| appears on video |
|---|
| 2006-06-27 – 2006-07-01 | 2006-12-25: Così fan tutte, K. 588: Act I. no. 8. Bella vita militar! | The Glyndebourne Chorus | | The Glyndebourne Chorus, Thomas Blunt, Orchestra of the Age of Enlightenment, Ivan Fischer | 1:52 |
| 2006-06-27 – 2006-07-01 | 2006-12-25: Così fan tutte, K. 588: Act I. no. 9. Di scrivermi | The Glyndebourne Chorus | | Miah Persson, Anke Vondung, Topi Lehtipuu, Luca Pisaroni, Nicolas Rivenq, The Glyndebourne Chorus, Thomas Blunt, Orchestra of the Age of Enlightenment, Ivan Fischer | 3:41 |
| 2006-06-27 – 2006-07-01 | 2006-12-25: Così fan tutte, K. 588: Act II. Finale. no. 31a. Fate presto, oh cari amici | The Glyndebourne Chorus | | tutti, The Glyndebourne Chorus, Thomas Blunt, Orchestra of the Age of Enlightenment, Ivan Fischer | 1:52 |
| 2006-06-27 – 2006-07-01 | 2006-12-25: Così fan tutte, K. 588: Act II. Finale. no. 31b. Benedetti i doppi coniugi | The Glyndebourne Chorus | | tutti, The Glyndebourne Chorus, Thomas Blunt, Orchestra of the Age of Enlightenment, Ivan Fischer | 4:31 |
| 2006-06-27 – 2006-07-01 | 2006-12-25: Così fan tutte, K. 588: Act II. Finale. no. 31c. E nel tuo | The Glyndebourne Chorus | | tutti, The Glyndebourne Chorus, Thomas Blunt, Orchestra of the Age of Enlightenment, Ivan Fischer | 5:22 |
| 2006-06-27 – 2006-07-01 | 2006-12-25: Così fan tutte, K. 588: Act II. Finale. no. 31d. Sani e salvi agli amplessi amorosi | The Glyndebourne Chorus | | tutti, The Glyndebourne Chorus, Thomas Blunt, Orchestra of the Age of Enlightenment, Ivan Fischer | 8:16 |
| 2006-06-27 – 2006-07-01 | 2006-12-25: Così fan tutte, K. 588: Act II. no. 21. Secondate, aurette amiche | The Glyndebourne Chorus | | Topi Lehtipuu, Luca Pisaroni, The Glyndebourne Chorus, Thomas Blunt, Orchestra of the Age of Enlightenment, Ivan Fischer | 3:59 |
| 2006-06-27 – 2006-07-01 | 2006-12-25: Così fan tutte: Curtain Calls & Credits | The Glyndebourne Chorus | | tutti, The Glyndebourne Chorus, Thomas Blunt, Orchestra of the Age of Enlightenment, Ivan Fischer | 3:31 |
| performed |
|---|
| The Gondoliers: Act I. “Bridegroom and bride” (Chorus) | | | Gilbert & Sullivan | 0:46 |
| The Gondoliers: Act I. “Buon’giorno, signorine” (Marco, Giuseppe, Chorus) | | | Gilbert & Sullivan | 2:21 |
| The Gondoliers: Act I. “For the merriest fellows” (Antonio, Chorus, Fiametta) | | | Gilbert & Sullivan | 2:18 |
| The Gondoliers: Act I. “Good morrow, pretty maids” (Francesco, Fiametta, Antonio, Giorgio, Vittoria, Giulia) | | | Gilbert & Sullivan | 1:15 |
| The Gondoliers: Act I. “List and learn, ye dainty roses” (Chorus) | | | Gilbert & Sullivan | 3:30 |
| The Gondoliers: Act I. “Thank you, gallant gondolieri” (Gianetta, Tessa, Chorus) | | | Gilbert & Sullivan | 2:32 |
| The Gondoliers: Act I. “Then away they go to an island fair” (Chorus, Marco, Giuseppe, Gianetta, Tessa) | | | Gilbert & Sullivan | 1:47 |
| The Gondoliers: Act II. “Dance a cachucha, fandango, bolero” (Chorus) | | | Gilbert & Sullivan | 2:20 |
| The Gondoliers: Act II. “Here we are, at the risk of our lives” (Chorus, Gianetta, Tessa, Marco, Giuseppe) | | | Gilbert & Sullivan | 3:13 |
| The Gondoliers: Act II. “Now let the loyal lieges gather round” (Don Alhambra, All) | | | Gilbert & Sullivan | 1:10 |
| The Gondoliers: Act II. “Of happiness the very pith” (Chorus, Marco, Giuseppe) | | | Gilbert & Sullivan | 2:15 |
| The Gondoliers: Act II. “The Royal Prince” (Inez, All) | | | Gilbert & Sullivan | 4:35 |
| The Gondoliers: Act II. “With ducal pomp and ducal pride” (Chorus, Duke, Duchess) | | | Gilbert & Sullivan | 2:05 |
| vocals |
|---|
| 1934-06-06 – 1935-06-28 | Così fan tutte: Act I, no. 8. Coro “Bella vita militar!” – Recitativo “Non v’è più tempo” | | choir vocals | John Brownlee, Willi Domgraf-Fassbaender, Glyndebourne Chorus, Luise Helletsgruber, Heddle Nash, Ina Souez, Orchestra of Glyndebourne Festival, Fritz Busch | 2:04 |
| 1934-06-06 – 1935-06-28 | Così fan tutte: Act I, no. 9. Quintetto “Di scrivermi ogni giorno” – Coro “Bella vita militar!” – Recitativo “Dove son?” | | choir vocals | John Brownlee, Willi Domgraf-Fassbaender, Glyndebourne Chorus, Luise Helletsgruber, Heddle Nash, Ina Souez, Orchestra of Glyndebourne Festival, Fritz Busch | 3:40 |
| 1934-06-06 – 1935-06-28 | Così fan tutte: Act II, no. 31. Finale “Ah, Signor, son rea di morte” | | choir vocals | John Brownlee, Willi Domgraf-Fassbaender, Irene Eisinger, Glyndebourne Chorus, Luise Helletsgruber, Heddle Nash, Ina Souez, Orchestra of Glyndebourne Festival, Fritz Busch | 6:10 |
| 1934-06-06 – 1935-06-28 | Così fan tutte: Act II, no. 31. Finale “Benedetti i doppi coniugi” | | choir vocals | Willi Domgraf-Fassbaender, Glyndebourne Chorus, Luise Helletsgruber, Heddle Nash, Ina Souez, Orchestra of Glyndebourne Festival, Fritz Busch | 4:47 |
| 1934-06-06 – 1935-06-28 | Così fan tutte: Act II, no. 31. Finale “Fate presto, o cari amici” | | choir vocals | John Brownlee, Irene Eisinger, Glyndebourne Chorus, Orchestra of Glyndebourne Festival, Fritz Busch | 1:57 |
| 1934-06-06 – 1935-06-28 | Così fan tutte: Act II, no. 31. Finale “Miei signori, tutto è fatto” | | choir vocals | John Brownlee, Willi Domgraf-Fassbaender, Irene Eisinger, Glyndebourne Chorus, Luise Helletsgruber, Heddle Nash, Ina Souez, Orchestra of Glyndebourne Festival, Fritz Busch | 3:37 |
| 1934-06-06 – 1935-06-28 | Così fan tutte: Act II, no. 31. Finale “Sani e salvi” | | choir vocals | John Brownlee, Willi Domgraf-Fassbaender, Irene Eisinger, Glyndebourne Chorus, Luise Helletsgruber, Heddle Nash, Ina Souez, Orchestra of Glyndebourne Festival, Fritz Busch | 3:35 |
| 1935 | Così fan tutte: Act I, no. 8. Coro “Bella vita militar!” – Recitativo “Non v’è più tempo” | | choir vocals | John Brownlee, Willi Domgraf-Fassbaender, Glyndebourne Chorus, Luise Helletsgruber, Heddle Nash, Ina Souez, Orchestra of Glyndebourne Festival, Fritz Busch | 2:04 |
| 1935 | Così fan tutte: Act I, no. 9. Quintetto “Di scrivermi ogni giorno” – Coro “Bella vita militar!” – Recitativo “Dove son?” | | choir vocals | John Brownlee, Willi Domgraf-Fassbaender, Glyndebourne Chorus, Luise Helletsgruber, Heddle Nash, Ina Souez, Orchestra of Glyndebourne Festival, Fritz Busch | 3:40 |
| 1935 | Così fan tutte: Act II, no. 21. Duetto con coro “Secondate aurette amiche” – Abridged Recitativo “Cos’è tal mascherata?” | | choir vocals | John Brownlee, Willi Domgraf-Fassbaender, Irene Eisinger, Luise Helletsgruber, Heddle Nash, Ina Souez, Orchestra of Glyndebourne Festival, Fritz Busch | 4:06 |
| 1935 | Così fan tutte: Act II. No. 31 “Fate presto” | | choir vocals | John Brownlee, Irene Eisinger, Glyndebourne Chorus, Glyndebourne Festival Orchestra, Fritz Busch | 19:47 |
| 1936-06-29 – 1936-07-05 | Don Giovanni: Atto I. Coro: “Giovinette che fate all’amore” | | | Glyndebourne Chorus, Roy Henderson, Audrey Mildmay, Glyndebourne Festival Orchestra, Fritz Busch | 1:23 |
| 1936-06-29 – 1936-07-05 | Don Giovanni: Atto I. Finale: “Presto, presto, pria ch’ei venga” | | | John Brownlee, Glyndebourne Chorus, Roy Henderson, Audrey Mildmay, Glyndebourne Festival Orchestra, Fritz Busch | 1:54 |
| 1936-06-29 – 1936-07-05 | Don Giovanni: Atto II. “Don Giovanni, a cenar teco” | | | Salvatore Baccaloni, John Brownlee, Glyndebourne Chorus, Glyndebourne Festival Orchestra, Fritz Busch | 6:03 |
| 1936-06-29 – 1936-07-05 | Don Giovanni: Atto II. Duetto: “O statua gentilissima” | | | Salvatore Baccaloni, John Brownlee, Glyndebourne Chorus, Glyndebourne Festival Orchestra, Fritz Busch | 3:33 |
| 1936-06-29 – 1936-07-05 | Don Giovanni: Atto II. Recitativo: “Ah, ah, ah questa buona” | | | Salvatore Baccaloni, John Brownlee, Glyndebourne Chorus, Glyndebourne Festival Orchestra, Fritz Busch | 3:42 |
| 1956 | Le Comte Ory : Acte I. « C'est bien, je suis content » | | choir vocals | Sári Barabás, Cora Canne-Meijer, Glyndebourne Chorus, Juan Oncina, Michel Roux, Ian Wallace, Glyndebourne Festival Orchestra, Vittorio Gui | 1:49 |
| 1956 | Le Comte Ory : Acte I. « Cet écrit, noble châtelaine » | | choir vocals | Sári Barabás, Cora Canne-Meijer, Glyndebourne Chorus, Juan Oncina, Michel Roux, Jeannette Sinclair, Monica Sinclair, Ian Wallace, Glyndebourne Festival Orchestra, Vittorio Gui | 2:14 |
| 1956 | Le Comte Ory : Acte I. « Cette aventure fort singulière » | | choir vocals | Cora Canne-Meijer, Glyndebourne Chorus, Jeannette Sinclair, Ian Wallace, Glyndebourne Festival Orchestra, Vittorio Gui | 2:40 |
| 1956 | Le Comte Ory : Acte I. « Ciel ! … Ô terreur » | | choir vocals | Sári Barabás, Cora Canne-Meijer, Glyndebourne Chorus, Juan Oncina, Michel Roux, Jeannette Sinclair, Monica Sinclair, Ian Wallace, Glyndebourne Festival Orchestra, Vittorio Gui | 2:54 |
| 1956 | Le Comte Ory : Acte I. « Je viens à vous » | | choir vocals | Glyndebourne Chorus, Juan Oncina, Michel Roux, Jeannette Sinclair, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | 0:51 |
| 1956 | Le Comte Ory : Acte I. « Jouvencelles, venez vite » | | choir vocals | Glyndebourne Chorus, Michel Roux, Jeannette Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | 3:58 |
| 1956 | Le Comte Ory : Acte I. « Moi, je réclame pour que ma femme » | | choir vocals | Glyndebourne Chorus, Juan Oncina, Michel Roux, Jeannette Sinclair, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | 3:09 |
| 1956 | Le Comte Ory : Acte I. « O bon ermite » | | choir vocals | Sári Barabás, Cora Canne-Meijer, Glyndebourne Chorus, Juan Oncina, Glyndebourne Festival Orchestra, Vittorio Gui | 3:27 |
| 1956 | Le Comte Ory : Acte I. « Quand Madame la Comtesse » | | choir vocals | Glyndebourne Chorus, Michel Roux, Jeannette Sinclair, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | 2:47 |
| 1956 | Le Comte Ory : Acte I. « Venez, amis, retirons-nous » | | choir vocals | Sári Barabás, Cora Canne-Meijer, Glyndebourne Chorus, Juan Oncina, Michel Roux, Jeannette Sinclair, Monica Sinclair, Ian Wallace, Glyndebourne Festival Orchestra, Vittorio Gui | 3:39 |
| 1956 | Le Comte Ory : Acte I. « Vous, notre appui et notre ami » | | choir vocals | Glyndebourne Chorus, Ian Wallace, Glyndebourne Festival Orchestra, Vittorio Gui | 2:29 |
| 1956 | Le Comte Ory : Acte II. « Buvons, buvons » | | choir vocals | Glyndebourne Chorus, Juan Oncina, Glyndebourne Festival Orchestra, Vittorio Gui | 2:15 |
| 1956 | Le Comte Ory : Acte II. « Dans ce lieu solitaire » | | choir vocals | Glyndebourne Chorus, Michel Roux, Glyndebourne Festival Orchestra, Vittorio Gui | 5:26 |
| 1956 | Le Comte Ory : Acte II. « Dans ce séjour » | | choir vocals | Sári Barabás, Glyndebourne Chorus, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | 4:52 |
| 1956 | Le Comte Ory : Acte II. « Écoutez ces chants de victoire » | | choir vocals | Sári Barabás, Cora Canne-Meijer, Glyndebourne Chorus, Juan Oncina, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | 2:00 |
| 1956 | Le Comte Ory : Acte II. « Écoutez, le ciel gronde » | | choir vocals | Sári Barabás, Glyndebourne Chorus, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | 2:19 |
| 1956 | Le Comte Ory : Acte II. « Eh ! mais quelle triste observance » | | choir vocals | Glyndebourne Chorus, Juan Oncina, Michel Roux, Ian Wallace, Glyndebourne Festival Orchestra, Vittorio Gui | 0:48 |
| 1956 | Le Comte Ory : Acte II. « Elle revient, silence ! » | | choir vocals | Sári Barabás, Cora Canne-Meijer, Glyndebourne Chorus, Juan Oncina, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | 3:29 |
| 1956 | Le Comte Ory : Acte II. « Noble châtelaine » | | choir vocals | Glyndebourne Chorus, Glyndebourne Festival Orchestra, Vittorio Gui | 1:12 |
| 1956 | Le Comte Ory : Acte II. « On vient … c'est la tourière » | | choir vocals | Glyndebourne Chorus, Juan Oncina, Michel Roux, Glyndebourne Festival Orchestra, Vittorio Gui | 2:16 |
| 1956 | Le Comte Ory : Acte II. « Voyez qui ce peut être » | | choir vocals | Sári Barabás, Glyndebourne Chorus, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | 2:54 |
| 1957 | The Mikado: Act I. "A wand'ring minstrel, I" (Nanki-Poo, Nobles) | | | Gilbert & Sullivan | 4:15 |
| 1957 | The Mikado: Act I. "As some day it may happen" (Ko-Ko, Nobles) | | | Gilbert & Sullivan | 2:26 |
| 1957 | The Mikado: Act I. "Behold the Lord High Executioner!" (Nobles, Ko-Ko) | | | Gilbert & Sullivan | 2:55 |
| 1957 | The Mikado: Act I. "Comes a train of little ladies" (Girls) | | | Gilbert & Sullivan | 2:12 |
| 1957 | The Mikado: Act I. "If you want to know who we are" (Nobles) | | | Gilbert & Sullivan | 2:40 |
| 1957 | The Mikado: Act I. "Our great Mikado, virtous man" (Pish-Tush, Nobles) | | | Gilbert & Sullivan | 3:09 |
| 1957 | The Mikado: Act I. "So please you, sir, we much regret" (Yum-Yum, Peep-Bo, Pitti-Sing, Poo-Bah, Girls) | | | Gilbert & Sullivan | 2:02 |
| 1957 | The Mikado: Act I. "Three little maids from school" (Yum-Yum, Peep-Bo, Pitti-Sing, Girls) | | | Gilbert & Sullivan | 1:31 |
| 1957 | The Mikado: Act I. "With aspect stern" (Nobles, Girls, Poo-Bah, Ko-Ko, Nanki-Poo, Yum-Yum, Others) | | | Gilbert & Sullivan | 6:31 |
| 1957 | The Mikado: Act I. "Your revels cease" (Katisha, Nanki-Poo, Pitti-Sing, Yum-Yum, Others) | | | Gilbert & Sullivan | 8:27 |
| 1957 | The Mikado: Act II. "A more humane Mikado" (Mikado, Nobles) | | | Gilbert & Sullivan | 4:15 |
| 1957 | The Mikado: Act II. "Braid the raven hair" (Girls, Pitti-Sing) | | | Gilbert & Sullivan | 3:21 |
| 1957 | The Mikado: Act II. "For he's gone and married Yum-Yum" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others) | | | Gilbert & Sullivan | 2:05 |
| 1957 | The Mikado: Act II. "Miya sama, miya sama" (Girls, Nobles, Mikado, Katisha) | | | Gilbert & Sullivan | 2:45 |
| 1957 | The Mikado: Act II. "The criminal cried" (Ko-Ko, Nobles, Pitti-Sing, Poo-Bah) | | | Gilbert & Sullivan | 3:15 |
| 1960-06-05 | I puritani: Atto I. “A festa!” | Glyndebourne Festival Chorus | choir vocals | Glyndebourne Festival Chorus, Royal Philharmonic Orchestra, Vittorio Gui | ?:?? |
| 1960-06-05 | I puritani: Atto I. “A te, o cara” | Glyndebourne Festival Chorus | choir vocals | Nicola Filacuridi, Glyndebourne Festival Chorus, Giuseppe Modesti, Joan Sutherland, David Ward, Royal Philharmonic Orchestra, Vittorio Gui | ?:?? |
| 1960-06-05 | I puritani: Atto I. “All'erta! All'erta! L'alba appari” | Glyndebourne Festival Chorus | choir vocals | Glyndebourne Festival Chorus, John Kentish, Royal Philharmonic Orchestra, Vittorio Gui | ?:?? |
| 1960-06-05 | I puritani: Atto I. “Dov'è Arturo?” | Glyndebourne Festival Chorus | choir vocals | Ernest Blanc, Glyndebourne Festival Chorus, John Kentish, Giuseppe Modesti, Joan Sutherland, David Ward, Royal Philharmonic Orchestra, Vittorio Gui | ?:?? |
| 1960-06-05 | I puritani: Atto I. “Ma tu già mi fuggi?” | Glyndebourne Festival Chorus | choir vocals | Ernest Blanc, Glyndebourne Festival Chorus, John Kentish, Giuseppe Modesti, Joan Sutherland, Royal Philharmonic Orchestra, Vittorio Gui | ?:?? |
| 1960-06-05 | I puritani: Atto I. “Oh vieni al tempio, fedele Arturo” | Glyndebourne Festival Chorus | choir vocals | Ernest Blanc, Glyndebourne Festival Chorus, John Kentish, Giuseppe Modesti, Joan Sutherland, Royal Philharmonic Orchestra, Vittorio Gui | ?:?? |
| 1960-06-05 | I puritani: Atto I. Coro e Quartetto: “Ad Arturo onore” | Glyndebourne Festival Chorus | choir vocals | Glyndebourne Festival Chorus, Royal Philharmonic Orchestra, Vittorio Gui | ?:?? |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 1. “Ehi, Fiorello? … Mio signore” | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Glyndebourne Festival Chorus, Duncan Robertson, Royal Philharmonic Orchestra, Vittorio Gui | 1:10 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 1. “Ehi, Fiorello?...Mio Signore” | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Glyndebourne Festival Chorus, Duncan Robertson, Royal Philharmonic Orchestra, Vittorio Gui | 1:10 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 1. “Mille grazie, mio signore” | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Glyndebourne Festival Chorus, Duncan Robertson, Royal Philharmonic Orchestra, Vittorio Gui | 1:50 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 1. “Mille grazie, mio signore” (Conte, Fiorello, Coro) | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Glyndebourne Festival Chorus, Duncan Robertson, Royal Philharmonic Orchestra, Vittorio Gui | 1:50 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 1. “Piano, pianissimo, senza parlar” | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Glyndebourne Festival Chorus, Duncan Robertson, Royal Philharmonic Orchestra, Vittorio Gui | 3:02 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 1. “Piano, pianissimo, senza parlar” (Fiorello, Coro, Conte) | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Glyndebourne Festival Chorus, Duncan Robertson, Royal Philharmonic Orchestra, Vittorio Gui | 3:02 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 1. Introduzione: “Piano, pianissimo, senza parlar” (Fiorello, Coro) | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Glyndebourne Festival Chorus, Duncan Robertson, Royal Philharmonic Orchestra, Vittorio Gui | 3:01 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 1. Seguito dell'Introduzione: “Ehi, Fiorello?” ... “Mio Signore” (Conte, Fiorello, Coro) | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Glyndebourne Festival Chorus, Duncan Robertson, Royal Philharmonic Orchestra, Vittorio Gui | 1:09 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 1. Seguito dell'Introduzione: “Mille grazie, mio signore” (Coro, Conte, Fiorillo) | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Glyndebourne Festival Chorus, Duncan Robertson, Royal Philharmonic Orchestra, Vittorio Gui | 1:50 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 2. “Che cosa accadde” (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro) | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Sesto Bruscantini, Carlo Cava, Glyndebourne Festival Chorus, Laura Sarti, Ian Wallace, Victoria de los Ángeles, Royal Philharmonic Orchestra, Vittorio Gui | 2:20 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 2. “Fermi tutti. Nessun si mova” (Coro, Bartolo, Figaro, Basilio, Conte, Berta, Rosina, Ufficiale) | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Sesto Bruscantini, Carlo Cava, Glyndebourne Festival Chorus, Laura Sarti, Ian Wallace, Victoria de los Ángeles, Royal Philharmonic Orchestra, Vittorio Gui | 1:22 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 2. “Ma signor … ma un dottor” (Bartolo, Coro, Berta, Basilio, Rosina, Conte, Figaro) | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Sesto Bruscantini, Carlo Cava, Glyndebourne Festival Chorus, Laura Sarti, Ian Wallace, Victoria de los Ángeles, Royal Philharmonic Orchestra, Vittorio Gui | 5:03 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto I, scena 2. Seguito del Finale: “Che cosa accadde” (Figaro, Bartolo, Conte, Rosina, Berta, Coro, Ufficiale) | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Sesto Bruscantini, Carlo Cava, John Rhys Evans, Glyndebourne Festival Chorus, Laura Sarti, Ian Wallace, Victoria de los Ángeles, Royal Philharmonic Orchestra, Vittorio Gui | 3:42 |
| 1962-09-04 – 1962-09-11 | Il barbiere di Siviglia: Atto II. “Di si felice innesto” (Figaro, Berta, Bartolo, Basilio, Coro, Rosina, Conte) | Glyndebourne Festival Chorus | choir vocals | Luigi Alva, Sesto Bruscantini, Carlo Cava, Glyndebourne Festival Chorus, Laura Sarti, Ian Wallace, Victoria de los Ángeles, Royal Philharmonic Orchestra, Vittorio Gui | 2:19 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Amara servitù | | choir vocals | Francesco Cavalli | 2:55 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Ardo, sospiro e piango | | choir vocals | Francesco Cavalli | 9:39 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Chi non ti crederebbe | | choir vocals | Francesco Cavalli | 3:42 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Del fuoco fulminato | | choir vocals | Francesco Cavalli | 4:02 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: E'Calisto, d'arco armata | | choir vocals | Francesco Cavalli | 7:23 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Improvvisi stupori | | choir vocals | Francesco Cavalli | 2:01 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Interprete mal buona | | choir vocals | Francesco Cavalli | 2:49 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Ma come scherna acerbetta | | choir vocals | Francesco Cavalli | 2:57 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Ninfa bella, che mormora di marito | | choir vocals | Francesco Cavalli | 2:58 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Numi selvatici | | choir vocals | Francesco Cavalli | 5:27 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Piacere maggiore havere non può | | choir vocals | Francesco Cavalli | 3:14 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Resta, oh adorata Dea | | choir vocals | Francesco Cavalli | 3:22 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Sien mortali o divini | | choir vocals | Francesco Cavalli | 2:47 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 1: Va pur, va pur, va seco | | choir vocals | Francesco Cavalli | 2:02 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Al fin la tanto rigida quella | | choir vocals | Francesco Cavalli | 1:27 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Ascender qui ved'io | | choir vocals | Francesco Cavalli | 7:00 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Calisto alle stelle | | choir vocals | Francesco Cavalli | 7:52 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Che non l'ami volete? | | choir vocals | Francesco Cavalli | 3:14 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Cor mio, che vuoi tu? | | choir vocals | Francesco Cavalli | 6:42 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: D'aver un consorte io son risoluta | | choir vocals | Francesco Cavalli | 2:07 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Dalle gelose mie cure | | choir vocals | Francesco Cavalli | 3:03 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Lucidissima face | | choir vocals | Francesco Cavalli | 3:05 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Mi si fà gelo il sangue | | choir vocals | Francesco Cavalli | 1:40 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Racconsolata e paga | | choir vocals | Francesco Cavalli | 3:59 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Restino imbalasamate | | choir vocals | Francesco Cavalli | 3:46 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Sgorgate ancor sgorgate | | choir vocals | Francesco Cavalli | 8:40 |
| 1971-09-10 – 1971-09-13 | La Calisto, Act 2: Vivo per te, pietosa | | choir vocals | Francesco Cavalli | 4:52 |
| See all 229 relationships |
| performed |
|---|
| The Mikado (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | | | Gilbert & Sullivan | |
| The Mikado (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | | | Gilbert & Sullivan | |
| vocals |
|---|
| 1958 | The Yeomen of the Guard (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | | choir vocals | Gilbert & Sullivan | |
| Don Giovanni | | choir vocals | Mozart; Thomas Allen · Carol Vaness · Maria Ewing · Richard Van Allan · The Glyndebourne Chorus · London Philharmonic Orchestra · Bernard Haitink | |
| Porgy and Bess (highlights) | | choir vocals | George Gershwin; Willard White, Cynthia Haymon, Damon Evans, Glyndebourne Chorus, The London Philharmonic, Simon Rattle | |
| The Mikado (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | | choir vocals | Gilbert & Sullivan | |
| The Mikado (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | | choir vocals | Gilbert & Sullivan | |
| The Pirates of Penzance | | choir vocals | Gilbert & Sullivan | |
