|
composer |
|
|
Chicken Wings
|
|
|
|
Gravy Waltz
|
|
|
|
I Know You, Oh So Well
|
|
|
|
One Bass Hit
|
|
|
|
Orange, Brown and Green
|
|
|
|
That's Earl, Brother
|
|
|
instrument |
|
1946-02-05 |
Diggin' Diz
|
double bass / contrabass / acoustic upright bass
|
Dizzy Gillespie Jazzmen
|
|
1947-12 |
The Bird
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker Quartet
|
|
1949-11-30 |
April in Paris
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1949-11-30 |
Everything Happens to Me
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1949-11-30 |
I Didn't Know What Time It Was
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1949-11-30 |
If I Should Lose You
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1949-11-30 |
Just Friends
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker with Strings
|
|
1949-11-30 |
Summertime
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1950-07 |
Dancing in the Dark
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1950-07 |
East of the Sun (and West of the Moon)
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1950-07 |
Easy to Love
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1950-07 |
I'll Remember April
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1950-07 |
I'm in the Mood for Love
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1950-07 |
Laura
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1950-07 |
Out of Nowhere
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1950-07 |
They Can't Take That Away From Me
|
double bass / contrabass / acoustic upright bass
|
Charlie Parker
|
|
1956-08-16 |
A Foggy Day
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
1956-08-16 |
April in Paris
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
1956-08-16 |
Can't We Be Friends
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
1956-08-16 |
Isn't This a Lovely Day
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
1956-08-16 |
Moonlight in Vermont
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
1956-08-16 |
Stars Fell on Alabama
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
1956-08-16 |
Tenderly
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
1956-08-16 |
The Nearness of You
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
1956-08-16 |
They Can't Take That Away From Me
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
1956-08-16 |
Under a Blanket of Blue
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
1957-03-07 |
Come, Gone
|
double bass / contrabass / acoustic upright bass
|
Sonny Rollins
|
|
1957-03-07 |
Come, Gone (alternate take)
|
double bass / contrabass / acoustic upright bass
|
Sonny Rollins
|
|
1957-03-07 |
I'm an Old Cowhand
|
double bass / contrabass / acoustic upright bass
|
Sonny Rollins
|
|
1957-03-07 |
I'm an Old Cowhand (alternate take)
|
double bass / contrabass / acoustic upright bass
|
Sonny Rollins
|
|
1957-03-07 |
Solitude
|
double bass / contrabass / acoustic upright bass
|
Sonny Rollins
|
|
1957-03-07 |
There Is No Greater Love
|
double bass / contrabass / acoustic upright bass
|
Sonny Rollins
|
|
1957-03-07 |
Wagon Wheels
|
double bass / contrabass / acoustic upright bass
|
Sonny Rollins
|
|
1957-03-07 |
Way Out West
|
double bass / contrabass / acoustic upright bass
|
Sonny Rollins
|
|
1957-03-07 |
Way Out West (alternate take)
|
double bass / contrabass / acoustic upright bass
|
Sonny Rollins
|
|
1957-07-23 |
Stompin' at the Savoy
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Ella Fitzgerald
|
|
1957-08-13 |
I'm Putting All My Eggs in One Basket
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
1957-10-17 |
In a Mellow Tone
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
1957-10-17 |
Love You Madly
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
1957-10-17 |
Lush Life
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
1957-10-17 |
Mood Indigo
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
1957-10-17 |
Squatty Roo
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
1957-10-19 |
Blues in the Closet
|
double bass / contrabass / acoustic upright bass
|
Stan Getz and J. J. Johnson
|
|
1959-07-15 – 1959-08-09 |
Ol' Man River
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson Trio
|
|
1980-03-10 |
Chicken Wings
|
double bass / contrabass / acoustic upright bass
|
Dizzy Gillespie, Freddie Hubbard, Clark Terry, Oscar Peterson, Ray Brown, Joe Pass & Bobby Durham
|
|
1980-03-10 |
Daahoud
|
double bass / contrabass / acoustic upright bass
|
Dizzy Gillespie, Freddie Hubbard, Clark Terry, Oscar Peterson, Ray Brown, Joe Pass & Bobby Durham
|
|
1980-03-10 |
Just Friends
|
double bass / contrabass / acoustic upright bass
|
Dizzy Gillespie, Freddie Hubbard, Clark Terry, Oscar Peterson, Ray Brown, Joe Pass & Bobby Durham
|
|
1980-03-10 |
The Champ
|
double bass / contrabass / acoustic upright bass
|
Dizzy Gillespie, Freddie Hubbard, Clark Terry, Oscar Peterson, Ray Brown, Joe Pass & Bobby Durham
|
|
1980-09-23 – 1980-09-26 |
Concepts in Blue
|
double bass / contrabass / acoustic upright bass
|
J. J. Johnson
|
|
1980-09-23 – 1980-09-26 |
Mohawk
|
double bass / contrabass / acoustic upright bass
|
J. J. Johnson
|
|
1980-09-23 – 1980-09-26 |
Villlage Blues
|
double bass / contrabass / acoustic upright bass
|
J. J. Johnson
|
|
|
'round Midnight
|
bass
|
Milt Jackson
|
|
|
'Round Midnight
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
'Round Midnight
|
bass
|
Oscar Peterson
|
|
|
(I Can't Get No) Satisfaction
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
(I Don't Stand a) Ghost of a Chance With You
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
(Meet The) Flintstones
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
9:20 Special
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
A Ballad
|
bass
|
Gerry Mulligan
|
|
|
A Beautiful Friendship
|
bass
|
Milt Jackson & Ray Brown
|
|
|
A Child Is Born
|
bass
|
Bill Evans
|
|
|
A Fine Romance
|
bass
|
Oscar Peterson
|
|
|
A Fine Romance
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
A Foggy Day
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
A Foggy Day
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
A Matter of Adjustment
|
bass
|
Milt Jackson
|
|
|
A Simple Tune
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis
|
|
|
A Sleepin' Bee
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
A Sleeping Bee
|
bass
|
Oscar Peterson
|
|
|
A Smooth One
|
bass
|
Herb Ellis
|
|
|
A Sound for Sore Ears
|
bass
|
Milt Jackson with
|
|
|
A Time for Love
|
bass
|
Milt Jackson
|
|
|
A Time for Love
|
bass
|
Ray Brown
|
|
|
A Time for Love
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
A Very Hip Rock and Roll Tune
|
bass
|
Hank Jones
|
|
|
A Wonderful Guy
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
After School
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
After You've Gone
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Ain't but a Few of Us Left
|
bass
|
Milt Jackson
|
|
|
Ain't Misbehavin'
|
bass
|
Milt Jackson
|
|
|
Ain't Misbehavin'
|
cello, double bass / contrabass / acoustic upright bass
|
Ray Brown
|
|
|
Ain't Misbehavin'
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Ain't That Nothin'
|
bass
|
Milt Jackson, Ray BrownCedar WaltonMickey Roker
|
|
|
Air on a G String
|
bass
|
Ray Brown & Laurindo Almeida
|
|
|
Algo Bueno
|
bass
|
Roy Eldridge & Dizzy Gillespie
|
|
|
Alice Blue Gown
|
cello, double bass / contrabass / acoustic upright bass
|
Ray Brown
|
|
|
Alison
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
All at Once You Love Her
|
bass
|
Kai Winding & J. J. Johnson
|
|
|
All of Me
|
bass
|
Flip Phillips
|
|
|
All of Me
|
bass
|
Roy Eldridge
|
|
|
All That Jazz
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
All the Things You Are
|
bass
|
André Previn with Joe Pass & Ray Brown
|
|
|
All Too Soon
|
bass
|
Milt Jackson, Ray Brown, Joe Pass & Mickey Roker
|
|
|
Almost Like Being in Love
|
cello, double bass / contrabass / acoustic upright bass
|
Ray Brown
|
|
|
Almost Like Being in Love
|
bass
|
Flip Phillips
|
|
|
Alone Together
|
bass
|
Hank Jones
|
|
|
Alone Together
|
bass
|
Ray Brown
|
|
|
Am I Blue
|
bass
|
Linda Ronstadt with Nelson Riddle and His Orchestra
|
|
|
America the Beautiful
|
bass
|
Ray Brown
|
|
|
Anything Goes
|
bass
|
Gerry Mulligan
|
|
|
Anything Goes
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
April in Paris
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
April in Paris
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald & Oscar Peterson
|
|
|
April in Paris
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
April in Paris
|
bass
|
Lionel Hampton Quintet
|
|
|
Autumn Breeze
|
bass
|
The Modern Jazz Quartet
|
|
|
Autumn in New York
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Autumn Leaves
|
bass
|
Oscar Peterson
|
|
|
B.W. Blues
|
bass
|
Sonny Stitt
|
|
|
Baby, Don't You Quit Now
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
Bad News Blues
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Bags' Groove
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Bags' Groove
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Bags' Groove
|
bass
|
Hank Jones
|
|
|
Bags' Groove
|
bass
|
Ray Brown
|
|
|
Bags' Groove
|
bass
|
Milt Jackson
|
|
|
Ballad Medley (I'm Through With Love, Can't We Be Friends, Don't You Think, I Don't Know Why (I Just Do), If I Had To)
|
bass
|
Roy Eldridge & Dizzy Gillespie
|
|
|
Ballade: Lush Life / Lullaby of the Leaves / Makin' Whoopee / It Never Entered My Mind
|
bass
|
Stan Getz, Gerry Mulligan, Harry Edison & Louis Bellson and The Oscar Peterson Trio
|
|
|
Balloons
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Band Call
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Barbara's Blues
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson & Benny Green
|
|
|
Basella
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Bass Blues
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Bass Face
|
bass
|
Bill Evans
|
|
|
Be-Bop
|
bass
|
Bud Powell
|
|
|
Beautiful Love
|
bass
|
Ray Brown & Laurindo Almeida
|
|
|
Bebop
|
bass
|
Dizzy Gillespie / Stan Getz / Sonny Stitt
|
|
|
Bebop (Dizzy's Fingers)
|
bass
|
Dizzy Gillespie
|
|
|
Begin the Beguine
|
bass
|
Coleman Hawkins
|
|
|
Bernie's Tune
|
bass
|
Gene Krupa & Buddy Rich
|
|
|
Bess, You Is My Woman Now
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Better Days
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Between the Devil and the Deep Blue Sea
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
Between the Devil and the Deep Blue Sea
|
bass
|
The Modern Jazz Quartet
|
|
|
Big Mouth
|
bass
|
Milt Jackson
|
|
|
Big Stockings
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Oscar Peterson
|
|
|
Bill
|
bass
|
Oscar Peterson
|
|
|
Bill Basie Won't You Please Come Home
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
Billie's Bounce
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & J.J. Johnson
|
|
|
Billie's Bounce
|
bass
|
Stan Getz & J.J. Johnson
|
|
|
Billie's Bounce
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & J.J. Johnson
|
|
|
Billie's Bounce
|
bass
|
Stan Getz & J.J. Johnson
|
|
|
Birk's Works
|
bass
|
Dizzy Gillespie
|
|
|
Birth of the Blues
|
bass
|
Flip Phillips
|
|
|
Blue and Sentimental
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Blue Bossa
|
bass
|
Milt Jackson, Joe Pass & Ray Brown
|
|
|
Blue Monk
|
bass
|
Milt Jackson
|
|
|
Blue Moon
|
bass
|
Roy Eldridge & Dizzy Gillespie
|
|
|
Blue Sky
|
bass
|
Ray Brown & Laurindo Almeida
|
|
|
Blues Around the Clock
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Joe Turner
|
|
|
Blues for Bags
|
bass
|
Sonny Stitt
|
|
|
Blues for Basie
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Blues for Big Scotia
|
bass
|
Oscar Peterson
|
|
|
Blues for Clyde
|
bass
|
Milt Jackson
|
|
|
Blues for Dennis
|
bass
|
Oscar Peterson, Joe Pass & Ray Brown
|
|
|
Blues for Dewey
|
bass
|
Monty Alexander
|
|
|
Blues for Eddie Lee
|
bass
|
Ray Brown
|
|
|
Blues for Edith
|
bass
|
Milt Jackson
|
|
|
Blues for Groundhog
|
bass
|
Milt Jackson
|
|
|
Blues for Junior
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Blues for Mr. Charlie
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
Blues for Rene
|
bass
|
Coleman Hawkins
|
|
|
Blues for Rene
|
bass
|
Coleman Hawkins
|
|
|
Blues for Roberta
|
bass
|
Milt Jackson
|
|
|
Blues for Sammy
|
bass
|
Milt Jackson, Joe Pass & Ray Brown
|
|
|
Blues for Smedley
|
bass
|
The Oscar Peterson Trio
|
|
|
Blues for the Stone
|
bass
|
Milt Jackson
|
|
|
Blues for Tomi-Oka
|
bass
|
Milt Jackson
|
|
|
Blues for Yolande
|
bass
|
Coleman Hawkins & Ben Webster
|
|
|
Blues for Yolande
|
double bass / contrabass / acoustic upright bass
|
Ben Webster & Coleman Hawkins
|
|
|
Blues for Yolande (mono)
|
double bass / contrabass / acoustic upright bass
|
Ben Webster & Coleman Hawkins
|
|
|
Blues for Yolande (preliminary takes)
|
double bass / contrabass / acoustic upright bass
|
Ben Webster & Coleman Hawkins
|
|
|
Blues in My Heart
|
bass
|
Milt Jackson
|
|
|
Blues in the Closet
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & J.J. Johnson
|
|
|
Blues in the Closet
|
bass
|
Stan Getz & J.J. Johnson
|
|
|
Blues in the Closet
|
bass
|
Stan Getz & J.J. Johnson
|
|
|
Blues in the Closet
|
bass
|
Bud Powell
|
|
|
Blues in the Closet
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & J.J. Johnson
|
|
|
Blues in the Night (My Mama Done Tol' Me)
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
Blues'd Out
|
bass
|
Ray Brown
|
|
|
Bluesology
|
bass
|
The Modern Jazz Quartet
|
|
|
Body and Soul
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Body and Soul
|
bass
|
Milt Jackson
|
|
|
Boogie Woogie
|
bass
|
Ben Webster
|
|
|
Bossa Beguine
|
bass
|
Oscar Peterson
|
|
|
Bossa Nouveau
|
bass
|
Hank Jones
|
|
|
Bossa Nova Medley: Estate / Manha de Carnival / Recoda Bossa Nova
|
bass
|
Ray Brown
|
|
|
Braddock Breakdown
|
bass
|
Milt Jackson with
|
|
|
Broadway
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Brotherhood of Man
|
bass
|
The Oscar Peterson Trio
|
|
|
Brown Bossa
|
bass
|
Ray Brown
|
|
|
Budd Johnson
|
bass
|
Ben Webster
|
|
|
Buddy's Blues
|
bass
|
Gene Krupa & Buddy Rich
|
|
|
Buns Blues
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Oscar Peterson
|
|
|
Burnin'
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Oscar Peterson
|
|
|
Burning Spear
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
But Beautiful
|
cello, double bass / contrabass / acoustic upright bass
|
Ray Brown
|
|
|
But Not for Me
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Bye Bye Blackbird
|
bass
|
Ray Henderson
|
|
|
Bye Bye Blackbird
|
bass
|
Ray Brown
|
|
|
Bye-Bye, Blackbird
|
bass
|
Ben Webster
|
|
|
C Jam Blues
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
C Jam Blues
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
C.M.J.
|
bass
|
Milt Jackson & Ray Brown
|
|
|
Can't Help Lovin' Dat Man
|
bass
|
Oscar Peterson
|
|
|
Can’t We Be Friends
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Candy
|
bass
|
Stan Getz, Gerry Mulligan, Harry Edison & Louis Bellson and The Oscar Peterson Trio
|
|
|
Captain Bill
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Caravan
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Caravan
|
bass
|
Milt Jackson, Ray Brown, Joe Pass & Mickey Roker
|
|
|
Caravan
|
bass
|
Ray Brown
|
|
|
Caravan
|
bass
|
Oscar Peterson, Joe Pass & Ray Brown
|
|
|
Caravan
|
bass
|
Sarah Vaughan,
|
|
|
Caravan
|
bass
|
Milt Jackson
|
|
|
Cheek to Cheek
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Cheek to Cheek
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Cherry Red
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Joe Turner
|
|
|
Chicago
|
bass
|
Louis Bellson, Ray Brown & Paul Smith
|
|
|
Children's Tune
|
bass
|
Oscar Peterson
|
|
|
Chocolate Sundae
|
bass
|
Stan Getz, Gerry Mulligan, Harry Edison & Louis Bellson and The Oscar Peterson Trio
|
|
|
Cleveland Blues
|
bass
|
Sonny Stitt
|
|
|
Clo's Blues
|
double bass / contrabass / acoustic upright bass
|
Jazz at the Philharmonic All-Stars
|
|
|
Close Enough for Love
|
bass
|
Milt Jackson, Ray BrownCedar WaltonMickey Roker
|
|
|
Cocktails for Two
|
bass
|
Coleman Hawkins & Ben Webster
|
|
|
Come on Back
|
bass
|
Benny Carter
|
|
|
Come Rain or Come Shine
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
Come Sunday
|
bass
|
Milt Jackson, Joe Pass & Ray Brown
|
|
|
Come Sunday
|
bass
|
Sarah Vaughan,
|
|
|
Come Sunday
|
bass
|
Milt Jackson
|
|
|
Come Sunday
|
bass
|
Oscar Peterson
|
|
|
Come Sunday
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
Come to Me
|
bass
|
Milt Jackson
|
|
|
Come, Gone
|
bass
|
Sonny Rollins
|
|
|
Come, Gone (alternate take)
|
bass
|
Sonny Rollins
|
|
|
Comes Love
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Concord Blues
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Concorde
|
bass
|
Milt Jackson
|
|
|
Consider
|
bass
|
Monty Alexander
|
|
|
Conversations
|
bass
|
Herb Ellis
|
|
|
Corcovado (Quiet Nights of Quiet Stars)
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Cotton Tail
|
bass
|
André Previn with Joe Pass & Ray Brown
|
|
|
Crazy Rhythm
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & J.J. Johnson
|
|
|
Crazy Rhythm
|
bass
|
Stan Getz & J.J. Johnson
|
|
|
Crazy Rhythm
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & J.J. Johnson
|
|
|
Crazy Rhythm
|
bass
|
Stan Getz & J.J. Johnson
|
|
|
D & E
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
D & E
|
bass
|
The Modern Jazz Quartet
|
|
|
D.B. Blues
|
bass
|
Milt Jackson
|
|
|
Daahoud
|
bass
|
Oscar Peterson
|
|
|
Dancing on the Ceiling
|
bass
|
Hank Jones
|
|
|
Dark Eyes
|
bass
|
Dizzy Gillespie / Stan Getz / Sonny Stitt
|
|
|
Dark Eyes (alternate take)
|
bass
|
Dizzy Gillespie / Stan Getz / Sonny Stitt
|
|
|
Day Dream / Prelude to a Kiss
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
Days of Wine and Roses
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Days of Wine and Roses
|
bass
|
Milt Jackson
|
|
|
De-Dar
|
bass
|
Ben Webster
|
|
|
Detour Ahead
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis
|
|
|
Dew and Mud
|
bass
|
Ray Brown /
|
|
|
Django
|
bass
|
Milt Jackson
|
|
|
Django
|
bass
|
Oscar Peterson
|
|
|
Do Nothin' Till You Hear From Me
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Do Nothin' Till You Hear From Me
|
bass
|
Duke Ellington & Ray Brown
|
|
|
Don't Be That Way
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Don't Be That Way
|
bass
|
Lionel Hampton Quintet
|
|
|
Don't Forget the Blues
|
bass
|
Ray Brown
|
|
|
Don't Get Around Much Anymore
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Don't Worry 'Bout Me
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Don't Worry 'Bout Me
|
bass
|
Milt Jackson
|
|
|
Don’t Be That Way
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Doolin'
|
bass
|
Barney Kessel
|
|
|
Doozy
|
bass
|
Benny Carter
|
|
|
Double B
|
bass
|
Milt Jackson
|
|
|
Downwind
|
bass
|
Art Farmer
|
|
|
Dream a Little Dream of Me
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
Dream of You
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
Easter Parade
|
bass
|
Herb Ellis
|
|
|
Easy Does It
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Easy Does It
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Easy Does It
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson & Benny Green
|
|
|
Easy Living
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Easy to Love
|
bass
|
Oscar Peterson
|
|
|
Echoes of Harlem
|
bass
|
Sarah Vaughan,
|
|
|
Edison Lights
|
bass
|
Herb Ellis
|
|
|
Ellington Medley: Things Ain't What They Used to Be / Take the "A" Train / Mood Indigo / Rain Check
|
bass
|
Ray Brown
|
|
|
Ellis in Wonderland
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis
|
|
|
Ellis Original
|
bass
|
Herb Ellis
|
|
|
Elogie
|
bass
|
Bud Powell
|
|
|
Emily
|
bass
|
Ray Brown
|
|
|
Enchanted Lady
|
bass
|
Milt Jackson with
|
|
|
Ev'ry Time We Say Goodbye
|
bass
|
Oscar Peterson
|
|
|
Everything Happens to Me
|
bass
|
Louis Bellson, Ray Brown & Paul Smith
|
|
|
Exactly Like You
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & Dizzy Gillespie
|
|
|
Exactly Like You
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Oscar Peterson
|
|
|
Eyes of Love
|
bass
|
Oscar Peterson, Joe Pass & Ray Brown
|
|
|
Fantastic, That's You
|
bass
|
Benny Carter
|
|
|
Feelings
|
bass
|
Milt Jackson
|
|
|
Fifty-Second Street Theme
|
bass
|
Bud Powell
|
|
|
Fine and Mellow
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Five O'Clock Whistle
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
Flip, Flop, and Fly
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Joe Turner
|
|
|
Flippery
|
bass
|
Milt Jackson & Ray Brown
|
|
|
Flute Salad
|
bass
|
Oliver Nelson
|
|
|
Flying Down Baja
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Flying Home
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Flying Home
|
bass
|
Lionel Hampton Quintet
|
|
|
For All We Know
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson & Benny Green
|
|
|
For Someone I Love
|
bass
|
Ray Brown /
|
|
|
Four Plus Four
|
bass
|
Kai Winding & J. J. Johnson
|
|
|
Fragmented Suite for Piano and Bass: First Movement
|
bass
|
Duke Ellington & Ray Brown
|
|
|
Fragmented Suite for Piano and Bass: Fourth Movement
|
bass
|
Duke Ellington & Ray Brown
|
|
|
Fragmented Suite for Piano and Bass: Second Movement
|
bass
|
Duke Ellington & Ray Brown
|
|
|
Fragmented Suite for Piano and Bass: Third Movement
|
bass
|
Duke Ellington & Ray Brown
|
|
|
Fred
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Free Sample
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Frelimo
|
bass
|
Dizzy Gillespie
|
|
|
Fungi Mama
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Gee Baby Ain't I Good to You
|
bass
|
Roy Eldridge
|
|
|
Gee Baby, Ain't I Good to You
|
bass
|
Herb Ellis
|
|
|
Gene's Blues
|
bass
|
Gene Krupa & Buddy Rich
|
|
|
Georgia
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Georgia on My Mind
|
bass
|
Ray Brown
|
|
|
Georgia on My Mind
|
bass
|
Herb Ellis
|
|
|
Georgia on My Mind
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Get Happy
|
bass
|
La Velle
|
|
|
Girl of My Dreams
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & Dizzy Gillespie
|
|
|
Good Mornin' Blues
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Joe Turner
|
|
|
Good Morning Heartache
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
Good News Blues
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Good Queen Bess
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
Goodbye
|
bass
|
Oscar Peterson
|
|
|
Goodbye, J.D.
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Gotcha!
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Green Dolphin Street
|
bass
|
Herb Ellis
|
|
|
Green Dolphin Street
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
Grooveyard
|
bass
|
Milt Jackson
|
|
|
Groovin'
|
bass
|
Milt Jackson
|
|
|
Happiness Is the Concord Jazz Festival
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Happy Go Lucky Local
|
bass
|
Sarah Vaughan,
|
|
|
Hard Times
|
bass
|
Monty Alexander
|
|
|
Have You Met Miss Jones?
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis
|
|
|
Have You Met Miss Jones?
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Head Start
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Heartstrings
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
Heartstrings
|
bass
|
Milt Jackson
|
|
|
Here Come de Honey Man
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Here's That Rainy Day
|
bass
|
Oscar Peterson
|
|
|
Here's That Rainy Day
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson & Benny Green
|
|
|
Hold 'em Joe
|
bass
|
Monty Alexander
|
|
|
Honey
|
bass
|
Ray Brown
|
|
|
Honey Dripper
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Honey Hush
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Joe Turner
|
|
|
Honeysuckle Rose
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Honeysuckle Rose
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Honeysuckle Rose
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Honeysuckle Rose
|
bass
|
André Previn with Joe Pass & Ray Brown
|
|
|
How Are You
|
bass
|
Milt Jackson
|
|
|
How Deep Is the Ocean?
|
bass
|
Ben Webster
|
|
|
How High the Moon
|
bass
|
Ray Brown
|
|
|
How Long Has This Been Going On?
|
bass
|
Coleman Hawkins
|
|
|
How Long Has This Been Going On?
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
Hurry Home
|
bass
|
Dizzy Gillespie
|
|
|
Hymn to Freedom
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
I Can't Get Started
|
bass
|
Art Farmer
|
|
|
I Can't Get Started
|
bass
|
Roy Eldridge
|
|
|
I Can't Get Started
|
bass
|
Roy Eldridge & Dizzy Gillespie
|
|
|
I Concentrate on You
|
bass
|
Oscar Peterson
|
|
|
I Cover the Waterfront
|
bass
|
Milt Jackson
|
|
|
I Didn't Know What Time it Was
|
bass
|
Gerry Mulligan
|
|
|
I Didn't Know What Time It Was
|
bass
|
Bud Powell
|
|
|
I Feel Pretty
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
I Get a Kick Out of You
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong
|
|
|
I Got It Bad (and That Ain't Good)
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
I Got It Bad (And That Ain't Good)
|
bass
|
Milt Jackson
|
|
|
I Got It Bad and That Ain't Good
|
bass
|
André Previn with Joe Pass & Ray Brown
|
|
|
I Got It Bad and That Ain't Good
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
I Got Plenty O' Nuttin'
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
I Hear Music
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald & Oscar Peterson
|
|
|
I Just Can't Fool Myself
|
bass
|
Ray Brown /
|
|
|
I Know That You Know
|
bass
|
Bud Powell
|
|
|
I Know You Oh So Well
|
bass
|
Oscar Peterson
|
|
|
I Let a Song Go Out of My Heart
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
I Let a Song Go Out of My Heart
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & Dizzy Gillespie
|
|
|
I Love Paris
|
bass
|
Oscar Peterson
|
|
|
I Love You
|
bass
|
Milt Jackson
|
|
|
I Love You
|
bass
|
Oscar Peterson
|
|
|
I Never Had a Chance
|
bass
|
Coleman Hawkins
|
|
|
I Never Had a Chance
|
bass
|
Coleman Hawkins
|
|
|
I Never Knew
|
bass
|
Gene Krupa & Buddy Rich
|
|
|
I Only Have Eyes for You
|
bass
|
André Previn with Joe Pass & Ray Brown
|
|
|
I Owes Ya
|
bass
|
Milt Jackson
|
|
|
I Should Care
|
bass
|
Bud Powell
|
|
|
I Want a Little Girl
|
bass
|
The Oscar Peterson Trio
|
|
|
I Want a Little Girl
|
bass
|
Roy Eldridge
|
|
|
I Want a Little Girl
|
bass
|
Herb Ellis
|
|
|
I Want to Be Happy
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
I Wants to Stay Here (a.k.a. I Loves You, Porgy)
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
I Was Doing All Right
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
I Wished on the Moon
|
bass
|
Coleman Hawkins
|
|
|
I Wished on the Moon
|
bass
|
Coleman Hawkins
|
|
|
I Won't Dance
|
bass
|
Oscar Peterson
|
|
|
I'll Never Be the Same
|
bass
|
Coleman Hawkins
|
|
|
I'll Never Be the Same
|
bass
|
Flip Phillips
|
|
|
I'll Never Be the Same
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
I'll Remember April
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
I'm Afraid the Masquerade Is Over
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
I'm an Old Cowhand (From the Rio Grande)
|
bass
|
Sonny Rollins
|
|
|
I'm an Old Cowhand (From the Rio Grande) (alternate take)
|
bass
|
Sonny Rollins
|
|
|
I'm Beginning to See the Light
|
bass
|
Milt Jackson, Ray Brown, Joe Pass & Mickey Roker
|
|
|
I'm Confessin' (That I Love You)
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
I'm Gettin' Sentimental Over You
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
I'm Getting Sentimental Over You
|
bass
|
Milt Jackson
|
|
|
I'm Getting Sentimental Over You
|
bass
|
Oscar Peterson, Joe Pass & Ray Brown
|
|
|
I'm Old Fashioned
|
bass
|
Oscar Peterson
|
|
|
I'm Walkin'
|
bass
|
Monty Alexander
|
|
|
I've Found a New Baby
|
bass
|
Roy Eldridge & Dizzy Gillespie
|
|
|
I've Got the Blues
|
bass
|
Milt Jackson
|
|
|
I've Got the World on a String
|
bass
|
Flip Phillips
|
|
|
I've Got You Under My Skin
|
bass
|
Oscar Peterson
|
|
|
I've Grown Accustomed to Her Face
|
bass
|
Milt Jackson
|
|
|
I’ve Got My Love to Keep Me Warm
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
If Dreams Come True
|
bass
|
Benny Carter
|
|
|
If I Could Be With You (One Hour Tonight)
|
bass
|
Ray Brown
|
|
|
If I Should Lose You
|
bass
|
Milt Jackson
|
|
|
If I Were a Bell
|
bass
|
Oscar Peterson
|
|
|
If I Were a Bell
|
bass
|
Milt Jackson, Ray BrownCedar WaltonMickey Roker
|
|
|
If Only You Knew
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
If You Went Away
|
bass
|
Milt Jackson
|
|
|
Ill Wind
|
bass
|
Ben Webster
|
|
|
Ill Wind (You're Blowin' Me No Good)
|
bass
|
Coleman Hawkins
|
|
|
Ill Wind (You're Blowin' Me No Good)
|
bass
|
Coleman Hawkins
|
|
|
Impromptu
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & Dizzy Gillespie
|
|
|
In a Crowd
|
bass
|
Ray Brown /
|
|
|
In a Mellow Tone
|
bass
|
Coleman Hawkins
|
|
|
In a Mellow Tone
|
bass
|
Coleman Hawkins
|
|
|
In a Mellow Tone
|
bass
|
Ben Webster
|
|
|
In a Mellow Tone
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
In a Mellow Tone
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
In a Sentimental Mood
|
bass
|
Milt Jackson, Ray Brown, Joe Pass & Mickey Roker
|
|
|
In the City
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
In the Still of the Night
|
bass
|
Oscar Peterson
|
|
|
In the Wee, Small Hours of the Morning
|
bass
|
Ben Webster
|
|
|
In Walked Bud
|
bass
|
Milt Jackson
|
|
|
Incoherent Blues
|
bass
|
The Oscar Peterson Trio
|
|
|
Inka-Dinka-Doo
|
bass
|
Herb Ellis
|
|
|
Inquietação
|
bass
|
Ray Brown & Laurindo Almeida
|
|
|
Interlude
|
bass
|
Hank Jones
|
|
|
It Ain't Necessarily So
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
It Ain't the Meat It's the Motion
|
bass
|
Maria Muldaur
|
|
|
It Could Happen to You
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis
|
|
|
It Don't Mean a Thing (If It Ain't Got That Swing)
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & Dizzy Gillespie
|
|
|
It Don't Mean a Thing If It Ain't Got That Swing
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
It Don't Mean a Thing If You Can't Tap Your Foot to It
|
bass
|
Milt Jackson, Ray BrownCedar WaltonMickey Roker
|
|
|
It Had to Be You
|
bass
|
Herb Ellis
|
|
|
It Might as Well Be Spring
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
It Never Entered My Mind
|
bass
|
Stan Getz & J.J. Johnson
|
|
|
It Never Entered My Mind
|
bass
|
Coleman Hawkins & Ben Webster
|
|
|
It Never Entered My Mind
|
double bass / contrabass / acoustic upright bass
|
Ben Webster & Coleman Hawkins
|
|
|
It Never Entered My Mind
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & J.J. Johnson
|
|
|
It's All Right With Me
|
bass
|
Oscar Peterson
|
|
|
It's De-Lovely
|
bass
|
Oscar Peterson
|
|
|
It's Only a Paper Moon
|
bass
|
Lionel Hampton Quintet
|
|
|
It's the Talk of the Town
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & Dizzy Gillespie
|
|
|
It's Too Late
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Je Ne Sais Pas
|
bass
|
Lionel Hampton Quintet
|
|
|
Jet Song
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Jim
|
bass
|
Ray Brown
|
|
|
Jim
|
bass
|
The Oscar Peterson Trio
|
|
|
Jitterbug Waltz
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson & Benny Green
|
|
|
Jitterbug Waltz
|
bass
|
Dizzy Gillespie
|
|
|
Jive at Five
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Jobim
|
bass
|
Oscar Peterson, Joe Pass & Ray Brown
|
|
|
Joe's Tune
|
bass
|
Milt Jackson
|
|
|
John Brown's Body
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
Judy
|
bass
|
Oscar Peterson
|
|
|
Jumpin' at the Woodside
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Jumpin' at the Woodside
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Oscar Peterson
|
|
|
Jumpin' Blues
|
bass
|
Ray Brown
|
|
|
Just A-Sittin' and A-Rockin'
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Just A-Sittin' and A-Rockin'
|
bass
|
Milt Jackson, Ray Brown, Joe Pass & Mickey Roker
|
|
|
Just for Fun
|
bass
|
Hank Jones
|
|
|
Just One of Those Things
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
Just One of Those Things
|
bass
|
Oscar Peterson
|
|
|
Just Squeeze Me (But Don't Tease Me)
|
bass
|
Milt Jackson
|
|
|
Just When We're Falling in Love (Robbins' Nest)
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
Keep on Pumpin'
|
bass
|
Ray Brown
|
|
|
Keepin' Out the Mischief Now
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
Kids Are Pretty People
|
bass
|
Hank Jones
|
|
|
L.O.V.E.
|
bass
|
La Velle
|
|
|
L'Impossible
|
bass
|
Oscar Peterson
|
|
|
La rosita
|
double bass / contrabass / acoustic upright bass
|
Ben Webster & Coleman Hawkins
|
|
|
La Rosita
|
bass
|
Coleman Hawkins & Ben Webster
|
|
|
Lady Be Good
|
bass
|
Milt Jackson
|
|
|
Lady's in Love With You
|
bass
|
Flip Phillips
|
|
|
Lament
|
bass
|
Ray Brown
|
|
|
Late Date
|
bass
|
Ben Webster
|
|
|
Laura
|
bass
|
André Previn with Joe Pass & Ray Brown
|
|
|
Laurindos
|
bass
|
Ray Brown & Laurindo Almeida
|
|
|
Lazy Theme
|
bass
|
Ray Brown /
|
|
|
Lemon Aid 21
|
bass
|
Flip Phillips
|
|
|
Les Tricheurs
|
double bass / contrabass / acoustic upright bass
|
Jazz at the Philharmonic All-Stars
|
|
|
Lester Leaps In
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Oscar Peterson
|
|
|
Lester Leaps In
|
bass
|
Ray Brown
|
|
|
Lester Leaps In
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Lester Leaps In
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Let Me Off Uptown
|
bass
|
Roy Eldridge
|
|
|
Let's Do It (Let's Fall in Love)
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong
|
|
|
Let's Fall in Love
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
Let's Fall in Love
|
bass
|
Gerry Mulligan
|
|
|
Let's Fall in Love
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
Let’s Call the Whole Thing Off
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Li'l Darlin
|
bass
|
Barney Kessel
|
|
|
Like Someone in Love
|
bass
|
Coleman Hawkins
|
|
|
Like Someone in Love
|
bass
|
Coleman Hawkins
|
|
|
Like Someone in Love
|
bass
|
Ray Brown
|
|
|
Limehouse Blues
|
bass
|
André Previn with Joe Pass & Ray Brown
|
|
|
Limehouse Blues
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson & Benny Green
|
|
|
Limehouse Blues
|
bass
|
Roy Eldridge & Dizzy Gillespie
|
|
|
Lined With a Groove
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Lined With a Groove
|
bass
|
Ray Brown /
|
|
|
Little Girl Blue
|
bass
|
Ray Brown
|
|
|
Little Jazz
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
Little Rascal on a Rock
|
bass
|
Hank Jones
|
|
|
Little Susie
|
bass
|
Barney Kessel
|
|
|
Long Ago (And Far Away)
|
bass
|
Oscar Peterson
|
|
|
Look for the Silver Lining
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Look of Love
|
bass
|
Milt Jackson
|
|
|
Looking Back
|
bass
|
Ray Brown
|
|
|
Lost April
|
bass
|
Monty Alexander
|
|
|
Louie B.
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Oscar Peterson
|
|
|
Love
|
bass
|
Ray Brown
|
|
|
Love for Sale
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Love for Sale
|
bass
|
Oscar Peterson
|
|
|
Love Is Here to Stay
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Love Walked In
|
bass
|
Ray Brown
|
|
|
Love Walked In
|
bass
|
Herb Ellis
|
|
|
Love You Madly
|
bass
|
Ray Brown
|
|
|
Lovely to Look At
|
bass
|
Oscar Peterson
|
|
|
Lover
|
bass
|
Louis Bellson, Ray Brown & Paul Smith
|
|
|
Lover Come Back to Me
|
bass
|
Ben Webster
|
|
|
Lover, Come Back to Me
|
bass
|
Dizzy Gillespie / Stan Getz / Sonny Stitt
|
|
|
Lovers Promenade
|
bass
|
Oscar Peterson
|
|
|
Lullaby
|
bass
|
Hank Jones
|
|
|
Mack the Knife
|
bass
|
The Oscar Peterson Trio
|
|
|
Main Stem
|
bass
|
Sarah Vaughan,
|
|
|
Main Stem
|
bass
|
Ray Brown
|
|
|
Main Stem
|
bass
|
Milt Jackson, Ray Brown, Joe Pass & Mickey Roker
|
|
|
Main Stem
|
bass
|
Milt Jackson
|
|
|
Make Me Rainbows
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Make the Man Love You
|
bass
|
Ray Brown & Laurindo Almeida
|
|
|
Makin' Whoopee
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Makin' Whoopee
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong
|
|
|
Makin' Whoopee
|
bass
|
Roy Eldridge
|
|
|
Makin' Whoopie
|
bass
|
Ben Webster
|
|
|
Malagueña
|
bass
|
Ray Brown & Laurindo Almeida
|
|
|
Manha de Carnaval
|
bass
|
Ray Brown
|
|
|
Manteca
|
bass
|
Oscar Peterson
|
|
|
Maria
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Maria
|
bass
|
Coleman Hawkins & Ben Webster
|
|
|
Martina
|
bass
|
Bill Evans
|
|
|
Mean to Me
|
bass
|
Milt Jackson & Ray Brown
|
|
|
Memories of You
|
cello, double bass / contrabass / acoustic upright bass
|
Ray Brown
|
|
|
Memphis Junction
|
bass
|
Milt Jackson with
|
|
|
Mic's Jump
|
double bass / contrabass / acoustic upright bass
|
Jazz at the Philharmonic All-Stars
|
|
|
Midnight Sun
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald & Oscar Peterson
|
|
|
Midnight Waltz
|
bass
|
Milt Jackson, Ray BrownCedar WaltonMickey Roker
|
|
|
Milt Meets Sid
|
bass
|
The Modern Jazz Quartet
|
|
|
Misty
|
bass
|
Barney Kessel
|
|
|
Misty
|
bass
|
Oscar Peterson
|
|
|
Misty
|
bass
|
Teddy Edwards & Howard mcghee
|
|
|
Moanin'
|
bass
|
Oscar Peterson
|
|
|
Mondscheinsonate + Round About Midnight
|
bass
|
Ray Brown & Laurindo Almeida
|
|
|
Monterey Mist
|
bass
|
Ray Brown /
|
|
|
Mood Indigo
|
bass
|
Milt Jackson, Ray Brown, Joe Pass & Mickey Roker
|
|
|
Moody Blue
|
bass
|
Milt Jackson
|
|
|
Moon Song
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
Moonglow
|
bass
|
Milt Jackson, Joe Pass & Ray Brown
|
|
|
Moonlight in Vermont
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Moonlight in Vermont
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Moten Swing
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Moving Nicely
|
bass
|
The Modern Jazz Quartet
|
|
|
Mumbles
|
bass
|
The Oscar Peterson Trio
|
|
|
My Bonnie
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
My Foolish Heart
|
bass
|
Oscar Peterson
|
|
|
My Funny Valentine
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & J.J. Johnson
|
|
|
My Funny Valentine
|
bass
|
Stan Getz & J.J. Johnson
|
|
|
My Funny Valentine
|
bass
|
Stan Getz & J.J. Johnson
|
|
|
My Funny Valentine
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & J.J. Johnson
|
|
|
My Funny Valentine
|
bass
|
Art Farmer
|
|
|
My Heart Stood Still
|
bass
|
Bud Powell
|
|
|
My Heart Stood Still
|
bass
|
Louis Bellson, Ray Brown & Paul Smith
|
|
|
My Kind of Trouble Is You
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
My Kind of Trouble Is You
|
bass
|
Milt Jackson
|
|
|
My Last Affair
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
My Man Is Gone
|
bass
|
Ray Brown & Laurindo Almeida
|
|
|
My Melancholy Baby
|
bass
|
Coleman Hawkins
|
|
|
My One and Only Love
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
My Shining Hour
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
My Ship
|
bass
|
Hank Jones
|
|
|
My Ship
|
bass
|
Oscar Peterson
|
|
|
Namely You
|
bass
|
Art Farmer
|
|
|
New York City Blues
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
Night and Day
|
bass
|
Oscar Peterson
|
|
|
Night in Tunisia
|
bass
|
Kai Winding & J. J. Johnson
|
|
|
Night Mist Blues
|
bass
|
Milt Jackson
|
|
|
Night Time Is the Right Time
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Joe Turner
|
|
|
Night Train
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Night Train
|
bass
|
Ray Brown
|
|
|
Nightingale
|
bass
|
Oscar Peterson
|
|
|
Nobody Else but Me
|
bass
|
Bill Evans
|
|
|
Now Hear My Meaning
|
bass
|
Ray Brown /
|
|
|
Now Is the Time
|
bass
|
Bud Powell
|
|
|
Nuages
|
bass
|
Milt Jackson, Joe Pass & Ray Brown
|
|
|
Oh Bess, Oh Where's My Bess?
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Oh Dey's So Fresh and Fine (Strawberry Woman)
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Oh Happy Day
|
bass
|
Milt Jackson with
|
|
|
Oh Lawd, I'm on My Way!
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Oh, Look at Me Now
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
Ojos de Rojo
|
bass
|
Ray Brown
|
|
|
Ol' Man River
|
bass
|
Oscar Peterson
|
|
|
On a Clear Day
|
bass
|
Louis Bellson, Ray Brown & Paul Smith
|
|
|
On a Slow Boat to China
|
bass
|
Milt Jackson
|
|
|
On the Sunny Side of the Street
|
bass
|
Lionel Hampton Quintet
|
|
|
On the Sunny Side of the Street
|
bass
|
Roy Eldridge
|
|
|
One Alone
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & Dizzy Gillespie
|
|
|
One for Bunz
|
bass
|
André Previn with Joe Pass & Ray Brown
|
|
|
One Mint Julep (One Way)
|
bass
|
Milt Jackson with
|
|
|
One Mint Julep (The Other Way)
|
bass
|
Milt Jackson with
|
|
|
One O'Clock Jump
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Orange, Brown and Green
|
bass
|
Herb Ellis
|
|
|
Organ Grinder's Swing
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Other Bag Blues
|
bass
|
Milt Jackson
|
|
|
Our Delight
|
bass
|
Ray Brown
|
|
|
Over the Rainbow
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
Paper Moon
|
bass
|
La Velle
|
|
|
Parking Lot Blues
|
bass
|
Milt Jackson
|
|
|
People
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Perdido
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Perhaps
|
bass
|
Teddy Edwards & Howard mcghee
|
|
|
Phil's Tune
|
double bass / contrabass / acoustic upright bass
|
Jazz at the Philharmonic All-Stars
|
|
|
Pick Yourself Up
|
bass
|
Oscar Peterson
|
|
|
Picking Up the Vibrations
|
bass
|
Milt Jackson with
|
|
|
Pitter Panther Patter
|
bass
|
Duke Ellington & Ray Brown
|
|
|
Please Don't Talk About Me When I'm Gone
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Pogo
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis
|
|
|
Polka Dots and Moonbeams
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Poor Butterfly
|
cello, double bass / contrabass / acoustic upright bass
|
Ray Brown
|
|
|
Portrait Of Jenny
|
bass
|
Oscar Peterson
|
|
|
Prelude to a Kiss
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Pretty-Eyed Baby
|
bass
|
Roy Eldridge & Dizzy Gillespie
|
|
|
Prisoner of Love
|
bass
|
Coleman Hawkins & Ben Webster
|
|
|
Prisoner of Love
|
double bass / contrabass / acoustic upright bass
|
Ben Webster & Coleman Hawkins
|
|
|
Prohibido
|
bass
|
Benny Carter
|
|
|
Put Your Little Foot Right Out
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Queen Mother Stomp
|
bass
|
Milt Jackson with
|
|
|
R.B.
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Oscar Peterson
|
|
|
Ray's Tune
|
bass
|
Milt Jackson
|
|
|
Red Top
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
Reprise
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Reunion Blues
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Reunion Blues
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
Reunion Blues
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
Rev
|
bass
|
Milt Jackson
|
|
|
Rhythm Willie
|
bass
|
Herb Ellis
|
|
|
Riff Blues
|
bass
|
Oscar Peterson, Joe Pass & Ray Brown
|
|
|
Rock Bottom
|
bass
|
Benny Carter
|
|
|
Rock-A-Bye Your Baby With a Dixie Melody
|
cello, double bass / contrabass / acoustic upright bass
|
Ray Brown
|
|
|
Rockin' in Rhythm
|
bass
|
Hank Jones
|
|
|
Rocks in My Bed
|
bass
|
Ray Brown
|
|
|
Rocks in My Bed
|
bass
|
Milt Jackson, Ray Brown, Joe Pass & Mickey Roker
|
|
|
Roll 'em Pete
|
bass
|
Milt Jackson
|
|
|
Roll 'em Pete
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Joe Turner
|
|
|
Rosalie
|
bass
|
Ray Brown
|
|
|
Rosalie
|
cello, double bass / contrabass / acoustic upright bass
|
Ray Brown
|
|
|
Roses of Picardy
|
bass
|
Ben Webster
|
|
|
Round About Midnight
|
bass
|
The Modern Jazz Quartet
|
|
|
Roundalay
|
bass
|
The Oscar Peterson Trio
|
|
|
Route 66
|
bass
|
La Velle
|
|
|
Russian Lullaby
|
bass
|
Dizzy Gillespie
|
|
|
S & J Blues
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Oscar Peterson
|
|
|
Samba De Angry
|
bass
|
Ray Brown & Laurindo Almeida
|
|
|
Sandy
|
bass
|
Teddy Edwards & Howard mcghee
|
|
|
Satin Doll
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Scrapple from the Apple
|
bass
|
Gerry Mulligan
|
|
|
Scrapple From the Apple
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson & Benny Green
|
|
|
Second Time Around
|
bass
|
Bill Evans
|
|
|
Secret Love
|
bass
|
Herb Ellis
|
|
|
See See Rider
|
bass
|
Duke Ellington & Ray Brown
|
|
|
September Song
|
bass
|
Dizzy Gillespie
|
|
|
Seven Come Eleven
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Seven Come Eleven
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Shadow of Your Smile
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Shadows
|
double bass / contrabass / acoustic upright bass
|
Joe Sample
|
|
|
She's a Woman (W-O-M-A-N)
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
Shine on Harvest Moon
|
double bass / contrabass / acoustic upright bass
|
Ben Webster & Coleman Hawkins
|
|
|
Shine on Harvest Moon
|
bass
|
Coleman Hawkins & Ben Webster
|
|
|
Siboney, Part I
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & Dizzy Gillespie
|
|
|
Siboney, Part II
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & Dizzy Gillespie
|
|
|
Since I Fell for You
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Joe Turner
|
|
|
Singing the Blues
|
bass
|
Flip Phillips
|
|
|
Sister Sadie
|
bass
|
Ray Brown
|
|
|
Sister Sadie
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Slick Cat
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Slippery
|
bass
|
Ray Brown
|
|
|
Small Fry
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Smile
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Smoke Gets in Your Eyes
|
bass
|
André Previn with Joe Pass & Ray Brown
|
|
|
Smoke Gets in Your Eyes
|
bass
|
Oscar Peterson
|
|
|
Soft Shoe
|
bass
|
Herb Ellis
|
|
|
Solitude
|
bass
|
Milt Jackson, Ray Brown, Joe Pass & Mickey Roker
|
|
|
Solitude
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Solitude
|
bass
|
Sonny Rollins
|
|
|
Some Other Spring
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Somebody Loves Me
|
bass
|
Coleman Hawkins
|
|
|
Somebody Loves Me
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis
|
|
|
Someday My Prince Will Come
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
Someday My Prince Will Come
|
bass
|
Oscar Peterson
|
|
|
Someday My Prince Will Come
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson & Benny Green
|
|
|
Someone I Love
|
bass
|
Milt Jackson
|
|
|
Something for the Bass Boss
|
bass
|
Ray Brown
|
|
|
Something in Common
|
bass
|
Ray Brown
|
|
|
Something's Coming
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Sometimes I'm Happy
|
bass
|
Roy Eldridge & Dizzy Gillespie
|
|
|
Somewhere
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Sophisticated Lady
|
bass
|
Milt Jackson, Ray Brown, Joe Pass & Mickey Roker
|
|
|
Sophisticated Lady
|
bass
|
Duke Ellington & Ray Brown
|
|
|
Sophisticated Lady
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Sophisticated Lady
|
bass
|
Ray Brown
|
|
|
Soulville
|
bass
|
Ben Webster
|
|
|
Sound Pieces For Jazz Orchestra
|
bass
|
Oliver Nelson
|
|
|
Speak Low
|
bass
|
Monty Alexander
|
|
|
Splanky
|
bass
|
Christian McBride
|
|
|
Spring Is Here
|
bass
|
Hank Jones
|
|
|
Squeaky's Blues
|
bass
|
The Oscar Peterson Trio
|
|
|
Squeeze Me
|
bass
|
Maria Muldaur
|
|
|
St. Louis Blues
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Starbucks Blues
|
bass
|
Ray Brown
|
|
|
Stars Fell on Alabama
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Stars Fell on Alabama
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Stella by Starlight
|
bass
|
Oscar Peterson
|
|
|
Stormy Monday
|
bass
|
Roy Eldridge
|
|
|
Stormy Weather
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
Straight No Chaser
|
bass
|
Milt Jackson
|
|
|
Straighten Up and Fly Right
|
bass
|
Linda Ronstadt with Nelson Riddle and His Orchestra
|
|
|
Straighten Up and Fly Right
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Street of Dreams
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald & Oscar Peterson
|
|
|
Stress and Trauma
|
bass
|
Milt Jackson, Ray BrownCedar WaltonMickey Roker
|
|
|
Stuffy
|
bass
|
Milt Jackson
|
|
|
Stuffy
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis and Joe Pass
|
|
|
Summertime
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Sunday
|
bass
|
Ben Webster
|
|
|
Sunny
|
bass
|
Oscar Peterson, Joe Pass & Ray Brown
|
|
|
Surrey With a Fringe on Top
|
bass
|
La Velle
|
|
|
Surrey With the Fringe on Top
|
bass
|
Ray Brown
|
|
|
Surrey With the Fringe on Top
|
bass
|
Louis Bellson, Ray Brown & Paul Smith
|
|
|
Surrey With the Fringe on Top (reprise)
|
bass
|
Ray Brown
|
|
|
Sweet Dulcinea Blue
|
bass
|
Bill Evans
|
|
|
Sweet Georgia Brown
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Sweet Georgia Brown
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Sweet Lady
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Sweet Lorraine
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
Sweet Lorraine
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Sweetheart Blues
|
double bass / contrabass / acoustic upright bass
|
Herb Ellis
|
|
|
Sweethearts on Parade
|
bass
|
Roy Eldridge
|
|
|
Sweethearts On Parade
|
bass
|
Gene Krupa & Buddy Rich
|
|
|
Swinging 'til the Girls Come
|
bass
|
Bud Powell
|
|
|
Take the "A" Train
|
bass
|
Milt Jackson, Ray Brown, Joe Pass & Mickey Roker
|
|
|
Take the "A" Train
|
bass
|
Milt Jackson
|
|
|
Take the a Train
|
bass
|
Sarah Vaughan,
|
|
|
Tangerine
|
cello, double bass / contrabass / acoustic upright bass
|
Ray Brown
|
|
|
Tangerine
|
bass
|
Coleman Hawkins & Ben Webster
|
|
|
Tangerine
|
double bass / contrabass / acoustic upright bass
|
Ben Webster & Coleman Hawkins
|
|
|
Teach Me Tonight
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Teach Me Tonight
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
Tears
|
bass
|
Milt Jackson
|
|
|
Tenderly
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Tenderly
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
That Old Devil Called Love
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
That Old Feeling
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
That Old Feeling
|
bass
|
Gerry Mulligan
|
|
|
That Old Feeling
|
cello, double bass / contrabass / acoustic upright bass
|
Ray Brown
|
|
|
That's All
|
bass
|
Ray Brown
|
|
|
The Blessing
|
bass
|
Barney Kessel
|
|
|
The Continental
|
bass
|
Kai Winding & J. J. Johnson
|
|
|
The Day It Rained
|
bass
|
Milt Jackson
|
|
|
The Flintstones Theme
|
bass
|
Herb Ellis
|
|
|
The Girl From Ipanema
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
The Girl From Ipanema
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
The Girl Next Door
|
bass
|
Hank Jones
|
|
|
The Honeydripper
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Joe Turner
|
|
|
The Jersey Bounce
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
The Lady From Girl Talk
|
bass
|
Oliver Nelson
|
|
|
The Lady Is a Tramp
|
bass
|
Louis Bellson, Ray Brown & Paul Smith
|
|
|
The Man I Love (Belongs to Somebody Else)
|
bass
|
Milt Jackson
|
|
|
The Masquerade Is Over
|
bass
|
Ray Brown
|
|
|
The More I See You
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson & Benny Green
|
|
|
The Nearness of You
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
The Nearness of You
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
The Nearness of You
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
The Peanut Vendor
|
bass
|
Kai Winding & J. J. Johnson
|
|
|
The Pink Panther
|
bass
|
Milt Jackson, Joe Pass & Ray Brown
|
|
|
The Preacher
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
The Shadow of Your Smile
|
bass
|
Oscar Peterson
|
|
|
The Smudge
|
bass
|
Oscar Peterson
|
|
|
The Song Is You
|
bass
|
Oscar Peterson
|
|
|
The String
|
bass
|
Sonny Stitt
|
|
|
The Summer Knows
|
bass
|
Milt Jackson
|
|
|
The Touch of Your Lips
|
bass
|
Ben Webster
|
|
|
The Way You Look Tonight
|
bass
|
Oscar Peterson
|
|
|
The Way You Look Tonight
|
bass
|
Lionel Hampton Quintet
|
|
|
The Work Song
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
The World Is Waiting for the Sunrise
|
bass
|
Coleman Hawkins
|
|
|
There Is No Greater Love
|
bass
|
Sonny Rollins
|
|
|
There'll Never Be Another You
|
bass
|
André Previn with Joe Pass & Ray Brown
|
|
|
There's a Boat Dat's Leavin' Soon for New York
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
There's No You
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
There's No You
|
bass
|
Coleman Hawkins
|
|
|
There's No You
|
bass
|
Coleman Hawkins
|
|
|
These Foolish Things
|
bass
|
Lionel Hampton Quintet
|
|
|
These Foolish Things (Remind Me of You)
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Oscar Peterson
|
|
|
They All Laughed
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
They Can't Take That Away From Me
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
They Can’t Take That Away From Me
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
They Didn't Believe Me
|
bass
|
The Oscar Peterson Trio
|
|
|
Things Ain't What They Used to Be
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Things Ain't What They Used to Be
|
bass
|
Duke Ellington & Ray Brown
|
|
|
Things Ain't What They Used to Be
|
double bass / contrabass / acoustic upright bass
|
André Previn with Mundell Lowe & Ray Brown
|
|
|
Things Ain't What They Used to Be
|
bass
|
Milt Jackson
|
|
|
Think Positive
|
bass
|
Milt Jackson
|
|
|
This Can't Be Love
|
bass
|
Gerry Mulligan
|
|
|
This Can't Be Love
|
bass
|
Ben Webster
|
|
|
This Here
|
bass
|
Barney Kessel
|
|
|
This House Is Empty Now / I Should Care
|
bass
|
Ray Brown
|
|
|
Three Little Words
|
bass
|
Milt Jackson
|
|
|
Time After Time
|
bass
|
Ben Webster
|
|
|
Time and Again
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Time on My Hands
|
bass
|
Ben Webster
|
|
|
Titmouse
|
bass
|
Benny Carter
|
|
|
To Each His Own
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
To the Ends of the Earth
|
bass
|
Monty Alexander
|
|
|
Together Again
|
bass
|
Teddy Edwards & Howard McGhee
|
|
|
Tonight
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
Too Close for Comfort
|
bass
|
Gerry Mulligan
|
|
|
Topsy
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Tour Angel
|
bass
|
Milt Jackson
|
|
|
Tricotism
|
bass
|
Oscar Peterson
|
|
|
Trictactism
|
bass
|
Ray Brown
|
|
|
Triple Treat Blues
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
Trouble Is a Man
|
bass
|
Milt Jackson
|
|
|
Trumpet Blues
|
bass
|
Roy Eldridge & Dizzy Gillespie
|
|
|
Tune Up
|
bass
|
Monty Alexander
|
|
|
Uh-Huh
|
bass
|
Milt Jackson with
|
|
|
Under a Blanket of Blue
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Up There
|
bass
|
Ray Brown
|
|
|
Up There
|
bass
|
Teddy Edwards & Howard mcghee
|
|
|
Used to Be Jackson
|
bass
|
Milt Jackson
|
|
|
Used to Be Jackson
|
bass
|
Milt Jackson, Ray BrownCedar WaltonMickey Roker
|
|
|
Wagon Wheels
|
bass
|
Sonny Rollins
|
|
|
Walkin' My Baby
|
bass
|
La Velle
|
|
|
Walkin' One & Only
|
bass
|
Maria Muldaur
|
|
|
Wave
|
bass
|
Milt Jackson, Joe Pass & Ray Brown
|
|
|
Way Out West
|
bass
|
Sonny Rollins
|
|
|
Way Out West (alternate take)
|
bass
|
Sonny Rollins
|
|
|
We Were in Love
|
bass
|
Benny Carter
|
|
|
We'll Be Together Again
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
Wee (Allen's Alley)
|
bass
|
Dizzy Gillespie / Stan Getz / Sonny Stitt
|
|
|
Wee Baby Blues
|
double bass / contrabass / acoustic upright bass
|
Count Basie & Joe Turner
|
|
|
West Coast Blues
|
bass
|
Oscar Peterson
|
|
|
What Am I Here For
|
bass
|
André Previn with Joe Pass & Ray Brown
|
|
|
What Am I Here For?
|
bass
|
Milt Jackson
|
|
|
What Am I Here For?
|
bass
|
Art Farmer
|
|
|
What's New
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
When I Fall in Love
|
bass
|
Oscar Peterson & Milt Jackson
|
|
|
When I Fall in Love
|
bass
|
Bud Powell
|
|
|
When I Fall in Love
|
bass
|
Ray Brown
|
|
|
When Johnny Comes Marching Home
|
bass
|
Monty Alexander
|
|
|
When Lights Are Low
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
When Love
|
double bass / contrabass / acoustic upright bass
|
Joe Pass
|
|
|
When My Dream Boat Comes Home
|
bass
|
Herb Ellis
|
|
|
When the Lights Are Low
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson & Benny Green
|
|
|
When Your Lover Has Gone
|
bass
|
Stan Getz, Gerry Mulligan, Harry Edison & Louis Bellson and The Oscar Peterson Trio
|
|
|
When Your Lover Has Gone
|
bass
|
Ben Webster
|
|
|
When Your Lover Has Gone
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
Where Are You
|
bass
|
Ben Webster
|
|
|
Who
|
bass
|
Ben Webster
|
|
|
Who Cares
|
bass
|
Ray Brown
|
|
|
Who Cares?
|
bass
|
Oscar Peterson, Joe Pass & Ray Brown
|
|
|
Why Can't You Behave
|
bass
|
Oscar Peterson
|
|
|
Why Try to Change Me Now
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
Will You Still Be Mine?
|
bass
|
Art Farmer
|
|
|
Willow Weep for Me
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong
|
|
|
Willow Weep for Me
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson
|
|
|
Willow Weep for Me
|
bass
|
Roy Eldridge
|
|
|
Woody 'n' You
|
bass
|
Bud Powell
|
|
|
Woody'n You
|
bass
|
Stan Getz, Gerry Mulligan, Harry Edison & Louis Bellson and The Oscar Peterson Trio
|
|
|
Work Song
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
Yes Sir, That's My Baby
|
bass
|
Milt Jackson
|
|
|
Yesterdays
|
bass
|
The Modern Jazz Quartet
|
|
|
Yesterdays
|
bass
|
Louis Bellson, Ray Brown & Paul Smith
|
|
|
Yesterdays
|
bass
|
Oscar Peterson
|
|
|
Yesterdays
|
double bass / contrabass / acoustic upright bass
|
Stan Getz & J.J. Johnson
|
|
|
Yesterdays
|
bass
|
Stan Getz & J.J. Johnson
|
|
|
You Are My Sunshine
|
bass
|
Milt Jackson & Ray Brown
|
|
|
You Are My Sunshine
|
bass
|
Ray Brown
|
|
|
You Call It Madness, I Call It Love
|
bass
|
Monty Alexander, Ray Brown & Herb Ellis
|
|
|
You Don't Know Me
|
bass
|
Ray Brown
|
|
|
You Don't Know What Love Is
|
bass
|
Milt Jackson
|
|
|
You Go to My Head
|
double bass / contrabass / acoustic upright bass
|
Louis Armstrong & Oscar Peterson
|
|
|
You Look Good to Me
|
double bass / contrabass / acoustic upright bass
|
The Oscar Peterson Trio
|
|
|
You Stepped Out of a Dream
|
bass
|
Milt Jackson, Joe Pass & Ray Brown
|
|
|
You Stepped Out Of A Dream
|
bass
|
Teddy Edwards & Howard mcghee
|
|
|
You'd Be So Nice to Come Home To
|
double bass / contrabass / acoustic upright bass
|
Ben Webster & Coleman Hawkins
|
|
|
You'd Be So Nice to Come Home To
|
bass
|
Coleman Hawkins & Ben Webster
|
|
|
You're Blasé
|
bass
|
Coleman Hawkins
|
|
|
You're Nobody Till Somebody Loves You
|
double bass / contrabass / acoustic upright bass
|
Sammy Davis Jr. & Count Basie
|
|
|
You've Changed
|
trumpet
|
Ella Fitzgerald & The Count Basie Orchestra
|
|
|
Young and Foolish
|
bass
|
Oscar Peterson
|
|
|
Young Bean
|
bass
|
Ben Webster
|
|
|
Younger Than Springtime
|
bass
|
Oscar Peterson
|
|
|
Your Feet's Too Big
|
bass
|
Hank Jones
|
|
|
Yours Is My Heart Alone
|
double bass / contrabass / acoustic upright bass
|
Oscar Peterson & Benny Green
|
|
|
Yusef
|
bass
|
Milt Jackson
|
|
|
"Fine and Mellow": Ella Fitzgerald Jams
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
"Fine and Mellow": Ella Fitzgerald Jams
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
"Fine and Mellow": Ella Fitzgerald Jams
|
double bass / contrabass / acoustic upright bass
|
Ella Fitzgerald
|
|
|
Barney Kessel
|
bass
|
Barney Kessel
|
|
|
Cannonball Adderley and the Poll-Winners
|
double bass / contrabass / acoustic upright bass
|
Cannonball Adderley
|
|
|
Diz and Getz
|
bass, guest
|
Stan Getz & Dizzy Gillespie
|
|
|
Dizzy Gillespie Jam: Montreux '77
|
bass
|
Dizzy Gillespie
|
|
|
Duke's Big 4
|
bass
|
Duke Ellington
|
|
|
Duke's Big 4
|
bass
|
Duke Ellington
|
|
|
Ella and Louis
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Ella and Louis
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Ella and Louis
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Ella and Louis
|
bass
|
Ella Fitzgerald & Louis Armstrong
|
|
|
Generations of Jazz
|
bass
|
Till Brönner
|
|
|
How Long Has This Been Going On?
|
bass
|
Sarah Vaughan
|
|
|
Jazz in Paris: Sonny Stitt Sits in With the Oscar Peterson Trio
|
double bass / contrabass / acoustic upright bass
|
Sonny Stitt
|
|
|
New York Jazz
|
double bass / contrabass / acoustic upright bass
|
Sonny Stitt
|
|
|
New York Jazz
|
double bass / contrabass / acoustic upright bass
|
Sonny Stitt
|
|
|
Side by Side
|
acoustic bass guitar
|
Itzhak Perlman & Oscar Peterson
|
|
|
The Drum Battle
|
bass, guest
|
Gene Krupa & Buddy Rich
|
|
|
Two Bass Hits
|
double bass / contrabass / acoustic upright bass
|
Ray Brown & Pierre Boussaguet & Dado Moroni
|
|
|
Violins No End
|
bass
|
Stéphane Grappelli & Stuff Smith
|
|
|
What's New
|
bass
|
Linda Ronstadt & The Nelson Riddle Orchestra
|
|
performer |
|
|
Work Song
|
Cannonball Adderley feat. Ray Brown
|