| Lulu: Act 1: Scene 2: Don't talk so loud | | | | | | | |
| Lulu: Act 1: Scene 2: Eva! - What is it? | | | | | | | |
| Lulu: Act 1: Scene 2: He's not quite what I imagined him to be | | | | | | | |
| Lulu: Act 1: Scene 2: If you and I married | | | | | | | |
| Lulu: Act 1: Scene 2: So? - Your marriage has made you at least a million marks... | | | | | | | |
| Lulu: Act 1: Scene 2: Transformation | | | | | | | |
| Lulu: Act 1: Scene 3 | | | | | | | |
| Lulu: Act 1: Scene 3: How dare you attempt to ruin my well-laid plans? | | | | | | | |
| Lulu: Act 1: Scene 3: I met her first at Dr Schön's | | | | | | | |
| Lulu: Act 1: Scene 3: I've never in my life known an audience so excited | | | | | | | |
| Lulu: Act 1: Scene 3: More for me, please | | | | | | | |
| Lulu: Act 1: Scene 3: She's had a sort of fainting fit | | | | | | | |
| Lulu: Act 1: Scene 3: Take this pen and paper | | | | | | | |
| Lulu: Act 1: Scene 3: That girl and her lovers | | | | | | | |
| Lulu: Act 1: Scene 3: What's wrong with her? | | | | | | | |
| Lulu: Act 1. "Darf ich eintreten?" - "Mein Sohn!" ... "Wie ist dir?" | | | | | | | |
| Lulu: Act 1. "Den hab' ich mir auch ganz anders vorgestellt" | | | | | | | |
| Lulu: Act 1. "Eva!" - "Befehlen?" - "Ich finde, du siehst heute reizend aus" | | | | | | | |
| Lulu: Act 1. "Ich darf mich jetzt hier nicht sehen lassen" | | | | | | | |
| Lulu: Act 1. "Machen Sie auf!" ... [Interlude] "Wollen Sie mir zuhaken" | | | | | | | |
| Lulu: Act 1. "Seit ich für die Bühne arbeite" - "Noch etwas, bitte" | | | | | | | |
| Lulu: Act 1. "Über die ließe sich freilich eine interessante Oper schreiben" ... " Das hättest du dir besser erspart" | | | | | | | |
| Lulu: Act 1. "Was tut denn Ihr Vater da?" Sonate "Wenn ich ihr Mann wäre" | | | | | | | |
| Lulu: Act 1. "Wie kannst du die Szene gegen mich ausspielen" ... "Sehr geehrtes Fräulein .." | | | | | | | |
| Lulu: Act 1. Monoritmica "Nun?" / "Du hast eine halbe Million geheiratet" | | - Franz Mazura, Teresa Stratas, Robert Tear, Orchestre de l’Opéra de Paris, Pierre Boulez
- Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm
- Orchester der Wiener Staatsoper, Karl Böhm
- Orchestra del Teatro Massimo Bellini, Stefan Anton Reck
| | | | | |
| Lulu: Act 1. Verwandlungsmusik | | - Orchestre de l’Opéra de Paris, Pierre Boulez
- Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm
- Orchester der Wiener Staatsoper, Karl Böhm
- Orchestre national de France, Jeffrey Tate
- Orchestra del Teatro Massimo Bellini, Stefan Anton Reck
| | | | | |
| Lulu: Act 2 | | | | | | | |
| Lulu: Act 2: Scene 1 | | | | | | | |
| Lulu: Act 2: Scene 1: And where did he go? | | | | | | | |
| Lulu: Act 2: Scene 1: Delighted that you will be there this evening | | | | | | | |
| Lulu: Act 2: Scene 1: Even though men have killed themselves because of who I am | | | | | | | |
| Lulu: Act 2: Scene 1: Film music | | | | | | | |
| Lulu: Act 2: Scene 1: His father! | | | | | | | |
| Lulu: Act 2: Scene 1: I hope you locked the windows | | | | | | | |
| Lulu: Act 2: Scene 1: Is he ill? | | | | | | | |
| Lulu: Act 2: Scene 1: Kneel down, murderous bitch! | | | | | | | |
| Lulu: Act 2: Scene 1: Thank the Lord, that at last we're... | | | | | | | |
| Lulu: Act 2: Scene 1: The matinée will be lit by ultra-violet light | | | | | | | |
| Lulu: Act 2: Scene 1: Why not stay here? | | | | | | | |
| Lulu: Act 2: Scene 1: You can't deliver me up for trial! | | | | | | | |
| Lulu: Act 2: Scene 1: You know it's she he really wanted to marry | | | | | | | |
| Lulu: Act 2: Scene 2 | | | | | | | |
| Lulu: Act 2: Scene 2: Beneath this dress I feel your form in harmony | | | | | | | |
| Lulu: Act 2: Scene 2: Hey, little Lulu, it's time we scarpered over the border | | | | | | | |
| Lulu: Act 2: Scene 2: This way is shorter | | | | | | | |
| Lulu: Act 2: Scene 2: We're like the players waiting for a bandleader | | | | | | | |
| Lulu: Act 2: Scene 2: You're still as ravishing and youthful as in your portrait | | | | | | | |
| Lulu: Act 2. "Die Matinée wird, wie ich mir denke" | | - Franz Mazura, Helmut Pampuch, Kenneth Riegel, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez
- Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm
- Orchestra del Teatro Massimo Bellini, Stefan Anton Reck
- Orchester der Wiener Staatsoper, Karl Böhm
| | | | | |
| Lulu: Act 2. "Er lässt auf sich warten" | | - Toni Blankenheim, Yvonne Minton, Gerd Nienstedt, Kenneth Riegel, Orchestre de l’Opéra de Paris, Pierre Boulez
- Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm
- Orchester der Wiener Staatsoper, Karl Böhm
- Orchestra del Teatro Massimo Bellini, Stefan Anton Reck
| | | | | |
| Lulu: Act 2. "Gott sei dank, dass wir endlich" ... "Hast oben abgeschlossen?" | | - Toni Blankenheim, Gerd Nienstedt, Helmut Pampuch, Hanna Schwarz, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez
- Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm
- Orchester der Wiener Staatsoper, Karl Böhm
- Orchestra del Teatro Massimo Bellini, Stefan Anton Reck
| | | | | |
| Lulu: Act 2. "Hü, kleine Lulu" - "O Freiheit! Herr Gott im Himmel!" | | - Toni Blankenheim, Gerd Nienstedt, Kenneth Riegel, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez
- Orchester der Wiener Staatsoper, Karl Böhm
- Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm
- Orchestra del Teatro Massimo Bellini, Stefan Anton Reck
| | | | | |
| Lulu: Act 2. "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot" | | | | | | | |
| Lulu: Act 2. "Sie glauben nicht" - "Könntest du dich für heute nachmittag" | | | | | | | |
| Lulu: Act 2. "Sie wollten der verrückten Rakete" - "Mit wem habe ich ... Sie?" | | - Gerd Nienstedt, Kenneth Riegel, Hanna Schwarz, Orchestre de l’Opéra de Paris, Pierre Boulez
- Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm
- Orchester der Wiener Staatsoper, Karl Böhm
- Orchestra del Teatro Massimo Bellini, Stefan Anton Reck
| | | | | |
| Lulu: Act 2. "Wenn deine beiden grossen Kinderaugen" - "Durch dieses Kleid" | | | | | | | |
| Lulu: Act 2. "Wenn sich die Menschen" ... "Du kannst mich nicht dem Gericht" | | | | | | | |
| Lulu: Act 2. Filmmusik | | | | | | | |
| Lulu: Act 3 | | | | | | | |
| Lulu: Act 3: Scene 1 | | | | | | | |
| Lulu: Act 3: Scene 1: Gentlemen and Ladies! | | | | | | | |
| Lulu: Act 3: Scene 1: Get to the point and say how much you want from me | | | | | | | |
| Lulu: Act 3: Scene 1: I have lost all my money | | | | | | | |
| Lulu: Act 3: Scene 1: I need some money, in ready cash | | | | | | | |
| Lulu: Act 3: Scene 1: It's good! It's looking good! | | | | | | | |
| Lulu: Act 3: Scene 1: Martha! | | | | | | | |
| Lulu: Act 3: Scene 1: May I intrude? | | | | | | | |
| Lulu: Act 3: Scene 1: Message for the Bank Director | | | | | | | |
| Lulu: Act 3: Scene 1: Of the countless nubile, fun-loving lasses | | | | | | | |
| Lulu: Act 3: Scene 1: The magistrate will reward anyone who finds the murderers | | | | | | | |
| Lulu: Act 3: Scene 1: What the hell is this? | | | | | | | |
| Lulu: Act 3: Scene 1: You could at least treat me with respect! | | | | | | | |
| Lulu: Act 3: Scene 2 | | | | | | | |
| Lulu: Act 3: Scene 2: Come along in, my love! Come! | | | | | | | |
| Lulu: Act 3: Scene 2: Doctor Alwa's gone off to sleep | | | | | | | |
| Lulu: Act 3: Scene 2: If this is not the ideal moment | | | | | | | |
| Lulu: Act 3: Scene 2: The rain's beating a tattoo | | | | | | | |
| Lulu: Act 3: Scene 2: These are the last few moments | | | | | | | |
| Lulu: Act 3: Scene 2: Who is that? | | | | | | | |
| Lulu: Act 3. "Behandeln sie mich doch wenigstens anständig" | | | | | | | |
| Lulu: Act 3. "Brilliant! Es geht brilliant" | | - Jules Bastin, Ursula Boese, Pierre‐Yves le Maigat, Jane Manning, Yvonne Minton, Claude Méloni, Gerd Nienstedt, Helmut Pampuch, Kenneth Riegel, Anna Ringart, Hanna Schwarz, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez
| | | | | |
| Lulu: Act 3. "Das ist der letzte Abend" - "Lulu! Mein Engel!" | | | | | | | |
| Lulu: Act 3. "Der Herr Doktor haben sich schon zur Ruhe begeben" | | | | | | | |
| Lulu: Act 3. "Der Regen trommelt zur Parade" | | | | | | | |
| Lulu: Act 3. "Einen Moment! Hast du meinen Brief gelesen?" | | | | | | | |
| Lulu: Act 3. "Ich brauche nämlich notwendig Geld" | | | | | | | |
| Lulu: Act 3. "Komm nur herein, mein Schatz" | | | | | | | |
| Lulu: Act 3. "Martha! Mein liebes Herz, du kannst mich heute vor dem Tode retten" | | | | | | | |
| Lulu: Act 3. "Meine Herrn und Damen!" ... "Der Staatsanwalt bezahlt demjenigen" | | - Jules Bastin, Ursula Boese, Pierre‐Yves le Maigat, Jane Manning, Claude Méloni, Gerd Nienstedt, Helmut Pampuch, Kenneth Riegel, Anna Ringart, Hanna Schwarz, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez
| | | | | |
| Lulu: Act 3. "Wenn ich dir ungelegen komme" - "Ihr Körper stand auf dem Höhepunkt" | | | | | | | |
| Lulu: Act 3. "Wer ist das?" | | | | | | | |
| Lulu: Act 3. "Wollen sie wohl diese Aktie akzeptieren" | | | | | | | |
| Lulu: Act 3. Verwandlungsmusik | | | | | | | |
| Lulu: Act I, Scene I. "Gnädige Frau ... Frau Medizinalrat" | | | | | | | |
| Lulu: Akt I | | | | | | | |
| Lulu: Akt II | | | | | | | |
| Lulu: Akt III | | | | | | | |
| Lulu: Prolog. "Hereinspaziert in die Menagerie" (Tierbändiger) | | - Gerd Nienstedt, Orchestre de l’Opéra de Paris, Pierre Boulez
- Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm
- Orchester der Wiener Staatsoper, Karl Böhm
- Orchestra del Teatro Massimo Bellini, Stefan Anton Reck
- Orchestre de l’Opéra de Paris, Pierre Boulez
| | | | | |
| Lulu: Prologue. Roll up, roll up for the menagerie | | | | | | | |
| Lyrische Suite | | | | Suite | | | |
| Lyrische Suite | | | | Suite | | | |
