| Agrippina, HWV 6: No, no chi’io non sprezzo | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 3:54 | |
| Ariodante, HWV 33: Bramo haver mille vite | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 4:51 | |
| Belshazzar, HWV 61: Great victor, at your feet I bow | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 4:58 | |
| Dido & Aeneas Act I: Fear no danger to ensue (Belinda, Second Woman) | Choir of Clare College, Cambridge, Rosemary Joshua, María Cristina Kiehr, Orchestra of the Age of Enlightenment, René Jacobs | | | 1:26 | |
| Dido & Aeneas Act I: Grief increases by concealing (Belinda) | Lynne Dawson, Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs | | | 0:37 | |
| Dido & Aeneas Act I: Pursue thy conquest (Belinda) | Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs | | | 0:47 | |
| Dido & Aeneas Act I: See, your Royal Guest appears (Belinda) | Lynne Dawson, Gerald Finley, Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs | | | 0:47 | |
| Dido & Aeneas Act I: Shake the cloud (Belinda) | Choir of Clare College, Cambridge, Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs | | | 0:59 | |
| Dido & Aeneas Act I: Whence could so much virtue spring? (Dido) | Lynne Dawson, Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs | | | 1:39 | |
| Dido & Aeneas Act II: Haste, haste to town (Belinda) | Choir of Clare College, Cambridge, Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs | | | 0:43 | |
| Dido & Aeneas Act II: Thanks to these lovesome vales (Belinda) | Choir of Clare College, Cambridge, Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs | | | 2:43 | |
| Dido & Aeneas Act III: Your counsel all is urged in vain (Dido) | Lynne Dawson, Gerald Finley, Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs | | | 3:46 | |
| Flavio, re de' longobardi, HWV 16: Act I, Scene II. Recitativo "Lotario, al sacro nodo" (Ugone, Lotario, Guido, Teodata) / Scene III. "Recitativo Con l'alma reverente" (Emilia, Guido, Ugone, Lotario, Teodata) | Thomas Walker, Andrew Foster-Williams, Iestyn Davies, Hilary Summers, Rosemary Joshua, Early Opera Company, Christian Curnyn | | | 1:46 | |
| Flavio, re de' longobardi, HWV 16: Act I, Scene III. Aria "Quanto dolci, quanto care" (Emilia) | Rosemary Joshua, Early Opera Company, Christian Curnyn | | | 3:48 | |
| Flavio, re de' longobardi, HWV 16: Act I, Scene XII. Recitativo"Guido? Consorte?" (Emilia) | Rosemary Joshua, Early Opera Company, Christian Curnyn | | | 2:12 | |
| Flavio, re de' longobardi, HWV 16: Act I, Scene XIII. Aria "A mante stravagante" (Emilia) | Rosemary Joshua, Early Opera Company, Christian Curnyn | | | 3:47 | |
| Flavio, re de' longobardi, HWV 16: Act II, Scene IV. Recitativo Dunque per le mie nozze" (Emilia, Lotario) | Rosemary Joshua, Andrew Foster-Williams, Early Opera Company, Christian Curnyn | | | 0:30 | |
| Flavio, re de' longobardi, HWV 16: Act II, Scene V. Aria "Parto, sì; ma non so poi" (Emilia) | Rosemary Joshua, Early Opera Company, Christian Curnyn | | | 7:01 | |
| Flavio, re de' longobardi, HWV 16: Act II, Scene V. Recitativo "Che mai chiedete, o stelle" (Emilia, Guido) | Rosemary Joshua, Iestyn Davies, Early Opera Company, Christian Curnyn | | | 1:29 | |
| Flavio, re de' longobardi, HWV 16: Act II, Scene X. Recitativo "Io deluso? Lotario? ed altri miete" (Lotario, Guido) / Scene IX. Recitativo "Ah! misera, che veggio? ah, genitore" (Emilia, Lotario) | Andrew Foster-Williams, Iestyn Davies, Rosemary Joshua, Andrew Foster-Williams, Early Opera Company, Christian Curnyn | | | 3:10 | |
| Flavio, re de' longobardi, HWV 16: Act II, Scene XI. Aria "Ma chi punir desio?" (Emilia) | Rosemary Joshua, Early Opera Company, Christian Curnyn | | | 6:33 | |
| Flavio, re de' longobardi, HWV 16: Act III, Scene I. Aria "Da te parto; ma concedi" (Emilia) | Rosemary Joshua, Early Opera Company, Christian Curnyn | | | 4:31 | |
| Flavio, re de' longobardi, HWV 16: Act III, Scene IV. Accompagnato "O Guido, o mio tiranno!" (Emilia) / Recitativo "Emilia, eccoti al piede" (Guido, Emilia) | Rosemary Joshua, Iestyn Davies, Early Opera Company, Christian Curnyn | | | 2:56 | |
| Flavio, re de' longobardi, HWV 16: Act III, Scene V. Recitativo "Vitige!" (Teodata, Vitige, Flavio) / Scene VI. Recitativo "Signore, se il mio delitto" (Guido, Ugone, Flavio) / Recitativo "Al tuo piede, o regnante" (Emilia, Flavio, Ugone, Vitige, Guido) | Hilary Summers, Renata Pokupić, Tim Mead, Iestyn Davies, Thomas Walker, Tim Mead, Rosemary Joshua, Early Opera Company, Christian Curnyn | | | 3:01 | |
| Flavio, re de' longobardi, HWV 16: Act III, Scene VII. Duetto "Deh, perdona, o dolce bene (Guido, Emilia) | Iestyn Davies, Rosemary Joshua, Early Opera Company, Christian Curnyn | | | 6:37 | |
| Giulio Cesare in Egitto, HWV 17: Caro! Bella! | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 4:50 | |
| Great God, and just (A penitential hymn) | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 2:29 | |
| Hänsel und Gretel: Akt 2. “Der kleine Sandmann bin ich” | Rosemary Joshua, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks, Donald Runnicles | | | 2:18 | |
| How have I stray'd | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 3:38 | |
| How long, great God (The aspiration) | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 3:36 | |
| In the black, dismal dungeon of despair | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 4:09 | |
| In the Bleak Midwinter | László Heltay, Academy of St. Martin in the Fields Chorus, Ian Bostridge, Rosemary Joshua, Academy of St Martin in the Fields, Sir Neville Marriner | | | 4:32 | |
| In the Bleak Midwinter | László Heltay, Academy of St. Martin in the Fields Chorus, Ian Bostridge, Rosemary Joshua, Academy of St Martin in the Fields | | | 4:31 | |
| King Arthur: What Power are thou (Genius, Cupid) (The King's Musicke, Deller Consort, feat. director: Alfred Deller, baritone: Maurice Bevan, soprano: Rosemary Joshua) | Rosemary Joshua, Deller Consort | | | 4:15 | |
| Let the night perish (Job's curse) | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 4:16 | |
| Lord, what is man? | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 5:22 | |
| My opening eyes are purged (A divine song of the Passion of our Saviour) | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 4:17 | |
| My song shall be alway (psalm 89) | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 3:06 | |
| Now that the sun hath veil'd his light (An evening hymn on a ground) | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 4:10 | |
| Ottone, re di Germania, HWV 15: Notte cara! | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 4:36 | |
| Radamisto, HWV 12a: Se teco vive il cor | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 3:15 | |
| Radamisto: Aria: Ombra cara di mia sposa (II, 2) | Rosemary Joshua, Bejun Mehta, Freiburger Barockorchester, René Jacobs | | | 9:34 | |
| Rodelinda, regina de' Longobardi, HWV 19: Io t'abbraccio | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 6:53 | |
| Rodelinda: Con rauco mormorio (II, 5) | Rosemary Joshua, Bejun Mehta, Freiburger Barockorchester, René Jacobs | | | 7:15 | |
| Rodelinda: Fra tempeste funeste (II, 4) | Rosemary Joshua, Bejun Mehta, Freiburger Barockorchester, René Jacobs | | | 4:49 | |
| Saul, HWV 53: Act I, Scene II. Recitative "He comes, he comes" (Michal) / Air "O God-like youth!" (Michal) / Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David) | Rosemary Joshua, Finnur Bjarnason, Gidon Saks, Lawrence Zazzo, Concerto Köln, René Jacobs | | | 3:38 | |
| Saul, HWV 53: Act I, Scene II. Recitative "Thou, Merab, first in birth, be first in honour" (Saul, Merab) / Air "My soul rejects the though with scorn" (Merab) / Air "See, with what a scornful air" (Michal) / Air "Ah, lovely youth, wast thou designed" (Michal) | Gidon Saks, Emma Bell, Rosemary Joshua, Concerto Köln, René Jacobs | | | 3:20 | |
| Saul, HWV 53: Act I, Scene II. Symphony: Andante Allegro / Recitative "Already see the daughters of the land" (Michal) / Scene III. Chorus "Welcome, welcome, mighty king!" | Rosemary Joshua, RIAS Kammerchor, Concerto Köln, René Jacobs | | | 2:47 | |
| Saul, HWV 53: Act I, Scene IV. Recitative "Imprudent women!" (Jonathan, Michal) / Air "Fell rage and black despair possessed" (Michal) | Jeremy Ovenden, Rosemary Joshua, Concerto Köln, René Jacobs | | | 2:59 | |
| Saul, HWV 53: Act II, Scene V. Recitative "A father's will has authorised my love" (Michal) / Duet "O fairest of ten thousand fair" (Michal, David) / Chorus "Is there a man" | Rosemary Joshua, Lawrence Zazzo, RIAS Kammerchor, Concerto Köln, René Jacobs | | | 4:19 | |
| Saul, HWV 53: Act II, Scene VI. Recitative "Thy father is a cruel!" (David) / Duet "At persecution I can laugh" (David, Michal) | Lawrence Zazzo, Rosemary Joshua, Concerto Köln, René Jacobs | | | 1:37 | |
| Saul, HWV 53: Act II, Scene VII. Recitative "Whom dost thou seek" (Michal, Doeg) / Air "No, no, let the guilty tremble" (Michal) | Rosemary Joshua, Henry Waddington, Concerto Köln, René Jacobs | | | 2:14 | |
| Saul, HWV 53: Act III, Scene V. Air "In sweetest harmony they lived!" (Michal) / Solo "O fatal day" (David and Chorus) / Recitative "Ye men of Judah, weep no more!" (Abner) | Rosemary Joshua, Lawrence Zazzo, RIAS Kammerchor, Finnur Bjarnason, Concerto Köln, René Jacobs | | | 9:07 | |
| Saul: Recit / Duet “O Fairest of Ten Thousand Fair” / Chorus “Is There a Man?” | Rosemary Joshua, RIAS Kammerchor, Lawrence Zazzo, Concerto Köln, René Jacobs | | | 3:49 | |
| Sleep, Adam, and take thy rest | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 1:30 | |
| Solomon, HWV 67: Welcome as the dawn of day | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 3:10 | |
| Sosarme, re di Media, HWV 30: Per le porte del tormento | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 7:33 | |
| Sosarme: Duetto: Per le porte del tormento (II, 8) | Rosemary Joshua, Bejun Mehta, Freiburger Barockorchester, René Jacobs | | | 9:38 | |
| Symphonie Nr. 4 In G-Dur: IV. Sehr behaglich | Rosemary Joshua, Orchestre des Champs‐Élysées, Philippe Herreweghe | | | 8:41 | |
| Tamerlano, HWV 18: Vivo in te | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 7:01 | |
| Tell me, some pitying angel (The blessed Virgin's expostulation) | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 7:24 | |
| The earth trembled (On our Saviour's Passion) | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 2:07 | |
| The night is come (An evening hymn) | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 2:32 | |
| Theodora, HWV 68: Streams of pleasure ever flowing | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 6:48 | |
| Theodora, HWV 68: To thee, thou glorious son of worth | The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly | | | 4:55 | |
| Thou wakeful shepherd (A morning hymn) | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 2:56 | |
| Venus & Adonis: Act II. The Cupid's Lesson: You place such delightful care (Venus, Cupid) (Orchestra of the Age of Enlightenment, feat. director René Jacobs, soprano: Rosemary Joshua, countertenor: Robin Blaze) | Robin Blaze, Rosemary Joshua, Orchestra of the Age of Enlightenment | | | 5:03 | |
| We sing to him, whose wisdom form'd the ear | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 2:02 | |
| With sick and famish'd eyes | Rosemary Joshua, Les Talens Lyriques & Christophe Rousset | | | 5:15 | |
