| conducted |
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1979-11-05 | Proença: Ai, tantas vètz m'a trach nècis parlars | | | BBC Symphony Orchestra, Mark Elder, Sarah Walker | 2:08 |
1979-11-05 | Proença: Amors vai com la beluja | | | BBC Symphony Orchestra, Mark Elder, Sarah Walker | 5:52 |
1979-11-05 | Proença: Be'm degra de chantar tener | | | BBC Symphony Orchestra, Mark Elder, Sarah Walker | 2:32 |
1979-11-05 | Proença: Clergue si fan pastor | | | BBC Symphony Orchestra, Mark Elder, Sarah Walker | 3:52 |
1979-11-05 | Proença: Douç brais e crits | | | BBC Symphony Orchestra, Mark Elder, Sarah Walker | 4:14 |
1979-11-05 | Proença: En brèu brisarà'l temps braus | | | BBC Symphony Orchestra, Mark Elder, Sarah Walker | 1:19 |
1979-11-05 | Proença: Instrumental | | | BBC Symphony Orchestra, Mark Elder | 1:24 |
1979-11-05 | Proença: L'apostòli'lh legat e'lh cardinal | | | BBC Symphony Orchestra, Mark Elder, Sarah Walker | 1:24 |
1979-11-05 | Proença: L'aura amara | | | BBC Symphony Orchestra, Mark Elder, Sarah Walker | 2:14 |
1979-11-05 | Proença: Quand lo rius de la fontana | | | BBC Symphony Orchestra, Mark Elder, Sarah Walker | 4:32 |
1979-11-05 | Proença: Tot jorn contendi e'm baralh | | | BBC Symphony Orchestra, Mark Elder, Sarah Walker | 4:21 |
1983 | Rigoletto: Act I, Scene I. “I demand to see him” (Monterone, Duke, Rigoletto, Borsa, Marullo, Ceprano, Courtiers) | | | Norman Bailey, Arthur Davies, English National Opera Chorus, Terry Jenkins, Alan Opie, John Rawnsley, Mark Richardson, English National Opera Orchestra, Sir Mark Elder | 4:54 |
1983 | Rigoletto: Act I, Scene I. “If a woman should happen to catch my eye” (Duke) | | | Arthur Davies, English National Opera Orchestra, Sir Mark Elder | 2:06 |
1983 | Rigoletto: Act I, Scene I. “It’s happened! It’s happened!” (Marullo, Chorus, Duke, Rigoletto, Ceprano, Borsa, Courtiers) | | | Arthur Davies, English National Opera Chorus, Terry Jenkins, Alan Opie, John Rawnsley, Mark Richardson, English National Opera Orchestra, Sir Mark Elder | 2:48 |
1983 | Rigoletto: Act I, Scene I. “That pretty girl I’ve been seeing in the city” (Duke, Borsa) | | | Arthur Davies, Terry Jenkins, English National Opera Orchestra, Sir Mark Elder | 1:50 |
1983 | Rigoletto: Act I, Scene I. “You’re going? That’s cruel” (Duke, Countess, Rigoletto, Chorus) | | | Arthur Davies, English National Opera Chorus, Linda McLeod, John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 2:03 |
1983 | Rigoletto: Act I, Scene II. “Ah, do not demand of one so sad” (Rigoletto, Gilda, Giovanna) | | | Helen Field, John Rawnsley, Shelagh Squires, English National Opera Orchestra, Sir Mark Elder | 5:03 |
1983 | Rigoletto: Act I, Scene II. “Gilda!” (Rigoletto, Gilda) | | | Helen Field, John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 2:03 |
1983 | Rigoletto: Act I, Scene II. “Giovanna, I should have told him” (Gilda, Giovanna, Duke) | | | Arthur Davies, Helen Field, Shelagh Squires, English National Opera Orchestra, Sir Mark Elder | 3:12 |
1983 | Rigoletto: Act I, Scene II. “Gualtier Maldè, you were the first to love me… Dearest name of my first love” (Gilda, Borsa, Ceprano, Chorus, Marullo) | | | English National Opera Chorus, Helen Field, Terry Jenkins, Alan Opie, Mark Richardson, English National Opera Orchestra, Sir Mark Elder | 6:20 |
1983 | Rigoletto: Act I, Scene II. “I have returned. But why?” (Rigoletto, Borsa, Ceprano, Marullo) | | | Terry Jenkins, Alan Opie, John Rawnsley, Mark Richardson, English National Opera Orchestra, Sir Mark Elder | 2:19 |
1983 | Rigoletto: Act I, Scene II. “Love is the source of life, love is our sunlight” (Duke, Gilda, Ceprano, Borsa, Giovanna) | | | Arthur Davies, Helen Field, Terry Jenkins, Mark Richardson, Shelagh Squires, English National Opera Orchestra, Sir Mark Elder | 5:28 |
1983 | Rigoletto: Act I, Scene II. “Oh, dear Giovanna, guard my daughter” (Rigoletto, Gilda, Giovanna, Duke) | | | Arthur Davies, Helen Field, John Rawnsley, Shelagh Squires, English National Opera Orchestra, Sir Mark Elder | 5:46 |
1983 | Rigoletto: Act I, Scene II. “Softly, softly we move in to get her” (All, Gilda, Chorus, Rigoletto) | | | English National Opera Chorus, Helen Field, John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 3:02 |
1983 | Rigoletto: Act I, Scene II. “The old man laid his curse on me!” (Rigoletto, Sparafucile) | | | John Rawnsley, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 5:11 |
1983 | Rigoletto: Act I, Scene II. “We are equals” (Rigoletto) | | | John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 3:52 |
1983 | Rigoletto: Act II. “Filthy rabble, you liars, you cowards” (Rigoletto) | | | John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 4:32 |
1983 | Rigoletto: Act II. “I’ve one thing to do here before I am finished” (Rigoletto, Gilda, Henchman, Monterone) | | | Norman Bailey, Helen Field, John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 1:13 |
1983 | Rigoletto: Act II. “My father!” (Gilda, Rigoletto, All) | | | Helen Field, John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 1:29 |
1983 | Rigoletto: Act II. “Old man, you’re mistaken” (Rigoletto, Gilda) | | | Helen Field, John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 2:16 |
1983 | Rigoletto: Act II. “Poor little Rigoletto…” (Marullo, Rigoletto, Chorus, Ceprano, Secretary, Borsa) | | | English National Opera Chorus, Terry Jenkins, Alan Opie, John Rawnsley, Mark Richardson, English National Opera Orchestra, Sir Mark Elder | 3:35 |
1983 | Rigoletto: Act II. “Somebody came and stole her but when?” (Duke) | | | Arthur Davies, English National Opera Orchestra, Sir Mark Elder | 2:31 |
1983 | Rigoletto: Act II. “Somewhere I see you weeping” (Duke, All) | | | Arthur Davies, English National Opera Orchestra, Sir Mark Elder | 3:05 |
1983 | Rigoletto: Act II. “Speak now. They’ve left us” (Rigoletto, Gilda) | | | Helen Field, John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 7:21 |
1983 | Rigoletto: Act II. “The power of love is calling” (Duke, All) | | | Arthur Davies, English National Opera Chorus, Terry Jenkins, Alan Opie, Mark Richardson, English National Opera Orchestra, Sir Mark Elder | 3:13 |
1983 | Rigoletto: Act II. “We went to look for her last night together” (All, Duke) | | | Arthur Davies, English National Opera Chorus, Terry Jenkins, Alan Opie, Mark Richardson, English National Opera Orchestra, Sir Mark Elder | 2:00 |
1983 | Rigoletto: Act III. “Ah, soon, in Heaven” (Gilda, Rigoletto) | | | Helen Field, John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 3:23 |
1983 | Rigoletto: Act III. “But who can be inside here?” (Rigoletto, Gilda) | | | Helen Field, John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 2:02 |
1983 | Rigoletto: Act III. “Eighty dollars you were asking” (Rigoletto, Sparafucile, Duke, Maddalena) | | | Arthur Davies, John Rawnsley, Jean Rigby, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 2:22 |
1983 | Rigoletto: Act III. “He’s such a young man, handsome and friendly” (Maddalena, Duke, Sparafucile) | | | Arthur Davies, English National Opera Chorus, Jean Rigby, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 2:33 |
1983 | Rigoletto: Act III. “He’s there, murdered, oh yes” (Rigoletto, Duke) | | | Arthur Davies, John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 2:21 |
1983 | Rigoletto: Act III. “I cannot think clearly” (Gilda, Maddalena, Sparafucile) | | | English National Opera Chorus, Helen Field, Jean Rigby, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 6:22 |
1983 | Rigoletto: Act III. “If you want a faithful lover” (Duke, Maddalena, Gilda, Rigoletto) | | | Arthur Davies, Helen Field, John Rawnsley, Jean Rigby, English National Opera Orchestra, Sir Mark Elder | 4:40 |
1983 | Rigoletto: Act III. “It’s all my fault” (Gilda, Rigoletto) | | | Helen Field, John Rawnsley, English National Opera Orchestra, Sir Mark Elder | 1:29 |
1983 | Rigoletto: Act III. “Now for my vengeance, now the moment is ready” (Rigoletto, Sparafucile) | | | John Rawnsley, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 2:53 |
1983 | Rigoletto: Act III. “When first I came to talk to you” (Duke, Gilda, Maddalena, Rigoletto) | | | Arthur Davies, Helen Field, John Rawnsley, Jean Rigby, English National Opera Orchestra, Sir Mark Elder | 1:33 |
1983 | Rigoletto: Act III. “Women abandon us” (Duke, Sparafucile, Rigoletto) | | | Arthur Davies, John Rawnsley, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 3:04 |
1983 | Rigoletto: Act III. “You love him?” (Rigoletto, Gilda, Duke, Sparafucile) | | | Arthur Davies, Helen Field, John Rawnsley, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | 2:24 |
1983 | Rigoletto: Prelude | | | English National Opera Orchestra, Sir Mark Elder | 2:34 |
1985-12-13 | Ringed by the Flat Horizon | Mark Elder | | Ross Pople, BBC Symphony Orchestra, Mark Elder | 19:48 |
1989-08-06 | The Oceanides - Tone Poem, op. 73 | Mark Elder | | National Youth Orchestra of Great Britain, Mark Elder | 10:00 |
1990-04-19 – 1990-04-20 | "The Mastersingers of Nuremberg": Prelude to Act I | | | London Philharmonic Orchestra, Sir Mark Elder | 9:49 |
1990-04-19 – 1990-04-20 | "The Valkyrie": The Ride of the Valkyries | | | London Philharmonic Orchestra, Sir Mark Elder | 5:41 |
1990-04-19 – 1990-04-20 | Lohengrin - Prelude to Act III | | | London Philharmonic Orchestra, Sir Mark Elder | 3:23 |
1990-04-19 – 1990-04-20 | Tannhauser - Overture | | | London Philharmonic Orchestra, Sir Mark Elder | 10:20 |
1990-04-19 – 1990-04-20 | Tannhauser - Venusberg Music | | | London Philharmonic Orchestra, Sir Mark Elder | 12:31 |
1990-04-19 – 1990-04-20 | The Flying Dutchman - Overture | | | London Philharmonic Orchestra, Sir Mark Elder | 11:10 |
1990-04-19 – 1990-04-20 | The Mastersingers Of Nuremberg - Prelude To Act II | | | London Philharmonic Orchestra, Sir Mark Elder | 6:18 |
1992-01-11 | Duke Bluebeard’s Castle, Fifth Door: Expansive Domains | | | Gwynne Howell, Sally Burgess, BBC National Orchestra of Wales, Mark Elder | 6:47 |
1992-01-11 | Duke Bluebeard’s Castle, First Door: The Torture Chamber | | | Gwynne Howell, Sally Burgess, BBC National Orchestra of Wales, Mark Elder | 4:41 |
1992-01-11 | Duke Bluebeard’s Castle, Fourth Door: The Garden of Flowers | | | Gwynne Howell, Sally Burgess, BBC National Orchestra of Wales, Mark Elder | 4:52 |
1992-01-11 | Duke Bluebeard’s Castle, Prologue: Auguries of Darkness and Desire | | | Gwynne Howell, Sally Burgess, BBC National Orchestra of Wales, Mark Elder | 3:16 |
1992-01-11 | Duke Bluebeard’s Castle, Second Door: The Armoury | | | Gwynne Howell, Sally Burgess, BBC National Orchestra of Wales, Mark Elder | 4:17 |
1992-01-11 | Duke Bluebeard’s Castle, Seventh Door | | | Gwynne Howell, Sally Burgess, BBC National Orchestra of Wales, Mark Elder | 9:48 |
1992-01-11 | Duke Bluebeard’s Castle, Sixth Door: The Lake of Tears | | | Gwynne Howell, Sally Burgess, BBC National Orchestra of Wales, Mark Elder | 13:52 |
1992-01-11 | Duke Bluebeard’s Castle, The Arrival | | | Gwynne Howell, Sally Burgess, BBC National Orchestra of Wales, Mark Elder | 15:22 |
1992-01-11 | Duke Bluebeard’s Castle, Third Door: The Treasury | | | Gwynne Howell, Sally Burgess, BBC National Orchestra of Wales, Mark Elder | 2:18 |
1994-03-26 | Short Ride in a Fast Machine | | | BBC National Orchestra of Wales, Sir Mark Elder | 4:40 |
1994-06-15 | Hamlet (1954 Production): Finale | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:34 |
1994-06-15 | Hamlet (1954 Production): Gigue | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:37 |
1994-06-15 | Hamlet, op. 32: Act 1: Dinner Music | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:37 |
1994-06-15 | Hamlet, op. 32: Act 1: Flourish and Dance Music / Finale of Act 1 | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 2:36 |
1994-06-15 | Hamlet, op. 32: Act 1: Funeral March / Exit of the King and Queen | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 2:05 |
1994-06-15 | Hamlet, op. 32: Act 1: Prelude and Night Patrol / Shepherd's Horn | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 3:08 |
1994-06-15 | Hamlet, op. 32: Act 2: Hamlet and Rosencrantz's Scene | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 0:44 |
1994-06-15 | Hamlet, op. 32: Act 2: Hamlet and the Small Boys Walking Past / Ophelia and Polonius' Gallop | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:00 |
1994-06-15 | Hamlet, op. 32: Act 2: Rosencrantz and Guildenstern's (dialogue) | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 0:51 |
1994-06-15 | Hamlet, op. 32: Act 2: The Actors' Arrival / Exit of Polonius, Rosencrantz and Guildenstern | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 0:50 |
1994-06-15 | Hamlet, op. 32: Act 2: The Hunt | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:48 |
1994-06-15 | Hamlet, op. 32: Act 3: And Thou Shalt Live Etc. | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 2:07 |
1994-06-15 | Hamlet, op. 32: Act 3: Hamlet Carries Off Body of Polonius (I and II) | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:17 |
1994-06-15 | Hamlet, op. 32: Act 3: Love Scene of the Player / King and Player / Queen | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 0:28 |
1994-06-15 | Hamlet, op. 32: Act 3: Pantomime | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:05 |
1994-06-15 | Hamlet, op. 32: Act 3: Prelude | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 0:40 |
1994-06-15 | Hamlet, op. 32: Act 3: Scene With a Recorder / Episode After Scene With Recorder | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 0:47 |
1994-06-15 | Hamlet, op. 32: Act 3: The Guest's Entrance | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:17 |
1994-06-15 | Hamlet, op. 32: Act 3: The Poisoner's Entrance / Poisoning Music | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:28 |
1994-06-15 | Hamlet, op. 32: Act 3: The Tuning of the Instruments | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 0:57 |
1994-06-15 | Hamlet, op. 32: Act 4: Can-Can | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:14 |
1994-06-15 | Hamlet, op. 32: Act 4: Fortinbras' Trumpet Calls | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 0:38 |
1994-06-15 | Hamlet, op. 32: Act 4: Lullaby | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:23 |
1994-06-15 | Hamlet, op. 32: Act 4: Ophelia's Ditty | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:43 |
1994-06-15 | Hamlet, op. 32: Act 4: Romance Sung at the Feast | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:33 |
1994-06-15 | Hamlet, op. 32: Act 4: The Feast | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:33 |
1994-06-15 | Hamlet, op. 32: Act 4: The King Distracts the Queen / Fight | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:01 |
1994-06-15 | Hamlet, op. 32: Act 4: The King Is Brought On / Claudius' Monologue | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:38 |
1994-06-15 | Hamlet, op. 32: Act 5: Fortinbras' March | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 2:04 |
1994-06-15 | Hamlet, op. 32: Act 5: Introduction to the Graveyard Scene / Gravedigger's Song | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 1:23 |
1994-06-15 | Hamlet, op. 32: Act 5: Joust | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 2:37 |
1994-06-15 | Hamlet, op. 32: Act 5: The Beggars Passing By / Requiem | Mark Elder | | City of Birmingham Symphony Orchestra, Mark Elder | 3:29 |
| See all 1,137 relationships |
| vocals |
---|
| Song (read by Mark Elder) | | spoken vocals | Percy Bysshe Shelley | 2:05 |
| conducted |
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| Elgar: The Apostles | | | Hallé & Sir Mark Elder | |