| A Child of Our Time: Part I: "Now in each nation there were some cast out" | | | | | | | |
| A Child of Our Time: Part I: A Spiritual "Steal Away" | | - Sir Michael Tippett
- Stephen Westrop, Cynthia Clarey, Damon Evans, Cynthia Haymon, London Symphony Chorus, Willard White, London Symphony Orchestra, Richard Hickox
- Simon Halsey, John Cheek, City of Birmingham Symphony Orchestra Chorus, Jon Garrison, Faye Robinson, Sarah Walker, City of Birmingham Symphony Orchestra, Sir Michael Tippett
- BBC Singers, BBC Choral Society, Janet Baker, Richard Cassilly, Jessye Norman, John Shirley‐Quirk, BBC Symphony Orchestra, Sir Colin Davis
- (show 3 more)
| | | | | |
| A Child of Our Time: Part II: A Spiritual "Nobody knows the trouble I see" | | - Sir Michael Tippett
- Simon Halsey, John Cheek, City of Birmingham Symphony Orchestra Chorus, Jon Garrison, Faye Robinson, Sarah Walker, City of Birmingham Symphony Orchestra, Sir Michael Tippett
- Stephen Westrop, Cynthia Clarey, Damon Evans, Cynthia Haymon, London Symphony Chorus, Willard White, London Symphony Orchestra, Richard Hickox
- BBC Singers, BBC Choral Society, Janet Baker, Richard Cassilly, Jessye Norman, John Shirley‐Quirk, BBC Symphony Orchestra, Sir Colin Davis
- (show 3 more)
| | | | | |
| A Child of Our Time: Part II: A Spiritual of Anger "Go down, Moses" | | | | | | | |
| A Child of Our Time: Part II: Scena "O my son!" | | - Sir Michael Tippett
- John Cheek, Jon Garrison, Faye Robinson, City of Birmingham Symphony Orchestra, Sir Michael Tippett
- Cynthia Clarey, Damon Evans, Cynthia Haymon, Willard White, London Symphony Orchestra, Richard Hickox
- Janet Baker, Richard Cassilly, Jessye Norman, John Shirley‐Quirk, BBC Symphony Orchestra, Sir Colin Davis
- (show 3 more)
| | | | | |
| A Child of Our Time: Part II: Scena: "The boy becomes desperate" | | | | | | | |
| A Child of Our Time: Part II: The Narrator "And a time came" | | | | | | | |
| A Child of Our Time: Part II: The Narrator "And the boy's mother wrote" | | | | | | | |
| A Child of Our Time: Part II: The Narrator "Men were ashamed" | | | | | | | |
| A Child of Our Time: Part II: The Narrator "They took a terrible vengeance" | | | | | | | |
| A Child of Our Time: Part II: The Narrator "Where they could, they fled" | | | | | | | |
| A Child of Our Time: Part III: A Spiritual "Deep river" | | - Sir Michael Tippett
- Stephen Westrop, Cynthia Clarey, Damon Evans, Cynthia Haymon, London Symphony Chorus, Willard White, London Symphony Orchestra, Richard Hickox
- Simon Halsey, John Cheek, City of Birmingham Symphony Orchestra Chorus, Jon Garrison, Faye Robinson, Sarah Walker, City of Birmingham Symphony Orchestra, Sir Michael Tippett
- BBC Singers, BBC Choral Society, Janet Baker, Richard Cassilly, Jessye Norman, John Shirley‐Quirk, BBC Symphony Orchestra, Sir Colin Davis
- (show 3 more)
| | | | | |
| A Child of Our Time: Part III: General Ensemble "I would know my shadow and my light" | | - Sir Michael Tippett
- Stephen Westrop, Cynthia Clarey, Damon Evans, Cynthia Haymon, London Symphony Chorus, Willard White, London Symphony Orchestra, Richard Hickox
- Simon Halsey, John Cheek, City of Birmingham Symphony Orchestra Chorus, Jon Garrison, Faye Robinson, Sarah Walker, City of Birmingham Symphony Orchestra, Sir Michael Tippett
- BBC Singers, BBC Choral Society, Janet Baker, Richard Cassilly, Jessye Norman, John Shirley‐Quirk, BBC Symphony Orchestra, Sir Colin Davis
- (show 3 more)
| | | | | |
| A Child of Our Time: Part III: Scena "The words of wisdom" | | | | | | | |
| A Kékszakállú herceg vára: Door 1 "'Jaj! Mit látsz? Mit látsz? Láncok, kések" | | | | | | | |
| A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver" | | | | | | | |
| A Kékszakállú herceg vára: Door 3 "Oh, be sok kincs! Oh, be sok kincs!" | | | | | | | |
| A Kékszakállú herceg vára: Door 4 "Oh! virágok! Oh! ilatoskert!" | | | | | | | |
| A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam" | | | | | | | |
| A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
- (show 18 more)
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| A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
- László Polgár, Chicago Symphony Orchestra, Pierre Boulez
- (show 14 more)
| | | | | |
| A Kékszakállú herceg vára: Opening "Megérkeztünk" | | | | | | | |
| Acis and Galatea, HWV 49: Act I, no. 2. Choir "Oh the pleasure of the plains!" | | - Norma Burrowes, Paul Elliott, Willard White, Anthony Rolfe Johnson, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
| | | | | |
| Acis and Galatea, HWV 49: Act II, no. 10. Choir "Wretched lovers!" | | - Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
| | | | | |
| Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus) | | | | | | | |
| Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus) | | | | Aria | | | |
| Acis and Galatea, HWV 49: Act II, no. 12a. Recitativo "Whither, fairest, art thou running" (Polyphemus) | | | | | | | |
| Acis and Galatea, HWV 49: Act II, no. 13. Aria "Cease to beauty to be suing" (Polyphemus) | | | | Aria | | | |
| Acis and Galatea, HWV 49: Act II, no. 17. Trio "The flocks shall leave the mountains" (Galatea, Acis, Polyphemus) | | | | | | | |
| Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!" | | - Norma Burrowes, Anthony Rolfe Johnson, Paul Elliott, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Regent Chamber Choir, Andrew Lucas, City of London Sinfonia, Gary Cole
- (show 2 more)
| | | | | |
| Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir) | | - Norma Burrowes, Martyn Hill, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
| | | | | |
| Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears" | | - Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
| | | | | |
| Belshazzar’s Feast | | - John Shirley‐Quirk, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn
- Australian Intervarsity Choral Festival Choir
- Atlanta Symphony Orchestra, Atlanta Symphony Orchestra Chorus, Robert Shaw
- BBC Symphony Chorus, Leeds Festival Chorus, Willard White, BBC Symphony Orchestra, Andrew Davis
- Owen Brannigan, Hoffnung Festival Choral Society, Hoffnung Symphony Orchestra, William Walton
| | Cantata | | | |
| Belshazzar’s Feast: IIa. If I forget thee, O Jerusalem | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- Royal Philharmonic Orchestra, André Previn
- (show 6 more)
| | Cantata | | | |
| Belshazzar’s Feast: III. Babylon was a great city | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- F. Austin Walter, Walter Cassel, Rutgers University Choir, The Philadelphia Orchestra, Eugene Ormandy
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
| | | | | |
| Belshazzar’s Feast: IV. In Babylon, Belshazzar the King made a great feast | | - Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- Bryn Terfel, BBC Symphony Orchestra, Andrew Davis
- F. Austin Walter, Walter Cassel, Rutgers University Choir, The Philadelphia Orchestra, Eugene Ormandy
- London Philharmonic Choir, Benjamin Luxon, Ralph Downes, London Philharmonic Orchestra, Sir Georg Solti
- (show 4 more)
| | | | | |
| Belshazzar’s Feast: V. Praise ye the God of Gold | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- Royal Philharmonic Orchestra, André Previn
- (show 12 more)
| | | | | |
| Belshazzar’s Feast: VII. And in that same hour, as they feasted | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- (show 11 more)
| | | | | |
| Die ägyptische Helena, op. 75: Zweiter Aufzug | | - Gwyneth Jones, Matti Kastu, Detroit Symphony Orchestra, Antal Doráti
- Barbara Hendricks, Gwyneth Jones, Matti Kastu, Detroit Symphony Orchestra, Antal Doráti
- Gwyneth Jones, Detroit Symphony Orchestra, Antal Doráti
- Gwyneth Jones, Curtis Rayam, Detroit Symphony Orchestra, Antal Doráti
- (show 6 more)
| | | | | |
| Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) | | | | | | | |
| Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) | | - Philharmonia Orchestra, Carlo Maria Giulini
- Ferruccio Furlanetto, Paata Burchuladze, Samuel Ramey, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan
- Rod Gilfry, Andrea Silvestrelli, Ildebrando d’Arcangelo, English Baroque Soloists, Sir John Eliot Gardiner
- The Ambrosian Singers, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 60 more)
| | | | | |
| I Got Plenty o’ Nuttin’ | | | | Song | | - 390020583 (ASCAP ID)
- W-000048845 (BUMA/STEMRA ID)
- (show 12 more)
- 001094 131 04 (SUISA ID)
| |
| I Loves You, Porgy | | | | Song | | | |
| If I Were a Rich Man | | | | Song | | - 5031060 (ACAM ID)
- 988941 (ACAM ID)
- (show 26 more)
- 000005 468 26 (SUISA ID)
| |
| Jamaica Farewell | | | | Song | | | |
| L'Orfeo: Atto quarto. Benché severo e immutabil fato (Plutone) | | - Concentus Musicus Wien, Nikolaus Harnoncourt
- La Venexiana, Claudio Cavina
- John Eliot Gardiner, The English Baroque Soloists, Diana Montague, Willard White, Howard Milner, Nicolas Robertson
- Danielle Borst, Ensemble vocal de la Chapelle Royale, Frangiskos Voutsinos, Orchestre de l’Opéra de Lyon, Michel Corboz
- (show 8 more)
| | | | | |
| L'Orfeo: Atto quarto. O degli abitator de l'ombre eterne (Due spiriti) | | - Concentus Musicus Wien, Nikolaus Harnoncourt
- John Eliot Gardiner, The English Baroque Soloists, Diana Montague, Willard White, Howard Milner, Nicolas Robertson
- Danielle Borst, Ensemble vocal de la Chapelle Royale, Frangiskos Voutsinos, Orchestre de l’Opéra de Lyon, Michel Corboz
- Le Concert d'Astrée, Emmanuelle Haïm
- (show 5 more)
| | | | | |
| L'Orfeo: Atto quarto. Quali grazie ti rendo (Proserpina) | | | | | | | |
| L'Orfeo: Atto quarto. Signor, quell'infelice (Proserpina) | | | | | | | |
| L'Orfeo: Atto quarto. Tue soavi parole (Plutone) | | | | | | | |
| Le Grand Macabre: Scene I. "Away, you swagpot!" (Nekrotzar, Piet) | | | | | | | |
| Le Grand Macabre: Scene I. "Dies irae" (Piet, Amanda, Amando, Nekrotzar) | | | | | | | |
| Le Grand Macabre: Scene I. "Ha-ha-ha-ha! Give me my requisites" (Nekrotzar, Piet, Chorus) | | | | | | | |
| Le Grand Macabre: Scene I. "Shut up!" (Nekrotzar, Piet, Chorus) | | | | | | | |
| Le Grand Macabre: Scene II. "Fire and death I bring" (Nekrotzar, Piet, Astradamors) | | | | | | | |
| Le Grand Macabre: Scene II. "Stop! - Sh!.. Quiet, for heaven's sake!" (Astradamors, Nekrotzar, Piet, Mescalina, Venus, Chorus) | | | | | | | |
| Le Grand Macabre: Scene II. "Who's there? A man? - A man!" (Mescalina, Nekrotzar, Venus, Piet, Astradamors) | | | | | | | |
| Le Grand Macabre: Scene III. "Hmm! It's delicious!" (Nekrotzar, Piet, Astradamors, Prince Go-Go) | | | | | | | |
| Le Grand Macabre: Scene III. "There's no need to fear" (Astradamors, Piet, Nektrotzar) | | | | | | | |
| Le Grand Macabre: Scene III. "Up! - Drink! - Up!" (Nekrotzar, Piet, Astradamors) | | | | | | | |
| Le Grand Macabre: Scene III. "Where am I? What time is it?" (Nekrotzar, Piet, Prince Go-Go, Astradamors, Chorus) | | | | | | | |
| Le Grand Macabre: Scene III. "Woe! Ooh! - For the day of wrath" (Nekrotzar, Astradamors, Chorus) | | | | | | | |
| Le Grand Macabre: Scene IV. "Ghost Astradamors, are you dead?" (Piet, Astradamors, Prince Go-Go, Ruffiack, Schobiack, Schabernack, Nektrotzar, Mescalina, White Minister, Black Minister) | | - Graham Clark, Frode Olsen, Derek Lee Ragin, Martin Winkler, Marc Campbell-Griffiths, Michael Lessiter, Willard White, Jard van Nes, Steven Cole, Richard Suart, Philharmonia Orchestra, Esa-Pekka Salonen
| | | | | |
| Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro) | | | | | | | |
| Le nozze di Figaro, KV 492: Atto IV. “Ah tutti contenti” | | - Anne Howells, Robin Leggate, Felicity Lott, Alexander Oliver, Patricia Payne, Samuel Ramey, Deborah Rees, Richard Stilwell, John Tomlinson, Willard White, Academy of St Martin in the Fields, Sir Neville Marriner
- Wolfgang Amadeus Mozart
- BBC Symphony Chorus, Mirella Freni, Wladimiro Ganzarolli, Yvonne Minton, Jessye Norman, Robert Tear, Ingvar Wixell, BBC Symphony Orchestra, Sir Colin Davis
- Sir Thomas Allen, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
| | | | | |
| My Way | | | | Song | | - 17927501 (AKM ID)
- 1565663 (APA ID)
- (show 39 more)
- 001003 284 38 (SUISA ID)
| 4.5 |
| Ol’ Man River | | | | Song | | - 4551248 (AGADU ID)
- 3141001 (AKM ID)
- (show 26 more)
- 000145 669 86 (SUISA ID)
| |
| Old American Songs, Set 1: No. 4, Simple Gifts | | | | | | | |
| Porgy and Bess: Act I, Scene I. “Oh, little stars” – “Touch that money an’ meet yo’ Gawd!” | | - McHenry Boatwright, Willard White, The Cleveland Orchestra, Lorin Maazel
- George Gershwin
- William Warfield, Leontyne Price, Cab Calloway, John McCurry, Jerry Laws, Helen Thigpen, Joseph James, Howard Roberts, Leslie Scott, Georgia Burke, RIAS‐Unterhaltungsorchester, Alexander Smallens
| | | | | |
| Porgy and Bess: Act I, Scene I. “They pass by singin’” – “Here comes Big Boy!” – “Don’t you ever let a woman grieve you” | | - George Gershwin
- Willard White, The Cleveland Orchestra, Lorin Maazel
- Mel Tormé
- William Warfield, Leontyne Price, John McCurry, Jerry Laws, Helen Thigpen, Joseph Crawford, Choir of the Blevins Davis & Robert Breen production, RIAS‐Unterhaltungsorchester, Alexander Smallens
- (show 2 more)
| | | | | |
| Porgy and Bess: Act I, Scene II. “Overflow, overflow” – “Gawd got plenty of money for de saucer” | | - George Gershwin
- The Cleveland Orchestra Chorus, Barbara Conrad, Florence Quivar, Willard White, The Cleveland Orchestra, Lorin Maazel
- Lester Lynch, Morgan State University Choir, The Philadelphia Orchestra, Marin Alsop
- Mel Tormé, Loulie Jean Norman, The Pat Moran Quartet
- (show 2 more)
| | | | | |
| Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now” | | | | Aria | | | |
| Porgy and Bess: Act II, Scene I. “Buzzard keep on flyin’” | | | | Aria | | | |
| Porgy and Bess: Act II, Scene I. “Lissen there, what I tells you” | | | | | | | |
| Porgy and Bess: Act II, Scene I. “Lo, Bess, goin’ to picnic?” | | - George Gershwin
- François Clemmons, Willard White, The Cleveland Orchestra, Lorin Maazel
- Angel Blue, Lester Lynch, Chauncey Packer, Kevin Short, The Philadelphia Orchestra, Marin Alsop
- Magni Wentzel Sextet
- Leontyne Price, Cab Calloway, Joseph James, RIAS‐Unterhaltungsorchester, Alexander Smallens
| | | | | |
| Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’” | | | | Aria | | | |
| Porgy and Bess: Act III, Scene III. “Oh Lawd, I’m on My Way” | | | | | | | |
| Requiem in D minor, K. 626: I. Introitus: Requiem aeternam | | - [unknown]
- Aldo Baldin, Gerhard Faulstich, RIAS Chamber Chorus, Gabriele Schreckenbach, Edith Wiens, Berlin Radio Symphony Orchestra, Uwe Gronostay
- Stefan Klimo, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler
- Wolfgang Amadeus Mozart
- (show 51 more)
| | | | | |
| Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Magdaléna Hajóssyová, Jaroslava Horská, Jozef Kundlák, Peter Mikuláš, Slovak Philharmonic Orchestra, Zdeněk Košler
- (show 58 more)
| | | | | |
| Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- (show 60 more)
| | | | | |
| Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Wiener Singverein, Anna Tomowa‐Sintow, Helga Müller‐Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan
- (show 60 more)
| | | | | |
| Requiem in D minor, K. 626: V. Sanctus: b. Benedictus | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- (show 61 more)
| | | | | |
| Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) | | | | Aria | | | |
| Sinfonische Gesänge, op. 20: I. Lied aus Dixieland | | | | Song | | | |
| Sinfonische Gesänge, op. 20: II. Lied der Baumwollpacker | | | | Song | | | |
| Sinfonische Gesänge, op. 20: III. Totes braunes Mädel | | | | Song | | | |
| Sinfonische Gesänge, op. 20: IV. Übler Bursche | | | | Song | | | |
| Sinfonische Gesänge, op. 20: V. Erkenntnis | | | | Song | | | |
| Sinfonische Gesänge, op. 20: VI. Afrikanischer Tanz | | | | Song | | | |
| Sinfonische Gesänge, op. 20: VII. Arabeske | | | | Song | | | |
| Smile | | | | Song | | - 5131019 (AACIMH ID)
- 5131019 (ACAM ID)
- (show 36 more)
- 000002 747 37 (SUISA ID)
| |
| Some Enchanted Evening | | | | Song | | - 000261901 (SABAM ID)
- 000261905 (SABAM ID)
| |
| Steal Away (to Jesus) | | | | Song | | | |
| Symphony no. 14, op. 135: IX. Andante. "O, Del'vig, Del'vig!" | | | | | | | |
| Symphony no. 14, op. 135: VIII. Allegro. "Réponse des Cosaques Zaporogues au Sultan de Constantinople" | | | | | | | |
| The Seafarer | | | | | | | |
