Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) | | | | | | | |
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) | | - Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- [unknown]
- Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Bulgarian National Choir, Sofia Philharmonic Orchestra, Georgi Robev / Chor Ljubljana, Radio Symphony Orchestra Ljubljana, Marko Munih
- (show 110 more)
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Allerseelen, op. 10 no. 8 | | | | | | | |
Das Buch mit sieben Siegeln: 1. Teil | | | | | | | |
Das Buch mit sieben Siegeln: 2. Teil | | | | | | | |
Das Buch mit sieben Siegeln: Epilog | | | | | | | |
Das Buch mit sieben Siegeln: Prolog | | | | | | | |
Das Rheingold: Scene I | | - Helga Dernesch, Ruth Hesse, Gustav Neidlinger, Dorothea Siebert, Orchester der Bayreuther Festspiele, Karl Böhm
- Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti
- Berliner Philharmoniker, Herbert von Karajan
- Chor der Bayreuther Festspiele, Helga Dernesch, Ruth Hesse, Gustav Neidlinger, Dorothea Siebert, Orchester der Bayreuther Festspiele, Karl Böhm
- (show 32 more)
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Das Rheingold: Scene I. Vorspiel | | | | | | | |
Das Rheingold: Scene II | | | | | | | |
Das Rheingold: Scene III | | | | | | | |
Das Rheingold: Scene IV | | | | | | | |
Heimliche Aufforderung, op. 27 no. 3 | | | | Song | | | |
Mathis der Maler | | | | Opera | | | |
Messa da requiem: I. Requiem aeternam – Kyrie (quartetto solista, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Carlo Cossutta, Mirella Freni, Nicolaï Ghiaurov, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Nikolaus Harnoncourt
- Wiener Philharmoniker, Herbert von Karajan
- (show 56 more)
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Messa da requiem: IIa. Dies irae: Dies irae (coro) | | | | | | | |
Messa da requiem: IIb. Dies irae: Tuba mirum (basso, coro) | | - Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- London Philharmonic Orchestra, London Philharmonic Choir, The London Chorus, David Parry
- Helmuth Froschauer, Frauenchor des Wiener Singverein, Nicolaï Ghiaurov, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- (show 93 more)
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Messa da requiem: IIc. Dies irae: Mors stupebit (basso, coro) | | | | | | | |
Messa da requiem: IId. Dies irae: Liber scriptus (mezzo-soprano, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- NBC Symphony Orchestra, Arturo Toscanini
- Wiener Philharmoniker, Nikolaus Harnoncourt
- (show 73 more)
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Messa da requiem: IIe. Dies irae: Quid sum miser (soprano, mezzo-soprano, tenore) | | - Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Carlo Cossutta, Mirella Freni, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan
- NBC Symphony Orchestra, Arturo Toscanini
- Wiener Philharmoniker, Nikolaus Harnoncourt
- (show 69 more)
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Messa da requiem: IIf. Dies irae: Rex tremendae (quartetto solista, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Carlo Cossutta, Mirella Freni, Nicolaï Ghiaurov, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- NBC Symphony Orchestra, Arturo Toscanini
- Wiener Philharmoniker, Nikolaus Harnoncourt
- (show 70 more)
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Messa da requiem: IIg. Dies irae: Recordare (soprano, mezzo-soprano) | | | | | | | |
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) | | | | | | | |
Messa da requiem: IIi. Dies irae: Confutatis (basso, coro) | | | | | | | |
Messa da requiem: IIIa. Offertorio: Domine Jesu Christe | | - Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- NBC Symphony Orchestra, Arturo Toscanini
- Wiener Philharmoniker, Nikolaus Harnoncourt
- Jussi Björling, Rasolind Elias, Leontyne Price, Giorgio Tozzi, Wiener Philharmoniker, Fritz Reiner
- (show 41 more)
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Messa da requiem: IIIb. Offertorio: Hostias | | | | | | | |
Messa da requiem: IIj. Dies irae: Lacrymosa (quartetto solista, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Carlo Cossutta, Mirella Freni, Nicolaï Ghiaurov, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- NBC Symphony Orchestra, Arturo Toscanini
- (show 76 more)
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Messa da requiem: IV. Sanctus (a doppio coro) | | | | | | | |
Messa da requiem: V. Agnus Dei (soprano, mezzo-soprano, coro) | | - [unknown]
- Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Mirella Freni, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- NBC Symphony Orchestra, Arturo Toscanini
- (show 82 more)
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Messa da requiem: VI. Lux aeterna (mezzo-soprano, tenor, bass) | | | | | | | |
Messa da requiem: VIIa. Libera me: Libera me, Domine | | | | | | | |
Messa da requiem: VIIb. Libera me: Dies irae | | | | | | | |
Messa da requiem: VIIc. Libera me: Requiem aeternam | | | | | | | |
Messa da requiem: VIId. Libera me: Libera me, Domine | | | | | | | |
Sinfonie Nr. 1 c-Moll, op. 68: I. Un poco sostenuto – Allegro | | | | | | | |
Sinfonie Nr. 1 c-Moll, op. 68: II. Andante sostenuto | | | | | | | |
Sinfonie Nr. 1 c-Moll, op. 68: III. Un poco allegretto e grazioso | | | | | | | |
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio | | | | | | | |
Sinfonie Nr. 2 D-Dur, op. 73: I. Allegro non troppo | | | | Symphony | | | |
Sinfonie Nr. 2 D-Dur, op. 73: II. Adagio non troppo | | | | Symphony | | | |
Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino) | | | | Symphony | | | |
Sinfonie Nr. 2 D-Dur, op. 73: IV. Allegro con spirito | | | | Symphony | | | |
Sinfonie Nr. 3 F-Dur, op. 90: I. Allegro con brio | | | | | | | |
Sinfonie Nr. 3 F-Dur, op. 90: II. Andante | | | | | | | |
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto | | | | | | | |
Sinfonie Nr. 3 F-Dur, op. 90: IV. Allegro | | | | | | | |
Sinfonie Nr. 4 e-Moll, op. 98 | | | | Symphony | | | 5 |
Sinfonie Nr. 4 e-Moll, op. 98: II. Andante moderato | | | | | | | |
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato | | | | | | | |
Symphony no. 0 in D minor, WAB 100 "Nullte": I. Allegro | | | | | | | |
Symphony no. 0 in D minor, WAB 100 "Nullte": II. Andante | | | | | | | |
Symphony no. 0 in D minor, WAB 100 "Nullte": III. Scherzo: Presto | | | | | | | |
Symphony no. 0 in D minor, WAB 100 "Nullte": IV. Finale: Moderato | | | | | | | |
Symphony no. 00 in F-minor, WAB 99 "Studiensymphonie": I. Allegro molto vivace | | | | | | | |
Symphony no. 00 in F-minor, WAB 99 "Studiensymphonie": II. Andante molto | | | | | | | |
Symphony no. 00 in F-minor, WAB 99 "Studiensymphonie": III. Scherzo: Schnell | | | | | | | |
Symphony no. 00 in F-minor, WAB 99 "Studiensymphonie": IV. Finale: Allegro | | | | | | | |
Symphony no. 1 in C minor, WAB 101: III. Scherzo: Lebhaft - Trio: Langsam | | | | | | | |
Symphony no. 1 in C minor, WAB 101: III. Scherzo: Lebhaft - Trio: Langsam | | | | | | | |
Symphony no. 1 in C-minor, WAB 101: I. Allegro | | | | | | | |
Symphony no. 1 in C-minor, WAB 101: I. Allegro | | | | | | | |
Symphony no. 1 in C-minor, WAB 101: II. Adagio | | | | | | | |
Symphony no. 1 in C-minor, WAB 101: II. Adagio | | | | | | | |
Symphony no. 1 in C-minor, WAB 101: IV. Finale: Bewegt und feurig | | | | | | | |
Symphony no. 1 in C-minor, WAB 101: IV. Finale: Bewegt und feurig | | | | | | | |
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso | | | | | | | |
Symphony no. 2 in C minor "Resurrection": II. Andante moderato | | | | | | | |
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung | | | | | | | |
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | | | | | | | |
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend | | | | | | | |
Symphony no. 2 in C minor, WAB 102: I. Moderato | | | | | | | |
Symphony no. 2 in C minor, WAB 102: II. Scherzo: Schnell | | | | | | | |
Symphony no. 2 in C minor, WAB 102: III. Andante. Feierlich, etwas bewegt | | | | | | | |
Symphony no. 2 in C minor, WAB 102: IV. Finale: Ziemlich schnell | | | | | | | |
Symphony no. 3 in D minor, WAB 103: I. Gemäßigt, misterioso | | | | | | | |
Symphony no. 3 in D minor, WAB 103: II. Adagio. Feierlich | | | | | | | |
Symphony no. 3 in D minor, WAB 103: III. Scherzo. Ziemlich schnell | | | | | | | |
Symphony no. 3 in D minor, WAB 103: IV. Finale. Allegro | | | | | | | |
Symphony no. 4 in E-flat major, WAB 104 "Romantische": I. Bewegt, nicht zu schnell | | | | | | | |
Symphony no. 4 in E-flat major, WAB 104 "Romantische": II. Andante, quasi allegretto | | | | | | | |
Symphony no. 4 in E-flat major, WAB 104 "Romantische": III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) | | | | | | | |
Symphony no. 4 in E-flat major, WAB 104 "Romantische": IV. Finale. Bewegt, doch nicht zu schnell | | | | | | | |
Symphony no. 5 in B-flat major, WAB 105 "Tragische": I. Introduction (Adagio) - Allegro. | | | | | | | |
Symphony no. 5 in B-flat major, WAB 105 "Tragische": II. Adagio. Sehr langsam. | | | | | | | 3 |
Symphony no. 5 in B-flat major, WAB 105 "Tragische": III. Scherzo. Molto vivace | | | | | | | 3 |
Symphony no. 5 in B-flat major, WAB 105 "Tragische": IV. Finale: Adagio - Allegro moderato. | | | | | | | 3 |
Symphony no. 6 in A-major, WAB 106: I. Majestoso | | | | | | | |
Symphony no. 6 in A-major, WAB 106: II. Adagio. Sehr feierlich | | | | | | | |
Symphony no. 6 in A-major, WAB 106: II. Adagio. Sehr feierlich | | | | | | | |
Symphony no. 6 in A-major, WAB 106: III. Scherzo. Nicht schnell – Trio. Langsam | | | | | | | 5 |
Symphony no. 6 in A-major, WAB 106: III. Scherzo. Nicht schnell – Trio. Langsam | | | | | | | |
Symphony no. 6 in A-major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell | | | | | | | 3 |
Symphony no. 6 in A-major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell | | | | | | | |
Symphony no. 7 in E-major, WAB 107: I. Allegro moderato | | | | | | | |
Symphony no. 7 in E-major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam | | | | | | | |
Symphony no. 7 in E-major, WAB 107: III. Scherzo. Sehr schnell | | | | | | | |
Symphony no. 7 in E-major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | | | | | | | |
Symphony no. 8 in C-minor, WAB 108: I. Allegro moderato | | | | | | | |
Symphony no. 8 in C-minor, WAB 108: II. Scherzo: Allegro moderato | | | | | | | |
Symphony no. 8 in C-minor, WAB 108: III. Adagio: Feierlich langsam, doch nicht schleppend | | | | | | | |