2 Gesänge, op. 91: Nr. 1. Gestillte Sehnsucht | | | | Song | | | |
2 Gesänge, op. 91: Nr. 2. Geistliches Wiegenlied | | | | Song | | | |
A Tune and Variations for Little People | | | | | | | |
Andante e rondo ongarese, op. 35: I. Andante | | | | | | | |
Andante e rondo ongarese, op. 35: II. Rondo | | | | | | | |
Appassionato for viola and piano, op. 34 | | | | | | | |
Aufforderung zum Tanz, J. 260 | | | | | | | |
Beau soir | | | | | | | |
Choral varié, op. 55 | | | | | | | |
Concerto for Viola and Orchestra, Sz. 120, BB 128: I. Moderato | | | | | | | |
Concerto for Viola and Orchestra, Sz. 120, BB 128: II. Adagio religioso | | | | | | | |
Concerto for Viola and Orchestra, Sz. 120, BB 128: III. Allegro vivace | | | | | | | |
Der Schwanendreher: I. "Zwischen Berg und tiefem Tal". Langsam | | | | | | | |
Der Schwanendreher: II. "Nun laube, Lindlein, laube!". Sehr ruhig | | | | | | | |
Der Schwanendreher: III. Variationen "Seid ihr nicht der Schwanendreher?". Mässig schnell | | | | | | | |
Deux mélodies hébraïques: No. 1. Kaddisch | | | | | | | |
Deux pièces pour alto (ou violoncelle) et piano, op. 5: Le Soir | | | | | | | |
Deux pièces pour alto (ou violoncelle) et piano, op. 5: Légende | | | | | | | |
Don Quixote, op. 35: I. Introduction | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Chicago Symphony Orchestra, Fritz Reiner
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Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 47 more)
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Don Quixote, op. 35: Maggiore. Sancho Panza | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Chicago Symphony Orchestra, Fritz Reiner
- (show 30 more)
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Don Quixote, op. 35: Theme: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 42 more)
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Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 43 more)
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Don Quixote, op. 35: Variation II: The Battle With the Sheep | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 45 more)
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Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 45 more)
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Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Don Quixote, op. 35: Variation VI: Dulcinea | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 45 more)
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Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Don Quixote, op. 35: Variation X: The Duel and Return Home | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Double Concerto for Violin and Viola in B minor: I. Allegro ma non troppo | | | | | | | |
Double Concerto for Violin and Viola in B minor: II. Rhapsody. Poco lento | | | | | | | |
Double Concerto for Violin and Viola in B minor: III. Allegro scherzando - Allegro non troppo | | | | | | | |
Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": I. Allegro | | | | | | | |
Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": II. Minuetto. Allegretto | | | | | | | |
Flos campi: I. Sicut lilium inter spinas (Lento) | | - Choir of King’s College, Cambridge, Cecil Aronowitz, Jacques Orchestra, Sir David Willcocks
- Royal Liverpool Philharmonic Orchestra, Vernon Handley
- Elmer Iseler Singers, Teng Li, Toronto Symphony Orchestra, Peter Oundjian
- Northern Sinfonia, Sinfonia Chorus, Richard Hickox, Philip Dukes
- (show 2 more)
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Flos campi: II. Jam enim hiems transiit (Andante con moto) | | - Choir of King’s College, Cambridge, Cecil Aronowitz, Jacques Orchestra, Sir David Willcocks
- Royal Liverpool Philharmonic Orchestra, Vernon Handley
- Elmer Iseler Singers, Teng Li, Toronto Symphony Orchestra, Peter Oundjian
- Northern Sinfonia, Sinfonia Chorus, Richard Hickox, Philip Dukes
- (show 2 more)
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Flos campi: III. Quaesivi quem diligit anima mea (Lento - Allegro moderato) | | - Choir of King’s College, Cambridge, Cecil Aronowitz, Jacques Orchestra, Sir David Willcocks
- Royal Liverpool Philharmonic Orchestra, Vernon Handley
- Elmer Iseler Singers, Teng Li, Toronto Symphony Orchestra, Peter Oundjian
- Northern Sinfonia, Sinfonia Chorus, Richard Hickox, Philip Dukes
- (show 2 more)
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Flos campi: IV. En lectulum Salomonis (Moderato alla marcia) | | - Choir of King’s College, Cambridge, Cecil Aronowitz, Jacques Orchestra, Sir David Willcocks
- Royal Liverpool Philharmonic Orchestra, Vernon Handley
- Elmer Iseler Singers, Teng Li, Toronto Symphony Orchestra, Peter Oundjian
- Northern Sinfonia, Sinfonia Chorus, Richard Hickox, Philip Dukes
- (show 2 more)
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Flos campi: V. Revertere, revertere Sulamitis! (Andante quasi lento) | | - Choir of King’s College, Cambridge, Cecil Aronowitz, Jacques Orchestra, Sir David Willcocks
- Royal Liverpool Philharmonic Orchestra, Vernon Handley
- Elmer Iseler Singers, Teng Li, Toronto Symphony Orchestra, Peter Oundjian
- Northern Sinfonia, Sinfonia Chorus, Richard Hickox, Philip Dukes
- (show 2 more)
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Flos campi: VI. Pone me ut signaculum (Moderato tranquillo) | | - Choir of King’s College, Cambridge, Cecil Aronowitz, Jacques Orchestra, Sir David Willcocks
- Royal Liverpool Philharmonic Orchestra, Vernon Handley
- Elmer Iseler Singers, Teng Li, Toronto Symphony Orchestra, Peter Oundjian
- Northern Sinfonia, Sinfonia Chorus, Richard Hickox, Philip Dukes
- (show 2 more)
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From San Domingo | | | | | | | |
Harold en Italie, op. 16: I. Harold aux Montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio — Allegro | | | | | | | |
Harold en Italie, op. 16: II. Marche des pélerins chantant la prière du soir. Allegretto | | | | | | | |
Harold en Italie, op. 16: III. Sérénade d'un montagnard des Abruzzes à sa maîtresse. Allegro assai — Allegretto | | | | | | | |
Harold en Italie, op. 16: IV. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico — Adagio — Allegro | | | | | | | |
Jamaican Rumba | | | | | | | |
Kammermusik No. 5, op. 36 no. 4: I. Schnelle Halbe | | | | | | | |
Kammermusik No. 5, op. 36 no. 4: II. Langsam | | | | | | | |
Kammermusik No. 5, op. 36 no. 4: III. Mäßig schnell | | | | | | | |
Kammermusik No. 5, op. 36 no. 4: IV. Variante eines Militärmarsches | | | | | | | |
Konzertmusik, op. 48: I. Lebhaft: Bewegte Halbe | | | | | | | |
Konzertmusik, op. 48: II. Ruhig gehend | | | | | | | |
Konzertmusik, op. 48: III. Lebhaft | | | | | | | |
Konzertmusik, op. 48: IV. Leicht bewegt | | | | | | | |
Konzertmusik, op. 48: V. Sehr lebhaft | | | | | | | |
Konzertstück für Viola und Klavier | | | | | | | |
La Captive. Orientale for mezzo‐soprano and orchestra, op. 12 | | | | Song | | | |
Lachrymae: Reflections on a song of Dowland, op. 48a | | | | | | | |
Le tombeau de Ravel | | | | | | | |
Lied, op. 19 | | | | | | | |
Meditation from Nobilissima visione | | | | | | | |
Meditations on a Byzantine Hymn, op. 117 | | | | | | | |
Mixed Phrases | | | | | | | |
Morceau de concert, op. 23 | | | | | | | |
Octuor en ut majeur, op. 7: I. Très modéré | | - Nicolas Altstaedt, Lily Francis, Vilde Frang, Jan-Erik Gustafsson, Gabriel Le Magadure, Rosanne Philippens, Lawrence Power, Erik Schumann
- Gidon Kremer, Kremerata Baltica Chamber Orchestra
- Academy of St Martin in the Fields Chamber Ensemble
- Christian Tetzlaff, Antje Weithaas, Isabelle Faust, Rachel Roberts, Quirine Viersen, Katharine Gowers, Antoine Tamestit & Gustav Rivinius
- (show 2 more)
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Octuor en ut majeur, op. 7: II. Très fougueux | | - Nicolas Altstaedt, Lily Francis, Vilde Frang, Jan-Erik Gustafsson, Gabriel Le Magadure, Rosanne Philippens, Lawrence Power, Erik Schumann
- Gidon Kremer, Kremerata Baltica Chamber Orchestra
- Academy of St Martin in the Fields Chamber Ensemble
- Christian Tetzlaff, Antje Weithaas, Isabelle Faust, Rachel Roberts, Quirine Viersen, Katharine Gowers, Antoine Tamestit & Gustav Rivinius
- (show 2 more)
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Octuor en ut majeur, op. 7: III. Lentement | | - Nicolas Altstaedt, Lily Francis, Vilde Frang, Jan-Erik Gustafsson, Gabriel Le Magadure, Rosanne Philippens, Lawrence Power, Erik Schumann
- Gidon Kremer, Kremerata Baltica Chamber Orchestra
- Academy of St Martin in the Fields Chamber Ensemble
- Christian Tetzlaff, Antje Weithaas, Isabelle Faust, Rachel Roberts, Quirine Viersen, Katharine Gowers, Antoine Tamestit & Gustav Rivinius
- (show 3 more)
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Octuor en ut majeur, op. 7: IV. Mouvement de valse bien rythmée | | - Nicolas Altstaedt, Lily Francis, Vilde Frang, Jan-Erik Gustafsson, Gabriel Le Magadure, Rosanne Philippens, Lawrence Power, Erik Schumann
- Gidon Kremer, Kremerata Baltica Chamber Orchestra
- Academy of St Martin in the Fields Chamber Ensemble
- Christian Tetzlaff, Antje Weithaas, Isabelle Faust, Rachel Roberts, Quirine Viersen, Katharine Gowers, Antoine Tamestit & Gustav Rivinius
- (show 2 more)
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Pièce pour violoncelle et piano, op. 39 | | | | | | | |
Pieces for Viola and Piano from "The Gadfly": 3. Folk Feast | | | | | | | |
Pieces for Viola and Piano from "The Gadfly": 5. Sharmanka | | | | | | | |
Pieces for Viola and Piano from "The Gadfly": 8. Romance | | | | | | | |
Pieces for Viola and Piano from "The Gadfly": 9. Intermezzo | | | | | | | |
Pieces for Viola and Piano from "The Gadfly": 11. Scene | | | | | | | |
Plaisir d’amour, H. 134 | | | | Song | | | |
Prayer | | | | | | | |
Quintet for 2 Violins, 2 Violas and Cello no. 5 in D major, K. 593: I. Larghetto - Allegro | | | | | | | |
Quintet for 2 Violins, 2 Violas and Cello no. 5 in D major, K. 593: II. Adagio | | | | | | | |
Quintet for 2 Violins, 2 Violas and Cello no. 5 in D major, K. 593: III. Minuetto. Allegretto & Trio | | | | | | | |
Quintet for 2 Violins, 2 Violas and Cello no. 5 in D major, K. 593: IV. Finale. Allegro | | | | | | | |
Rhapsody for viola and orchestra | | | | | | | |
Seven Preludes from 24 Preludes for Piano, op. 34: Finale (after Prelude no. 24) | | | | | | | |
Seven Preludes from 24 Preludes for Piano, op. 34: Marche funèbre (after Prelude no. 14) | | | | | | | |
Seven Preludes from 24 Preludes for Piano, op. 34: Mélodie amoureuse (after Prelude no. 17) | | | | | | | |
Seven Preludes from 24 Preludes for Piano, op. 34: Un peu triste (after Prelude no. 10) | | | | | | | |
Seven Preludes from 24 Preludes for Piano, op. 34: Une danse ironique (after Prelude no. 18) | | | | | | | |
Seven Preludes from 24 Preludes for Piano, op. 34: Une valse militaire (after Prelude no. 16) | | | | | | | |
Seven Preludes from 24 Preludes for Piano, op. 34: Une valse vite (after Prelude no. 15) | | | | | | | |
Soliloque et Forlane | | | | | | | |
Sonata for Solo Viola: VI. Chaconne chromatique | | | | | | | |
Sonata for Viola and Piano 1939: I. Breit. Mit Kraft | | | | | | | |
Sonata for Viola and Piano 1939: II. Sehr lebhaft | | | | | | | |
Sonata for Viola and Piano 1939: III. Phantasie. Sehr langsam, frei - Schnell - Sehr langsam, frei | | | | | | | |
Sonata for Viola and Piano 1939: IV. Finale (mit zwei Variationen). Leicht bewegt - Sehr lebhaft | | | | | | | |
Sonata for Viola and Piano, op. 11 no. 4: I. Fantasie. Ruhig | | | | | | | |
Sonata for Viola and Piano, op. 11 no. 4: II. Thema und Variationen. Ruhig und einfach, wie ein Volkslied | | | | | | | |
Sonata for Viola and Piano, op. 11 no. 4: III. Finale (mit Variationen). Sehr lebhaft (Alla breve) in wechselnder Taktart | | | | | | | |