| 5 Fragments for Small Orchestra, op. 42: I. Moderato | | | | | | | |
| 5 Fragments for Small Orchestra, op. 42: II. Andante | | | | | | | |
| 5 Fragments for Small Orchestra, op. 42: III. Largo | | | | | | | |
| 5 Fragments for Small Orchestra, op. 42: IV. Moderato | | | | | | | |
| 5 Fragments for Small Orchestra, op. 42: V. Allegretto | | | | | | | |
| A Celestial Map of the Sky | | | | | | | |
| A Kékszakállú herceg vára: Door 1 "'Jaj! Mit látsz? Mit látsz? Láncok, kések" | | | | | | | |
| A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver" | | | | | | | |
| A Kékszakállú herceg vára: Door 3 "Oh, be sok kincs! Oh, be sok kincs!" | | | | | | | |
| A Kékszakállú herceg vára: Door 4 "Oh! virágok! Oh! ilatoskert!" | | | | | | | |
| A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam" | | | | | | | |
| A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
- (show 18 more)
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| A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
- László Polgár, Chicago Symphony Orchestra, Pierre Boulez
- (show 14 more)
| | | | | |
| A Kékszakállú herceg vára: Opening "Megérkeztünk" | | | | | | | |
| A Mass of Life, part I: I. ‘O Du mein Wille, Du Wende aller Not!’ | | | | | | | |
| A Mass of Life, part I: II. ‘Erhebt eure Herzen, meine Bruder...’ | | | | | | | |
| A Mass of Life, part I: III. ‘In dein Auge schaute ich jüngst, O Leben.’ | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| A Mass of Life, part I: IV. ‘Wehe mir!’ – | | - The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Choir, Benjamin Luxon, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| A Mass of Life, part I: V. ‘Nacht ist es...’ | | - The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Choir, Benjamin Luxon, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| A Mass of Life, part II: I. ‘Herauf! Nun herauf, du großer Mittag!’ | | - The Bach Choir, Andrew Kennedy, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bournemouth Symphony Orchestra, Richard Hickox
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| A Mass of Life, part II: II. ‘Süße Leier! Ich liebe deinen Ton...!’ | | | | | | | |
| A Mass of Life, part II: III. ‘La, la, la!...’ | | - The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Orchestra, Sir Charles Groves
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| A Mass of Life, part II: IV. ‘Heißer Mittag schläft auf den Fluren.’ – | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| A Mass of Life, part II: On the Mountains: Andante – | | | | | | | |
| A Mass of Life, part II: V. ‘Gottes Weh ist tiefer...’ – | | - Alan Opie, Bournemouth Symphony Orchestra, David Hill, The Bach Choir
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Choir, Benjamin Luxon, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| A Mass of Life, part II: VI. ‘Kommt. Laßt uns jetzt wandeln!’ | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| A Shropshire Lad | | | | | | | |
| A Village Romeo and Juliet, Scene 5: IV. The walk to the Paradise Garden | | | | | | | |
| Aallottaret, op. 73 | | | | Symphonic poem | | | |
| Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier) | | | | Aria | | | |
| Aristophanic Suite “The Wasps”: I. Overture | | | | | | | |
| At the Speed of Stillness | | | | | | | |
| Ballet Suite no. 1: I. Lyric Waltz (from Suite no. 1 for Jazz Orchestra) | | | | | | | |
| Cantata for the Twentieth Anniversary of the October Revolution, op. 74: I. Prelude. Moderato – Allegro | | | | | | | |
| Cantata for the Twentieth Anniversary of the October Revolution, op. 74: II. The Philosophers. Andante assai | | | | | | | |
| Cantata for the Twentieth Anniversary of the October Revolution, op. 74: III. Interlude. Allegro – Andante – Adagio | | | | | | | |
| Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IV. "A tight little band". Allegretto | | | | | | | |
| Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IX. Symphony. Allegro energico – Meno mosso | | | | | | | |
| Cantata for the Twentieth Anniversary of the October Revolution, op. 74: V. Interlude. Tempestoso | | | | | | | |
| Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VI. Revolution. Andante non troppo – Più mosso – Allegro moderato – Precipitato – Adagio molto | | | | | | | |
| Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VII. Victory. Andante | | | | | | | |
| Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VIII. The Oath. Andante pesante | | | | | | | |
| Cantata for the Twentieth Anniversary of the October Revolution, op. 74: X. The Constitution. Andante assai – Andante molto | | | | | | | |
| Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) | | | | Aria | | | |
| Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Lucia) | | | | Aria | | | |
| Cello Concerto in E minor, op. 85: I. Adagio – Moderato | | | | | | | |
| Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | | | | | | | |
| Cello Concerto in E minor, op. 85: III. Adagio | | | | | | | |
| Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | | | | | | | |
| Chanson de matin, op. 15 no. 2 | | | | | | | |
| Chanson de nuit, op. 15 no. 1 | | | | | | | |
| Cockaigne (In London Town), op. 40 | | | | Overture | | | |
| Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | | - Marián Lapšanský, Witold Lipinsky, Maria Novak, Dubravka Tomšič, Sylvia van der Linden, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sinfonia Academica, Slovenská filharmónia, Alberto Lizzio, Marko Munih, Bystrík Režucha, Dudley Skinner
- [unknown]
- Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner
- Dinu Lipatti, Philharmonia Orchestra, Herbert von Karajan
- (show 173 more)
| | | | | |
| Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso | | | | | | | |
| Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | | | | | | | |
| Der fliegende Holländer, WWV 63: Ouvertüre | | | | Overture | | | |
| Die Meistersinger von Nürnberg, WWV 96: Akt III, Vorspiel | | | | | | | |
| Die Meistersinger von Nürnberg, WWV 96: Vorspiel | | | | Overture | | | |
| Die Walküre, WWV 86B: Akt II | | | | | | | |
| Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!" | | | | | | | |
| Don Juan | | | | Symphonic poem | | | |
| Dream Children, op. 43: I. Andante | | | | | | | |
| Dream Children, op. 43: II. Allegretto piacevole | | | | | | | |
| En saga, op. 9 | | | | Symphonic poem | | | |
| Et la lune descend sur le temple qui fut | | | | | | | |
| Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt | | | | | | | |
| Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds | | | | | | | |
| Excerpt from Götterdämmerung, WWV 86D: Vorspiel: Siegfrieds Rheinfahrt | | | | | | | |
| Excerpt from Lohengrin, WWV 75: Akt III, Scene III. “In fernem Land, unnahbar euren Schritten” | | | | | | | |
| Excerpt from Parsifal, WWV 111: III. Aufzug, 1. Szene: Karfreitagszauber | | | | | | | |
| Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” | | - Berliner Philharmoniker, Herbert von Karajan
- Birgit Nilsson, Orchester der Bayreuther Festspiele, Karl Böhm
- Kirsten Flagstad, Philharmonia Orchestra, Wilhelm Furtwängler
- Walter Berry, Chor der Deutschen Oper Berlin, Helga Dernesch, Christa Ludwig, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan
- (show 121 more)
| | Aria | | | |
| Excerpt from: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug I, Scene I. Bacchanale | | | | | | | |
| Falstaff, op. 68 | | | | Symphonic poem | | | |
| Fantasia and Fugue in C minor, op. 86, BWV 537: Fantasia | | | | | | | |
| Fantasia and Fugue in C minor, op. 86, BWV 537: Fugue | | | | | | | |
| Fantasia on a Theme by Thomas Tallis | | | | | | | |
| Fantasio : Acte I | | | | | | | |
| Fantasio : Acte I. Ballade « Voyez dans la nuit brune » (Fantasio) | | | | | | | |
| Fantasio : Acte I. Chœur « Vive le roi ! Vive le roi ! » (Chœur) | | | | | | | |
| Fantasio : Acte I. Chœur « Vive le roi! » (Chœur) | | | | | | | |
| Fantasio : Acte I. Chœur de pénitents « Ô Saint-Jean! Ta joyeuse face » (Chœur) | | | | | | | |
| Fantasio : Acte I. Duo « Je médite un projet d’importance! » (Le Prince, Marinoni) | | | | | | | |
| Fantasio : Acte I. Duo « Quel murmure charmant » (Fantasio, Elsbeth) | | | | | | | |
| Fantasio : Acte I. Finale « Tout bruit cesse » (Chœur, Hartmann, Facio, Sparck, Fantasio) | | | | | | | |
| Fantasio : Acte I. Récit et romance « Voilà toute la ville en fête » (Elsbeth) | | | | | | | |
| Fantasio : Acte II | | | | | | | |
| Fantasio : Acte III | | | | | | | |
| Fantasio : Overture | | | | Overture | | | |
| Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga) | | | | Aria | | | |
| Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) | | | | | | | |
| Five Variants of "Dives and Lazarus" | | | | | | | |
| Four Romances on Verses by Pushkin, op. 46b: No. 1. Regeneration | | | | | | | |
| Four Romances on Verses by Pushkin, op. 46b: No. 2. A jealous maiden | | | | | | | |
