| "Solo e pensoso", Hob. XXIVb:20 | | - Francesca Aspromonte, Il giardino armonico, Giovanni Antonini
- Arleen Augér, Christopher Hogwood, Händel and Haydn Society
- Sophie Bevan, The Mozartists, Ian Page
- Edith Mathis, Orchestre de Chambre de Lausanne, Armin Jordan
- Angelica Tuccari, Orchestra Sinfonica "Alessandro Scarlatti" di Napoli della RAI, Massimo Pradella
| | Aria | | | |
| "Son pietosa, son bonina", Hob. XXXII:1b | | | | | | | |
| Alexander's Feast, HWV 75: Part I, no. 17. Arioso "Softly sweet in Lydian measures" | | | | | | | |
| Alexander's Feast, HWV 75: Part I, no. 20. Aria "The prince, unable to conceal his pain" | | | | Aria | | | |
| Am Grabe Anselmos, D. 504 | | | | Song | | | |
| An die Musik, D. 547 | | | | Song | | | |
| An die Nachtigall, D. 497 | | | | Song | | | |
| An Sylvia, D. 891 | | | | Song | | | |
| An Thyrsis, Hob. XXVIa:8 | | | | Song | | | |
| Apollo et Hyacinthus, K. 38: Act I, Prologus. Recitativo "Ah nate! vera loqueris" (Oebalus, Apollo, Hyacinthus, Melia, Zephyrus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act I, Prologus. Recitativo "Amice! iam parata sunt omnia" (Hyacinthus, Zephyrus, Oebalus, Melia) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act I, Prologus. Recitativo "Heu me! perimus!" (Melia, Oebalus, Hyacinthus, Zephyrus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act II, Chorus I. No. 4 Aria "Laetari, iocari" (Melia) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act II, Chorus I. No. 6 Duetto "Discede crudelis!" (Melia, Apollo) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act II, Chorus I. Recitativo "Amare numquid filia" (Oebalus, Melia) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act II, Chorus I. Recitativo "Heu! Numen! ecce!" (Zephyrus, Melia, Apollo) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act II, Chorus I. Recitativo "Rex! de salute filii est actum" (Zephyrus, Oebalus, Melia) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act III, Chorus II. No. 8 Duetto "Natus cadit" (Oebalus, Melia) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act III, Chorus II. No. 9 Terzetto "Tandem post turbida fulmina" (Apollo, Melia, Oebalus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act III, Chorus II. Recitativo "Quocumque Me Converto" (Melia, Oebalus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act III, Chorus II. Recitativo "Rex! Me Redire Cogit" (Apollo, Oebalus, Melia) | | | | | | | |
| Aria, BWV 508 “Bist du bei mir” | | | | Aria | | | |
| Arianna a Naxos, Hob. XXVIb:2 | | | | Cantata | | | |
| Ascanio in Alba, K. 111: Act I, Scene III. No. 6 Coro "Venga, de' sommi eroi" (Coro di Pastore) Recitativo "Ma qual canto risona?" (Ascanio, Fauno) No. 7 Coro "Venga, de' sommi eroi" (Coro di pastori) | | - Vocaal Ensemble Coqu, Musica ad Rhenum, Jed Wentz
- Rupert Huber, Arleen Augér, Aγνή Mπάλτσα, Salzburger Kammerchor, Leopold Hager, Mozarteum Orchester Salzburg
- Maaike Beekman, Claron McFadden, Musica ad Rhenum, Jed Wentz
- Concerto Armonico, Jacques Grimbert
| | | | | |
| Ascanio in Alba, K. 111: Act I, Scene III. No. 8 Aria "Se il labbro più non dice" (Fauno) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma tu, chi sei, che ignoto qui t'aggiri fra noi? (Fauno, Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Quanto soavi al core de la tua stirpe" (Ascanio, Fauno) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene II-III. Recitativi "Cerco di loco in loco... Silvia, ove sei?" (Ascanio, Silvia, Fauno) | | - Arleen Augér, Aγνή Mπάλτσα, Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager
- Maaike Beekman, Musica ad Rhenum, Jed Wentz
- Maaike Beekman, Nicola Wemyss, Musica ad Rhenum, Jed Wentz
- Maaike Beekman, Claron McFadden, Nicola Wemyss, Musica ad Rhenum, Jed Wentz
- Concerto Armonico, Jacques Grimbert
| | | | | |
| Ascanio in Alba, K. 111: Act II, Scene III. No. 21 Aria "Dal tuo gentil sembiante" (Fauno) | | | | | | | |
| Atalanta, HWV 35: Atto I. "Care selve, ombre beate" | | | | | | | |
| Auf dem See, D. 543 | | | | Song | | | |
| Auf dem Wasser zu singen, D. 774 | | | | Song | | | |
| Azulão | | | | Song | | | |
| Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) | | | | | | | |
| Bachianas Brasileiras nº 5, W389: II. Dansa (Martelo) | | | | | | | |
| Before I Gaze at You Again | | | | Song | | | |
| Beim Schmerz, Der Dieses Herz Durchwuhlet, Hob. XXVIa:37 | | | | Song | | | |
| Belshazzar, HWV 61: Act 1, Scene 1, Accompagnato ed Arioso "Vain, fluctuating state of human empire!" (Nitocris) | | | | | | | |
| Belshazzar, HWV 61: Act 1, Scene 1, Air "Thou, God most high, and Thou alone" (Nitocris) | | | | | | | |
| Belshazzar, HWV 61: Act 1, Scene 1, Recitativo "The fate of Babylon, I fear, is nigh" (Nitocris, Daniel) | | | | | | | |
| Belshazzar, HWV 61: Act 1, Scene 4, Air "The leafy honours of the field" (Nitocris) | | | | | | | |
| Belshazzar, HWV 61: Act 1, Scene 4, Duet "Oh dearer than my life, forbear!" (Nitocris, Belshazzar) | | | | | | | |
| Belshazzar, HWV 61: Act 1, Scene 4, Recitativo "For you, my friends" (Belshazzar, Nitocris) | | | | | | | |
| Belshazzar, HWV 61: Act 1, Scene 4, Recitativo "It is the custom, I may say, the law" (Belshazzar, Nitocris) | | | | | | | |
| Belshazzar, HWV 61: Act 1, Scene 4, Recitativo "They tell you true" (Nitocris, Belshazzar) | | | | | | | |
| Belshazzar, HWV 61: Act 2, Scene 2, Air "Regard, oh son, my flowing tears" (Nitocris) | | | | | | | |
| Belshazzar, HWV 61: Act 2, Scene 2, Recitativo "Oh king! live for ever!" (Nitocris, Belshazzar) | | | | | | | |
| Belshazzar, HWV 61: Act 2, Scene 2, Recitativo "Oh sentence too severe!" (Nitocris) | | | | | | | |
| Belshazzar, HWV 61: Act 3, Scene 1, Air "Alternate hopes and fears" (Nitocris) | | | | | | | |
| Belshazzar, HWV 61: Act 3, Scene 1, Recitativo "Fain would I hope" (Nitocris, Daniel) | | | | | | | |
| Belshazzar, HWV 61: Act 3, Scene 1, Recitativo "My hopes revive" (Nitocris, Arioch, Messenger) | | | | | | | |
| Belshazzar, HWV 61: Act 3, Scene 3, Duet "Great victor, at your feet I bow" (Nitocris, Cyrus) | | - Arleen Auger, Catherine Robbin, The English Concert, Trevor Pinnock
- Marie‐Nicole Lemieux, Il Complesso Barocco, Alan Curtis
- Les Arts Florissants, William Christie
- The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly
- Robin Blaze, Carolyn Sampson, The Orchestra of the Age of Enlightenment, Nicholas Kraemer
| | | | | |
| Belshazzar, HWV 61: Act 3, Scene 3, Soli & Chorus "I will magnify thee" (Daniel, Nitocris, Chorus) | | | | | | | |
| Blanka, D. 631 | | | | Song | | | |
| Canciones clásicas españolas: VI. Del cabello más sutil | | | | Song | | | |
| Capriccio, op. 85 - 9. Szene: Duett der italienischen Sänger - Addio Mio Vita | | - Dietrich Fischer‐Dieskau, Nicolai Gedda, Anna Moffo, Elisabeth Schwarzkopf, Dermot Troy, Eberhard Wächter, Philharmonia Orchestra, Wolfgang Sawallisch
- Olaf Bär, Håkan Hagegård, Uwe Heilmann, Roberto Saccà, Anna Rita Taliento, Kiri Te Kanawa, Wiener Philharmoniker, Ulf Schirmer
- Arleen Augér, Dietrich Fischer‐Dieskau, Gundula Janowitz, Hermann Prey, Anton de Ridder, Karl Ridderbusch, Peter Schreier, Tatiana Troyanos, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm
| | | | | |
| Capriccio, op. 85 - 9. Szene: La Roche, du bist groß! La Roche, du bist monumental! | | - Dietrich Fischer‐Dieskau, Christa Ludwig, Elisabeth Schwarzkopf, Eberhard Wächter, Philharmonia Orchestra, Wolfgang Sawallisch
- Dietrich Fischer‐Dieskau, Nicolai Gedda, Hans Hotter, Christa Ludwig, Anna Moffo, Dermot Troy, Eberhard Wächter, Philharmonia Orchestra, Wolfgang Sawallisch
- Olaf Bär, Brigitte Fassbaender, Håkan Hagegård, Victor von Halem, Uwe Heilmann, Roberto Saccà, Anna Rita Taliento, Kiri Te Kanawa, Wiener Philharmoniker, Ulf Schirmer
- Arleen Augér, Dietrich Fischer‐Dieskau, Hermann Prey, Anton de Ridder, Peter Schreier, Tatiana Troyanos, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm
- Richard Strauss
| | | | | |
| Capriccio, op. 85: 9. Szene | | - Arleen Augér, Dietrich Fischer‐Dieskau, Gundula Janowitz, Hermann Prey, Anton de Ridder, Karl Ridderbusch, Peter Schreier, Tatiana Troyanos, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm
- Richard Strauss
- Dietrich Fischer‐Dieskau, Gundula Janowitz, Hermann Prey, Karl Ridderbusch, Peter Schreier, Tatiana Troyanos, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm
- Gundula Janowitz, Karl Ridderbusch, Peter Schreier, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm
- Dietrich Fischer‐Dieskau, Gundula Janowitz, Karl Ridderbusch, Peter Schreier, Tatiana Troyanos, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm
| | | | | |
| Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
| Catulli Carmina - Chorus: Eis aiona! | | - Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum
- Český pěvecký sbor, Helena Tattermuschová, Ivo Žídek, Oldřich Kredba, Vladimír Mencl, Členové Symfonického orchestru hlavního města Prahy FOK, Vladmiir Topinka, Ludmila Tržická, Václav Smetáček
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- WDR Sinfonieorchester Köln, Ferdinand Leitner
- (show 6 more)
| | | | | |
| Catulli Carmina: Actus I | | - Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum
- Český pěvecký sbor, Helena Tattermuschová, Ivo Žídek, Václav Smetáček
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- Josef Kugler, Chor des Bayerischen Rundfunks, Richard Holm, Annelies Kupper, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Hans Weissenbach, Eugen Jochum
- (show 4 more)
| | | | | |
| Catulli Carmina: Actus II | | - Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum
- Český pěvecký sbor, Helena Tattermuschová, Ivo Žídek, Václav Smetáček
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- Josef Kugler, Chor des Bayerischen Rundfunks, Richard Holm, Annelies Kupper, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Hans Weissenbach, Eugen Jochum
- (show 4 more)
| | | | | |
| Catulli Carmina: Actus III | | - Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum
- Český pěvecký sbor, Helena Tattermuschová, Ivo Žídek, Václav Smetáček
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- Josef Kugler, Chor des Bayerischen Rundfunks, Richard Holm, Annelies Kupper, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Hans Weissenbach, Eugen Jochum
- (show 4 more)
| | | | | |
| Chants d'Auvergne: Première Série: No. 2. Baïlèro | | | | Song | | | |
| Claudine von Villa Bella, D. 239: Nr. 3. Hin und wieder fliegen Pfeile | | | | | | | |
| Claudine von Villa Bella, D. 239: Nr. 6. Liebe schwärmt auf allen Wegen | | | | | | | |
| Conversation Piece: Act One. I’ll Follow My Secret Heart | | | | Song | | - 4789944 (AGADU ID)
- 4887615 (AGADU ID)
- (show 19 more)
- 000092 630 04 (SUISA ID)
| |
| Daphne am Bach, D. 411 | | | | Song | | | |
| Das Rosenband, op. 36 no. 1 | | | | Song | | | |
| Das zitternde Glänzen der spielenden Wellen, HWV 203 | | | | | | | |
| Dass sie hier gewesen!, D. 775 | | | | Song | | | |
| Delphine, D. 857 Nr. 1 | | | | Song | | | |
| Der gute Hirt, D. 449 | | | | Song | | | |
| Der Hirt auf dem Felsen, D. 965 | | | | Song | | | |
| Der Musensohn, D. 764 | | | | Song | | | |
| Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) | | - Anny Felbermayer, Paul Kuën, Christa Ludwig, Kerstin Meyer, Elisabeth Schwarzkopf, Gerhard Unger, Philharmonia Orchestra, Herbert von Karajan
- Agnes Baltsa, Margareta Hintermeier, Horst Nitsche, Brigitte Poschner, Gabriele Sima, Waltraud Winsauer, Heinz Zednik, Wiener Philharmoniker, Herbert von Karajan
- Gabriele Fuchs, Reinhild Linder, Christa Ludwig, Gunda Spilutini, Tatiana Troyanos, Gerhard Unger, Wiener Philharmoniker, Karl Böhm
- Chor der Wiener Staatsoper, Murray Dickie, Laurence Dutoit, Mario Guggia, Gwyneth Jones, Wiener Philharmoniker, Leonard Bernstein
- (show 8 more)
| | | | | |
| Der Sänger am Felsen, D. 482 | | | | Song | | | |
| Der Schmetterling, D. 633 | | | | Song | | | |
| Didone abbandonata, D. 510 | | | | Aria | | | |
| Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) | | | | | | | |
| Die Forelle, D. 550 | | | | Song | | | |
| Die ihr aus dunkeln Grüften, HWV 208 | | | | | | | |
| Die junge Nonne, D. 828 | | | | Song | | | |
| Die Liebende schreibt, D. 673 | | | | Song | | | |
| Die Ruinen von Athen, op. 113: II. Duett "Ohne Verschulden Knechtschaft dulden" | | - Berliner Konzert Chor, Vladimir de Kanel, Berliner Symphoniker, Hans-Hubert Schönzeler
- Arleen Augér, Klaus Hirte, Berliner Philharmoniker, Bernhard Klee
- Berliner Symphoniker, Hans-Hubert Schönzeler
- Reetta Haavisto, Juha Kotilainen, Turun filharmoninen orkesteri, Leif Segerstam
- Roger Andrews, Mechthild Gessendorf, New York Choral Artists, Orchestra of St. Luke’s, Dennis Russell Davies, Joseph Flummerfelt
| | | | | |
| Die Schuldigkeit des ersten Gebots in C major, K. 35: IX. Parte I. Recitativo "Wie, wer erwecket mich" (Christ, Weltgeist) | | | | | | | |
| Die Schuldigkeit des ersten Gebots in C major, K. 35: X. Parte I. no. 4 Aria "Hat der Schöpfer von Leben" (Weltgeist) | | | | | | | |
| Die Schuldigkeit des ersten Gebots in C major, K. 35: XIII. Parte I. Recitativo "Ist dieses, o so zweifle nimmermehr" (Weltgeist, Christ, Christgeist) | | | | | | | |
| Die Schuldigkeit des ersten Gebots in C major, K. 35: XIV. Parte I. no. 6 Aria "Schildre einen Philosophen" (Weltgeist) | | | | | | | |
| Die Schuldigkeit des ersten Gebots in C major, K. 35: XV. Parte I. Recitativo "Wen hör' ich nun hier in der Nähe" (Weltgeist, Christ, Christgeist) | | | | | | | |
| Die Schuldigkeit des ersten Gebots in C major, K. 35: XVII. Parte I. Recitativo "Er halt mich einem Kranken gleich" (Christ, Christgeist, Weltgeist) | | | | | | | |
| Die Verlassene, Hob. XXVIa:5 | | | | Song | | | |
| Die Weihe des Hauses, op. 124: Overture | | | | Overture | | | |
| Die Weihe des Hauses: No. 6 Marsch mit Chor, op. 114 Schmückt die Altäre! | | - Sylvia McNair, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Ernst Erich Buder, Bruno Ganz
- Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam
- Günther Arndt, Dietrich Knothe, Arleen Augér, Franz Crass, Klaus Hirte, RIAS Kammerchor, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado
- Vocalconsort Berlin
| | | | | |
| Die Weihe des Hauses: No. 7 Musik hinter der Szene [Melodram]. Es wandelt schon das Volk in Feierkleide (Rezitation) Rezi | | - Sylvia McNair, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Ernst Erich Buder, Bruno Ganz
- Günther Arndt, Arleen Augér, Franz Crass, Bruno Ganz, Klaus Hirte, RIAS Kammerchor, Berliner Philharmoniker, Claudio Abbado
- Klaus Mertens
| | | | | |
| Dixit Dominus in G minor, HWV 232: III. Aria "Tecum principium" | | | | Aria | | | |
