| vocals |
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1992-06-11 – 1992-06-17 | Florez och Blanzeflor, op. 3 | baritone vocals and solo | Malmö SymfoniOrkester, Paavo Järvi, Peter Mattei | 8:19 |
1992-11-09 – 1992-11-12 | Missa "Cum jubilo", op. 11: II. Gloria | baritone vocals and solo | S:t Jacobs kammarkör, Gary Graden, Peter Mattei, Mattias Wager | 5:40 |
1992-11-09 – 1992-11-12 | Missa "Cum jubilo", op. 11: IV. Benedictus | baritone vocals and solo | Peter Mattei, Mattias Wager | 2:24 |
1992-11-09 – 1992-11-12 | Requiem, op. 9: III. Domine Jesu Christe | baritone vocals and solo | S:t Jacobs kammarkör, Gary Graden, Peter Mattei, Mattias Wager | 9:11 |
1992-11-09 – 1992-11-12 | Requiem, op. 9: VIII. Libera me | baritone vocals and solo | S:t Jacobs kammarkör, Gary Graden, Peter Mattei, Mattias Wager | 5:51 |
1994-02-11 – 1994-07-03 | Efterskörd: I. Var välsignad, milda ömsinthet (1904) | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:23 |
1994-02-11 – 1994-07-03 | Efterskörd: II. Tröst (1904) | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 2:28 |
1994-02-11 – 1994-07-03 | Efterskörd: III. Klockan (1923) | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 3:38 |
1994-02-11 – 1994-07-03 | Efterskörd: IV. Människornas ögon (1923) | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:08 |
1994-02-11 – 1994-07-03 | Efterskörd: V. Hjärtat (1917) | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:31 |
1994-02-11 – 1994-07-03 | Fem sånger av Bo Bergman, op. 20: I. Stjärnöga | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:49 |
1994-02-11 – 1994-07-03 | Fem sånger av Bo Bergman, op. 20: II. Vid fönstret | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 3:37 |
1994-02-11 – 1994-07-03 | Fem sånger av Bo Bergman, op. 20: III. Gammal Nederländare | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:19 |
1994-02-11 – 1994-07-03 | Fem sånger av Bo Bergman, op. 20: IV. Månsken | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 2:05 |
1994-02-11 – 1994-07-03 | Fem sånger av Bo Bergman, op. 20: V. Adagio | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 2:44 |
1994-02-11 – 1994-07-03 | Fem visor till text av Johan Ludvig Runeberg, op. 8: I. Lutad mot gärdet | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:25 |
1994-02-11 – 1994-07-03 | Fem visor till text av Johan Ludvig Runeberg, op. 8: II. Dottern sade till sin gamla moder | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:05 |
1994-02-11 – 1994-07-03 | Fem visor till text av Johan Ludvig Runeberg, op. 8: III. Den tidiga sorgen | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:01 |
1994-02-11 – 1994-07-03 | Fem visor till text av Johan Ludvig Runeberg, op. 8: IV. Till en ros | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 2:26 |
1994-02-11 – 1994-07-03 | Fem visor till text av Johan Ludvig Runeberg, op. 8: V. Behagen | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:55 |
1994-02-11 – 1994-07-03 | Fyra svenska sånger, op. 16: I. Låt oss dö unga | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 2:55 |
1994-02-11 – 1994-07-03 | Fyra svenska sånger, op. 16: II. Guld och gröna skogar | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:13 |
1994-02-11 – 1994-07-03 | Fyra svenska sånger, op. 16: III. Ingalill | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 2:21 |
1994-02-11 – 1994-07-03 | Fyra svenska sånger, op. 16: IV. Fylgia | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:44 |
1994-02-11 – 1994-07-03 | Sju dikter ur Ensamhetens tankar, op. 7: I. Där innerst i min ande | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:33 |
1994-02-11 – 1994-07-03 | Sju dikter ur Ensamhetens tankar, op. 7: II. I enslighet försvinna | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:09 |
1994-02-11 – 1994-07-03 | Sju dikter ur Ensamhetens tankar, op. 7: III. Min stamfar hade en stor pokal | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:10 |
1994-02-11 – 1994-07-03 | Sju dikter ur Ensamhetens tankar, op. 7: IV. Kom, vänner, låt oss sätta oss | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 0:59 |
1994-02-11 – 1994-07-03 | Sju dikter ur Ensamhetens tankar, op. 7: V. I Rom, i Rom, dit ung jag kom | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:49 |
1994-02-11 – 1994-07-03 | Sju dikter ur Ensamhetens tankar, op. 7: VI. Du söker ryktbarhet | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:07 |
1994-02-11 – 1994-07-03 | Sju dikter ur Ensamhetens tankar, op. 7: VII. Du hade mig kär | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 2:07 |
1994-02-11 – 1994-07-03 | Visor och stämningar, op. 26: I. Vandraren | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 2:01 |
1994-02-11 – 1994-07-03 | Visor och stämningar, op. 26: II. Nattyxne | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 5:43 |
1994-02-11 – 1994-07-03 | Visor och stämningar, op. 26: III. Stjärnan | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:19 |
1994-02-11 – 1994-07-03 | Visor och stämningar, op. 26: IV. Jungfru Blond och Jungfru Brunett | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 4:28 |
1994-02-11 – 1994-07-03 | Visor och stämningar, op. 26: IX. En strandvisa | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 2:13 |
1994-02-11 – 1994-07-03 | Visor och stämningar, op. 26: V. Det far ett skepp | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:27 |
1994-02-11 – 1994-07-03 | Visor och stämningar, op. 26: VI. När genom rummet fönsterkorsets skugga ligger | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 1:25 |
1994-02-11 – 1994-07-03 | Visor och stämningar, op. 26: VII. Varför till ro så brått | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 0:49 |
1994-02-11 – 1994-07-03 | Visor och stämningar, op. 26: VIII. Lycklandsresan | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 2:04 |
1994-02-11 – 1994-07-03 | Visor och stämningar, op. 26: X. Prins Aladin av Lampan | baritone vocals | Peter Mattei, Bengt-Åke Lundin | 4:43 |
1995-06 | Carmina Burana: I. Primo vere: 4. Omnia sol temperat | baritone vocals | Peter Mattei, Love Derwinger, Kroumata, Roland Pöntinen, Cecilia Rydinger Alin | 2:29 |
1995-06 | Carmina Burana: II. In taberna: 11. Estuans interius | baritone vocals | Peter Mattei, Love Derwinger, Kroumata, Roland Pöntinen, Cecilia Rydinger Alin | 2:38 |
1995-06 | Carmina Burana: II. In taberna: 13. Ego sum abbas | baritone vocals | Allmänna Sången, Peter Mattei, Love Derwinger, Kroumata, Roland Pöntinen, Cecilia Rydinger Alin | 1:53 |
1995-06 | Carmina Burana: III. Cour d’amours: 16. Dies, nox et omnia | baritone vocals | Peter Mattei, Love Derwinger, Kroumata, Roland Pöntinen, Cecilia Rydinger Alin | 2:25 |
1995-06 | Carmina Burana: III. Cour d’amours: 18. Circa mea pectora | baritone vocals | Allmänna Sången, Peter Mattei, Love Derwinger, Kroumata, Roland Pöntinen, Cecilia Rydinger Alin | 2:00 |
1995-06 | Carmina Burana: III. Cour d’amours: 19. Si puer cum puellula | baritone vocals | Allmänna Sången, Peter Mattei, Cecilia Rydinger Alin | 1:04 |
1995-06 | Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum | baritone vocals | Allmänna Sången, Peter Mattei, Lena Nordin, Uppsala Choir School Children's Choir, Love Derwinger, Kroumata, Roland Pöntinen, Cecilia Rydinger Alin | 2:24 |
1997-02-21 – 1997-02-23 | Matthäus-Passion 57 - Arie 'Komm, süsses Kreuz, so will ich sagen' | bass vocals | Peter Mattei, Berliner Philharmoniker, Claudio Abbado | 5:21 |
1997-03-14 – 1997-03-17 | Kullervo: Kullervo och hans syster. Allegro vivace | baritone vocals | Kungliga Filharmoniska Orkestern, Eesti Rahvusmeeskoor, Paavo Järvi, Randi Stene, Peter Mattei | 24:19 |
2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Accende lumen sensibus | baritone vocals and solo | Royal Concertgebouw Orchestra, Riccardo Chailly | 5:09 |
2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Gloria sit Patri Domino | baritone vocals and solo | Royal Concertgebouw Orchestra, Riccardo Chailly | 2:47 |
2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Imple superna gratia | baritone vocals and solo | Royal Concertgebouw Orchestra, Riccardo Chailly | 3:59 |
2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Infirma nostri corporis | baritone vocals and solo | Royal Concertgebouw Orchestra, Riccardo Chailly | 6:26 |
2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Veni, Creator... Da gaudiorum praemia | baritone vocals and solo | Royal Concertgebouw Orchestra, Riccardo Chailly | 4:24 |
2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Alles Vergängliche | baritone vocals [Pater Ecstaticus] and solo | Royal Concertgebouw Orchestra, Riccardo Chailly | 5:52 |
2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Ewiger Wonnebrand | baritone vocals [Pater Ecstaticus] and solo | Royal Concertgebouw Orchestra, Riccardo Chailly | 1:33 |
2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act I. No. 3 Cavatina "Reviens à toi, vierge adorée!" (Chorèbe) / "Pauvre âme égarée!" (Chorèbe) / "Si tu m'aimes, va-t'en" (Cassandre) ... "Quitte-nous dès ce soir" (Cassandre, Chorèbe) | baritone vocals | Peter Mattei, London Symphony Orchestra, Sir Colin Davis | 14:08 |
2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act I. No. 8 Octet and Double Chorus "Châtiment effroyable!" (Priam, Panthée, Chorèbe, Énée, Helenus, Cassandre, Ascagne, Hécube, Chorus) | baritone vocals | Bülent Bezdüz, Isabelle Cals, Alan Ewing, Ben Heppner, Petra Lang, London Symphony Chorus, Tigran Martirossian, Peter Mattei, Guang Yang, London Symphony Orchestra, Sir Colin Davis | 6:35 |
2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act II, Scene 1. No. 13 Recitative and Chorus "Quelle espérance encor est permise" (Énée, Panthée, Ascagne, Chorèbe) / "Le salut des vaincus est de n'en plus attendre" (Énée, Chorèbe, Panthee, Chorus) | baritone vocals | Isabelle Cals, Ben Heppner, London Symphony Chorus, Tigran Martirossian, Peter Mattei, London Symphony Orchestra, Sir Colin Davis | 2:34 |
2001-09 | Stund, när ditt inre | baritone vocals | Peter Mattei, Norrköpings Symfoniorkester, Lü Jia | 14:24 |
2003-06-12 | Ein deutsches Requiem, op. 45: Denn wir haben hier keine bleibende Statt | baritone vocals and solo | Eric Ericsons Kammarkör, Peter Mattei, Radiokören, Sveriges Radios Symfoniorkester, Manfred Honeck | 11:20 |
2003-06-12 | Ein deutsches Requiem, op. 45: Herr, lehre doch mich | baritone vocals and solo | Eric Ericsons Kammarkör, Peter Mattei, Radiokören, Sveriges Radios Symfoniorkester, Manfred Honeck | 9:36 |
2004-09 | Peer Gynt, op. 23: XVII. Peer Gynts serenade | baritone vocals | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | 2:36 |
2005-09-18 – 2005-10-09 | Kullervo: III. Kullervo and His Sister: Allegro vivace | baritone vocals | London Symphony Orchestra, London Symphony Chorus, Monica Groop, Peter Mattei, Sir Colin Davis | 23:28 |
2005-09-18 – 2005-10-09 | Kullervo: V. Kullervo's Death: Andante | baritone vocals | London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 9:49 |
2007-07 – 2007-08 | Eugene Onegin: Act I, scene 1. Closing Scene: “A, vot i vi!” (Larina, Filipyevna, Lensky, Onegin) | baritone vocals [Eugene Onegin] | Thomas Lang, Joseph Kaiser, Peter Mattei, Renée Morloc, Emma Sarkissjan, Wiener Philharmoniker, Daniel Barenboim | 2:52 |
2007-07 – 2007-08 | Eugene Onegin: Act I, scene 1. Scene and Lensky's Arioso: “Kak shchastliv, kak shchastliv ya!” (Lensky, Olga, Onegin, Tatyana) | baritone vocals [Eugene Onegin] | Thomas Lang, Ekaterina Gubanova, Joseph Kaiser, Peter Mattei, Anna Samuil, Wiener Philharmoniker, Daniel Barenboim | 2:17 |
2007-07 – 2007-08 | Eugene Onegin: Act I, scene 1. Scene and Quartet: “Mesdames! Ya na sebya vzyal smyleost” ... “Skazhi, kotoraya Tatyana” (Lensky, Onegin, Larina, Tatyana, Olga) | baritone vocals [Eugene Onegin] | Thomas Lang, Ekaterina Gubanova, Joseph Kaiser, Peter Mattei, Renée Morloc, Anna Samuil, Wiener Philharmoniker, Daniel Barenboim | 3:39 |
2007-07 – 2007-08 | Eugene Onegin: Act I, scene 3. Scene and Onegin's Aria: “Kogda bi zhizn domashnim krugom” (Onegin, Tatyana) | baritone vocals [Eugene Onegin] | Thomas Lang, Peter Mattei, Anna Samuil, Wiener Philharmoniker, Daniel Barenboim | 4:48 |
2007-07 – 2007-08 | Eugene Onegin: Act I, scene 3. Scene and Onegin's Aria: “Zdyes on, zdyes on, Yevgeni!” (Tatyana, Onegin) | baritone vocals [Eugene Onegin] | Thomas Lang, Peter Mattei, Anna Samuil, Wiener Philharmoniker, Daniel Barenboim | 4:28 |
2007-07 – 2007-08 | Eugene Onegin: Act II, scene 1. Entr'acte and Waltz with Chorus: “Vot tak syurpriz!” (chorus, Captain, Onegin, Lensky) | baritone vocals [Eugene Onegin] | Thomas Lang, Joseph Kaiser, Konzertvereinigung Wiener Staatsopernchor, Sergej Kownir, Peter Mattei, Wiener Philharmoniker, Daniel Barenboim | 8:00 |
2007-07 – 2007-08 | Eugene Onegin: Act II, scene 1. Finale: “V vashem dome, kak sni zoilotiye” (Lensky, Onegin, Tatyana, chorus, Larina, Olga) | baritone vocals [Eugene Onegin] | Thomas Lang, Ekaterina Gubanova, Joseph Kaiser, Konzertvereinigung Wiener Staatsopernchor, Peter Mattei, Renée Morloc, Anna Samuil, Wiener Philharmoniker, Daniel Barenboim | 5:11 |
2007-07 – 2007-08 | Eugene Onegin: Act II, scene 1. Mazurka and Scene: “Messieurs, mesdames” - “Ti ne tantsuyesh, Lenski?” (Captain, Onegin, Lensky, chorus, Larina) | baritone vocals [Eugene Onegin] | Thomas Lang, Joseph Kaiser, Konzertvereinigung Wiener Staatsopernchor, Sergej Kownir, Peter Mattei, Renée Morloc, Wiener Philharmoniker, Daniel Barenboim | 4:21 |
2007-07 – 2007-08 | Eugene Onegin: Act II, scene 1. Scene and Triquet's Couplet: “Uzhel ya zasluzhil ot vas nasmyeshku etu?” (Lensky, Olga Onegin, Triquet, chorus) | baritone vocals [Eugene Onegin] | Thomas Lang, Ryland Davies, Ekaterina Gubanova, Joseph Kaiser, Peter Mattei, Wiener Philharmoniker, Daniel Barenboim | 3:25 |
2007-07 – 2007-08 | Eugene Onegin: Act II, scene 2. Duel Scene: “A, vot oni!” (Zaretsky, Onegin, Lensky) | baritone vocals [Eugene Onegin] | Thomas Lang, Joseph Kaiser, Peter Mattei, Georg Nigl, Wiener Philharmoniker, Daniel Barenboim | 6:28 |
2007-07 – 2007-08 | Eugene Onegin: Act III, scene 1. Scene and Onegin's Arioso: “I tak, poidyom, tebya predstavlyu ya” ... “Uzhel ta samaya Tatyana” (Prince Gremin, Tatyana, Onegin) | baritone vocals [Eugene Onegin] | Thomas Lang, Ferruccio Furlanetto, Peter Mattei, Anna Samuil, Wiener Philharmoniker, Daniel Barenboim | 3:41 |
2007-07 – 2007-08 | Eugene Onegin: Act III, scene 1. Scene and Prince Gremin's Aria: “I zdyes mnye skuchno!” (Onegin) | baritone vocals [Eugene Onegin] | Thomas Lang, Peter Mattei, Wiener Philharmoniker, Daniel Barenboim | 3:33 |
2007-07 – 2007-08 | Eugene Onegin: Act III, scene 1. Scene and Prince Gremin's Aria: “Knyaginya Gremina! Smotrite!” (chorus, Onegin, Tatyana, Prince Gremin) | baritone vocals [Eugene Onegin] | Thomas Lang, Ferruccio Furlanetto, Konzertvereinigung Wiener Staatsopernchor, Peter Mattei, Anna Samuil, Wiener Philharmoniker, Daniel Barenboim | 2:31 |
2007-07 – 2007-08 | Eugene Onegin: Act III, scene 2. Closing Scene: “O! Kak mnye tyazhelo!” ... “Onegin! Ya togda molozhe” (Tatyana, Onegin) | baritone vocals [Eugene Onegin] | Thomas Lang, Peter Mattei, Anna Samuil, Wiener Philharmoniker, Daniel Barenboim | 14:31 |
2010-08-12 | Fidelio op. 72: Akt II. Nr. 16 Finale II: »Heil sei dem Tag« … »Des besten Königs Wink und Wille« … »Wer ein holdes Weib errungen« (Chor, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino) | baritone vocals [Don Fernando, Minister] | Lucerne Festival Orchestra, Claudio Abbado | 13:54 |
2010-08-15 | Fidelio op. 72: Akt II. Nr. 16 Finale II: »Heil sei dem Tag« … »Des besten Königs Wink und Wille« … »Wer ein holdes Weib errungen« (Chor, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino) | baritone vocals [Don Fernando, Minister] | Lucerne Festival Orchestra, Claudio Abbado | 13:54 |
2014-01-24 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen | baritone vocals | Elisabeth Kulman, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Gielen | 5:21 |
2014-01-24 | Lieder eines fahrenden Gesellen: Ging heut’ morgen übers Feld | baritone vocals | Elisabeth Kulman, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Gielen | 3:37 |
2014-01-24 | Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer | baritone vocals | Elisabeth Kulman, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Gielen | 3:39 |
2014-01-24 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | baritone vocals | Elisabeth Kulman, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Gielen | 3:48 |
| Don Giovanni, Atto primo: Scena XVI: Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 0:40 |
| Don Giovanni, Atto primo: Scena XVIII: “Tra quest’arbori celata” (Zerlina, Don Giovanni, Masetto) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 2:06 |
| Don Giovanni, Atto primo: Scena XX: “Riposate, vezzose ragazze” (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 8:04 |
| Don Giovanni, Atto secondo: Scena I: No. 14. Duetto “Eh via buffone” (Don Giovanni, Leporello) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 0:57 |
| Don Giovanni, Atto secondo: Scena I: Recitativo “Leporello” (Don Giovanni, Leporello) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 2:07 |
| Don Giovanni, Atto secondo: Scena II: No. 15. Terzetto “Ah taci ingiusto core” (Donna Elvira, Leporello, Don Giovanni) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 4:08 |
| Don Giovanni, Atto secondo: Scena II: Recitativo “Amico, che ti par?” (Don Giovanni, Leporello) / Recitativo “Eccomi a voi” (Donna Elvira, Don Giovanni, Leporello) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 2:25 |
| Don Giovanni, Atto secondo: Scena III: Recitativo “V’è gente alla finestra” (Don Giovanni) / Recitativo “Non ci stanchiamo” (Masetto, Don Giovanni) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 1:20 |
| Don Giovanni, Atto secondo: Scena IV: No. 17. Aria “Metà di voi qua vadano” (Don Giovanni) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 2:22 |
| Don Giovanni, Atto secondo: Scena ultima: Ah dove è il perfido” (Donna Elvira, Zerlina, Don Ottavio, Masetto, Donna Anna, Leporello) / “Or che tutti, o mio tresoro” (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 5:44 |
| Don Giovanni, Atto secondo: Scena V: Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto) / Scena VI: Recitativo “Ahi ahi la testa mia!” (Masetto, Zerlina) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 2:31 |
| Don Giovanni, Atto secondo: Scena XI: No. 22. Duetto “O statua gentilissima” (Leporello, Don Giovanni) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 3:36 |
| Don Giovanni, Atto secondo: Scena XI: Recitativo “Ah ah ah ah, questa è buona” (Don Giovanni, Leporello) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 4:22 |
| Don Giovanni, Atto secondo: Scena XIII: No. 24. Finale “ Già la mensa è preparata” (Don Giovanni, Leporello) | baritone vocals [Don Giovanni] | Wolfgang Amadeus Mozart | 4:19 |
| See all 149 relationships |
| vocals |
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2004-09 | Peer Gynt | baritone vocals | Edvard Grieg; Estonian National Symphony Orchestra, Paavo Järvi, Peter Mattei, Camilla Tilling, Charlotte Hellekant | |