| "Gratissima virginis" / "Vos qui admiramini" / "Gaude gloriosa" / Contratenor | | | | Motet | | | |
| “Hail! Bright Cecilia”, Z. 328: IX. “The airy violin” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” | | - The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras
- Paul Elliott, Brian Gordon, Monteverdi Choir, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras
- (show 10 more)
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| A globo veteri | | | | | | | |
| A thousand sev'ral ways I tried, Z. 359 | | | | Song | | | |
| Acis and Galatea, HWV 49: Act I, no. 2. Choir "Oh the pleasure of the plains!" | | - Norma Burrowes, Paul Elliott, Willard White, Anthony Rolfe Johnson, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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| Acis and Galatea, HWV 49: Act I, no. 5a. Recitative "Stay, shepherd, stay!" (Damon) | | | | | | | |
| Acis and Galatea, HWV 49: Act I, no. 6. Aria "Shepherd, what art thou pursuing?" (Damon) | | | | Aria | | | |
| Acis and Galatea, HWV 49: Act II, no. 10. Choir "Wretched lovers!" | | - Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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| Acis and Galatea, HWV 49: Act II, no. 14. Aria "Would you gain the tender creature" (Damon) | | | | Aria | | | |
| Acis and Galatea, HWV 49: Act II, no. 16. Aria "Consider, fond shepherd, how fleeting's the pleasure" (Damon) | | | | Aria | | | |
| Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!" | | - Norma Burrowes, Anthony Rolfe Johnson, Paul Elliott, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Regent Chamber Choir, Andrew Lucas, City of London Sinfonia, Gary Cole
- (show 2 more)
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| Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir) | | - Norma Burrowes, Martyn Hill, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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| Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears" | | - Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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| Ad cantus letitie | | | | | | | |
| Ad honorem salvatoris | | | | | | | |
| Agnus Dei: Qui pius est factus | | | | | | | |
| Ah! Cruel nymph, you give despair, Z. 352 | | | | Song | | | |
| Airs de cour: I. C'est malheur | | | | Madrigal | | | |
| Airs de cour: II. Adieu bergère | | | | Madrigal | | | |
| Airs de cour: III. Beaux yeux | | | | Madrigal | | | |
| Airs de cour: IV. La voilà la nacelle d'amour | | | | Madrigal | | | |
| Airs de cour: V. Quelle divinité | | | | Madrigal | | | |
| Airs de cour: VI. Si c'est pour mon pucellage | | | | Madrigal | | | |
| Alceste, HWV 45: Act I. Accompagnato. Ye happy people | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act I. Air. Gentle Morpheus, son of night | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
- Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act I. Air. Ye swift minutes as ye fly | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act I. Grand entree | | - Michael Laird, The English Concert, Trevor Pinnock
- Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
- E. Power Biggs, Royal Philharmonic Orchestra, Sir Charles Groves
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| Alceste, HWV 45: Act I. O bless, ye pow'rs above | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act I. Still caressing and caress'd | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act I. Triumph, Hymen, in the pair | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. "Enjoy the Sweet Elysian Grove" | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
- Mark Padmore, The English Concert, Andrew Manze
| | Song | | | |
| Alceste, HWV 45: Act IV. Air. Come, Fancy, empress of the brain | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. Air. Tune your harps, all ye Nine | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. Air. Ye fleeting shades, I come | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. All hail, thou mighty son of Jove! | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. Ballo primo: Un peu lentement | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. L'ultimato ballo | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. Recitative. From high Olympus' top, the seat of God | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. Si replica il Core precedente: Thrice happy | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. Symphony and Accompagnato. He comes, he rises from below | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. Symphony: Larghetto | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. Thrice happy who in life excel | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Act IV. Triumph, thou son of Jove | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
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| Alceste, HWV 45: Ouverture | | - Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
| | Overture | | | |
| Amintas, to my grief I see, Z. 356 | | | | Song | | | |
| Antiphon for 3 Voices "Speciosa facta es" | | | | | | | |
| Ave Maria, op. 23 no. 2 | | | | | | | |
| Ave verum corpus, K. 618 | | | | Motet | | | |
| Benedicamus Domino: Spiritus almi | | | | | | | |
| Bonjour mon coeur | | | | | | | |
| Cantu miro | | | | | | | |
| Cupid, the slyest rogue alive, Z. 367 | | | | Song | | | |
| Da pacem Domine | | | | | | | |
| De ce que fol pense | | | | | | | |
| Descort: La doce pensee | | | | | | | |
| Divine Amaryllis | | | | Aria | | | |
| Divino maduit | | | | | | | |
| El Jubilate | | | | Song | | | |
| Fas et nefas | | | | | | | |
| Flos floriger | | | | | | | |
| Gloria | | | | | | | |
| Gloria ad modum tubae | | | | Mass | | | |
| Glorious Hill | | | | | | | |
| Grand chant: Desconfortez, plains de dolor | | | | | | | |
| Grand chant: Dolerousement comence | | | | | | | |
| Grand chant: Fins cuers enamouirés | | | | | | | |
| Homo, natus ad laborem | | | | | | | |
| How doth the city sit solitary | | - Choir of New College Oxford, Rogers Covey‐Crump, Oliver Johnston, Christopher Neale, Toby Spence, Timothy West, Gary Cooper, Edward Higginbottom
- Christ Church Cathedral Choir, Oxford, Stephen Darlington
- John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists
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| I Lov'd Fair Celia, Z. 381 | | | | Song | | | |
| If Music Be the Food of Love, Z. 379 | | | | Song | | | |
| In Cloris all soft charms, Z. 384 | | | | Song | | | |
| In guilty night, Z. 134 | | | | Song | | | |
| Intavolatura di liuto, libro primo: Ballo detto "Il Conte Orlando" & Saltarello | | | | | | | |
| Jubilate, HWV 279: III. Be ye sure that the Lord he is God | | | | | | | |
| Jubilate, HWV 279: IV. O go your way into his gates | | - Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music
- Jos van Veldhoven, De Nederlandse Bachvereniging
- Judith Nelson,Emma Kirkby,Charles Brett,Rogers Covey‐Crump, Paul Elliott, David Thomas,The Choir of Christ Church Cathedral, Oxford, Academy of Ancient Music,Simon Preston
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| Jubilate, HWV 279: V. For the Lord is gracious | | | | | | | |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" | | | | | | | |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" | | | | | | | |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" | | | | | | | |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" | | | | | | | |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" | | | | | | | |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" | | | | | | | |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" | | | | | | | |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" | | | | | | | |
| Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" | | | | | | | |
| Le Chant des oiseaux | | | | Song | | | |
| Lift Up Your Heads | | | | Song | | | |
| Lord, let me know mine end | | | | | | | |
| Markus-Passion, BWV 247: No. 2 Evangelist | | | | | | | |
| Markus-Passion, BWV 247: No. 4 Evangelist | | | | | | | |
| Markus-Passion, BWV 247: No. 6 Evangelist | | | | | | | |
| Markus-Passion, BWV 247: No. 8 Evangelist | | | | | | | |
| Markus-Passion, BWV 247: No. 10 Evangelist | | | | | | | |
| Markus-Passion, BWV 247: No. 12 Evangelist | | | | | | | |
| Markus-Passion, BWV 247: No. 14 Evangelist | | | | | | | |
| Markus-Passion, BWV 247: No. 16 Evangelist | | | | | | | |
| Markus-Passion, BWV 247: No. 18 Evangelist | | | | | | | |
| Markus-Passion, BWV 247: No. 20 Evangelist | | | | | | | |
| Markus-Passion, BWV 247: No. 22 Evangelist | | | | | | | |
