| vocals |
|---|
| 1977-07 | Spanish Carol | solo and soprano vocals | Lynne Dawson, The Chapter House Choir, Andrew Carter | 1:55 |
| 1984-10-18 – 1984-10-23 | Esther, HWV 50: Scene 2. "Praise the Lord with cheerful noise" | soprano vocals [Israelite woman] | Academy of Ancient Music Chorus, Lynne Dawson, Westminster Cathedral Boys' Choir, Academy of Ancient Music, Christopher Hogwood | 6:08 |
| 1985-02 | Mass in B minor BWV 232: II. Kyrie: Christe eleison | soprano vocals | Lynne Dawson, Carol Hall, English Baroque Soloists, Sir John Eliot Gardiner | 4:52 |
| 1985-12 | L'Orfeo: Prologo. "Dal mio Permesso" (La Musica) | soprano vocals [La Musica] | John Eliot Gardiner, The English Baroque Soloists, Lynne Dawson | 5:44 |
| 1987-04-29 – 1987-05-01 | Cantata “Correa nel seno amato”: Accompagnato “Volea più dir daliso” | soprano vocals | Lynne Dawson, The Purcell Quartet | 1:13 |
| 1987-04-29 – 1987-05-01 | Cantata “Correa nel seno amato”: Aria “Idolo amato, tormento del core” | soprano vocals | Lynne Dawson, The Purcell Quartet | 1:42 |
| 1987-04-29 – 1987-05-01 | Cantata “Correa nel seno amato”: Aria “Ombre opache che il chiarore” | soprano vocals | Lynne Dawson, The Purcell Quartet | 3:19 |
| 1987-04-29 – 1987-05-01 | Cantata “Correa nel seno amato”: Aria “Onde belle, che pietose questi prati rinfrescate” | soprano vocals | Lynne Dawson, The Purcell Quartet | 2:12 |
| 1987-04-29 – 1987-05-01 | Cantata “Correa nel seno amato”: Recitativo “Correa nel seno amato” | soprano vocals | Lynne Dawson, The Purcell Quartet | 5:12 |
| 1987-04-29 – 1987-05-01 | Cantata “Correa nel seno amato”: Recitativo “Curilla, anima mia” | soprano vocals | Lynne Dawson, The Purcell Quartet | 2:20 |
| 1987-04-29 – 1987-05-01 | Cantata “Correa nel seno amato”: Recitativo “Curilla, anima mia” | soprano vocals | Lynne Dawson, The Purcell Quartet | 0:44 |
| 1987-04-29 – 1987-05-01 | Cantata “Correa nel seno amato”: Recitativo “Ma voi, occhi dolenti, ditemi” | soprano vocals | Lynne Dawson, The Purcell Quartet | 1:49 |
| 1987-04-29 – 1987-05-01 | Cantata “Correa nel seno amato”: Recitativo “Piante insensate e fide” | soprano vocals | Lynne Dawson, The Purcell Quartet | 0:59 |
| 1987-04-29 – 1987-05-01 | Cantata “Correa nel seno amato”: Ritornello and Aria “Fresche brine che pitose” | soprano vocals | Lynne Dawson, The Purcell Quartet | 1:50 |
| 1987-04-29 – 1987-05-01 | Cantata “Già lusingato appieno”: Aria “Cara sposa, io non niego” | soprano vocals | Lynne Dawson, The Purcell Quartet | 1:36 |
| 1987-04-29 – 1987-05-01 | Cantata “Già lusingato appieno”: Aria “Se v’è mai chi fissi il ciglio” | soprano vocals | Lynne Dawson, The Purcell Quartet | 2:05 |
| 1987-04-29 – 1987-05-01 | Cantata “Già lusingato appieno”: Aria “Sento l’aura che fedele” | soprano vocals | Lynne Dawson, The Purcell Quartet | 1:44 |
| 1987-04-29 – 1987-05-01 | Cantata “Già lusingato appieno”: Recitativo “Al trono, al trono si noi nella prole” | soprano vocals | Lynne Dawson, The Purcell Quartet | 0:38 |
| 1987-04-29 – 1987-05-01 | Cantata “Già lusingato appieno”: Recitativo “Cada, cada sù l’empie schiere il duol” | soprano vocals | Lynne Dawson, The Purcell Quartet | 1:06 |
| 1987-04-29 – 1987-05-01 | Cantata “Già lusingato appieno”: Recitativo “Disse, disse e baciò la sposa” | soprano vocals | Lynne Dawson, The Purcell Quartet | 2:10 |
| 1987-04-29 – 1987-05-01 | Cantata “Già lusingato appieno”: Recitativo “Già lusingato appieno” | soprano vocals | Lynne Dawson, The Purcell Quartet | 1:56 |
| 1987-11-30 – 1987-12-02 | Anthem 1 “O Be Joyful in the Lord”: Be ye sure that the Lord he is Lord | soprano vocals | Lynne Dawson, Ian Partridge, Orchestra of The Sixteen, Harry Christophers | 2:37 |
| 1987-11-30 – 1987-12-02 | Anthem 1 “O Be Joyful in the Lord”: For the Lord is gracious | soprano vocals | Lynne Dawson, Michael George, Ian Partridge, Orchestra of The Sixteen, Harry Christophers | 2:43 |
| 1987-11-30 – 1987-12-02 | Anthem 3 “Have Mercy Upon Me”: Make me a clean heart, O God | soprano vocals | Lynne Dawson, Orchestra of The Sixteen, Harry Christophers | 2:40 |
| 1987-11-30 – 1987-12-02 | Anthem 3 “Have Mercy Upon Me”: Wash me thoroughly from my wickedness | soprano vocals | Lynne Dawson, Ian Partridge, Orchestra of The Sixteen, Harry Christophers | 2:56 |
| 1988-03 | Passio Domini nostri Jesu Christi secundum Joannem | soprano vocals | The Hilliard Ensemble, The Western Wind Chamber Choir, Paul Hillier, Lynne Dawson, Christopher Bowers-Broadbent, Catherine Duckett | 1:10:53 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act I, Scene 3. "I go, My soul, inspir'd by thy command" / "These labours past, how happy we!" | soprano vocals [Iphis] | Michael Chance, Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | 7:28 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act I, Scene 3. "Ill suits the voice of love when glory calls" / "Take the heart you fondly gave" | soprano vocals [Iphis] | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | 4:14 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act I, Scene 6. "Say, my dear mother" | soprano vocals [Iphis] | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | 0:53 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act I, Scene 6. "The smiling dawn of happy days" | soprano vocals [Iphis] | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | 3:33 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act II, Scene 1. "'Tis well. Haste, haste, ye maidens" / "Tune the soft melodious lute" | soprano vocals [Iphis] | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | 4:42 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act II, Scene 3. "Welcome as the cheerful light" | soprano vocals [Iphis] | Lynne Dawson, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:52 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act II, Scene 3. Symphony / "Hail glorious conqueror!" | soprano vocals [Iphis] | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | 1:30 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act II, Scene 4. "Happy they! this vital breath" | soprano vocals [Iphis] | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | 3:32 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act II, Scene 4. "Such news flies swift" | soprano vocals [Iphis] | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | 1:21 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act III, Scene 1. "Ye sacred priests" / "Farewell, ye limpid springs and floods" | soprano vocals [Iphis] | Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | 6:27 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act III, Scene 2. "My faithful Hamor, may that Providence" / "All that is in Hamor mine" | soprano vocals [Iphis] | Michael Chance, Lynne Dawson, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | 3:37 |
| 1988-07 | Dido and Aeneas, Z.626, Act 1: "Ah! Belinda, I am press'd" ... "When monarchs unite, how happy" | soprano vocals [Belinda, her confidante] | Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, The English Concert, Trevor Pinnock | 4:44 |
| 1988-07 | Dido and Aeneas, Z.626, Act 1: "If not for mine, for empire's sake" ... "To the hills and the vales" | soprano vocals [Belinda, her confidante] | Lynne Dawson, The English Concert Choir, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock | 2:19 |
| 1988-07 | Dido and Aeneas, Z.626, Act 1: "See, your royal guest appears": "Cupid only throws the dart" | soprano vocals [Belinda, her confidante] | Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock | 1:27 |
| 1988-07 | Dido and Aeneas, Z.626, Act 1: "Shake the cloud from off your brow": "Banish sorrow, banish care" | soprano vocals [Belinda, her confidante] | Lynne Dawson, The English Concert, Trevor Pinnock | 1:02 |
| 1988-07 | Dido and Aeneas, Z.626, Act 1: "Whence could so much virtue spring?": "Fear no danger" | soprano vocals [Belinda, her confidante] | Lynne Dawson, The English Concert Choir, Sarah Leonard, Anne Sofie von Otter, The English Concert, Trevor Pinnock | 3:32 |
| 1988-07 | Dido and Aeneas, Z.626, Act 2: "Behold, upon my bending spear": "Haste, haste to town" | soprano vocals [Belinda, her confidante] | Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock | 1:22 |
| 1988-07 | Dido and Aeneas, Z.626, Act 2: Ritornelle: "Thanks to these lonesome vales" | soprano vocals [Belinda, her confidante] | Lynne Dawson, The English Concert Choir, The English Concert, Trevor Pinnock | 3:19 |
| 1988-07 | Dido and Aeneas, Z.626, Act 3: "Your counsel all is urg'd in vain": "Great minds against themselves conspire" | soprano vocals [Belinda, her confidante] | Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock | 5:02 |
| 1988-10-11 – 1988-10-13 | Anthem 4 “O Sing Unto the Lord a New Song”: O sing unto the Lord a new song! | soprano vocals | The Sixteen, Orchestra of The Sixteen, Harry Christophers | 1:55 |
| 1988-10-11 – 1988-10-13 | Anthem 4 “O Sing Unto the Lord a New Song”: O worship the Lord in the beauty of holiness | soprano vocals | The Sixteen, Orchestra of The Sixteen, Harry Christophers | 3:16 |
| 1988-10-11 – 1988-10-13 | Anthem 5 “I Will Magnify Thee”: The Lord is righteous in all his ways | soprano vocals | The Sixteen, Orchestra of The Sixteen, Harry Christophers | 3:07 |
| 1988-10-11 – 1988-10-13 | Anthem 6 “As Pants the Hart for Cooling Streams”: Tears are my daily food | soprano vocals | The Sixteen, Orchestra of The Sixteen, Harry Christophers | 3:08 |
| 1988-10-11 – 1988-10-13 | Anthem 6 “As Pants the Hart for Cooling Streams”: Why so full of grief, O my soul? | soprano vocals | The Sixteen, Orchestra of The Sixteen, Harry Christophers | 4:23 |
| 1988-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" | soprano vocals [Soprano II] | David Hill, Julian Smith, John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood | 4:50 |
| 1988 | Vesperae de Dominica, K. 321: I. Dixit dominus | soprano vocals | Wolfgang Amadeus Mozart | 3:59 |
| 1988 | Vesperae de Dominica, K. 321: V. Laudate Dominum | soprano vocals | Wolfgang Amadeus Mozart | 5:02 |
| 1988 | Vesperae de Dominica, K. 321: VI. Magnificat | soprano vocals | Wolfgang Amadeus Mozart | 4:45 |
| 1989-05-24 – 1989-05-26 | Anthem 10 “The Lord is My Light”: It is the Lord that ruleth the sea | soprano vocals | Lynne Dawson, Orchestra of The Sixteen, Harry Christophers | 1:43 |
| 1989-05-24 – 1989-05-26 | Anthem 11 “Let God Arise”: Let the righteous be glad | soprano vocals | Lynne Dawson, Orchestra of The Sixteen, Harry Christophers | 3:11 |
| 1990-01 | Die Entführung aus dem Serail, K. 384: Act I, Scene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) | spoken vocals [Konstanze] | Wolfgang Hinze, Lynne Dawson | 1:09 |
| 1990-01 | Die Entführung aus dem Serail, K. 384: Act I, Scene VII. No. 6 Aria "Ach ich liebte" (Konstanze) | soprano vocals [Konstanze] | Lynne Dawson, Academy of Ancient Music, Christopher Hogwood | 5:09 |
| 1990-01 | Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze) | soprano vocals [Konstanze] | Lynne Dawson, Academy of Ancient Music, Christopher Hogwood | 7:25 |
| 1990-01 | Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze) | soprano vocals [Konstanze] | Lynne Dawson, Academy of Ancient Music, Christopher Hogwood | 9:33 |
| 1990-01 | Die Entführung aus dem Serail: Aufzug I. "Ach, ich sagt' es wohl, du würdest mich hassen" (Konstanze, Selim, Pedrillo, Osmin, Belmonte) | spoken vocals [Konstanze] | Lynne Dawson, Wolfgang Hinze, Wilfried Gahmlich, Günter von Kannen, Wolfgang Hinze | 3:52 |
| 1990-01 | Die Entführung aus dem Serail: Aufzug II. "Ach, mein bestes Fräulein, noch immer so traurig?" (Blonde, Konstanze, Selim) | spoken vocals [Konstanze] | Marianne Hirsti, Christopher Hogwood, Wolfgang Hinze | 1:41 |
| 1990-01 | Die Entführung aus dem Serail: Aufzug II. "Wie traurig das gute Mädchen daherkommt!" - "Welcher Wechsel herrscht in meiner Seele" (Blonde, Konstanze) | soprano vocals [Konstanze] | Marianne Hirsti, Lynne Dawson, Academy of Ancient Music, Christopher Hogwood | 2:19 |
| 1990-05-14 – 1990-05-15 | Carmina Burana: III. Cour d’amours: In trutina | soprano vocals | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | 2:34 |
| 1990-09 | Le songe d'une nuit d'été, Op. 21 Ouverture (Allegro di molto) | soprano vocals | Lynne Dawson, Susanne Mentzer, Martin van der Merve, Rotterdam Philharmonic Orchestra, Jeffrey Tate | 12:34 |
| 1990-09 | Le songe d'une nuit d'été, Op. 61 Air avec choeurs: « You spotted snakes with double tongue » | soprano vocals | Lynne Dawson, Susanne Mentzer, Martin van der Merve, Rotterdam Philharmonic Orchestra, Jeffrey Tate | 4:37 |
| 1990-09 | Le songe d'une nuit d'été, Op. 61 Bergamasque, danse des clowns (Allegro di molto) | soprano vocals | Lynne Dawson, Susanne Mentzer, Martin van der Merve, Rotterdam Philharmonic Orchestra, Jeffrey Tate | 1:32 |
| 1990-09 | Le songe d'une nuit d'été, Op. 61 Entée d'Obéron et Titania (Allegro vivace) | soprano vocals | Lynne Dawson, Susanne Mentzer, Martin van der Merve, Rotterdam Philharmonic Orchestra, Jeffrey Tate | 1:10 |
| 1990-09 | Le songe d'une nuit d'été, Op. 61 Entr'acte (Allegro appassionato - Allegro molto commodo) | soprano vocals | Lynne Dawson, Susanne Mentzer, Martin van der Merve, Rotterdam Philharmonic Orchestra, Jeffrey Tate | 3:07 |
| 1990-09 | Le songe d'une nuit d'été, Op. 61 Finale (Allegro di molto): «Through this house give glimmering light » | soprano vocals | Lynne Dawson, Susanne Mentzer, Martin van der Merve, Rotterdam Philharmonic Orchestra, Jeffrey Tate | 5:31 |
| 1990-09 | Le songe d'une nuit d'été, Op. 61 Marche nuptiale | soprano vocals | Lynne Dawson, Susanne Mentzer, Martin van der Merve, Rotterdam Philharmonic Orchestra, Jeffrey Tate | 5:37 |
| 1990-09 | Le songe d'une nuit d'été, Op. 61 Nocturne (Con moto tranquillo) | soprano vocals | Lynne Dawson, Susanne Mentzer, Martin van der Merve, Rotterdam Philharmonic Orchestra, Jeffrey Tate | 6:34 |
| 1990-09 | Le songe d'une nuit d'été, Op. 61 Scherzo (Allegro vivace) | soprano vocals | Lynne Dawson, Susanne Mentzer, Martin van der Merve, Rotterdam Philharmonic Orchestra, Jeffrey Tate | 4:42 |
| 1990-11-20 – 1991-09-14 | A Song of Thanksgiving | solo and soprano vocals | Corydon Singers, Lynne Dawson, Sir John Gielgud, London Oratory Junior Choir, John Scott, City of London Sinfonia, Matthew Best | 16:13 |
| 1992-03 | Ein deutsches Requiem, op. 45: Ihr habt nun Traurigkeit | solo and soprano vocals | Lynne Dawson, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | 6:30 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira) | soprano vocals | London Classical Players, Roger Norrington | 3:29 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello) | soprano vocals | London Classical Players, Roger Norrington | 2:31 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira) | soprano vocals | London Classical Players, Roger Norrington | 0:31 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira) | soprano vocals | London Classical Players, Roger Norrington | 1:12 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni) | soprano vocals | London Classical Players, Roger Norrington | 0:44 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) | soprano vocals | London Classical Players, Roger Norrington | 3:25 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) / "Ah ti ritrovo ancor" (Donna Elvira) | soprano vocals | London Classical Players, Roger Norrington | 1:06 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | soprano vocals | London Classical Players, Roger Norrington | 4:00 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | soprano vocals | London Classical Players, Roger Norrington | 1:15 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | soprano vocals | London Classical Players, Roger Norrington | 3:50 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XIV-XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello) | soprano vocals | London Classical Players, Roger Norrington | 1:55 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni) | soprano vocals | London Classical Players, Roger Norrington | 4:06 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello) / "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello) | soprano vocals | London Classical Players, Roger Norrington | 1:45 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto) | soprano vocals | London Classical Players, Roger Norrington | 0:27 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto) | soprano vocals | London Classical Players, Roger Norrington | 0:20 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Mille torbidi pensieri" (Donna Elvira, Leporello, Don Ottavio, Donna Anna) | soprano vocals | London Classical Players, Roger Norrington | 2:35 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna) | soprano vocals | London Classical Players, Roger Norrington | 4:38 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira) | soprano vocals | London Classical Players, Roger Norrington | 0:23 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio) | soprano vocals | London Classical Players, Roger Norrington | 0:41 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio) | soprano vocals | London Classical Players, Roger Norrington | 0:37 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto) | soprano vocals | London Classical Players, Roger Norrington | 1:04 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) | soprano vocals | London Classical Players, Roger Norrington | 3:30 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira) | soprano vocals | London Classical Players, Roger Norrington | 1:55 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira) | soprano vocals | London Classical Players, Roger Norrington | 4:47 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira) | soprano vocals | London Classical Players, Roger Norrington | 2:43 |
| See all 447 relationships |
| vocals |
|---|
| Cleopatra & Cesare | soprano vocals | Carl Heinrich Graun; Janet Williams, Iris Vermillion, Lynne Dawson, Robert Gambill, Concerto Köln, René Jacobs | |
| Die Entführung aus dem Serail | soprano vocals | Mozart; Dawson, Heilmann, Hirsti, Gahmlich, Von Kannen, Hinze, Academy of Ancient Music & Chorus, Christopher Hogwood | |
| Great Mass in C minor K. 427 | soprano vocals [Soprano II] | Mozart; Petibon, Dawson, Cornwell, Ewing, Les Sacqueboutiers de Toulouse, William Christie, Les Arts Florissants | |
| Messiah | soprano vocals | George Frideric Handel; Lynne Dawson, Hilary Summers, John Mark Ainsley, Alastair Miles, The Choir of King’s College, Cambridge, Brandenburg Consort, Stephen Cleobury | |
| Messiah | soprano vocals | Handel; Dawson, Summers, Ainsley, Miles, Choir of King’s College, Cambridge, Brandenburg Consort, Stephen Cleobury | |
| Messiah | soprano vocals | Handel; La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | |
| Requiem K. 626 | soprano vocals | Mozart; Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | |
| Venus & Adonis | soprano vocals [Venus] | John Blow; London Baroque, Charles Medlam | |
| Vêpres pour la Nativité de la Vierge | soprano vocals | Antonio Vivaldi; La Maîtrise Boréale, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | |
| Vêpres pour la Nativité de la Vierge | soprano vocals | Antonio Vivaldi; La Maîtrise Boréale, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | |
