| vocals |
|---|
| 1959-06 | The Ballad of Baby Doe: "Gold id a fine thing" (Baby Doe) | soprano vocals | Beverly Sills | 3:16 |
| 1959-06 | The Ballad of Baby Doe: Act I, Scene 2 “Willow, where we meet together” (Baby Doe) | soprano vocals | Beverly Sills, New York City Opera Orchestra, Emerson Buckley | 3:02 |
| 1959-06 | The Ballad of Baby Doe: Act I, Scene 2. “Oh, Mr. Tabor!” (Baby Doe, Tabor) | soprano vocals | Beverly Sills, Walter Cassel, New York City Opera Orchestra, Emerson Buckley | 1:14 |
| 1959-06 | The Ballad of Baby Doe: Act I, Scene 2. “Warm as the autumn light” (Tabor, Baby Doe, Augusta) | soprano vocals | Emerson Buckley, Beverly Sills, Frances Bible, New York City Opera Orchestra, Emerson Buckley | 4:09 |
| 1959-06 | The Ballad of Baby Doe: Act I, Scene I. Outside the Tabor Opera House, Leadville, 1880 | soprano vocals | Beverly Sills, Walter Cassel, Frances Bible, New York City Opera Chorus, New York City Opera Orchestra & Emerson Buckley | ?:?? |
| 1959-06 | The Ballad of Baby Doe: Act I, Scene II. Outside the Clarendon Hotel, Later that Evening | soprano vocals | Beverly Sills, Walter Cassel, Frances Bible, New York City Opera Chorus, New York City Opera Orchestra & Emerson Buckley | 25:07 |
| 1959-06 | The Ballad of Baby Doe: Act I, Scene IV. The Lobby of the Clarendon House, Shortly Thereafter | soprano vocals | Douglas Stuart Moore; Beverly Sills, Walter Cassel, Frances Bible, New York City Opera Chorus, New York City Opera Orchestra, Emerson Buckley | 13:41 |
| 1959-06 | The Ballad of Baby Doe: Act I, Scene VI. A Suite in the Willard Hotel, Washington, D.C., 1883 | soprano vocals | Beverly Sills, Walter Cassel, Frances Bible, New York City Opera Chorus, New York City Opera Orchestra & Emerson Buckley | 14:29 |
| 1959-06 | The Ballad of Baby Doe: Act II, Scene I. The Windsor Hotel, Denver, 1893 | soprano vocals | Beverly Sills, Walter Cassel, Frances Bible, New York City Opera Chorus, New York City Opera Orchestra & Emerson Buckley | 16:00 |
| 1959-06 | The Ballad of Baby Doe: Act II, Scene V. The Stage of the Opera House, April 1899, The Matchless Mine | soprano vocals | Beverly Sills, Walter Cassel, Frances Bible, New York City Opera Chorus, New York City Opera Orchestra & Emerson Buckley | 19:46 |
| 1961-02-08 | Estrellita | soprano vocals | Beverly Sills | 2:50 |
| 1961-02-08 | Goyescas: "La maja y el ruiseñor" | soprano vocals | Beverly Sills | 7:09 |
| 1961-02-08 | Goyescas: Interludio | soprano vocals | André Kostelanetz | 2:41 |
| 1961-02-08 | La morena de mi copla | soprano vocals | Beverly Sills | 2:49 |
| 1967-04-28 – 1967-05-02 | Ahimè! Vile E Negletta | soprano vocals | George Frideric Handel | 2:06 |
| 1967-04-28 – 1967-05-02 | Avanti Al Tuo Cospetto | soprano vocals | Beverly Sills, Norman Treigle, New York City Opera Orchestra, Julius Rudel | 7:54 |
| 1967-04-28 – 1967-05-02 | Bella Lidia | soprano vocals | George Frideric Handel | 1:44 |
| 1967-04-28 – 1967-05-02 | Cesare, O Un'ombra Sei? | soprano vocals | George Frideric Handel | 0:30 |
| 1967-04-28 – 1967-05-02 | Cornelia, È Tempo Omai | soprano vocals | George Frideric Handel | 5:08 |
| 1967-04-28 – 1967-05-02 | Da Tempeste Il Legno Infranto | soprano vocals | Beverly Sills, New York City Opera Orchestra, Julius Rudel | 5:00 |
| 1967-04-28 – 1967-05-02 | E Seguisti, O Niren | soprano vocals | George Frideric Handel | 2:13 |
| 1967-04-28 – 1967-05-02 | La Vendetta Del Padre | soprano vocals | George Frideric Handel | 3:15 |
| 1967-04-28 – 1967-05-02 | Mora, Mora, Mora | soprano vocals | George Frideric Handel | 3:37 |
| 1967-04-28 – 1967-05-02 | Non Ha In Cielo | soprano vocals | George Frideric Handel | 4:17 |
| 1967-04-28 – 1967-05-02 | Più Amabile Beltà | soprano vocals | Beverly Sills, Norman Treigle, New York City Opera Orchestra, Julius Rudel | 2:07 |
| 1967-04-28 – 1967-05-02 | Qui Nobile Donzella | soprano vocals | George Frideric Handel | 0:50 |
| 1967-04-28 – 1967-05-02 | Regni Cleopatra | soprano vocals | George Frideric Handel | 1:52 |
| 1967-04-28 – 1967-05-02 | Se Pietà Di Me Non Senti | soprano vocals | Beverly Sills, New York City Opera Orchestra, Julius Rudel | 8:53 |
| 1967-04-28 – 1967-05-02 | V'adoro, Pupille | soprano vocals | George Frideric Handel | 3:03 |
| 1967-04-28 – 1967-05-02 | Vanne, E Torna Omai | soprano vocals | George Frideric Handel | 3:24 |
| 1967-04-28 – 1967-05-02 | Vinta Cadesti Al Balenar | soprano vocals | George Frideric Handel | 0:42 |
| 1967-04-28 – 1967-05-02 | Voi, Che Mie Fide Ancelle | soprano vocals | George Frideric Handel | 3:04 |
| 1968-06 | I Capuleti ed i Montecci: Atto I, Scena IV. Recitativo "Eccomi in lieta veste" / Aria "Oh! quante volte" (Guiletta) | soprano vocals | Beverly Sills | 9:35 |
| 1968-06 | La sonnambula: Atto I, Scena I. Scena "Care compagne" / Aria "Come per me sereno" (Amina, Coro) | soprano vocals | Beverly Sills | 9:19 |
| 1968-06 | La Sonnambula: Atto I. "Care compagna... Come per me sereno" (Amina, Coro) | soprano vocals | Beverly Sills, Vienna Akademie Chorus, Jussi Jalas, Orchester der Wiener Volksoper | 9:27 |
| 1968-06 | Linda di Chamounix: Atto I. Recitativo "Ah! tardai troppo" / Cavatina "O luce di quest'anima" (Linda) | soprano vocals | Beverly Sills | 6:28 |
| 1968-06 | Lucia di Lammermoor: Atto I, Scena II. Scena "Ancor non giunse!" / Aria "Regnava nel silenzio" (Lucia) | soprano vocals | Beverly Sills, Sonja Draksler | 13:57 |
| 1968-06 | Mignon: "Oui, pour ce soir je suis reine des fées... Je suis Titania la blonde" (Philine) | soprano vocals | Beverly Sills | 6:06 |
| 1968-06 | Roberto Devereux: Atto III. Recitativo "E sara in questi orribili momenti" / Aria "Vivi, ingrato, a lei d'accanto" (Elisabetta, Ladies) | soprano vocals | Beverly Sills | 9:35 |
| 1968-06 | Rosmonda d'Inghilterra: Scena "Ancor non giunse" / Aria "Perche non ho del vento" (Rosmunda) | soprano vocals | Beverly Sills | 10:48 |
| 1969-04-11 | L'assedio di Corinto: Atto I. "Di morte il suon mando" / " Là data fè" (Coro, Pamira, Cleomene, Neocle) | soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Marilyn Horne, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 4:41 |
| 1969-04-11 | L'assedio di Corinto: Atto I. "Pamira mi sei resa" (Maometto, Pamira, Cleomene, Ismene, Omar, Coro) | soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Justino Díaz, Giovanni Foiani, Milena Pauli, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 4:08 |
| 1969-04-11 | L'assedio di Corinto: Atto I. "Trionfammo, Signor" (Omar, Maometto, Cleomene, Pamira, Coro) | soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Justino Díaz, Giovanni Foiani, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 8:51 |
| 1969-04-11 | L'assedio di Corinto: Atto I. "Tua figlia m'e promessa'' / "Destin terrible" (Neocle, Cleomene, Pamira, Coro) | soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Marilyn Horne, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 9:10 |
| 1969-04-11 | L'assedio di Corinto: Atto I. Scena 2 | soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Justino Díaz, Giovanni Foiani, Marilyn Horne, Milena Pauli, Beverly Sills, Paolo Washington, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 23:58 |
| 1969-04-11 | L'assedio di Corinto: Atto II (beginning) | soprano vocals | Coro del Teatro alla Scala di Milano, Justino Díaz, Giovanni Foiani, Marilyn Horne, Milena Pauli, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 20:45 |
| 1969-04-11 | L'assedio di Corinto: Atto II. "Cielo! che diverro? (Pamira) | soprano vocals | Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 11:38 |
| 1969-04-11 | L'assedio di Corinto: Atto II. "Pamira... Questa altar" (Maometto, Pamira, Neocle) | soprano vocals | Justino Díaz, Marilyn Horne, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 5:27 |
| 1969-04-11 | L'assedio di Corinto: Atto II. "Sgombra il timor" / "Che vedo? ohimè!" (Maometto, Pamira) | soprano vocals | Justino Díaz, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 7:23 |
| 1969-04-11 | L'assedio di Corinto: Atto II. "Sian tolti a lui quel ferri" (Maometta, Neocle, Pamira, Omar, Ismene, Coro) | soprano vocals | Coro del Teatro alla Scala di Milano, Justino Díaz, Giovanni Foiani, Marilyn Horne, Milena Pauli, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 10:52 |
| 1969-04-11 | L'assedio di Corinto: Atto III (beginning) | soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Marilyn Horne, Piero de Palma, Milena Pauli, Beverly Sills, Paolo Washington, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 25:30 |
| 1969-04-11 | L'assedio di Corinto: Atto III (conclusion) | soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Justino Díaz, Marilyn Horne, Piero de Palma, Milena Pauli, Beverly Sills, Paolo Washington, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 25:45 |
| 1969-04-11 | L'assedio di Corinto: Atto III. "Celeste providenza" (Neocle, Pamira, Cleomene) | soprano vocals | Franco Bonisolli, Marilyn Horne, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 5:24 |
| 1969-04-11 | L'assedio di Corinto: Atto III. "L'ora fatal s'appressa... Giusto ciel! In tal periglio" (Pamira, Ismene, Coro) | soprano vocals | Coro del Teatro alla Scala di Milano, Milena Pauli, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 7:37 |
| 1969-04-11 | L'assedio di Corinto: Atto III. "Ma qual mal suona funebre accento?" (Pamira, Ismene, Maometto, Coro) | soprano vocals | Coro del Teatro alla Scala di Milano, Justino Díaz, Milena Pauli, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 2:08 |
| 1969-04-11 | L'assedio di Corinto: Atto III. "O mio Cleomene!" (Neocle, Cleomene, Pamira) | soprano vocals | Franco Bonisolli, Marilyn Horne, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 3:10 |
| 1969-04-11 | L'assedio di Corinto: Atto III. "Questo nome, che suona vittoria: (Jero, Ensemble) | soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Justino Díaz, Giovanni Foiani, Marilyn Horne, Piero de Palma, Milena Pauli, Beverly Sills, Paolo Washington, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 3:04 |
| 1969-04-11 | L'assedio di Corinto: Atto III. "Signor, che tutto puoi" (Pamira, Neocle) | soprano vocals | Marilyn Horne, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 2:33 |
| 1969-04-11 | L'assedio di Corinto: Atto III. "Tutto percorsi il marzial recinto" (Jero, Cleomene, Pamira, Ismene, Neocle, Coro) | soprano vocals | Franco Bonisolli, Marilyn Horne, Milena Pauli, Beverly Sills, Paolo Washington, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 3:40 |
| 1969-04-11 | L'assedio di Corinto: Sinfonia / Atto I, Scena 1 | soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Justino Díaz, Giovanni Foiani, Marilyn Horne, Milena Pauli, Beverly Sills, Paolo Washington, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 27:55 |
| 1969-05 | Depuis le jour (Charpentier - "Louise") | soprano vocals | Beverly Sills, Sir Charles Mackerras, Royal Philharmonic Orchestra | 5:37 |
| 1969-05 | Hamlet: "Mais quelle est cette belle" / "À vos jeux, mes amis" | soprano vocals | John McCarthy, Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras | 14:51 |
| 1969-05 | Hamlet: Acte IV. Scène la folie d'Ophélie "A vos jeux, mes amis" / "Partagez-vous mes fleurs !" / "Et maintenent écoutez ma chanson !" (Ophélie, Chœur) | soprano vocals | Beverly Sills | 14:45 |
| 1969-05 | Les Huguenots: Acte II. "O beau pays de las Touraine" (Marguerite de Valois, Chœur) | soprano vocals | Beverly Sills | 15:02 |
| 1969-05 | Les Huguenots: Cavatina "Ô beau pais" | soprano vocals | Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras | 7:48 |
| 1969-05 | Louise: "Depuis le Jour" | soprano vocals | Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras | 5:36 |
| 1969-05 | Louise: "Depuis le jour" (Louise) | soprano vocals | Beverly Sills | 5:36 |
| 1969-05 | Louise: Acte III. "Depuis le jour" (Louise) | soprano vocals | Beverly Sills | 5:30 |
| 1969-05 | Manon: Acte III. "Je marche sur tous les chemins" / Fabilau "Oui, dans les bois et dans le plaine..." (Manon, Chœur) | soprano vocals | Beverly Sills | 9:23 |
| 1969-05 | Mignon: "Oui, pour ce soir je suis reine des fées" / "Je suis Titania" | soprano vocals | John McCarthy, Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras | 6:04 |
| 1969-05 | Mignon: Acte II. "La Philine est vrainment divine" / Polonaise "Je suis Titania" (Philine, Chœur) | soprano vocals | Beverly Sills | 6:00 |
| 1969-05 | Oui, pour ce soir...Je suis Titania (Thomas - "Mignon") | soprano vocals | Beverly Sills, Ambrosian Opera Chorus, Sir Charles Mackerras, Royal Philharmonic Orchestra | 6:03 |
| 1969-05 | Robert le Diable: "Robert, toi que j'aime" | soprano vocals | Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras | 7:07 |
| 1969-05 | Robert le Diable: Acte IV. Cavatine "Robert, toi que jaime.." (Isabella) | soprano vocals | Beverly Sills | 7:03 |
| 1969-06 | Roberto Devereuh: Atto I. Aria & Scena "L'amor suo mi fè beata" (Elisabetta) / "Nunzio son del Parlamento" (Elisabetta, Sara, Lord Cecil, Raliegh, Lords) | soprano vocals | Beverly Sills, Beverly Wolff, Kenneth MacDonald, Don Garrard | 9:44 |
| 1969-06 | Roberto Devereuh: Atto I. Duetto "Un tenero core mi rese felice" (Elisabetta, Roberto) | soprano vocals | Beverly Sills, Robert Ilosfalvy | 6:58 |
| 1969-06 | Roberto Devereuh: Atto I. Terzetto "Ecco l'indegno!..." (Elisabetta, Roberto, Nottingham) | soprano vocals | Beverly Sills, Robert Ilosfalvy, Peter Glossop | 6:26 |
| 1969-06 | Roberto Devereuh: Atto II. Duetto "Non vienni mai si mesto" (Elisabetta, Nottingham) | soprano vocals | Beverly Sills, Peter Glossop | 6:13 |
| 1969-06 | Roberto Devereuh: Atto III. Aria & Scena "Vivi, ingrato, a lei d' accanto" (Elisabetta) / "Che m'apporti?" (Elisabetta, Lord Cecil, Sara, Nottingham, Lords, Courtiers) / "Quel sangue versato al ciel!" (Elisabetta, Courtiers) | soprano vocals | Beverly Sills, Kenneth MacDonald, Beverly Wolff, Peter Glossop | 13:10 |
| 1969-06 | Roberto Devereux: "L'amor suo mi fé beata" (Elisabetta) | soprano vocals | Beverly Sills | 3:59 |
| 1969-06 | Roberto Devereux: Atto I, Scena 1. “Nunzio son del Parlamento“ | soprano vocals | Beverly Sills, Kenneth MacDonald, Beverly Wolff, Gwynne Howell, Don Garrard, Ambrosian Opera Chorus, John McCarthy, Royal Philharmonic Orchestra, Sir Charles Mackerras | 5:52 |
| 1969-06 | Roberto Devereux: Atto I, Scena I | soprano vocals | Beverly Sills, Beverly Wolff, Kenneth MacDonald, Don Garrard, Gwynne Howell, Ambrosian Opera Chorus, John McCarthy, Royal Philharmonic Orchestra, Charles Mackerras | 9:52 |
| 1969-06 | Roberto Devereux: Atto I. “Donna reale, a piedi tuoi …” (Elisabetta, Roberto) | soprano vocals | Róbert Ilosfalvy, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 5:17 |
| 1969-06 | Roberto Devereux: Atto I. “Duchessa … Alle fervide preci” (Elisabetta, Sara) | soprano vocals | Beverly Sills, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:33 |
| 1969-06 | Roberto Devereux: Atto I. “L'amor suo mi fe beata“ (Elisabetta) | soprano vocals | Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:55 |
| 1969-06 | Roberto Devereux: Atto I. “Nunzio son del Parlamento“ (Elisabetta, Sara) | soprano vocals | John McCarthy, Ambrosian Singers, Don Garrard, Gwynne Howell, Kenneth MacDonald, Beverly Sills, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 5:50 |
| 1969-06 | Roberto Devereux: Atto I. “Un tenero core“ (Elisabetta, Roberto) | soprano vocals | Róbert Ilosfalvy, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 6:59 |
| 1969-06 | Roberto Devereux: Atto I. Scena I (Concluded.) | soprano vocals | Beverly Sills, Robert Ilosfalvy, Peter Glossop, Kenneth MacDonald | 23:40 |
| 1969-06 | Roberto Devereux: Atto I. Scena I (Part 1) | soprano vocals | Beverly Sills, Beverly Wolff, Kenneth MacDonald, Gwynne Howell | 27:00 |
| 1969-06 | Roberto Devereux: Atto II | soprano vocals | Beverly Sills, Robert Ilosfalvy, Peter Glossop, Kenneth MacDonald | 27:30 |
| 1969-06 | Roberto Devereux: Atto II. “Ebben?” (Elisabetta) | soprano vocals | Don Garrard, Kenneth MacDonald, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 1:50 |
| 1969-06 | Roberto Devereux: Atto II. “Ecco l'indegno! …” (Elisabetta, Roberto, Nottingham) | soprano vocals | Peter Glossop, Róbert Ilosfalvy, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 6:27 |
| 1969-06 | Roberto Devereux: Atto II. “Non vienni mai si mesto” (Elisabetta, Nottingham) | soprano vocals | Peter Glossop, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 6:13 |
| 1969-06 | Roberto Devereux: Atto II. “Scellerato! … Malvagio! …” (Elisabetta, Roberto, Nottingham) | soprano vocals | Peter Glossop, Róbert Ilosfalvy, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:51 |
| 1969-06 | Roberto Devereux: Atto II. “Segui! …” (Elisabetta) | soprano vocals | Don Garrard, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 1:30 |
| 1969-06 | Roberto Devereux: Atto II. “Va, la morte sul capo ti pende” (Elisabetta, Roberto, Nottingham) | soprano vocals | John McCarthy, Ambrosian Singers, Don Garrard, Peter Glossop, Róbert Ilosfalvy, Kenneth MacDonald, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:02 |
| 1969-06 | Roberto Devereux: Atto III. “E sara in questi orribili momento” (Elisabetta) | soprano vocals | John McCarthy, Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 4:04 |
| 1969-06 | Roberto Devereux: Atto III. “Quel sangue versato al ciel” (Elisabetta) | soprano vocals | John McCarthy, Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 5:33 |
| 1969-06 | Roberto Devereux: Atto III. ”Che m'apporti!” (Sara, Elisabetta, Nottingham) | soprano vocals | John McCarthy, Ambrosian Singers, Peter Glossop, Kenneth MacDonald, Beverly Sills, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:28 |
| 1969-06 | Roberto Devereux: Atto III. ”Vivi, ingrato, a lei d' accanto” (Elisabetta) | soprano vocals | Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 4:21 |
| See all 761 relationships |
| vocals |
|---|
| The Art of Beverly Sills (disc 1) | | Beverly Sills | |
