| vocals |
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1990-07-11 – 1990-07-13 | Ode of Saint Andrew of Crete | baritone vocals | The Choir of St George's Chapel, Windsor Castle, Christopher Robinson, Matthew Brook | 19:52 |
1993-09-02 – 1993-09-04 | The Prophetess, Z. 627, "The History of Dioclesian" - Masque: Make room (Bacchanals, Bacchus) | | Nathan Berg, Matthew Brook, Michael George, Collegium Musicum 90, Richard Hickox | 2:55 |
1996-02-09 – 1996-02-10 | Songs from Le Voir Dit, Ballade 32: Plourez dames | | Oxford Camerata, Jeremy Summerly | 8:55 |
1996-02-09 – 1996-02-10 | Songs from Le Voir Dit, Ballade 33: Nes qu'on porroit | | Oxford Camerata, Jeremy Summerly | 8:20 |
1996-02-09 – 1996-02-10 | Songs from Le Voir Dit, Lai 13: Le lay de bonne esperance | | Oxford Camerata, Jeremy Summerly | 19:31 |
1996-02-09 – 1996-02-10 | Songs from Le Voir Dit, Rondeau 17: Dis et sept cinq | | Oxford Camerata, Jeremy Summerly | 4:33 |
1996-02-09 – 1996-02-10 | Songs from Le Voir Dit, Rondeau 18: Puis qu'en oubli | | Oxford Camerata, Jeremy Summerly | 1:52 |
1996-02-20 – 1996-02-21 | La Messe de Nostre Dame: Agnus Dei | | Oxford Camerata, Jeremy Summerly | 3:45 |
1996-02-20 – 1996-02-21 | La Messe de Nostre Dame: Credo | | Oxford Camerata, Jeremy Summerly | 6:35 |
1996-02-20 – 1996-02-21 | La Messe de Nostre Dame: Ite missa est | | Oxford Camerata, Jeremy Summerly | 1:44 |
1996-02-20 – 1996-02-21 | La Messe de Nostre Dame: Kyrie | | Oxford Camerata, Jeremy Summerly | 8:39 |
1996-02-20 – 1996-02-21 | La Messe de Nostre Dame: Sanctus | | Oxford Camerata, Jeremy Summerly | 4:56 |
1996-02-20 – 1996-02-21 | Messe de Nostre Dame: Gloria | | Oxford Camerata, Jeremy Summerly | 4:44 |
1997-10-03 – 1997-10-04 | A Cotswold Romance: 1. The Men of Cotsall | baritone vocals and solo | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 3:47 |
1997-10-03 – 1997-10-04 | A Cotswold Romance: 2. Sweet Little Linnet | baritone vocals and solo | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 1:28 |
1997-10-03 – 1997-10-04 | A Cotswold Romance: 3. Hugh’s Song of the Road | baritone vocals and solo | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 4:07 |
1997-10-03 – 1997-10-04 | A Cotswold Romance: 4. Love at First Sight | baritone vocals and solo | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 6:05 |
1997-10-03 – 1997-10-04 | A Cotswold Romance: 5. The Best Man in England | baritone vocals and solo | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 2:22 |
1997-10-03 – 1997-10-04 | A Cotswold Romance: 6. Alone and Friendless | baritone vocals and solo | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 2:24 |
1997-10-03 – 1997-10-04 | A Cotswold Romance: 7. The Fight and its Sequel | baritone vocals and solo | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 4:47 |
1997-10-03 – 1997-10-04 | A Cotswold Romance: 8. Hugh in the Stocks | baritone vocals and solo | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 1:50 |
1997-10-03 – 1997-10-04 | A Cotswold Romance: 9. Mary Escapes | baritone vocals and solo | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 4:28 |
1997-10-03 – 1997-10-04 | A Cotswold Romance: 10. Freedom at Last | baritone vocals and solo | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 7:51 |
2003-04-03 | Requiem, K. 626: III. Sequenz: Recordare | bass vocals | Carys Lane, Frances Bourne, Paul Badley, Matthew Brook, The Chamber Orchestra of Europe, Nigel Short | 4:59 |
2003-04-03 | Requiem, K. 626: III. Sequenz: Tuba mirum | bass vocals | Carys Lane, Frances Bourne, Paul Badley, Matthew Brook, The Chamber Orchestra of Europe, Nigel Short | 3:23 |
2003-04-03 | Requiem, K. 626: IV. Offertorium: Domine Jesu | bass vocals | Carys Lane, Frances Bourne, Paul Badley, Matthew Brook, Tenebrae, The Chamber Orchestra of Europe, Nigel Short | 3:21 |
2003-04-03 | Requiem, K. 626: VI. Benedictus | bass vocals | Carys Lane, Frances Bourne, Paul Badley, Matthew Brook, Tenebrae, The Chamber Orchestra of Europe, Nigel Short | 5:02 |
2006-05-01 – 2006-05-04 | Messiah: Air: But who may abide | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 3:13 |
2006-05-01 – 2006-05-04 | Messiah: Air: The people that walked in darkness | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 3:27 |
2006-05-01 – 2006-05-04 | Messiah: Recitative, accompanied: Behold I tell you a mystery | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 0:36 |
2006-05-01 – 2006-05-04 | Messiah: Recitative: For behold! | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 2:03 |
2006-05-01 – 2006-05-04 | Messiah: Recitative: Thou art gone up | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 3:00 |
2006-05-01 – 2006-05-04 | Messiah: Recitative: Thus saith the Lord | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 1:17 |
2008-08-19 | Ein Deutsches Requiem: Denn wir haben hie keine bleibende Statt | baritone vocals | Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner | 10:40 |
2008-08-19 | Ein Deutsches Requiem: Herr, lehre doch mich | baritone vocals | Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner | 8:34 |
2009-09-26 – 2009-09-27 | Dona nobis pacem: Agnus Dei | baritone vocals | The Bach Choir, Matthew Brook, Christina Pier, Bournemouth Symphony Orchestra, David Hill | 3:26 |
2009-09-26 – 2009-09-27 | Dona nobis pacem: Beat! Beat! Drums! | baritone vocals | The Bach Choir, Matthew Brook, Christina Pier, Bournemouth Symphony Orchestra, David Hill | 3:31 |
2009-09-26 – 2009-09-27 | Dona nobis pacem: Dirge for 2 Veterans | baritone vocals | The Bach Choir, Matthew Brook, Christina Pier, Bournemouth Symphony Orchestra, David Hill | 10:06 |
2009-09-26 – 2009-09-27 | Dona nobis pacem: O Man Greatly Beloved | baritone vocals | The Bach Choir, Matthew Brook, Christina Pier, Bournemouth Symphony Orchestra, David Hill | 7:42 |
2009-09-26 – 2009-09-27 | Dona nobis pacem: Reconciliation | baritone vocals | The Bach Choir, Matthew Brook, Christina Pier, Bournemouth Symphony Orchestra, David Hill | 5:21 |
2009-09-26 – 2009-09-27 | Dona nobis pacem: The Angel of Death has been abroad | baritone vocals | The Bach Choir, Matthew Brook, Christina Pier, Bournemouth Symphony Orchestra, David Hill | 3:29 |
2009-09-26 – 2009-09-27 | Sancta civitas: And I saw a new Heaven | baritone vocals | The Bach Choir, Matthew Brook, Andrew Staples, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | 4:33 |
2009-09-26 – 2009-09-27 | Sancta civitas: And I saw a pure river | baritone vocals | The Bach Choir, Matthew Brook, Andrew Staples, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | 2:22 |
2009-09-26 – 2009-09-27 | Sancta civitas: And I saw an Angel standing in the Sun | baritone vocals | The Bach Choir, Matthew Brook, Andrew Staples, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | 1:13 |
2009-09-26 – 2009-09-27 | Sancta civitas: And I saw Heaven opened | baritone vocals | The Bach Choir, Matthew Brook, Andrew Staples, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | 2:13 |
2009-09-26 – 2009-09-27 | Sancta civitas: Babylon the great Is fallen | baritone vocals | The Bach Choir, Matthew Brook, Andrew Staples, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | 4:41 |
2009-09-26 – 2009-09-27 | Sancta civitas: Heaven and earth Are full of Thy glory | baritone vocals | The Bach Choir, Matthew Brook, Andrew Staples, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | 5:41 |
2009-09-26 – 2009-09-27 | Sancta civitas: Holy, Holy, Holy | baritone vocals | The Bach Choir, Matthew Brook, Andrew Staples, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | 0:52 |
2009-09-26 – 2009-09-27 | Sancta civitas: I was in the Spirit | baritone vocals | The Bach Choir, Matthew Brook, Andrew Staples, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | 5:21 |
2009-09-26 – 2009-09-27 | Sancta civitas: Rejoice over her O Heavens | baritone vocals | The Bach Choir, Matthew Brook, Andrew Staples, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | 3:05 |
2009-09-26 – 2009-09-27 | Sancta civitas: Therefore Are they before the throne of God | baritone vocals | The Bach Choir, Matthew Brook, Andrew Staples, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | 0:54 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 1: Aria (Bass). Grosser Herr, o starker König | bass vocals | Matthew Brook, Orchestra of the Age of Enlightenment, Stephen Layton | 4:44 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 1: Chorale (Sopranos) & Recitative (Bass). Er ist auf Erden kommen arm / Wer will die Liebe recht erhöhn | bass vocals | Matthew Brook, Choir of Trinity College, Orchestra of the Age of Enlightenment, Stephen Layton | 3:03 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 2: Recitative (Bass). So geht denn hin, ihr Hirten, geht | bass vocals | Matthew Brook, Orchestra of the Age of Enlightenment, Stephen Layton | 0:48 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 2: Recitative (Bass). So recht, ihr Engel, jauchzt und singet | bass vocals | Matthew Brook, Orchestra of the Age of Enlightenment, Stephen Layton | 0:25 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 2: Recitative (Bass). Was Gott dem Abraham verheißen | bass vocals | Matthew Brook, Orchestra of the Age of Enlightenment, Stephen Layton | 0:49 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 3: Duet (Soprano, Bass). Herr, dein Mitleid, dein Erbarmen | bass vocals | Matthew Brook, Katherine Watson, Orchestra of the Age of Enlightenment, Stephen Layton | 7:54 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 3: Recitative (Bass). Er hat sein Volk getröst’ | bass vocals | Matthew Brook, Orchestra of the Age of Enlightenment, Stephen Layton | 0:43 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 4: Recitative (Bass) & Arioso (Sopranos, Bass). Immanuel, o süsses Wort! / Jesu, du mein liebstes Leben | bass vocals | Matthew Brook, Choir of Trinity College, Orchestra of the Age of Enlightenment, Stephen Layton | 2:41 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 4: Recitative (Bass) & Chorale (Sopranos). Wohlan, dein Name soll allein / Jesu, meine Freud und Wonne | bass vocals | Matthew Brook, Choir of Trinity College, Orchestra of the Age of Enlightenment, Stephen Layton | 1:32 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 5: Aria (Bass). Erleucht auch meine finstre Sinnen | bass vocals | Matthew Brook, Orchestra of the Age of Enlightenment, Stephen Layton | 4:36 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 6: Recitative (Evangelist, Herod). Da berief Herodes die Weisen heimlich | bass vocals | Matthew Brook, James Gilchrist, Orchestra of the Age of Enlightenment, Stephen Layton | 0:44 |
2013-01-10 – 2013-01-14 | Christmas Oratorio, BWV 248: Part 6: Recitative (Quartet). Was will der Höllen Schrecken nun | bass vocals | Matthew Brook, Iestyn Davies, James Gilchrist, Katherine Watson, Orchestra of the Age of Enlightenment, Stephen Layton | 0:43 |
2013-09-15 – 2013-09-19 | Requiem in D minor, K. 626: Benedictus & Osanna | bass vocals | Matthew Brook, Rowan Hellier, Thomas Hobbs, Joanne Lunn, Dunedin Consort, John Butt | 5:17 |
2013-09-15 – 2013-09-19 | Requiem in D minor, K. 626: Domine Jesu | bass vocals | Matthew Brook, Dunedin Consort, Rowan Hellier, Thomas Hobbs, Joanne Lunn, John Butt | 3:17 |
2013-09-15 – 2013-09-19 | Requiem in D minor, K. 626: Recordare | bass vocals | Matthew Brook, Dunedin Consort, Rowan Hellier, Thomas Hobbs, Joanne Lunn, John Butt | 4:51 |
2013-09-15 – 2013-09-19 | Requiem in D minor, K. 626: Tuba mirum | bass vocals | Matthew Brook, Dunedin Consort, Rowan Hellier, Thomas Hobbs, Joanne Lunn, John Butt | 3:19 |
2020-12-03 – 2020-12-06 | Gottes Zeit ist die allerbeste Zeit “Actus tragicus", BWV 106: Aria. "Bestelle dein Haus” | bass vocals | Robert Davies, Dunedin Consort, John Butt | 1:04 |
2020-12-03 – 2020-12-06 | Gottes Zeit ist die allerbeste Zeit “Actus tragicus", BWV 106: Aria. "In deine Hände befehl ich meinen Geist" - Arioso con Choral. "Heute wirst du mit mir im Paradies sein” | bass vocals | Katie Bray, Robert Davies, Dunedin Consort, John Butt | 6:30 |
2020-12-03 – 2020-12-06 | Gottes Zeit ist die allerbeste Zeit “Actus tragicus", BWV 106: Coro. "Glorie, Lob, Ehr und Herrlichkeit” | bass vocals | Dunedin Consort, John Butt | 2:48 |
2020-12-03 – 2020-12-06 | Gottes Zeit ist die allerbeste Zeit “Actus tragicus", BWV 106: Coro. "Gottes Zeit ist die allerbeste Zeit” | bass vocals | Dunedin Consort, John Butt | 1:51 |
2020-12-03 – 2020-12-06 | Ich habe genug, BWV 82: Aria. “Ich freue mich auf meinen Tod” | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 3:44 |
2020-12-03 – 2020-12-06 | Ich habe genug, BWV 82: Aria. “Ich habe genug” | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 7:17 |
2020-12-03 – 2020-12-06 | Ich habe genug, BWV 82: Aria. “Schlummert ein, ihr matten Augen” | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 9:52 |
2020-12-03 – 2020-12-06 | Ich habe genug, BWV 82: Recitativo. “Ich habe genug” | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 1:13 |
2020-12-03 – 2020-12-06 | Ich habe genug, BWV 82: Recitativo. “Mein Gott! wenn kömmt das schöne, Nun!” | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 0:49 |
2020-12-03 – 2020-12-06 | Liebster Jesu, mein Verlangen, BWV 32: Aria (Duetto). “Nun verschwinden alle Plagen” | bass vocals | Joanne Lunn, Matthew Brook, Dunedin Consort, John Butt | 5:22 |
2020-12-03 – 2020-12-06 | Liebster Jesu, mein Verlangen, BWV 32: Aria. “Hier, in meines Vaters Stätte” | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 7:17 |
2020-12-03 – 2020-12-06 | Liebster Jesu, mein Verlangen, BWV 32: Choral. “Mein Gott, öffne mir die Pforten” | bass vocals | Dunedin Consort, John Butt | 1:22 |
2020-12-03 – 2020-12-06 | Liebster Jesu, mein Verlangen, BWV 32: Recitativo (Dialogo). “Ach! heiliger und großer Gott” | bass vocals | Joanne Lunn, Matthew Brook, Dunedin Consort, John Butt | 2:36 |
2020-12-03 – 2020-12-06 | Liebster Jesu, mein Verlangen, BWV 32: Recitativo. “Was ists, dass du mich gesuchet?” | bass vocals | Matthew Brook, Dunedin Consort, John Butt | 0:28 |
2022-11-16 – 2022-11-18 | Dido and Aeneas, Act 1: Cupid only throws the dart – If not for mine for Empire’s sake – Persue thy conquest Love | bass-baritone vocals [Aeneas] | Giulia Semenzato, Matthew Brook, La Nuova Musica, David Bates | 1:58 |
2022-11-16 – 2022-11-18 | Dido and Aeneas, Act 1: Fear no danger – See, your royal guest appears | bass-baritone vocals [Aeneas] | Giulia Semenzato, Hilary Cronin, La Nuova Musica, David Bates | 2:23 |
2022-11-16 – 2022-11-18 | Dido and Aeneas, Act 2: Behold, apon my bending spear – The skies are coloured – Haste haste to town | bass-baritone vocals [Aeneas] | Matthew Brook, Giulia Semenzato, Fleur Barron, La Nuova Musica, David Bates | 1:17 |
2022-11-16 – 2022-11-18 | Dido and Aeneas, Act 2: Stay Prince | bass-baritone vocals [Aeneas] | Tim Mead, Matthew Brook, Avery Amereau, La Nuova Musica, David Bates | 2:44 |
2022-11-16 – 2022-11-18 | Dido and Aeneas, Act 3: Your counsel all is urged in vain – Great minds | bass-baritone vocals [Aeneas] | Fleur Barron, Matthew Brook, Giulia Semenzato, La Nuova Musica, David Bates | 4:59 |
2022-11-23 – 2022-11-25 | Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) | bass vocals | Matthew Brook, The English Concert, John Nelson | 3:14 |
2022-11-23 – 2022-11-25 | Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741) | bass vocals | Matthew Brook, The English Concert, John Nelson | 3:12 |
2022-11-23 – 2022-11-25 | Messiah, HWV 56: Part the First: Accompanied recitative. “For behold, darkness shall cover the earth” | bass vocals | Matthew Brook, The English Concert, John Nelson | 1:50 |
2022-11-23 – 2022-11-25 | Messiah, HWV 56: Part the First: Accompanied recitative. “Thus Saith the Lord of Hosts” | bass vocals | Matthew Brook, The English Concert, John Nelson | 1:25 |
2022-11-23 – 2022-11-25 | Messiah, HWV 56: Part the First: Air. “The people that walked in darkness” | bass vocals | Matthew Brook, The English Concert, John Nelson | 3:24 |
2022-11-23 – 2022-11-25 | Messiah, HWV 56: Part the Second: Air. “Why do the nations so furiously rage together?” | bass vocals | Matthew Brook, The English Concert, John Nelson | 2:51 |
2022-11-23 – 2022-11-25 | Messiah, HWV 56: Part the Third: Accompanied recitative. “Behold, I tell you a mystery” | bass vocals | Matthew Brook, The English Concert, John Nelson | 0:40 |
2022-11-23 – 2022-11-25 | Messiah, HWV 56: Part the Third: Air. “The trumpet shall sound” | bass vocals | Matthew Brook, The English Concert, John Nelson | 8:46 |
| Christen, atzet diesen Tag, BWV 63: I. Christen, atzet diesen Tag | bass vocals | Dunedin Consort, John Butt | 5:21 |
| Christen, atzet diesen Tag, BWV 63: II. O selger Tag! | bass vocals | Dunedin Consort, John Butt | 2:57 |
| Christen, atzet diesen Tag, BWV 63: III. Gott, du hast es wohl gefuget | bass vocals | Dunedin Consort, John Butt | 7:26 |
| Christen, atzet diesen Tag, BWV 63: IV. So kehret sich nun heut | bass vocals | Dunedin Consort, John Butt | 0:49 |
| Christen, atzet diesen Tag, BWV 63: V. Ruft und fleht den Himmel an | bass vocals | Dunedin Consort, John Butt | 3:43 |
| Christen, atzet diesen Tag, BWV 63: VI. Verdoppelt euch demnach | bass vocals | Dunedin Consort, John Butt | 1:02 |
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