| 3 Romanzen, op. 94: No. 1. Nicht zu schnell | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: I. Vanitas vanitatum (Mit Humor) | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: II. Langsam | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: III. Nicht schnell, mit viel Ton zu spielen | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: IV. Nicht zu rasch | | | | | | | |
| 5 Stücke im Volkston für Klavier und Cello, op. 102: V. Stark und markiert | | | | | | | |
| Adagio and Allegro, op. 70: I. Adagio. Langsam, mit innigem Ausdruck | | | | | | | |
| Adagio and Allegro, op. 70: II. Allegro. Rasch und feurig | | | | | | | |
| Adieux de l'hôtesse arabe, op. 21 no. 4 | | | | Song | | | |
| Allegro appassionato, op. 43 | | | | | | | |
| Am Tage aller Seelen (Litanei), D. 343 | | | | Song | | | |
| An die Musik | | | | Song | | | |
| Après un rêve, op. 7 no. 1 | | | | | | | |
| Au bord de l’eau, op. 8 no. 1 | | | | Song | | | |
| Baal Shem: Three Pictures of Chassidic Life: II. Nigun | | | | | | | |
| Baal Shem: Three Pictures of Chassidic Life: II. Nigun | | | | | | | |
| Beau soir | | | | | | | |
| Cantique à l’épouse, op. 36 no. 1 | | | | Song | | | |
| Chanson triste, op. 2 no. 4 | | | | Song | | | |
| Chansons grises: No. 5. L'Heure exquise | | | | Song | | | |
| Chemah | | | | | | | |
| Cinq Mélodies populaires grecques: II. Là-bas, vers l'église | | | | Song | | | |
| Der Einsame, D. 800 | | | | Song | | | |
| Deux mélodies hébraïques: No. 1. Kaddisch | | | | | | | |
| Deux mélodies hébraïques: No. 2. L'Énigme éternelle | | | | | | | |
| Deux poèmes de Louis Aragon, FP 122: Nº1. C | | | | Song | | | |
| Die Forelle, D. 550 | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 6. Der Neugierige | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 19. Der Müller und der Bach | | | | Song | | | |
| Die Winterreise, op. 89, D. 911: XXIV. Der Leiermann | | | | | | | |
| Du bist die Ruh', D. 776 | | | | Song | | | |
| Élégie | | | | | | | |
| Étude in C-sharp minor, op. 25 no. 7: Lento | | | | Étude | | | |
| Extase | | | | Song | | | |
| Fiançailles pour rire, FP 101: 5. Violon | | | | Song | | | |
| From Jewish Life: No. 1. Prayer | | | | | | | |
| From Jewish Life: No. 2. Supplication | | | | | | | |
| From Jewish Life: No. 3. Jewish Song | | | | | | | |
| Heidenröslein, D. 257 | | | | Song | | | |
| Kol Nidrei | | - Gershon Sirota
- Daria Hovora, Sonia Wieder‐Atherton
- Robert Shaw Chorale
- Stanley Black conducting The London Festival Orchestra & Chorus
- Cantor Yitzchak Meir Helfgot, Francesca Anderegg, Michael Atkinson, Mark Berney, Melanie Feld, James Guttman, Mark Hamilton, Michael Katz, Jia Kim, Rachel Lee Priday, Sean Lee, Nicole Leon, Wanzhen Li, Matthew Lipman, Kurt Muroki, Kathleen Nester, Hankus Netsky, Sara Ordonez, Todd Palmer, Jocelin Pan, IhnSeon Park, Itzhak Perlman, Damian Primis, Michelle Ross, Pete Rushefsky, Grant Smith, Ilene Stahl, Klezmer Conservatory Band, Russell Ger
| | Song | | | |
| L'Heure exquise | | | | | | | |
| La Courte Paille, FP 178. 3. La Reine de cœur | | | | Song | | | |
| Le temps des lilas | | | | Song | | | |
| Les Berceaux, op. 23 no. 1 | | | | Song | | | |
| Les Chemins de l’amour | | | | | | | |
| Lied der Mignon, D. 877 no. 4: "Nur wer die Sehnsucht kennt" | | | | Song | | | |
| Méditation hébraïque | | | | | | | |
| Métamorphoses, FP 121: 2. C'est ainsi que tu es | | | | Song | | | |
| Moment musical in F minor, D. 780 no. 3 | | | | | | | |
| Nacht und Träume, D. 827 | | | | Song | | | |
| Nigun | | | | | | | |
| Nocturne no. 20 in C-sharp minor | | | | | | | |
| Nun komm, der Heiden Heiland, BWV 599 | | | | | | | |
| Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air | | | | | | | |
| Préludes, Livre I, L. 117, CD 125: XII. Minstrels. Modéré | | | | | | | |
| Psalmodie | | | | | | | |
| Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) | | | | | | | |
| Schwanengesang, D. 957: IV. Ständchen | | | | | | | |
| Schwanengesang, D. 957: XII. Am Meer | | | | Song | | | |
| Sérénade, op. 13 no. 2 | | | | Song | | | |
| Sonata in A minor for Arpeggione and Piano, D. 821: I. Allegro moderato | | | | | | | |
| Sonata in A minor for Arpeggione and Piano, D. 821: II. Adagio | | | | | | | |
| Sonata in A minor for Arpeggione and Piano, D. 821: III. Allegretto | | | | | | | |
| Sonata no. 1 for Cello and Piano in C minor, op. 32: I. Allegro | | | | | | | |
| Sonata no. 1 for Cello and Piano in C minor, op. 32: II. Andante tranquillo sostenuto | | | | | | | |
| Sonata no. 1 for Cello and Piano in C minor, op. 32: III. Allegro moderato | | | | | | | |
| Soupir | | | | Song | | | |
| Suite bergamasque: Clair de lune | | | | | | | |
| Te Deum in D major, HWV 283 "Dettingen": Aria "Vouchsafe, O Lord" | | | | | | | |
| Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio | | | | | | | |
| Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio | | | | | | | |
| Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio | | | | | | | |
| Tristesse, op. 6 no. 2 | | | | Song | | | |
| Vocalise-Étude en forme de habanera | | | | | | | |
| Winterreise, op. 89, D. 911: XIX. Täuschung | | | | Song | | | |
