| 4 meloodiat keelpilliorkestrile | | | | | | | |
| Akademische Fest-Ouvertüre, op. 80 | | | | Overture | | | |
| Attila | | | | Opera | | | |
| Bukoolika | | | | | | | |
| Cello Concerto “Pro et contra”: I. Maestoso | | - Bamberger Symphoniker, Neeme Järvi, Frans Helmerson
- Eesti Riiklik Sümfooniaorkester, Paavo Järvi, Truls Mørk
- Congress Orchestra, Vladimir Norets, Vadim Messermann
- Allar Kaasik, Estonian National Symphony Orchestra, Peeter Lilje
- Frans Helmerson, Bamberger Symphoniker, Neeme Järvi
| | | | | |
| Cello Concerto “Pro et contra”: II. Largo | | - Bamberger Symphoniker, Neeme Järvi, Frans Helmerson
- Eesti Riiklik Sümfooniaorkester, Paavo Järvi, Truls Mørk
- Congress Orchestra, Vladimir Norets, Vadim Messermann
- Allar Kaasik, Estonian National Symphony Orchestra, Peeter Lilje
- Frans Helmerson, Bamberger Symphoniker, Neeme Järvi
| | | | | |
| Cello Concerto “Pro et contra”: III. Allegro | | | | | | | |
| Der Schauspieldirektor, K. 486 | | - Günther Kaufmann, Mathieu Carrière
- Dieter Laser, Mathieu Carrière, Günther Kaufmann
- Daniela Ziegler, Dieter Laser, Günther Kaufmann, Mathieu Carrière
- Daniela Ziegler, Dieter Laser, Mathieu Carrière, Christine Kaufmann, Günther Kaufmann
- (show 19 more)
| | Opera | | | |
| Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) | | - Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Lucia Popp, Bayerisches Staatsorchester, Carlos Kleiber
- Walter Berry, Chor der Wiener Staatsoper, B. Fasolt, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan
- Johann Strauss II
- Philharmonia Orchestra, Herbert von Karajan
- (show 39 more)
| | Aria | | | |
| Dramaatiline avamäng | | | | | | | |
| Eleegia | | | | | | | |
| Flowerbouquette no. 43E | | | | | | | |
| Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) | | | | Aria | | | |
| Jaaniöö | | | | Symphonic poem | | | |
| Klassikaline sümfoonia | | | | Symphony | | | |
| Klaverikontsert nr. 2, op. 70: I. | | | | | | | |
| Klaverikontsert nr. 2, op. 70: II. | | | | | | | |
| Klaverikontsert nr. 2, op. 70: III. | | | | | | | |
| Koit | | | | Symphonic poem | | | |
| Kontsertiino flöödile, keelpilliorkestrile ja löökpillidele: I. Andante - Allegro energico | | | | | | | |
| Kontsertiino flöödile, keelpilliorkestrile ja löökpillidele: II. Andante tranquillo | | | | | | | |
| Kontsertiino flöödile, keelpilliorkestrile ja löökpillidele: III. Allegro | | | | | | | |
| La Fille du régiment : Acte I, Scène 11. Final: Cavatina “Ah ! mes amis” (Tonio) | | - Luciano Pavarotti
- Douglas Robinson, Chorus of the Royal Opera House, Covent Garden, Eric Garrett, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge
- Chorus of the Royal Opera House, Covent Garden, Eric Garrett, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge
- Alfredo Kraus
- (show 16 more)
| | Aria | | | |
| Le Sacre du printemps: I. L’Adoration de la terre | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice | | | | | | | |
| Lucia di Lammermoor | | | | Opera | | | |
| Metsakontsert: I. Allegro | | | | | | | |
| Metsakontsert: II. Grave | | | | | | | |
| Metsakontsert: III. Allegretto | | | | | | | |
| Noktürn | | | | | | | |
| Open(r)ing | | | | | | | |
| Pirnipuu: Iirise tango | | | | | | | |
| Reekviem | | | | Mass | | | |
| Sinfonia nro 1 "Sotasinfonia": I. Tempo di marcia ma poco pesante | | | | | | | |
| Sinfonia nro 1 "Sotasinfonia": II. Scherzo (Poco vivace) | | | | | | | |
| Sinfonia nro 1 "Sotasinfonia": III. Adagio | | | | | | | |
| Sinfonia nro 1 "Sotasinfonia": IV. Finale (Maestoso) | | | | | | | |
| Sinfonia nro 2 "Mustarastassinfonia": I. Allegro moderato | | | | | | | |
| Sinfonia nro 2 "Mustarastassinfonia": II. Andante molto sostenuto | | | | | | | |
| Sinfonia nro 2 "Mustarastassinfonia": III. Finale (Allegro deciso) | | | | | | | |
| Sinfonia nro 2 D-duuri, op. 43: I. Allegretto | | | | | | | |
| Sinfonia nro 2 D-duuri, op. 43: II. Tempo andante, ma rubato | | | | | | | |
| Sinfonia nro 2 D-duuri, op. 43: III. Vivacissimo | | | | | | | |
| Sinfonia nro 2 D-duuri, op. 43: IV. Finale. Allegro moderato | | | | | | | |
| Sinfonia sincera, op. 31: I. Persona sincera | | | | | | | |
| Sinfonia sincera, op. 31: II. Dolore sincero | | | | | | | |
| Sinfonia sincera, op. 31: III. Sincera gioia della vita | | | | | | | |
| Sinfonia sincera, op. 31: IV. Alla sincerona | | | | | | | |
| Stabat Mater: II. Aria - Cuius animam gementem (tenore) | | | | Aria | | | |
| Sümfoniett | | | | | | | |
| Sümfoonia nr. 1, in modo mixolydio: I. Allegro assai | | | | | | | |
| Sümfoonia nr. 1: I. | | | | | | | |
| Sümfoonia nr. 2 e-moll | | | | Symphony | | | |
| Sümfoonia nr. 2 h-moll „Legendaarne”, ETW 2: I. Legendaire. Molto allegro e agitato | | | | | | | |
| Sümfoonia nr. 2 h-moll „Legendaarne”, ETW 2: II. Sostenuto assai, grave e funebre | | | | | | | |
| Sümfoonia nr. 2 h-moll „Legendaarne”, ETW 2: III. Tempestuoso, ma non troppo allegro - Lento | | | | | | | |
| Sümfoonia nr. 2, op. 74 | | | | Symphony | | | |
| Sümfoonia nr. 2: I. Moderato tranquillo | | | | | | | |
| Sümfoonia nr. 2: II. Interludium | | | | | | | |
| Sümfoonia nr. 2: III. Spirituoso | | | | | | | |
| Sümfoonia nr. 7 | | | | Symphony | | | |
| Sümfooniline burlesk | | | | | | | |
| Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico | | | | | | | |
| Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | | | | | | | |
| Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro | | | | | | | |
| Symphony no. 1 in E minor, op. 39: IV. Finale. (Quasi una Fantasia). Andante - Allegro molto | | | | | | | |
| Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | | | | | | | |
| Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | | | | | | | |
| The Twelve, op. 25: IV. Kat’ka | | | | | | | |
| The Twelve, op. 25: V. The Reckless Driver | | | | | | | |
| The Twelve, op. 25: VIII. Boredom Most Boring, Deadly! | | | | | | | |
| The Twelve, op. 25: XII. Wrapped in Wild Snow, Ahead of Them Goes Jesus Christ | | | | | | | |
| Un ballo in maschera | | | | Opera | | | |
| Varjus ja päikesepaistel | | | | Symphonic poem | | | |
| Videvik | | | | Symphonic poem | | | |
| Viirastused | | | | Symphonic poem | | | |
| Viis pala keelpilliorkestrile | | | | | | | |
| Viis pala keelpilliorkestrile, nr. 1: Romanss. Andante con moto | | | | | | | |
| Viis pala keelpilliorkestrile, nr. 2: Tants. Allegretto moderato | | | | | | | |
| Viis pala keelpilliorkestrile, nr. 3: Tants. Vivo | | | | | | | |
| Viis pala keelpilliorkestrile, nr. 4: Hällilaul. Lento assai poco rubato | | | | | | | |
| Viis pala keelpilliorkestrile, nr. 5: Kodumaine viis. Cantado espressivo | | | | | | | |
| Viiulikontsert h-moll | | | | Concerto | | | |
| Viiulikontsert, op. 64 | | | | Concerto | | | |
| Viiulikontsert, op. 64: I. Con moto | | | | | | | |
| Vikerlased: Duett "Õnn meie juure jää" (Juta, Ülo) | | | | | | | |
