A Christmas Carol | | | | Song | | | |
America (A Prophecy), op. 19: Part I "Oh my nation prepare..." | | | | | | | |
America (A Prophecy), op. 19: Part II "Burn, burn, burn" | | | | | | | |
Before Dawn | | | | Song | | | |
Ciboulette: Acte II. « Nous avons fait un beau voyage » (Ciboulette, Duparquet) | | | | | | | |
Daphénéo | | | | Song | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) | | - Henry Purcell
- Academy of Ancient Music Chorus, Elisabeth Priday, Sara Stowe, David Thomas, Academy of Ancient Music, Christopher Hogwood
- The English Concert Choir, Elisabeth Priday, Nigel Rogers, The English Concert, Trevor Pinnock
- Teodor Currentzis, MusicAeterna
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Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) | | - Susan Bickley, Choir of Clare College, Cambridge, Orchestra of the Age of Enlightenment, René Jacobs
- Les Arts Florissants, William Christie
- The Mermaid Singers
- Jürgen Jürgens, Margaret Baker, Patricia Johnson, Margaret Lensky, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras
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Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) | | | | | | | |
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) | | | | Aria | | | |
Douze rondels: L'Air | | | | Song | | | |
Douze rondels: L'Automne | | | | Song | | | |
Electra Mourns | | | | | | | |
Élégie, op. 19 | | | | | | | |
Es sang vor langen Jahren | | - Gidon Kremer, Vladimir Mendelssohn, Susan Brickley
- Daniel Taylor, Jacques-André Houle, Hélène Plouffe
- Thomas Kemp, Jonathan Morton, Stephen Wallace
- Anne Sofie von Otter, Ellen Nisbeth, Nils‐Erik Sparf
- Andreas Scholl, Yuuki Wong, Tomasz Wabnic
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Fêtes galantes | | | | Song | | | |
Frolic | | | | Song | | | |
Glagolská mše: III. Slava | | - Teresa Kubiak, Anne Collins, Robert Tear, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe
- Felicity Palmer, John Mitchinson, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
- Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- Český pěvecký sbor, Josef Veselka, Česká filharmonie, Karel Ančerl
- (show 15 more)
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Glagolská mše: IV. Věruju | | - Robert Tear, Wolfgang Schöne, John Birch, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe
- John Mitchinson, Malcolm King, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
- Český pěvecký sbor, Josef Veselka, Česká filharmonie, Karel Ančerl
- Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- (show 16 more)
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Glagolská mše: V. Svet | | - Teresa Kubiak, Robert Tear, Wolfgang Schöne, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe
- Felicity Palmer, Ameral Gunson, John Mitchinson, Malcolm King, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
- Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- Český pěvecký sbor, Josef Veselka, Česká filharmonie, Karel Ančerl
- (show 15 more)
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Glagolská mše: VI. Agneče Božij | | - Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe
- Felicity Palmer, Ameral Gunson, John Mitchinson, Malcolm King, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
- Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- Český pěvecký sbor, Josef Veselka, Česká filharmonie, Karel Ančerl
- (show 16 more)
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I Could Have Danced All Night | | | | Song | | - 3923132 (ACAM ID)
- 229523 (ACDAM ID)
- (show 20 more)
- 000007 095 29 (SUISA ID)
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Je me souviens | | | | Song | | | |
Je te veux | | | | Song | | | |
La Nymphe de la source | | | | Song | | | |
Les Roses d'lspahan, op. 39 no. 4 | | | | Song | | | |
Letters from Claude: I | | | | | | | |
Letters from Claude: II | | | | | | | |
Letters from Claude: III | | | | | | | |
Letters from Claude: IV | | | | | | | |
Letters from Claude: V | | | | | | | |
Letters from Claude: VI | | | | | | | |
Letters from Claude: VII | | | | | | | |
Love on My Heart From Heaven Fell | | | | Song | | | |
Ludions: IV. Air du poète | | | | | | | |
Lullaby | | | | Song | | | |
Lyra Celtica (Concerto for Voice and Orchestra), op. 50: I. Lento - Allegro commodo | | | | | | | |
Lyra Celtica (Concerto for Voice and Orchestra), op. 50: II. Largo - Quasi allegretto piacevole | | | | | | | |
Ma jeunesse | | | | Song | | | |
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" | | | | | | | |
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" | | | | | | | |
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" | | | | | | | |
Meet me in the Green Glen: II. Song | | | | | | | |
Meet me in the Green Glen: IV. Love's Pains | | | | | | | |
Memories of Morning: Night, op. 30: Interlude | | | | | | | |
Memories of Morning: Night, op. 30: Part 1 "Coulibri" | | | | | | | |
Memories of Morning: Night, op. 30: Part 2 "Thornfield": 1. Lost | | | | | | | |
Memories of Morning: Night, op. 30: Part 2 "Thornfield": 2. A Letter | | | | | | | |
Memories of Morning: Night, op. 30: Part 2 "Thornfield": 3. The Red Dress | | | | | | | |
Memories of Morning: Night, op. 30: Part 2 "Thornfield": 4. Dream of Fire | | | | | | | |
Memories of Morning: Night, op. 30: Part 2 "Thornfield": 5. Epilogue | | | | | | | |
Nocturne, op. 43 no. 2 | | | | Song | | | |
Ode to the Queen, op. 83: I. Sound forth celestial organs | | | | | | | |
Ode to the Queen, op. 83: II. Fair as unshaded light | | | | | | | |
Ode to the Queen, op. 83: III. Yet once again, let us our measures move | | | | | | | |
Offrande | | | | Song | | | |
Poèmes de Ronsard, FP 38: 1. Attributs | | | | Song | | | |
Poèmes de Ronsard, FP 38: 2. Le tombeau | | | | Song | | | |
Poèmes de Ronsard, FP 38: 3. Ballet | | | | Song | | | |
Poèmes de Ronsard, FP 38: 4. Je n'ai plus que les os | | | | Song | | | |
Poèmes de Ronsard, FP 38: 5. À son page | | | | Song | | | |
Priez pour paix, FP 95 | | | | Song | | | |
Quand la nuit n'est pas étoilée | | | | Song | | | |
Requiem Canticles: I. Prelude | | - Columbia Symphony Orchestra, Robert Craft
- L’Orchestre de la Suisse Romande, Neeme Järvi
- James Wood, Susan Bickley, New London Chamber Choir, David Wilson-Johnson, London Sinfonietta, Oliver Knussen
- Igor Stravinsky
- Sally Burgess, Simon Joly Chorale, Roderick Williams, Philharmonia Orchestra, Robert Craft
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Requiem Canticles: II. Exaudi | | - L’Orchestre de la Suisse Romande, Neeme Järvi, Chœur Pro Arte de Lausanne, Chœur de Chambre Romand, André Charlet
- James Wood, Susan Bickley, New London Chamber Choir, David Wilson-Johnson, London Sinfonietta, Oliver Knussen
- Gregg Smith, The Ithaca College Concert Choir, Columbia Symphony Orchestra, Robert Craft
- Igor Stravinsky
- Sally Burgess, Simon Joly Chorale, Roderick Williams, Philharmonia Orchestra, Robert Craft
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Requiem Canticles: III. Dies Irae | | - L’Orchestre de la Suisse Romande, Neeme Järvi, Chœur Pro Arte de Lausanne, Chœur de Chambre Romand, André Charlet
- James Wood, Susan Bickley, New London Chamber Choir, David Wilson-Johnson, London Sinfonietta, Oliver Knussen
- Gregg Smith, The Ithaca College Concert Choir, Columbia Symphony Orchestra, Robert Craft
- Joachim-Ernst Berendt
- (show 2 more)
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Requiem Canticles: IV. Tuba mirum | | - Donald Gramm, Columbia Symphony Orchestra, Robert Craft
- L’Orchestre de la Suisse Romande, Neeme Järvi, Michel Brodard
- James Wood, Susan Bickley, New London Chamber Choir, David Wilson-Johnson, London Sinfonietta, Oliver Knussen
- Igor Stravinsky
- Sally Burgess, Simon Joly Chorale, Roderick Williams, Philharmonia Orchestra, Robert Craft
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Requiem Canticles: IX. Postlude | | - Columbia Symphony Orchestra, Robert Craft
- L’Orchestre de la Suisse Romande, Neeme Järvi
- James Wood, Susan Bickley, New London Chamber Choir, David Wilson-Johnson, London Sinfonietta, Oliver Knussen
- Igor Stravinsky
- Sally Burgess, Simon Joly Chorale, Roderick Williams, Philharmonia Orchestra, Robert Craft
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Requiem Canticles: V. Interlude | | - Columbia Symphony Orchestra, Robert Craft
- L’Orchestre de la Suisse Romande, Neeme Järvi
- James Wood, Susan Bickley, New London Chamber Choir, David Wilson-Johnson, London Sinfonietta, Oliver Knussen
- Igor Stravinsky
- Sally Burgess, Simon Joly Chorale, Roderick Williams, Philharmonia Orchestra, Robert Craft
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Requiem Canticles: VI. Rex tremendae | | - L’Orchestre de la Suisse Romande, Neeme Järvi, Chœur Pro Arte de Lausanne, Chœur de Chambre Romand, André Charlet
- James Wood, Susan Bickley, New London Chamber Choir, David Wilson-Johnson, London Sinfonietta, Oliver Knussen
- Gregg Smith, The Ithaca College Concert Choir, Columbia Symphony Orchestra, Robert Craft
- Igor Stravinsky
- Sally Burgess, Simon Joly Chorale, Roderick Williams, Philharmonia Orchestra, Robert Craft
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Requiem Canticles: VII. Lacrimosa | | - Elaine Bonazzi, Columbia Symphony Orchestra, Robert Craft
- L’Orchestre de la Suisse Romande, Neeme Järvi, Irène Friedli
- James Wood, Susan Bickley, New London Chamber Choir, David Wilson-Johnson, London Sinfonietta, Oliver Knussen
- Igor Stravinsky
- Sally Burgess, Simon Joly Chorale, Roderick Williams, Philharmonia Orchestra, Robert Craft
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Requiem Canticles: VIII. Libera me | | - L’Orchestre de la Suisse Romande, Neeme Järvi, Chœur Pro Arte de Lausanne, Chœur de Chambre Romand, André Charlet
- James Wood, Susan Bickley, New London Chamber Choir, David Wilson-Johnson, London Sinfonietta, Oliver Knussen
- Gregg Smith, Elaine Bonazzi, Donald Gramm, The Ithaca College Concert Choir, Columbia Symphony Orchestra, Robert Craft
- Igor Stravinsky
- (show 2 more)
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Sappho: I. Hymn to Aphrodite | | | | | | | |
Sappho: II. 'I Loved Thee Once, Atthis, Long Ago' | | | | | | | |
Sappho: III. Evening Song | | | | | | | |
Sappho: IV. 'Stand Face to Face, Friend' | | | | | | | |
Sappho: IX. 'Muse of the Golden Throne' | | | | | | | |
Sappho: V. 'The Moon Has Set' | | | | | | | |
Sappho: VI. 'Peer of Gods He Seems' | | | | | | | |
Sappho: VII. 'In a Dream, I Spake' | | | | | | | |
Sappho: VIII. Bridal Song | | | | | | | |
Seule | | | | Song | | | |
Shepherd's Holiday | | | | Song | | | |
Shooting Star | | | | Song | | | |
Socrate: I. Portrait de Socrate | | | | | | | |
Socrate: II. Bords de l'llissus | | | | | | | |
Socrate: III. Mort de Socrate | | | | | | | |
Solomon, HWV 67: Act II, Scene III. Air "Thy sentence, great king" (2nd Harlot) | | | | | | | |
Solomon, HWV 67: Act II, Scene III. Recitative "What says the other" (Solomon, 2nd Harlot) | | | | | | | |
Solomon, HWV 67: Act II, Scene III. Trio "Words are weak" (1st Harlot, 2nd Harlot, Solomon) | | - Alison Hagley, Susan Bickley, Andreas Scholl, Gabrieli Players, Paul McCreesh
- Akademie für Alte Musik Berlin, Daniel Reuss
- Della Jones, Joan Rodgers, Carolyn Watkinson, English Baroque Soloists, Sir John Eliot Gardiner
- Ensemble 94, Kay Johannsen
- Christopher Lowrey, Ana Maria Labin, Gwendoline Blondeel, Millenium Orchestra, Leonardo García Alarcón
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Songs of Night and Morning, op. 31: No. 1. Sanctuaries | | | | Song | | | |
Songs of Night and Morning, op. 31: No. 4. Dawn | | | | Song | | | |
Strings on the Earth | | | | Song | | | |
Sur l'eau | | | | Song | | | |
The Kingdom, op. 51: I. In the Upper Room | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- London Philharmonic Orchestra, Leonard Slatkin
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
- Susan Bickley, Hallé Choir, John Hudson, Iain Paterson, Claire Rutter, Sir Mark Elder
| | Oratorio | | | |
The Piper | | | | Song | | | |