2 Swedish Folk-Melodies, op. 27: I. Allt under himmelens fäste, op. 27 no. 1 | | | | | | | |
2 Swedish Folk-Melodies, op. 27: II. Du gamla, du friska, du fjellhöga nord, op. 27 no. 2 | | | | | | | |
Cantus in memoriam Benjamin Britten | | | | | | | |
Capriol Suite: I. Basse-danse | | | | | | | |
Capriol Suite: II. Pavanne | | | | | | | |
Capriol Suite: III. Tordion | | | | | | | |
Capriol Suite: IV. Bransles | | | | | | | |
Capriol Suite: V. Pieds‐en‐l’air | | | | | | | |
Capriol Suite: VI. Mattachins (Sword Dance) | | | | | | | |
Cello Concerto in A major, Wq. 172, H. 439: I. Allegro | | | | | | | |
Cello Concerto in A major, Wq. 172, H. 439: II. Largo con sordini, mesto | | | | | | | |
Cello Concerto in A major, Wq. 172, H. 439: III. Allegro assai | | | | | | | |
Cello Concerto in A minor, Wq 170, H 432: I. Allegro assai | | | | | | | |
Cello Concerto in A minor, Wq 170, H 432: II. Andante | | | | | | | |
Cello Concerto in A minor, Wq 170, H 432: III. Allegro assai | | | | | | | |
Cello Concerto in B-flat major, Wq 171, H 436: I. Allegro | | | | | | | |
Cello Concerto in B-flat major, Wq 171, H 436: II. Adagio | | | | | | | |
Cello Concerto in B-flat major, Wq 171, H 436: III. Allegro assai | | | | | | | |
Concerto for 3 Violins in D major, BWV 1064R: I. Allegro | | - Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
- Christopher Hirons, Monica Huggett, Catherine Mackintosh, Academy of Ancient Music, Christopher Hogwood
- Christoph Poppen, Bach‐Collegium Stuttgart, Helmuth Rilling
- Freiburger Barockorchester, Thomas Hengelbrock
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Concerto for 3 Violins in D major, BWV 1064R: II. Adagio | | - Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
- Christopher Hirons, Monica Huggett, Catherine Mackintosh, Academy of Ancient Music, Christopher Hogwood
- Christoph Poppen, Bach‐Collegium Stuttgart, Helmuth Rilling
- Freiburger Barockorchester, Thomas Hengelbrock
- (show 17 more)
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Concerto for 3 Violins in D major, BWV 1064R: III. Allegro | | - Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
- Christopher Hirons, Monica Huggett, Catherine Mackintosh, Academy of Ancient Music, Christopher Hogwood
- Christoph Poppen, Bach‐Collegium Stuttgart, Helmuth Rilling
- Freiburger Barockorchester, Thomas Hengelbrock
- (show 16 more)
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Concerto in D major for string orchestra "Basle Concerto": I. Vivace | | | | | | | |
Concerto in D major for string orchestra "Basle Concerto": II. Arioso. Andantino | | | | | | | |
Concerto in D major for string orchestra "Basle Concerto": III. Rondo. Allegro | | | | | | | |
Divertimento for String Orchestra, Sz. 113, BB 118: I. Allegro non troppo | | | | | | | |
Divertimento for String Orchestra, Sz. 113, BB 118: II. Molto adagio | | | | | | | |
Divertimento for String Orchestra, Sz. 113, BB 118: III. Allegro assai | | | | | | | |
Festina lente | | | | | | | |
Five Variants of "Dives and Lazarus" | | | | | | | |
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) | | | | | | | |
Fra Holbergs tid, op. 40: II. Sarabande (Andante) | | | | | | | |
Fra Holbergs tid, op. 40: III. Gavotte (Allegretto) | | | | | | | |
Fra Holbergs tid, op. 40: IV. Air (Andante religioso) | | | | | | | |
Fra Holbergs tid, op. 40: V. Rigaudon (Allegro con brio) | | | | | | | |
I Fjol gjætt’e Gjeitinn, op. 31 | | | | | | | |
Lille suite for strygere, op. 1: I. Præludium | | | | | | | |
Lille suite for strygere, op. 1: II. Intermezzo | | | | | | | |
Lille suite for strygere, op. 1: III. Finale | | | | | | | |
Serenade for Strings, op. 11: I. Praeludium – Allegro molto | | | | | | | |
Serenade for Strings, op. 11: II. Andante espressivo | | | | | | | |
Serenade for Strings, op. 11: III. Scherzo and Trio – Allegro vivace | | | | | | | |
Serenade for Strings, op. 11: IV. Marcia | | | | | | | |
Simple Symphony, op. 4: I. Boisterous Bourrée | | | | | | | |
Simple Symphony, op. 4: II. Playful Pizzicato | | | | | | | |
Simple Symphony, op. 4: III. Sentimental Saraband | | | | | | | |
Simple Symphony, op. 4: IV. Frolicsome Finale | | | | | | | |
St. Paul’s Suite for String Orchestra, op. 29 no. 2: I. Jig. Vivace | | | | | | | |
St. Paul’s Suite for String Orchestra, op. 29 no. 2: II. Ostinato. Presto | | | | | | | |
St. Paul’s Suite for String Orchestra, op. 29 no. 2: III. Intermezzo. Andante con moto - Vivace | | | | | | | |
St. Paul’s Suite for String Orchestra, op. 29 no. 2: IV. Finale (The Dargason). Allegro | | | | | | | |
Summa | | | | | | | |
Tabula rasa: I. Ludus: Con moto | | - Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa
- Göteborgs Symfoniker, Neeme Järvi, Erik Risberg, Adele Anthony, Gil Shaham
- Bournemouth Sinfonietta, Richard Studt, Tasmin Little, Robert Aldwinckle
- Tatjana Grindenko, Gidon Kremer, Alfred Schnittke, Lietuvos kamerinis orkestras, Saulius Sondeckis
- (show 9 more)
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Tabula rasa: II. Silentium: Senza moto | | - Bournemouth Sinfonietta, Richard Studt, Tasmin Little, Robert Aldwinckle
- Göteborgs Symfoniker, Neeme Järvi, Erik Risberg, Adele Anthony, Gil Shaham
- Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa
- Tatjana Grindenko, Gidon Kremer, Alfred Schnittke, Lietuvos kamerinis orkestras, Saulius Sondeckis
- (show 10 more)
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Two Aquarelles: I. Lento, ma non troppo | | | | | | | |
Two Aquarelles: II. Gaily, but not quick | | | | | | | |
Two Icelandic Melodies, op. 30: No. 1. Maestoso | | | | | | | |
Two Icelandic Melodies, op. 30: No. 2. Moderato | | | | | | | |
Two Pieces for Strings from “Henry V”: Passacaglia: Death of Falstaff | | | | | | | |
Two Pieces for Strings from “Henry V”: Touch her soft lips and part | | | | | | | |
Variations on a Theme by Frank Bridge, op. 10: I. Introduction and Theme. Lento maestoso | | | | | | | |
Variations on a Theme by Frank Bridge, op. 10: II. Adagio | | | | | | | |
Variations on a Theme by Frank Bridge, op. 10: III. March. Presto alla marcia | | | | | | | |
Variations on a Theme by Frank Bridge, op. 10: IV. Romance. Allegretto grazioso | | | | | | | |
Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march. Andante ritmico | | | | | | | |
Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana. Allegro brillante | | | | | | | |
Variations on a Theme by Frank Bridge, op. 10: VI. Bourrée classique. Allegro e pesante | | | | | | | |
Variations on a Theme by Frank Bridge, op. 10: VII. Wiener Walzer. Lento - Vivace | | | | | | | |
Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo. Allegro molto | | | | | | | |
Variations on a Theme by Frank Bridge, op. 10: X. Chant. Lento | | | | | | | |
Variations on a Theme by Frank Bridge, op. 10: XI. Fugue and Finale. Allegro molto vivace - Lento e solenne | | | | | | | |