| instruments |
---|
2003 – 2004 | Heroinogirl | guitar | That Summer | 1:28 |
| + Sylvain Chauveau | acoustic guitar | Machinefabriek | 0:59 |
| 28 Alive | | Arca | 5:19 |
| 1957 | | Arca | 4:34 |
| A Tardy Admission That the Crisis Is Serious | electronic instruments and guitar | ON | 4:20 |
| A Wall of Books | | Arca | 3:22 |
| Afterward | guitar and piano | ON | 8:28 |
| Apex | | Arca | 3:37 |
| Aphelion | | Arca | 4:21 |
| Baixa | | Arca | 4:08 |
| Belmont Harbor | | Arca | 4:36 |
| Blank Space | electronic instruments and guitar | ON | 6:11 |
| Coma | | Arca | 14:35 |
| Damages of Kindness | | Arca | 4:45 |
| Division | | Arca | 0:26 |
| Érotique | guitar family | ON | 6:02 |
| Façade | guitar family | ON | 12:08 |
| Formes vides | | Arca | 4:35 |
| I | guitar and piano | ON | 8:28 |
| II | guitar and piano | ON | 8:37 |
| III | guitar and piano | ON | 7:53 |
| In the Forest of the Night | guitar family | ON | 8:08 |
| IV | guitar and piano | ON | 6:05 |
| L'Organisation | | Arca | 5:42 |
| La Zone | | Arca | 5:29 |
| ls | | Arca | 2:29 |
| Michael Owen's Downfall | | Arca | 2:44 |
| Monogatari | | Arca | 4:06 |
| Oh Run Slowly | guitar family | ON | 5:54 |
| Orly | | Arca | 5:10 |
| Pearl Harper | | Arca | 2:08 |
| Personne | | Arca | 3:08 |
| Quand tombent les toits | | Arca | 3:46 |
| Sevilla 82 | | Arca | 14:16 |
| Something That Has Form and Something That Does Not | electronic instruments and guitar | ON | 13:02 |
| The Inconsolable Polymath | electronic instruments and guitar | ON | 5:32 |
| The Lonesome Poetry of Mark Rothko | guitar family | ON | 17:29 |
| The Sound of White | electronic instruments and guitar | ON | 19:20 |
| Too Many Demons Still Haunt This Land | guitar family | ON | 6:48 |
| Unter den Linden | | Arca | 4:29 |
| Your Naked Ghost Comes Back at Night and Flies Around My Bed | guitar family | ON | 7:02 |
| mixed |
---|
| 1957 | | Arca | 4:34 |
| Baixa | | Arca | 4:08 |
| Formes vides | | Arca | 4:35 |
| L'Organisation | | Arca | 5:42 |
| La Zone | | Arca | 5:29 |
| Monogatari | | Arca | 4:06 |
| Orly | | Arca | 5:10 |
| Pearl Harper | | Arca | 2:08 |
| Personne | | Arca | 3:08 |
| Quand tombent les toits | | Arca | 3:46 |
| performed |
---|
| 7. Will Scheidmann | | Arca | 3:41 |
| Breakout | | Arca | 3:33 |
| Laced by the Night | | Arca | 2:34 |
| Lonesome Witness of Her Nudity | | Arca | 5:11 |
| Maybe Chicago | | Arca | 2:23 |
| On discernait un visage | | Arca | 3:48 |
| Problème ici / Maybe London | | Arca | 3:51 |
| Stonefall Inside | | Arca | 4:09 |
| Sunday Negative | | Arca | 5:41 |
| Unspeakable | | Arca | 2:57 |
| produced |
---|
| 1957 | | Arca | 4:34 |
| Attendre | | Arca | 3:09 |
| Attractions | | Arca | 3:07 |
| Baixa | | Arca | 4:08 |
| Endormir les hommes | | Arca | 5:34 |
| Errance | | Arca | 3:22 |
| Face | | Arca | 5:46 |
| Formes vides | | Arca | 4:35 |
| L'Organisation | | Arca | 5:42 |
| La Zone | | Arca | 5:29 |
| Le Puits face au ciel | | Arca | 5:23 |
| Monogatari | | Arca | 4:06 |
| Nyodene D | | Arca | 7:42 |
| Orly | | Arca | 5:10 |
| Pearl Harper | | Arca | 2:08 |
| Personne | | Arca | 3:08 |
| Perspective of Nude | | Arca | 2:47 |
| Polarités | | Arca | 3:35 |
| Portrait of an Unsatisfied Figure | | Arca | 3:56 |
| Quand tombent les toits | | Arca | 3:46 |
| recording engineer for |
---|
| 1957 | | Arca | 4:34 |
| Baixa | | Arca | 4:08 |
| Formes vides | | Arca | 4:35 |
| L'Organisation | | Arca | 5:42 |
| La Zone | | Arca | 5:29 |
| Monogatari | | Arca | 4:06 |
| Orly | | Arca | 5:10 |
| Pearl Harper | | Arca | 2:08 |
| Personne | | Arca | 3:08 |
| Quand tombent les toits | | Arca | 3:46 |
| remixed |
---|
| A_ (remix) | | Sylvain Chauveau | 4:17 |
| Attractions (remix) | | Arca | 4:06 |
| Datebook | | Webcam | 6:36 |
| Dernière Etape Avant Le Silence (remix) | | Sylvain Chauveau | 4:46 |
| Grey (remix) | | StretchAndRelax | 2:52 |
| Heart Beating (remix) | | Agoria | 2:40 |
| High in the Morning (remix) | | Paul Duncan | 3:01 |
| Ik Week (remix) | | At the Close of Every Day | 4:13 |
| Ik weet (Sylvain Chauveau remix) | | At the Close of Every Day | 4:12 |
| L'Égalité des hommes devant la mort (remixé par Sylvain Chauveau) | | Glider | 3:37 |
| Sou | | Celer & Machinefabriek | 3:12 |
| Suber | | Webcam | 6:26 |
| Within the Orderly Life | | Pulseprogramming | 6:50 |
| vocals |
---|
2003 – 2004 | Handling With Care | | That Summer | 2:42 |
| Amber Rain | | This Immortal Coil | 3:13 |
| composed |
---|
| Umarete Wa Mita Keredo | | Ensemble 0 | |
| instruments |
---|
| Angles | glockenspiel, guitar and keyboard | Arca | |
| Human | bass guitar, guitar and synthesizer | Micro:mega | |
| Photosphere | guitar and keyboard | Micro:mega | |
| Umarete Wa Mita Keredo | acoustic guitar | Ensemble 0 | |
| Where We Go We Don't Need It Anymore | guitar | Micro:mega | |
| performed |
---|
| Palimpsest | | Sylvain Chauveau & Stephan Mathieu | |
| produced |
---|
| The Black Book of Capitalism | | Sylvain Chauveau | |
| The Black Book of Capitalism | | Sylvain Chauveau | |
| vocals |
---|
| Human | | Micro:mega | |
| Photosphere | | Micro:mega | |
| composed |
---|
| 7. Will Scheidmann | | | |
| 28 Alive | | | |
| 1957 | | | |
| A Tardy Admission That the Crisis Is Serious | | | |
| A Wall of Books | | | |
| Afterward | | | |
| Ankle | | | |
| Annex 1 | | | |
| Annex 2 | | | |
| Annex 3 | | | |
| Annex 4 | | | |
| Annex 5 | | | |
| Annex 6 | | | |
| Anthracite | | | |
| Apex | | | |
| Aphelion | | | |
| Attendre | | | |
| Attractions | | | |
| Baixa | | | |
| Belmont Harbor | | | |
| Blanche comme l'infini | | | |
| Blank Space | | | |
| Breakout | | | |
| Built | | | |
| Coma | | | |
| Cruising Paradise | | | |
| Damages of Kindness | | | |
| Dernière étape avant le silence | | | |
| Des plumes dans la tête | | | |
| Des plumes dans la tête (variation 1) | | | |
| Des plumes dans la tête (variation 2) | | | |
| Dialogues avec le vent | | | |
| Division | | | |
| Ear | | | |
| Endormir les hommes | | | |
| Érotique | | | |
| Errance | | | |
| Et peu à peu les flots respiraient comme on pleure | | | |
| Eulogy 1 | | | |
| Eulogy 2 | | | |
| Eye | | | |
| Façade | | | |
| Face | | | |
| Ferme les yeux | | | |
| Ferme les yeux (variation) | | | |
| Feu | | | |
| File | | | |
| Forever Waiting | | | |
| Formes vides | | | |
| From the Window | | | |
| Géographie intime | | | |
| Heart | | | |
| Hurlements en faveur de Serge T. | | | |
| I | | | |
| II | | | |
| III | | | |
| In the Forest of the Night | | | |
| IV | | | |
| Je suis vivant et vous êtes morts | | | |
| JLG | | | |
| L'organisation | | | |
| La Zone | | | |
| Laced by the Night | | | |
| Le brasier de tristesse | | | |
| Le marin rejeté par la mer | | | |
| Le Puits face au ciel | | | |
| Les débutants 1 | | | |
| Les débutants 2 | | | |
| Lonesome Witness of Her Nudity | | | |
| ls | | | |
| Lung | | | |
| Ma contribution à l'industrie phonographique | | | |
| Maybe Chicago | | | |
| Michael Owen's Downfall | | | |
| Mineral | | | |
| Mon royaume | | | |
| Monogatari | | | |
| Nail | | | |
| NB | | | |
| Nocturne urbain 2 | | | |
| Noir | | | |
| Nyodene D | | | |
| Oh Run Slowly | | | |
| On discernait un visage | | | |
| Open All Day | | | |
| Orly | | | |
| Pale Shadows | | | |
| Palm | | | |
| Pearl Harper | | | |
| Personne | | | |
| Perspective of Nude | | | |
| Polarités | | | |
| Portrait of an Unsatisfied Figure | | | |
| Potlatch (1971-1999) | | | |
| Pour les oiseaux | | | |
| Pour les oiseaux (variation 1) | | | |
| Pour les oiseaux (variation 2) | | | |
| Pour les oiseaux (variation 3) | | | |
| Problème ici / Maybe London | | | |
| Quand tombent les toits | | | |
| See all 125 relationships |
| lyrics |
---|
| Aphelion | | | |
| Belmont Harbor | | | |
| Sevilla 82 | | | |
| Unter den Linden | | | |