12/1 |
Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con Variazioni. Andante con moto |
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12/1 |
Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro |
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Op. 12 No. 2 - Sonata for Piano and Violin No. 2 |
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12/2 |
Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: I. Allegro vivace |
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12/2 |
Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto |
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12/2 |
Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole |
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Op. 12 No. 3 - Sonata for Piano and Violin No. 3 |
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12/3 |
Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito |
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12/3 |
Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molto espressione |
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12/3 |
Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto |
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Op. 13 - Sonata for Piano No. 8 |
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13 |
Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio |
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13 |
Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile |
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13 |
Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro |
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Op. 14 No. 1 - Sonata for Piano No. 9 |
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14/1 |
Sonata for Piano No. 9 in E major, Op. 14 No. 1: I. Allegro |
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14/1 |
Sonata for Piano No. 9 in E major, Op. 14 No. 1: II. Allegretto |
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14/1 |
Sonata for Piano No. 9 in E major, Op. 14 No. 1: III. Rondo. Allegro comodo |
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Op. 14 No. 2 - Sonata for Piano No. 10 |
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14/2 |
Sonata for Piano No. 10 in G major, Op. 14 No. 2: I. Allegro |
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14/2 |
Sonata for Piano No. 10 in G major, Op. 14 No. 2: II. Andante |
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14/2 |
Sonata for Piano No. 10 in G major, Op. 14 No. 2: III. Scherzo. Allegro assai |
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Op. 14a - Quartet for 2 Violins, Viola, and Cello in F major (arrangement from Op. 14 No. 1) |
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Op. 15 - Concerto for Piano and Orchestra No. 1 |
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15 |
Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven) |
1795 |
LvB: add. composed (revised), 1800; LvB: add. composed (cadenza), 1809; |
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15 |
Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo |
1795 |
LvB: add. composed (revised), 1800; |
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15 |
Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro |
1795 |
LvB: add. composed (revised), 1800; |
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Op. 16 - Quintet for Piano, Oboe, Clarinet, Horn, and Basson |
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16 |
Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: I. Grave - Allegro ma non troppo |
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16 |
Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: II. Andante cantabile |
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16 |
Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo |
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Op. 16a - Quartet for Piano, Violin, Viola, and Cello in E-flat major (arrangement from Op. 16) |
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16a |
Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: I. Grave - Allegro ma non troppo |
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16a |
Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: II. Andante cantabile |
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16a |
Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: III. Rondo. Allegro ma non troppo |
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Op. 17 - Sonata for Piano and French Horn |
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17 |
Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato |
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17 |
Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante |
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17 |
Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato |
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Op. 18 No. 1 - String Quartet No. 1 |
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18/1 |
Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: I. Allegro con brio |
1800 |
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18/1 |
Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: II. Adagio affettuoso ed appasionato |
1800 |
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18/1 |
Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: III. Scherzo. Allegro molto |
1800 |
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18/1 |
Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: IV. Allegro |
1800 |
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Op. 18 No. 2 - String Quartet No. 2 |
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18/2 |
Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: I. Allegro |
1799-1800 |
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18/2 |
Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: II. Adagio cantabile - Allegro - Tempo I |
1799-1800 |
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18/2 |
Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: III. Scherzo. Allegro |
1799-1800 |
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18/2 |
Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: IV. Allegro molto, quasi presto |
1799-1800 |
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Op. 18 No. 3 - String Quartet No. 3 |
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18/3 |
Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro |
1799-1800 |
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18/3 |
Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto |
1799-1800 |
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18/3 |
Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro |
1799-1800 |
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18/3 |
Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto |
1799-1800 |
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Op. 18 No. 4 - String Quartet No. 4 |
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18/4 |
Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: I. Allegro ma non tanto |
1799-1800 |
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18/4 |
Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: II. Andante scherzoso quasi allegretto |
1799-1800 |
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18/4 |
Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: III. Menuetto. Allegretto |
1799-1800 |
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18/4 |
Quartet for 2 Violins, Viola, Cello No. 4 in C minor, Op. 18 No. 4: IV. Allegro - Prestissimo |
1799-1800 |
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Op. 18 No. 5 - String Quartet No. 5 |
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18/5 |
Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: I. Allegro |
1799-1800 |
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18/5 |
Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: II. Menuetto |
1799-1800 |
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18/5 |
Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: III. Andante cantabile |
1799-1800 |
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18/5 |
Quartet for 2 Violins, Viola, Cello No. 5 in A major, Op. 18 No. 5: IV. Allegro |
1799-1800 |
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Op. 18 No. 6 - String Quartet No. 6 |
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18/6 |
Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: I. Allegro con brio |
1800 |
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18/6 |
Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo |
1800 |
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18/6 |
Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro |
1800 |
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18/6 |
Quartet for 2 Violins, Viola, Cello No. 6 in B-flat major, Op. 18 No. 6: IV. Adagio "La malinconia" - Allegretto quasi allegro |
1800 |
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Op. 19 - Concert for Piano and Orchestra No. 2 |
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19 |
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven) |
1788-1801 |
LvB: add. composed (cadenza), 1809; |
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19 |
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio |
1788-1801 |
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19 |
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro |
1788-1801 |
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Op. 20 - Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello, and Bass |
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20 |
Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: I. Adagio - Allegro con brio |
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20 |
Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: II. Adagio cantabile |
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20 |
Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto |
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20 |
Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: IV. Tema con Variazioni |
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20 |
Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace |
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20 |
Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: VI. Andante con moto - Presto |
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Op. 21 - Symphony No. 1 |
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21 |
Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio |
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21 |
Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto |
1799-1800 |
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21 |
Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace |
1799-1800 |
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21 |
Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace |
1799-1800 |
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Op. 22 - Sonata for Piano No. 11 |
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22 |
Sonata for Piano No. 11 in B-flat major, Op. 22: I. Allegro con brio |
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22 |
Sonata for Piano No. 11 in B-flat major, Op. 22: II. Adagio con molto espressione |
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22 |
Sonata for Piano No. 11 in B-flat major, Op. 22: III. Menuetto |
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22 |
Sonata for Piano No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto |
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Op. 23 - Sonata for Piano and Violin No. 4 |
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23 |
Sonata for Violin and Piano No. 4 in A minor, Op. 23: I. Presto |
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23 |
Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto |
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23 |
Sonata for Violin and Piano No. 4 in A minor, Op. 23: III. Allegro molto |
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Op. 24 - Sonata for Piano and Violin No. 5 |
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24 |
Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": I. Allegro |
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24 |
Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo |
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24 |
Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto |
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24 |
Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo |
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Op. 25 - Serenade for Flute, Violin, and Viola |
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25 |
Serenade for Flute, Violin, and Viola in D major, Op. 25: I. Entrada. Allegro |
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25 |
Serenade for Flute, Violin, and Viola in D major, Op. 25: II. Tempo ordinario d'un minuetto |
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25 |
Serenade for Flute, Violin, and Viola in D major, Op. 25: III. Allegro molto |
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25 |
Serenade for Flute, Violin, and Viola in D major, Op. 25: IV. Andante con variazioni |
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25 |
Serenade for Flute, Violin, and Viola in D major, Op. 25: V. Allegro scherzando e vivace |
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25 |
Serenade for Flute, Violin, and Viola in D major, Op. 25: VI. Adagio - Allegro vivace e disinvolto |
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Op. 26 - Sonata for Piano No. 12 |
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26 |
Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": I. Tema con Variazioni. Andante |
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26 |
Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": II. Scherzo. Allegro molto |
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26 |
Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": III. Marcia funebre sulla morte d'un eroe. Maestoso andante |
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26 |
Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": IV. Allegro |
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Op. 27 No. 1 - Sonata for Piano No. 13 |
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27/1 |
Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: I. Andante |
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27/1 |
Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace |
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27/1 |
Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione |
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27/1 |
Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: IV. Allegro vivace |
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Op. 27 No. 2 - Sonata for Piano No. 14 |
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27/2 |
Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto |
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27/2 |
Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto |
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27/2 |
Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato |
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Op. 28 - Sonata for Piano No. 15 |
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28 |
Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": I. Allegro |
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28 |
Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": II. Andante |
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28 |
Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": III. Scherzo. Allegro vivace |
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28 |
Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo |
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Op. 29 - Quintet for Strings |
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29 |
Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: I. Allegro moderato |
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29 |
Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: II. Adagio molto espressivo |
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29 |
Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: III. Scherzo. Allegro |
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29 |
Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: IV. Presto |
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Op. 30 No. 1 - Sonata for Piano and Violin No. 6 |
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30/1 |
Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: I. Allegro |
1801-02 |
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30/1 |
Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: II. Adagio molto espressivo |
1801-02 |
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30/1 |
Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: III. Allegretto con variazioni |
1801-02 |
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Op. 30 No. 2 - Sonata for Piano and Violin No. 7 |
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30/2 |
Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio |
1801-02 |
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30/2 |
Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile |
1801-02 |
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30/2 |
Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro |
1801-02 |
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30/2 |
Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro - Presto |
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Op. 30 No. 3 - Sonata for Piano and Violin No. 8 |
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30/3 |
Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: I. Allegro assai |
1801-02 |
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30/3 |
Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: II. Tempo di menuetto, ma molto moderato e grazioso |
1801-02 |
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30/3 |
Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: III. Allegro vivace |
1801-02 |
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Op. 31 No. 1 - Sonata for Piano No. 16 |
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31/1 |
Sonata for Piano No. 16 in G major, Op. 31 No. 1: I. Allegro vivace |
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31/1 |
Sonata for Piano No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso |
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31/1 |
Sonata for Piano No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto |
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Op. 31 No. 2 - Sonata for Piano No. 17 |
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31/2 |
Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": I. Largo - Allegro |
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31/2 |
Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": II. Adagio |
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31/2 |
Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": III. Allegretto |
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Op. 31 No. 3 - Sonata for Piano No. 18 |
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31/3 |
Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: I. Allegro |
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31/3 |
Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegretto vivace |
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31/3 |
Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: III. Minuetto. Moderato e grazioso |
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31/3 |
Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: IV. Presto con fuoco |
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Op. 32 - Song "An die Hoffnung" |
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32 |
Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio |
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Op. 33 - 7 Bagatelles for Piano |
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33 |
Bagatelle for Piano, Op. 33 No. 1 in E-flat major: Andante grazioso quasi allegretto |
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33 |
Bagatelle for Piano, Op. 33 No. 2 in C major: Scherzo. Allegro |
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33 |
Bagatelle for Piano, Op. 33 No. 3 in F major: Allegretto |
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33 |
Bagatelle for Piano, Op. 33 No. 4 in A major: Andante |
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33 |
Bagatelle for Piano, Op. 33 No. 5 in C major: Allegro ma non troppo |
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33 |
Bagatelle for Piano, Op. 33 No. 6 in D major: Allegretto quasi andante |
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33 |
Bagatelle for Piano, Op. 33 No. 7 in A-flat major: Presto |
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Op. 34 - 6 Variations for Piano |
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34 |
6 Variations for Piano in F major on an Original Theme, Op. 34: Thema. Adagio. Cantabile |
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34 |
6 Variations for Piano in F major on an Original Theme, Op. 34: Var. I |
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34 |
6 Variations for Piano in F major on an Original Theme, Op. 34: Var II. Allegro ma non troppo |
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34 |
6 Variations for Piano in F major on an Original Theme, Op. 34: Var III. Allegretto |
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34 |
6 Variations for Piano in F major on an Original Theme, Op. 34: Var. IV. Tempo di menuetto |
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34 |
6 Variations for Piano in F major on an Original Theme, Op. 34: Var. V. Marcia. Allegretto |
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34 |
6 Variations for Piano in F major on an Original Theme, Op. 34: Var. VI. Allegretto - Adagio molto |
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Op. 35 - 15 Variations with Fugue for Piano |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Introduzione col basso del tema. Allegretto vivace |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Tema |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. I |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. II |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. III |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IV |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. V |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VI |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VII. Canone all'ottava |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VIII |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IX |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. X |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XI |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XII |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIII |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIV |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XV. Largo |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Coda |
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35 |
15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Finale. Alla fuga. Allegro con brio - Andante con moto |
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Op. 36 - Symphony No. 2 |
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36 |
Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio |
1801-02 |
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36 |
Symphony No. 2 in D major, Op. 36: II. Larghetto |
1801-02 |
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36 |
Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro |
1801-02 |
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36 |
Symphony No. 2 in D major, Op. 36: IV. Allegro molto |
1801-02 |
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Op. 36 - Symphony No. 2 (arranged for Piano Trio) |
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36 |
Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): I. Adagio - Allegro con brio |
1801-02] |
LvB: arranged, 1805 |
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36 |
Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): II. Larghetto quasi andante |
1801-02 |
LvB: arranged, 1805 |
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36 |
Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): III. Scherzo |
1801-02 |
LvB: arranged, 1805 |
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36 |
Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): IV. Allegro molto |
1801-02 |
LvB: arranged, 1805 |
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Op. 37 - Concerto for Piano and Orchestra No. 3 |
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37 |
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: I. Allegro con brio (cadenza: Ludwig van Beethoven) |
1800-03 |
LvB: add. composed (cadenza), 1809; |
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37 |
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: II. Largo |
1800-03 |
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37 |
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: III. Rondo. Allegro |
1800-03 |
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Op. 38 - Trio for Piano, [Clarinet or Violin], and Cello |
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38 |
Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): I. Adagio - Allegro con brio |
1802-03 |
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38 |
Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): II. Adagio cantabile |
1802-03 |
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38 |
Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): III. Tempo di menuetto |
1802-03 |
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38 |
Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): IV. Andante con variazioni |
1802-03 |
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38 |
Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): V. Scherzo. Allegro molto e vivace |
1802-03 |
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38 |
Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): VI. Andante con moto alla marcia - Presto |
1802-03 |
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Op. 39 - Preludes for Piano or Organ |
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39/1 |
2 Preludes for [Piano or Organ], Op. 39 No. 1 in C major |
1789 |
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39/2 |
2 Preludes for [Piano or Organ], Op. 39 No. 2 in C minor |
1789 |
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Op. 40 - Romance for Violin and Orchestra No. 1 |
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40 |
Romance for Violin and Orchestra No. 1 in G major: Andante |
1800-02 |
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Op. 41 - Serenade for Piano and Flute |
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41 |
Serenade for [Flute or Violin] and Piano in D major, Op. 41 |
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Op. 42 - Nocturne for Piano and Viola |
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42 |
Nocturne for Viola and Piano in D major, Op. 42 |
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Op. 43 - Die Geschöpfe des Prometheus |
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43 |
The Creatures of Prometheus, Op. 43: Introduction. Allegro non troppo |
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43 |
The Creatures of Prometheus, Op. 43: I. Poco adagio |
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43 |
The Creatures of Prometheus, Op. 43: II. Adagio - Allegro con brio |
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43 |
The Creatures of Prometheus, Op. 43: III. Allegro vivace |
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43 |
The Creatures of Prometheus, Op. 43: IV. Maestoso - Andante |
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43 |
The Creatures of Prometheus, Op. 43: V. Adagio - Andante quasi allegro |
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43 |
The Creatures of Prometheus, Op. 43: VI. Un poco adagio - Allegro |
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43 |
The Creatures of Prometheus, Op. 43: VII. Grave |
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43 |
The Creatures of Prometheus, Op. 43: VIII. Marcia. Allegro con brio |
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43 |
The Creatures of Prometheus, Op. 43: IX. Adagio |
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43 |
The Creatures of Prometheus, Op. 43: X. Pastoral. Allegro |
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43 |
The Creatures of Prometheus, Op. 43: XI. Chorus. Andante (Gioja) |
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43 |
The Creatures of Prometheus, Op. 43: XII. Solo. Maestoso - Adagio (Gioja) |
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43 |
The Creatures of Prometheus, Op. 43: XIII. Allegro |
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43 |
The Creatures of Prometheus, Op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini) |
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43 |
The Creatures of Prometheus, Op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano) |
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43 |
The Creatures of Prometheus, Op. 43: XVI. Finale. Allegretto |
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Op. 43a - Overture for Orchestra |
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43a |
Overture for Orchestra in C major, Op. 43a: I. Adagio |
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43a |
Overture for Orchestra in C major, Op. 43a: II. Allegro molto con brio |
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Op. 44 - 14 Variations for 3 Pianos |
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44 |
14 Variations for Piano, Violin, and Cello in E-flat major, Op. 44: Thema. Andante - Var. I-IV - Andante |
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Op. 45 - 3 Marches for 2 Pianos |
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45 |
3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo |
1803 |
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45 |
3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace |
1803 |
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45 |
3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace |
1803 |
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Op. 46 - Song "Adelaide" |
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46 |
Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Fruhlings Garten" |
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Op. 47 - Sonata for Piano and Violin No. 9 |
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47 |
Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto |
1802-03 |
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47 |
Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni |
1802-03 |
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47 |
Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto |
1802-03 |
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Op. 48 - 6 Songs |
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48/1 |
Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so" |
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48/2 |
Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nachsten: So jemand spricht" |
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48/3 |
Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Mussig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht" |
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48/4 |
Song for Voice and Piano, Op. 48 No. 4 in C major: Majestatisch und erhaben "Die Ehre Gottes in der Die Himmel ruhmen des Ewigen" |
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48/5 |
Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!" |
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48/6 |
Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Busslied: An dir allein, an dir hab' ich gesundigt" |
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Op. 49 No. 1 - Piano Sonata No. 19 |
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49/1 |
Sonata for Piano No. 19 in G minor, Op. 49 No. 1: I. Andante |
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49/1 |
Sonata for Piano No. 19 in G minor, Op. 49 No. 1: II. Rondo. Allegro |
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Op. 49 No. 2 - Piano Sonata No. 20 |
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49/2 |
Sonata for Piano No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo |
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49/2 |
Sonata for Piano No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto |
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Op. 50 - Romance for Violin and Orchestra No. 2 |
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50 |
Romance for Violin and Orchestra No. 2 in F major: Adagio cantabile |
1798 |
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Op. 51 - Rondos for Piano |
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51 |
Rondo for Piano in C major, Op. 51 No. 1: Moderato e grazioso |
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51 |
Rondo for Piano in G major, Op. 51 No. 2: Andante cantabile e grazioso |
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Op. 52 - 8 Songs |
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52/1 |
Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise thut" |
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52/2 |
Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe" |
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52/3 |
Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl" |
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52/4 |
Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet" |
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52/5 |
Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust" |
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52/6 |
Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann" |
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52/7 |
Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land" |
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52/8 |
Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blumchen Wunderhold: Es steht ein Blumchen irgend wo in" |
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Op. 53 - Sonata for Piano No. 21 |
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53 |
Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio |
1803-04 |
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53 |
Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto |
1803-04 |
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53 |
Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato |
1803-04 |
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Op. 54 - Sonata for Piano No. 22 |
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54 |
Sonata for Piano No. 22 in F major, Op. 54: I. Tempo di menuetto |
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54 |
Sonata for Piano No. 22 in F major, Op. 54: II. Allegretto |
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Op. 55 - Symphony No. 3 |
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55 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio |
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55 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai |
1803-04 |
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55 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace |
1803-04 |
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55 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto |
1803-04 |
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Op. 56 - Concerto for Piano, Violin, Cello, and Orchestra |
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56 |
Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": I. Allegro |
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56 |
Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo |
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56 |
Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": III. Rondo alla Polacca |
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Op. 57 - Sonata for Piano No. 23 |
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57 |
Sonata for Piano No. 23 in F minor, Op. 57 "Apassionata": I. Allegro assai |
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57 |
Sonata for Piano No. 23 in F minor, Op. 57 "Apassionata": II. Andante con moto |
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57 |
Sonata for Piano No. 23 in F minor, Op. 57 "Apassionata": III. Allegro ma non troppo |
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Op. 58 - Concerto for Piano and Orchestra No. 4 |
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58 |
Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven) |
1804-07 |
LvB: add. composed (cadenza), ; |
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58 |
Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante con moto |
1804-07 |
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58 |
Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven) |
1804-07 |
LvB: add. composed (cadenza), ; |
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Op. 59 No. 1 - String Quartet No. 7 |
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59/1 |
Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: I. Allegro |
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59/1 |
Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: II. Allegretto scherzando e sempre vivace |
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59/1 |
Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: III. Adagio molto |
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59/1 |
Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: IV. Allegro |
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Op. 59 No. 2 - String Quartet No. 8 |
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59/2 |
Quartet for 2 Violins Viola, and Cello No. 8 in E minor, Op. 59 No. 2: I. Allegro |
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59/2 |
Quartet for 2 Violins Viola, and Cello No. 8 in E minor, Op. 59 No. 2: II. Molto adagio - Si tratta questo pezzo con molto di sentimento |
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59/2 |
Quartet for 2 Violins Viola, and Cello No. 8 in E minor, Op. 59 No. 2: III. Allegretto - Maggiore |
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59/2 |
Quartet for 2 Violins Viola, and Cello No. 8 in E minor, Op. 59 No. 2: IV. Presto |
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Op. 59 No. 3 - String Quartet No. 9 |
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59/3 |
Quartet for 2 Violins Viola, and Cello No. 9 in C major, Op. 59 No. 3: I. Andante con moto - Allegro vivace |
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59/3 |
Quartet for 2 Violins Viola, and Cello No. 9 in C major, Op. 59 No. 3: II. Andante con moto quasi allegretto |
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59/3 |
Quartet for 2 Violins Viola, and Cello No. 9 in C major, Op. 59 No. 3: III. Minuetto. Grazioso |
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59/3 |
Quartet for 2 Violins Viola, and Cello No. 9 in C major, Op. 59 No. 3: IV. Allegro molto |
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Op. 60 - Symphony No. 4 |
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60 |
Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace |
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60 |
Symphony No. 4 in B-flat major, Op. 60: II. Adagio |
1806 |
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60 |
Symphony No. 4 in B-flat major, Op. 60: III. Allegro molto e vivace - Trio. Un poco meno allegro |
1806 |
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60 |
Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo |
1806 |
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Op. 61 - Concerto for Violin and Orchestra |
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61 |
Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler) |
1806 |
Kreisler: add. composed (cadenza), ; |
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61 |
Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto |
1806 |
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61 |
Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler) |
1806 |
Kreisler: add. composed (cadenza), ; |
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Op. 61a - Concerto for Piano and Orchestra (arrangement from Op. 61) |
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61a |
Concerto for Piano and Orchestra in D major, Op. 61a: I. Allegro ma non troppo |
1806 |
LvB: arranged piano, 1807; |
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61a |
Concerto for Piano and Orchestra in D major, Op. 61a: II. Larghetto |
1806 |
LvB: arranged piano, 1807; |
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61a |
Concerto for Piano and Orchestra in D major, Op. 61a: III. Rondo. Allegro (cadenza: Ludwig van Beethoven) |
1806 |
LvB: add. composed (cadenza), ; LvB: arranged piano, 1807; |
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Op. 62 - Coriolan Overture |
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62 |
Coriolan, Op. 62: Overture. Allegro con brio |
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Op. 63 - Piano Trio (arrangement from Op. 4) |
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Op. 64 - Sonata for Piano and Cello (arrangement from Op. 3) |
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Op. 65 - Scene and Aria "Ah! Perfido" |
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Op. 66 - 12 Variations for Piano and Cello in F major on Mozart's "The Magic Flute: Ein Mädchen oder Weibchen" |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66: Thema. Allegretto |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 1: Variation I |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 2: Variation II |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 3: Variation III |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 4: Variation IV |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 5: Variation V |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 6: Variation VI |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 7: Variation VII |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 8: Variation VIII |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 9: Variation IX |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 10: Variation X. Adagio |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 11: Variation XI. Poco adagio quasi andante |
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66 |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 12: Variation XII. Allegro |
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Op. 67 - Symphony No. 5 |
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67 |
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio |
1804-08 |
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67 |
Symphony No. 5 in C minor, Op. 67: II. Andante con moto |
1804-08 |
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67 |
Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro |
1804-08 |
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67 |
Symphony No. 5 in C minor, Op. 67: IV. Allegro |
1804-08 |
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Op. 68 - Symphony No. 6 |
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68 |
Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country" |
1808 |
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68 |
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" |
1808 |
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68 |
Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" |
1808 |
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68 |
Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm" |
1808 |
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68 |
Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm" |
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Op. 69 - Sonata for Piano and Cello No. 3 |
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69 |
Sonata for Cello and Piano No. 3 in A major, Op. 69: I. Allegro ma no tanto |
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69 |
Sonata for Cello and Piano No. 3 in A major, Op. 69: II. Scherzo. Allegro molto |
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69 |
Sonata for Cello and Piano No. 3 in A major, Op. 69: III. Adagio cntabile |
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69 |
Sonata for Cello and Piano No. 3 in A major, Op. 69: IV. Allegro vivace |
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Op. 70 No. 1 - Piano Trio No. 5 |
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70/1 |
Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghost": I. Allegro vivace e con brio |
1808 |
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70/1 |
Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghost": II. Largo assai e espressivo |
1808 |
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70/1 |
Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghost": III. Presto |
1808 |
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Op. 70 No. 2 - Piano Trio No. 6 |
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70/2 |
Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: I. Poco sostenuto - Allegro ma non troppo |
1808 |
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70/2 |
Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: II. Allegretto |
1808 |
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70/2 |
Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: III. Allegretto ma non troppo |
1808 |
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70/2 |
Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: IV. Finale. Allegro |
1808 |
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Op. 71 - Sextet for 2 Clarinets Horns, and Bassoons |
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71 |
Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: I. Adagio - Allegro |
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71 |
Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: II. Adagio |
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71 |
Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: III. Menuetto. Quasi allegretto |
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71 |
Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: IV. Rondò. Allegro |
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Op. 72 - Opera "Fidelio" in 2 Acts/308 bars (1814 version of "Leonore") |
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72 |
Fidelio, Op. 72: Overture |
1814 |
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72 |
Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) |
1805 |
LvB, revised, 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) |
1805 |
LvB, revised, (possibly 1806, but has same bar count as 1805) 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) |
1805 |
LvB, revised, (possibly 1806, but has same bar count as 1805) 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) |
1805 |
LvB, revised, 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene II, No. 6. March |
1806 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) |
1805 |
LvB, revised, 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) |
1805 |
LvB, revised, (possibly 1806, but has same bar count as 1805) 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust" |
1805 |
LvB, revised, 1806 (& possibly 1814, but has same bar count) |
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72 |
Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) |
1805 |
(all three versions have 15 bars, so I assume they are the same) |
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72 |
Fidelio, Op. 72: Act I, Scene II, No. 10c. Duet "Noch heute! Noch heute!" (Leonore, Rocco) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene II, No. 10d. Duet "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene II, No. 10e. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) |
1805 |
LvB, revised, (possibly 1806, but has same bar count as 1805) 1814 |
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72 |
Fidelio, Op. 72: Act I, Scene II, No. 10f. Recitative "Habt ihr wohl in Acht genommen" (Rocco, Pizarro) |
1814 |
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72 |
Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus) |
1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florenstan) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 11b. Aria "In des Lebens Frühlingstagen" (Florenstan) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama (Leonore, Rocco) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florenstan, Rocco, Leonore) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florenstan, Leonore, Rocco) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florenstan) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists) |
1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille Don Fernando, Chorus) |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 16a. "Wohlan! So helfet, helft den Armen! (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco) |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 16a. "Du schlossest auf des Edlen Grab (Don Fernando) |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 16b. "Bestrafet sei der Bösewicht" (Chorus & Fernando) |
1805 |
LvB, revised, (possibly 1806, but has same bar count as 1805) 1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 16c. "O Gott! O welch ein Augenblick!" (Soloists & Chorus) |
1805 |
LvB, revised, 1806 & 1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 16d. Recitative "Hinweg mit diesem Bösewicht" (Fernando) |
1814 |
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72 |
Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco) |
1805 |
LvB, revised, 1806 & 1814 |
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Op. 73 - Concerto for Piano and Orchestra No. 5 |
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73 |
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro |
1809 |
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73 |
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco motto |
1809 |
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73 |
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondò. Allegro |
1809 |
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Op. 74 - String Quartet No. 10 |
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74 |
Quartet for 2 Violins Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": I. Poco adagio - Allegro |
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74 |
Quartet for 2 Violins Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": II. Adagio ma non troppo |
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74 |
Quartet for 2 Violins Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": III. Presto |
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74 |
Quartet for 2 Violins Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": IV. Allegretto con variazioni |
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Op. 75 - 6 Songs |
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75/1 |
Gesange for Voice and Piano, Op. 75 No. 1 in A major: Ziemlich langsam "Mignon: Kennst du das Land" |
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75/2 |
Gesange for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?" |
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75/3 |
Gesange for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig" |
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75/4 |
Gesange for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebes lick und Spiel und Sang" |
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75/5 |
Gesange for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten susse Ruh" |
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75/6 |
Gesange for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Gluck hienieden" |
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Op. 76 - 6 Variations for Piano |
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76 |
6 Variations for Piano in D major on an Original Theme, Op. 76 |
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Op. 77 - Fantasia for Piano |
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77 |
Fantasia for Piano in [G minor or B-flat major], Op. 77: Allegro - Poco adagio |
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Op. 78 - Sonata for Piano No. 24 |
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78 |
Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo |
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78 |
Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": II. Allegro assai |
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Op. 79 - Sonata for Piano No. 25 |
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79 |
Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": I. Presto alla tedesca |
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79 |
Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": II. Andante espressivo |
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79 |
Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": III. Vivace |
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Op. 80 - Fantasia for Piano, Chorus, and Orchestra |
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80 |
Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": I. Adagio |
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80 |
Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": II. Finale. Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto, ma non troppo quasi andante con moto "Schmeichelnd hold un liblich klingen" - Presto |
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Op. 81a - Sonata for Piano No. 26 |
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81a |
Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" |
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81a |
Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" |
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81a |
Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" |
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Op. 81b - Sextet for 2 Horns, 2 Violins, Viola, and Cello |
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81b |
Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio |
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81b |
Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio |
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81b |
Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro |
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Op. 82 - 4 Arias and Duet for Voice and Piano |
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82/1 |
Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen" |
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82/2 |
Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur" |
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82/3 |
Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?" |
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82/4 |
Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen" |
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82/5 |
Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verbluhen" |
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Op. 83 - 3 Songs |
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83/1 |
Gesange for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmuth: Trocknet nicht" |
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83/2 |
Gesange for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?" |
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83/3 |
Gesange for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mie einem gemalten Band: Kleine Blumen, kleine Blatter" |
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Op. 84 - Egmont Overture |
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84 |
Egmont, Op. 84: Overture. Sostenuto, ma non troppo |
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Op. 85 - Oratorio "Christ on the Mount of Olives (Christus am Ölberge)" |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen" |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vc. Choir of Children "Was soll der Lärm bedeuten?" |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIe. "Meine Qual ist bald verschwunden" (Jesus) |
1803 |
LvB: add. composed (revision), 1804 |
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85 |
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre" |
1803 |
LvB: add. composed (revision), 1804 |
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Op. 86 - Mass in C major |
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86 |
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo |
1807 |
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86 |
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: II. Gloria. Allegro con brio |
1807 |
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86 |
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio |
1807 |
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86 |
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro |
1807 |
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86 |
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie |
1807 |
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Op. 87 - Trio for 2 Oboes and English Horn |
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87 |
Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: I. Allegro |
1795 |
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87 |
Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: II. Adagio cantabile |
1795 |
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87 |
Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo |
1795 |
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87 |
Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: IV. Finale. Presto |
1795 |
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Op. 88 - Song |
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88 |
Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Gluck der Freundschaft: Der lebt ein Leben wonniglich" |
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Op. 89 - Polonaise for Piano |
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89 |
Polonaise for Piano in C major: Alla polacca, vivace |
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Op. 90 - Sonata for Piano No. 27 |
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90 |
Sonata for Piano No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck |
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90 |
Sonata for Piano No. 27 in E minor, Op. 90: I. Nicht zu geschwind und seht singbar vorzutragen |
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Op. 91 - Battle Symphony "Wellingtons Sieg, oder die Schlacht bei Vittoria" |
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Op. 92 - Symphony No. 7 |
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92 |
Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace |
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92 |
Symphony No. 7 in A major, Op. 92: II. Allegretto |
1811-12 |
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92 |
Symphony No. 7 in A major, Op. 92: III. Presto |
1811-12 |
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92 |
Symphony No. 7 in A major, Op. 92: IV. Allegro con brio |
1811-12 |
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Op. 93 - Symphony No. 8 |
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93 |
Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio |
1812 |
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93 |
Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando |
1812 |
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93 |
Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto |
1812 |
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93 |
Symphony No. 8 in F major, Op. 93: IV. Allegro vivace |
1812 |
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Op. 94 - Song "An die Hoffnung" |
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Op. 95 - String Quartet No. 11 |
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95 |
Quartet for 2 Violins Viola, and Cello No. 11 in F minor, Op. 95: I. Allegro con brio |
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95 |
Quartet for 2 Violins Viola, and Cello No. 11 in F minor, Op. 95: II. Allegretto ma non troppo |
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95 |
Quartet for 2 Violins Viola, and Cello No. 11 in F minor, Op. 95: III. Allegro assai vivace ma serioso |
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95 |
Quartet for 2 Violins Viola, and Cello No. 11 in F minor, Op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro |
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Op. 96 - Sonata for Piano and Violin No. 10 |
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96 |
Sonata for Violin and Piano No. 10 in G major, Op. 96: I. Allegro con brio |
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96 |
Sonata for Violin and Piano No. 10 in G major, Op. 96: II. Adagio espessivo |
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96 |
Sonata for Violin and Piano No. 10 in G major, Op. 96: III. Scherzo. Allegro |
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96 |
Sonata for Violin and Piano No. 10 in G major, Op. 96: IV. Poco Allegretto |
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Op. 97 - Piano Trio |
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97 |
Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": I. Allegro moderato |
1810-11 |
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97 |
Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": II. Scherzo. Allegro |
1810-11 |
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97 |
Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": III. Andante cantabile ma però con moto |
1810-11 |
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97 |
Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": IV. Allegro moderato |
1810-11 |
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Op. 98 - 6 Song Cycles |
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98 |
An die ferne Geliebte, Op. 98 |
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Op. 99 - Song "Der Mann von Wort" |
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99 |
Song for Voice and Piano in G major, Op. 99 "Der Ma | ||







