| instruments |
|---|
| 1986-06 | Aires for two division viols in C major: Almaine of Alfonso, VdGS 105 | | Fretwork | 3:50 |
| 1986-06 | Aires for two division viols in C major: Pavan of Alfonso, VdGS 104 | | Fretwork | 5:08 |
| 1986-06 | Captaine Digorie Piper his Galiard | | Fretwork | 1:39 |
| 1986-06 | Consort Sett à 5 No. 5 in C major: I. Fantazy | | Fretwork | 2:31 |
| 1986-06 | Consort Sett à 5 No. 5 in C major: II. Paven | | Fretwork | 5:13 |
| 1986-06 | Consort Sett à 5 No. 5 in C major: III. Almaine | | Fretwork | 2:40 |
| 1986-06 | Fantasia à 5 in C major "Two in One" | | Fretwork | 6:05 |
| 1986-06 | Fantasy à 4 | | Fretwork | 2:02 |
| 1986-06 | Fantasy à 4 for the 'Great Dooble Base' | | Fretwork | 4:40 |
| 1986-06 | In nomine à 5 | | Fretwork | 3:52 |
| 1986-06 | In nomine à 5 No. 2 | | Fretwork | 2:23 |
| 1986-06 | In Nomine à 5 No. 2 | viola da gamba | Fretwork | 2:25 |
| 1986-06 | Lachrimæ, or Seaven Teares: Lachrimæ Antiquæ | | Fretwork | 4:13 |
| 1986-06 | Lachrimæ, or Seaven Teares: M. Bucton his Galiard | | Fretwork | 1:31 |
| 1986-06 | Lachrimæ, or Seaven Teares: M. Nicholas Gryffith his Galiard | | Fretwork | 2:04 |
| 1986-06 | My Ladye Nevells Booke, No. 36: A Fancie in C major, MB 25 | | Fretwork | 5:27 |
| 1986-06 | Pavans, Galliards, Almains and other short Aires No. 17: Paradizo | | Fretwork | 3:04 |
| 1986-06 | Pavans, Galliards, Almains and other short Aires No. 60: The Honie-suckle | | Fretwork | 1:23 |
| 1986-06 | Pavans, Galliards, Almains and other short Aires No. 63: The Fairie-round | | Fretwork | 1:28 |
| 1987-12 | Lachrimæ, or Seaven Teares: Lachrimæ Gementes | viola da gamba | Fretwork | 3:46 |
| 1988-01 | Browning à 3 | | Fretwork | 3:19 |
| 1988-01 | El Parnaso: Quiente hizo | | Fretwork | 4:02 |
| 1988-01 | Fantasia | | Fretwork | 1:28 |
| 1988-01 | Fantasia à 4 | | Fretwork | 2:58 |
| 1988-01 | In angel's weed | | Fretwork, English Chamber Orchestra, Paul Tortelier | 3:24 |
| 1988-01 | In nomine à 5 | viola da gamba | Fretwork | 2:10 |
| 1988-01 | In nomine à 5 | | Fretwork | 2:10 |
| 1988-01 | My Ladye Nevells Booke: The Carman's Whistle, MB 36 | | Fretwork | 4:23 |
| 1988-01 | Obras de música: Diferencias sobre el canto "La Dama le demanda" | | Fretwork | 3:01 |
| 1988-01 | Obras de música: Diferencias sobre la Gallarda Milanesa | | Fretwork | 2:32 |
| 1988-01 | Obras de música: Dulce Memoria | | Fretwork | 4:49 |
| 1988-01 | Obras de música: Susana un jur | | Fretwork | 3:40 |
| 1988-01 | Orphénica lyra, libro quinto: Morenica, dame un beso | | Fretwork | 2:18 |
| 1988-01 | Orphénica lyra, libro sexto: Fantasia de Redobles | | Fretwork | 2:06 |
| 1988-01 | Pour down, you pow'rs divine / No grief is like to mine | | Fretwork | 5:53 |
| 1988-01 | Psalmes, Sonets and Songs, No. 34: Come to me, grief, for ever | | Fretwork | 6:06 |
| 1988-01 | Rejoice unto the Lord | | Fretwork | 5:20 |
| 1988-01 | Trattado de Glosas: Recercada segunda sobre el canto llano "La Spagna" | | Fretwork | 1:37 |
| 1988-01 | Trattado de Glosas: Recercada terçera sobre el canto llano "La Spagna" | | Fretwork | 1:50 |
| 1989-01-10 – 1989-01-12 | Fantasia In 2 Parts | strings | Orlando Gibbons | 3:14 |
| 1989-01-10 – 1989-01-12 | Fantasia In 3 Parts For The 'Great Dooble Base' | strings | Orlando Gibbons | 4:27 |
| 1989-01-10 – 1989-01-12 | Fantasia In 4 Parts For The 'Great Dooble Base' | strings | Orlando Gibbons | 5:02 |
| 1989-01-10 – 1989-01-12 | Fantasia In 6 Parts | strings | Orlando Gibbons | 3:51 |
| 1989-01-10 – 1989-01-12 | Go From My Window In 6 Parts | strings | Fretwork | 4:59 |
| 1989-01-10 – 1989-01-12 | In Nomine In 4 Parts | strings | Orlando Gibbons | 3:28 |
| 1989-01-10 – 1989-01-12 | In Nomine In 5 Parts | strings | Orlando Gibbons | 4:58 |
| 1989-01-10 – 1989-01-12 | The Cry Of London (Part I) | strings | Orlando Gibbons | 4:26 |
| 1989-01-10 – 1989-01-12 | The Cry Of London (Part II) | strings | Orlando Gibbons | 2:47 |
| 1989-01 | Fantasia à 2 No. 5 | viola da gamba | Fretwork | 3:16 |
| 1989-01 | Fantasia à 3 No. 4 "For the Great Dooble Bass", MB 19 | viola da gamba | Fretwork | 4:45 |
| 1989-01 | Fantasia à 6 No. 2, MB 32 | viola da gamba | Fretwork | 3:42 |
| 1989-01 | The Cry of London: Part II | viola da gamba | Red Byrd, Fretwork | 2:50 |
| 1989-04 | Ah Silly Soul | viola da gamba | Michael Chance, Fretwork | 3:23 |
| 1989-04 | In Nomine à 5 No. 4 | viola da gamba | Fretwork | 2:47 |
| 1989-04 | Lachrimæ, or Seaven Teares: M. Bucton his Galiard | viola da gamba | Fretwork | 1:38 |
| 1989-04 | Lachrimæ, or Seaven Teares: Semper Dowland semper Dolens | viola da gamba | Fretwork | 3:42 |
| 1990-07 | In Paradise | viola da gamba | Michael Chance, Fretwork | 5:22 |
| 1990-07 | Lumley Books: Allemande, MB 44 No. 76 / Galliard, MB 44 No. 104 | viola da gamba | Fretwork | 2:06 |
| 1990-07 | Pavan, LPM 41 / Galliard, LPM 42 | viola da gamba | Fretwork | 4:45 |
| 1990-07 | Pavan, VdGS 2 / Alman, VdGS 1 | viola da gamba | Fretwork | 4:32 |
| 1990-07 | The Dark Is My Delight | viola da gamba | Jeremy Budd, Fretwork | 1:05 |
| 1990-07 | The Silver Swanne | viola da gamba | Jeremy Budd, Fretwork | 1:33 |
| 1990-09 | Consort of Fower Parts: Suite for Viols No. 3 in F major, VdGS 9-12 | viola da gamba | Fretwork | 8:10 |
| 1991-09 – 1991-10 | Aire à 6 in G minor, VdGS 86 | viola da gamba | Fretwork | 2:24 |
| 1991-09 – 1991-10 | Fantasy à 5 in G minor "On the Playnesong", VdGS 69 | viola da gamba | Fretwork | 3:49 |
| 1991-09 – 1991-10 | Gather Ye Rosebuds | viola da gamba | Catherine Bott, Fretwork | 1:17 |
| 1992-11-03 – 1992-12-04 | In nomine a 4 | | Fretwork | 2:27 |
| 1992-11-03 – 1992-12-04 | Quemadmodum a 6 | | Fretwork | 4:21 |
| 1993-03 | Christe Redemptor à 4 | viola da gamba | Fretwork | 3:00 |
| 1994-02 | Fantasia à 4 No. 5 in B flat major | viola da gamba | Fretwork | 4:13 |
| 1994-02 | In nomine à 6 in G minor, Z. 746 | viola da gamba | Fretwork | 2:20 |
| 1996-05 | Stabat Mater | strings | Fretwork, Deborah Miles-Johnson, Joanne Andrews, Simon Berridge | 29:20 |
| 2008-06 | Fantazia no. 1 in 3 parts | | Fretwork | 2:36 |
| 2008-06 | Fantazia no. 2 in 3 parts | | Fretwork | 3:04 |
| 2008-06 | Fantazia no. 3 in 3 parts | | Fretwork | 2:18 |
| 2008-06 | Fantazia no. 4 in 4 parts | | Fretwork | 3:34 |
| 2008-06 | Fantazia no. 5 in 4 parts | | Fretwork | 4:10 |
| 2008-06 | Fantazia no. 6 in 4 parts | | Fretwork | 3:16 |
| 2008-06 | Fantazia no. 7 in 4 parts | | Fretwork | 3:36 |
| 2008-06 | Fantazia no. 8 in 4 parts | | Fretwork | 3:49 |
| 2008-06 | Fantazia no. 9 in 4 parts | | Fretwork | 3:54 |
| 2008-06 | Fantazia no. 10 in 4 parts | | Fretwork | 3:42 |
| 2008-06 | Fantazia no. 11 in 4 parts | | Fretwork | 3:02 |
| 2008-06 | Fantazia no. 12 in 4 parts | | Fretwork | 3:15 |
| 2008-06 | Fantazia upon one note in 5 parts | | Fretwork | 2:49 |
| 2008-06 | In nomine in 6 parts | | Fretwork | 2:30 |
| 2008-06 | In nomine in 7 parts | | Fretwork | 4:14 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 1 | | Fretwork | 3:24 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 2 | | Fretwork | 3:57 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 3 | | Fretwork | 4:03 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 4 | | Fretwork | 3:39 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 5 | | Fretwork | 3:31 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 6 | | Fretwork | 2:52 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 7 | | Fretwork | 5:00 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 8 | | Fretwork | 4:06 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 9 | | Fretwork | 5:52 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 10 | | Fretwork | 3:58 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 11 | | Fretwork | 3:30 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 12 | | Fretwork | 4:18 |
| 2016-01-18 – 2016-01-20 | Fantasia no. 13 | | Fretwork | 3:16 |
| See all 473 relationships |
| orchestra |
|---|
| 1988-09 | Membra Jesu nostri, BuxWV 75: VI. Ad cor | | Donna Deam, Ruth Holton, Lucinda Houghton, Nicola Jenkin, Monteverdi Choir, Richard Savage, English Baroque Soloists, Fretwork, Sir John Eliot Gardiner | 9:32 |
| 1988-09 | O bone Jesu, fili Mariae (SWV 471) | | Ruth Holton, Jean Knibbs, Nicolas Robertson, Richard Savage, Ashley Stafford, Paul Tindall, English Baroque Soloists, Fretwork, Sir John Eliot Gardiner | 7:51 |
| 1997-11 | Cadman Requiem: Agnus Dei | | The Hilliard Ensemble, Fretwork | 5:07 |
| 1997-11 | Cadman Requiem: Caedmon Paraphrase (Bede) | | The Hilliard Ensemble, Fretwork | 3:06 |
| 1997-11 | Cadman Requiem: Caedmon's "Creation Hymn" | | The Hilliard Ensemble, Fretwork | 2:23 |
| 1997-11 | Cadman Requiem: In Paradisum | | The Hilliard Ensemble, Fretwork | 5:25 |
| 1997-11 | Cadman Requiem: Requiem | | The Hilliard Ensemble, Fretwork | 9:18 |
| (Parte Seconda) | | Richard Mico | 1:52 |
| Agricola I: Comme femme | | Fretwork | 5:30 |
| Agricola III / Obrecht canon I: De tous biens plaine A4 | | Fretwork | 1:07 |
| Airs for three lyra viols: I. ffantasie | | William Lawes | 4:51 |
| Airs for three lyra viols: II. Humour | | William Lawes | 2:42 |
| Almain for 3 lyra Viols (No. 564) | | William Lawes | 1:37 |
| Ardi o gela | | Thomas Lupo | 2:08 |
| Ardo sì – | | Thomas Lupo | 2:03 |
| Comme femme desconfortee I A4 | | Fretwork | 2:32 |
| Comme femme desconfortee II A3 | | Fretwork | 2:34 |
| Comme femme desconfortee III A2 | | Fretwork | 1:49 |
| Consort Sett a 5: I. Fantazy | | William Lawes | 2:49 |
| Consort Sett a 5: I. Fantazy | | William Lawes | 3:15 |
| Consort Sett a 5: II. Aire | | William Lawes | 1:30 |
| Consort Sett a 5: II. Paven | | William Lawes | 6:12 |
| Consort Sett a 5: III. Aire | | William Lawes | 2:06 |
| Consort Sett a 5: III. Paven | | William Lawes | 6:37 |
| Consort Sett a 5: IV. Aire | | William Lawes | 1:31 |
| Consort Sett a 6: I. Fantazia | | William Lawes | 3:26 |
| Consort Sett a 6: I. Fantazy | | William Lawes | 4:57 |
| Consort Sett a 6: II. Aire | | William Lawes | 2:30 |
| Consort Sett a 6: II. Fantazia | | William Lawes | 3:30 |
| Consort Sett a 6: III. Fantazy | | William Lawes | 2:58 |
| Consort Sett a 6: III. Inominy | | William Lawes | 4:38 |
| Consort Sett a 6: IV. Aire | | William Lawes | 2:59 |
| Consort Sett a 6: IV. Aire | | William Lawes | 1:26 |
| De tous biens plaine I A3 | | Fretwork | 1:28 |
| De tous biens plaine II A3 | | Fretwork | 1:40 |
| De tous biens plaine III A3 | | Fretwork | 2:29 |
| De tous biens plaine IV A3 | | Fretwork | 1:36 |
| De tous biens plaine V A3 | | Fretwork | 1:36 |
| Divisions for two bass viols & organ in G minor: I. Paven | | William Lawes | 6:59 |
| Divisions for two bass viols & organ in G minor: II. Aire | | William Lawes | 1:45 |
| Divisions for two bass viols & organ in G minor: III. Aire | | William Lawes | 2:43 |
| Dung aultre amer I A4 | | Fretwork | 1:49 |
| Dung aultre amer II A4 | | Fretwork | 1:37 |
| Dung aultre amer III A3 | | Fretwork | 1:46 |
| En actendant A3 | | Fretwork | 3:59 |
| Fantasia a 6 (No. 5) | | Orlando Gibbons | 3:11 |
| Fantasia a 6 (No. 5) | | Thomas Lupo | 3:27 |
| Fantasia a 6 (No. 6) | | Orlando Gibbons | 3:47 |
| Fantasia Chi può mirarvi | | John Coprario | 3:21 |
| Fantasia for the Great Dooble Bass No. 2 | | Orlando Gibbons | 3:51 |
| Fantasia for the Great Dooble Bass No. 3 | | Orlando Gibbons | 4:09 |
| Fantazia 1st for 3 lyra viols (No. 567) | | William Lawes | 2:45 |
| Fortuna desperata A6 | | Fretwork | 3:06 |
| Fortune and Glory (To the most High and Mighty Princes Charles) | | John Coprario | 2:06 |
| If women could be fair | | Michael Chance, Fretwork | 3:26 |
| In Nomine a 5 | | Fretwork | 2:19 |
| In Nomine through all parts a 6 | | Alfonso Ferrabosco II | 5:01 |
| Je nay nueil A4 | | Fretwork | 10:19 |
| Là tra 'l sangue (Latral) | | Claudio Monteverdi / Richard Mico | 1:43 |
| O com'è gran martire | | Claudio Monteverdi / William Lawes | 2:14 |
| Paduan | | Fretwork | 5:00 |
| Pater meus agricola est A3 | | Fretwork | 6:37 |
| Pavin first for 3 lyra viols (No. 563) | | William Lawes | 4:49 |
| Pavin for 3 lyra viols (from Lessons 1609) | | Alfonso Ferrabosco II | 5:13 |
| Royal Consort (Old Version) Sett no. 7 in A minor: I. Aire | | William Lawes | 2:27 |
| Royal Consort (Old Version) Sett no. 7 in A minor: II. Alman | | William Lawes | 1:51 |
| Royal Consort (Old Version) Sett no. 7 in A minor: III. Alman II | | William Lawes | 1:10 |
| Royal Consort (Old Version) Sett no. 7 in A minor: IV. Aire | | William Lawes | 1:28 |
| Royal Consort (Old Version) Sett no. 7 in A minor: V. Corant | | William Lawes | 1:48 |
| Royal Consort (Old Version) Sett no. 7 in A minor: VI. Saraband | | William Lawes | 0:59 |
| Se je fais bien A3 | | Fretwork; Michael Chance | 5:48 |
| Serabrand for 3 lyra viols (No. 569) | | William Lawes | 1:19 |
| Si bibero A3 | | Fretwork | 2:33 |
| Si dormiero A3 | | Fretwork | 4:06 |
| So beautie on the waters stood (from Ayres 1609) | | Alfonso Ferrabosco II | 1:31 |
| So, so, leave off this last lamenting kisse (from Ayres 1609) | | Alfonso Ferrabosco II | 2:58 |
| Tout a part moy I A4 | | Fretwork | 2:58 |
| Vostre hault bruit A3 | | Fretwork | 8:09 |
| When pale famine (To the most disconsolate Great Brittaine) | | John Coprario | 2:58 |
| performed |
|---|
| 1994-02 | Fantasia à 4 No. 5 in B flat major | | Fretwork | 4:13 |
| 1994-02 | In nomine à 6 in G minor, Z. 746 | | Fretwork | 2:20 |
| 4 Part Fantazia In A Minor (Incomplete) | | Fretwork | 1:27 |
| 5 Part Fantazia 'Upon One Note' | | Fretwork | 3:04 |
| 6-Part in Nomine | | Fretwork, The Hilliard Ensemble | 2:34 |
| 6-Part Pavane in F | | Fretwork, The Hilliard Ensemble | 6:41 |
| 7 Part In Nomine | | Fretwork | 4:16 |
| Adieu mes amours à 4 | | Fretwork | 1:52 |
| All sons of Adam - Anon | | Dunedin Consort, Fretwork | 2:41 |
| Another Pavan - Anon | | Dunedin Consort, Fretwork | 2:11 |
| Aria | | Fretwork | 4:57 |
| Aria | | Fretwork | 5:22 |
| Aus tiefer Not schrei ich zu dir, BWV 686 à 6 | | Fretwork | 4:38 |
| Ave Maria à 4 | | Fretwork | 2:23 |
| Baises moy à 4/6 | | Fretwork | 2:36 |
| Beati pacifici (De tous biens playne) à 4 | | Fretwork | 2:00 |
| Brunette à 5 | | Fretwork | 1:28 |
| BWV 1080: Canon alla Decima [in] Contrapunto alla Terza | | Fretwork | 4:39 |
| BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta | | Fretwork | 4:51 |
| BWV 1080: Canon alla Ottava | | Fretwork | 4:31 |
| BWV 1080: Canon per Augmentationem in Contrario Motu | | Fretwork | 3:59 |
| BWV 1080: Contrapunctus [13] - inversus | | Fretwork | 2:23 |
| BWV 1080: Contrapunctus [13] - rectus | | Fretwork | 2:24 |
| BWV 1080: Contrapunctus 1 | | Fretwork | 3:10 |
| BWV 1080: Contrapunctus 2 | | Fretwork | 2:39 |
| BWV 1080: Contrapunctus 3 | | Fretwork | 2:49 |
| BWV 1080: Contrapunctus 4 | | Fretwork | 3:43 |
| BWV 1080: Contrapunctus 5 | | Fretwork | 3:32 |
| BWV 1080: Contrapunctus 6 | | Fretwork | 3:47 |
| BWV 1080: Contrapunctus 7 | | Fretwork | 3:27 |
| BWV 1080: Contrapunctus 8 | | Fretwork | 5:31 |
| BWV 1080: Contrapunctus 9 | | Fretwork | 2:26 |
| BWV 1080: Contrapunctus 10 | | Fretwork | 4:01 |
| BWV 1080: Contrapunctus 11 | | Fretwork | 5:53 |
| BWV 1080: Contrapunctus 12 - inversus | | Fretwork | 2:04 |
| BWV 1080: Contrapunctus 12 - rectus | | Fretwork | 1:57 |
| BWV 1080: Fuga a 3 Soggetti | | Fretwork | 8:28 |
| Cadman Requiem: Agnus Dei | | Fretwork, The Hilliard Ensemble | 5:03 |
| Cadman Requiem: Caedmon Creation Hymn | | Fretwork, The Hilliard Ensemble | 2:17 |
| Cadman Requiem: Caedmon Paraphrase (Bede) | | Fretwork, The Hilliard Ensemble | 3:00 |
| Cadman Requiem: In Paradisum | | Fretwork, The Hilliard Ensemble | 6:17 |
| Cadman Requiem: Requiem | | Fretwork, The Hilliard Ensemble | 9:29 |
| Canon triplex, BWV 1076 à 6 | | Fretwork | 1:09 |
| Christe, aller Welt Trost | | Fretwork | 1:32 |
| Constant Penelope | | Emma Kirkby, Fretwork | 2:02 |
| De tous biens playne à 3/4 | | Fretwork | 3:18 |
| De tous biens playne à 4 | | Fretwork | 1:37 |
| De tous biens playne à 4 | | Fretwork | 1:29 |
| Deus Misereatur nostri - Johnson | | Dunedin Consort, Fretwork | 5:12 |
| Dies sind die heiligen (alio modo), BWV 679 à 4 | | Fretwork | 1:54 |
| Dies sind die heiligen zehen Gebot, BWV 678 à 4 | | Fretwork | 4:01 |
| Dit le bourguygnon à 4 | | Fretwork | 1:00 |
| Ecco Dorro - Arcadelt | | Dunedin Consort, Fretwork | 2:01 |
| Fantaisie n°5 | | Thomas Lupo | 3:43 |
| Fantazia 1 In D Minor | | Fretwork | 2:59 |
| Fantazia 2 In F Major | | Fretwork | 3:30 |
| Fantazia 3 In G Minor | | Fretwork | 2:36 |
| Fantazia 4 In G Minor | | Fretwork | 3:50 |
| Fantazia 6 In F Major | | Fretwork | 3:43 |
| Fantazia 7 In C Minor | | Fretwork | 4:16 |
| Fantazia 8 In D Minor | | Fretwork | 3:52 |
| Fantazia 9 In A Minor | | Fretwork | 4:17 |
| Fantazia 10 In E Minor | | Fretwork | 3:58 |
| Fantazia 11 In G Major | | Fretwork | 3:01 |
| Fantazia 12 In D Minor | | Fretwork | 3:28 |
| Farewell, false love | | William Byrd | 7:01 |
| Favus distillans à 3 | | Fretwork | 3:03 |
| Fors seulement à 4 | | Fretwork | 1:58 |
| Fors seulement à 4 | | Fretwork | 2:53 |
| Fors seulement à 4 (attrib. Alexander Agricola) | | Fretwork | 2:06 |
| Fortuna desperata à 4 | | Fretwork | 2:08 |
| Fortuna desperata à 4 | | Fretwork | 2:03 |
| From First Bookof Madrigals: Almond Tree | | Fretwork, The Hilliard Ensemble | 2:51 |
| From First Bookof Madrigals: Stormy | | Fretwork, The Hilliard Ensemble | 3:08 |
| From First Bookof Madrigals: Web | | Fretwork, The Hilliard Ensemble | 3:14 |
| Fugue in E-flat major, "St. Anne", BWV 552: II à 5 | | Fretwork | 6:34 |
| Fugue IV in D minor (originally, C-sharp), BWV 849 à 5 | | Fretwork | 3:27 |
| Helas que poura devenir à 3/4 | | Fretwork | 2:43 |
| Hosanna - Palestrina | | Dunedin Consort, Fretwork | 1:44 |
| In Hydraulis | | Fretwork, The Hilliard Ensemble | 7:33 |
| In Nomine (After Purcell) | | Fretwork, The Hilliard Ensemble | 8:52 |
| In Nomine I - Tallis | | Dunedin Consort, Fretwork | 2:34 |
| In Nomine II - Tallis | | Dunedin Consort, Fretwork | 2:33 |
| Incipit Vita Nova | | Fretwork, The Hilliard Ensemble | 5:45 |
| Jay pris amours à 4 | | Fretwork | 2:01 |
| Jay pris amours à 4 | | Fretwork | 7:06 |
| Je suis d'Alemagne à 5 | | Fretwork | 1:36 |
| Judge and Revenge - Blackhall | | Dunedin Consort, Fretwork | 3:07 |
| Kyrie, Gott Heiliger Geist, BWV 671 à 5 | | Fretwork | 4:41 |
| Kyrie, Gott Vater in Ewigkeit | | Fretwork | 0:55 |
| La Bernardina à 3 | | Fretwork | 1:06 |
| La Morra à 3 | | Fretwork | 1:31 |
| La Spagna à 3 | | Fretwork | 2:47 |
| Le Serviteur à 4 | | Fretwork | 1:53 |
| Lyk as the Dum - Anon | | Dunedin Consort, Fretwork | 2:31 |
| My mind to me a kingdom is | | William Byrd | 6:02 |
| Numqua fue pena major à 4 | | Fretwork | 3:31 |
| O God Above - Fethy | | Dunedin Consort, Fretwork | 2:34 |
| O Lord, how vain | | William Byrd | 6:56 |
| O Lusty May - Anon | | Dunedin Consort, Fretwork | 2:49 |
| See all 166 relationships |
| instruments |
|---|
| Goe Nightly Cares | viol consort | Dowland, Byrd; Fretwork | |
| orchestra |
|---|
| Complete Consort Music | | John Amner, Fretwork, Dublin Consort Singers, Mark Keane | |
| performed |
|---|
| Second Service & Consort Anthems | | William Byrd; Bill Ives, Fretwork, The Choir of Magdalen College, Oxford, Rogers Covey‐Crump, Stefan Roberts, Ryan Leonard | |
| Taverner | | Peter Maxwell Davies; BBC Symphony Orchestra, Oliver Knussen, Martyn Hill, David Wilson-Johnson | |
| The Art of Fugue | | Bach; Fretwork | |
