| 'The Soldier's Violin' from 'The Soldier's Tale' | | | | | | | |
| "¡Se echó a volar!" - Danza del pájaro de fuego | | | | | | | |
| "Así permaneció un rato contemplando la luna..." | | | | | | | |
| "Eran las ocho de la tarde de un día de primavera..." | | | | | | | |
| "L'histoire du soldat": Petit choral | | | | | | | |
| 2 Sketches for a Sonata | | | | | | | |
| 2 Sketches for a Sonata: No. 1, — | | | | | | | |
| 2 Sketches for a Sonata: No. 2, — | | | | | | | |
| 6 Charakterstücke, Op. 33: No. 5. Danse orientale | | | | | | | |
| A Sermon, A Narrative and a Prayer | | | | | | | |
| A Sermon, A Narrative and a Prayer: I. A Sermon | | | | | | | |
| A Sermon, A Narrative and a Prayer: II. A Narrative | | | | | | | |
| A Sermon, A Narrative and a Prayer: III. A Prayer | | | | | | | |
| Abraham and Isaac | | | | | | | |
| Agon | | | | Ballet | | | |
| Agon: Double Pas de quatre | | | | | | | |
| Agon: First Pas de trois. Coda | | | | | | | |
| Agon: First Pas de trois. Gaillarde | | | | | | | |
| Agon: First Pas de trois. Interlude | | | | | | | |
| Agon: First Pas de trois. Saraband Step | | | | | | | |
| Agon: Pas de quatre | | | | | | | |
| Agon: Prélude | | | | | | | |
| Agon: Second Pas de trois. Bransle double | | | | | | | |
| Agon: Second Pas de trois. Bransle gay | | | | | | | |
| Agon: Second Pas de trois. Bransle simple | | | | | | | |
| Agon: Second Pas de trois. Four Duos | | | | | | | |
| Agon: Second Pas de trois. Four Trios. Coda | | | | | | | |
| Agon: Second Pas de trois. Interlude | | | | | | | |
| Agon: Second Pas de trois. Pas de deux. Coda | | | | | | | |
| Agon: Triple Pas de quatre | | | | | | | |
| Airs du rossignol et Marche chinoise | | | | | | | |
| Airs du rossignol et Marche chinoise: Airs du rossignol | | | | | | | |
| Airs du rossignol et Marche chinoise: Marche chinoise | | | | | | | |
| Anthem | | | | | | | |
| Apollo | | | | Ballet | | | 5 |
| Apollo: Scene 1. The Birth of Apollo | | | | | | | |
| Apollo: Scene 2. Apothéose | | | | | | | |
| Apollo: Scene 2. Coda | | | | | | | |
| Apollo: Scene 2. Pas d'action | | | | | | | |
| Apollo: Scene 2. Pas de deux | | | | | | | |
| Apollo: Scene 2. Variation d'Apollon (I) | | | | | | | |
| Apollo: Scene 2. Variation d'Apollon (II) | | | | | | | |
| Apollo: Scene 2. Variation de Calliope | | | | | | | |
| Apollo: Scene 2. Variation de Polymnie | | | | | | | |
| Apollo: Scene 2. Variation de Terpsichore | | | | | | | |
| Apollon musagète | | | | Ballet | | | |
| Apollon Musagète – Variation of Apollo (Apollo and the Muses) | | | | | | | |
| Ave Maria | | | | | | | |
| Babel | | - Elmer Iseler, John Calicos, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky
- Simon Joly Chorale, David Wilson‐Johnson, Philharmonia Orchestra, Robert Craft
- Elmer Iseler, John Colicos, Festival Singers Of Toronto, CBC Symphony Orchestra, Igor Stravinsky
| | | | | |
| Ballade | | | | | | | |
| Berceuse | | | | | | | |
| Berceuse | | | | Song | | | |
| Berceuse from L’Oiseau de feu | | | | | | | |
| Berceuses du chat | | | | Song-cycle | | | |
| Berceuses du chat: No. 1. Sur le poêle | | | | Song | | | |
| Berceuses du chat: No. 2. Intérieur | | | | Song | | | |
| Berceuses du chat: No. 3. Dodo | | | | Song | | | |
| Berceuses du chat: No. 3. Dodo | | | | Song | | | |
| Berceuses du chat: No. 4. Ce qi’il a, le chat | | | | Song | | | |
| Berceuses du chat: No. 4. Ce qi’il a, le chat | | | | | | | |
| Bluebird. Pas de deux | | | | | | | |
| Bluebird. Pas de deux: I. Adagio | | | | | | | |
| Bluebird. Pas de deux: II. Variation I | | | | | | | |
| Bluebird. Pas de deux: III. Variation II | | | | | | | |
| Bluebird. Pas de deux: IV. Coda | | | | | | | |
| Bogoroditse D'vo | | | | | | | |
| Canción de cuna | | | | | | | |
| Canon (on a Russian Popular Tune) | | | | | | | |
| Canon ad honorem Igor Stravinsky | | | | | | | |
| Canon for Three Equal Instruments “In Memoriam Igor Stravinsky” | | | | | | | |
| Canon in Memoriam Igor Stravinsky | | | | | | | |
| Cantata | | | | | | | |
| Cantata: A Lyke-Wake Dirge (Versus I. Prelude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
| | | | | |
| Cantata: A Lyke-Wake Dirge (Versus II. 1st Interlude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
| | | | | |
| Cantata: A Lyke-Wake Dirge (Versus III. 2nd Interlude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
| | | | | |
| Cantata: A Lyke-Wake Dirge (Versus IV. Postlude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
| | | | | |
| Cantata: Ricercar I (Soprano) The Maidens Came | | - Yvonne Kenny, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Ruby Hughes, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
| | | | | |
| Cantata: Ricercar II (Tenor) Tomorrow Shall Be (Sacred History) | | - John Aler, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Nicholas Mulroy, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
| | | | | |
| Cantata: Westron Wind (Soprano and Tenor) | | - Yvonne Kenny, John Aler, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Ruby Hughes, Nicholas Mulroy, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
| | | | | |
| Canticum Sacrum | | | | | | | |
| Canticum Sacrum: Dedicatio | | - Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston
- L’Orchestre de la Suisse Romande, Neeme Järvi, Chœur Pro Arte de Lausanne, Chœur de Chambre Romand, André Charlet
- Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
- John Mark Ainsley, Stephen Roberts, Westminster Cathedral Choir, Iain Simcock, City of London Sinfonia, James O’Donnell
| | | | | |
| Canticum Sacrum: I. Euntes in mundum | | - Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston
- L’Orchestre de la Suisse Romande, Neeme Järvi, Chœur Pro Arte de Lausanne, Chœur de Chambre Romand, André Charlet
- Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
- Westminster Cathedral Choir, City of London Sinfonia, James O’Donnell
| | | | | |
| Canticum Sacrum: II. Surge, aquilo | | - Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston
- L’Orchestre de la Suisse Romande, Neeme Järvi, Chœur Pro Arte de Lausanne, Chœur de Chambre Romand, André Charlet
- Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
- John Mark Ainsley, Westminster Cathedral Choir, City of London Sinfonia, James O’Donnell
| | | | | |
| Canticum Sacrum: III. Ad tres virtutes hortationes | | - L’Orchestre de la Suisse Romande, Neeme Järvi, Chœur Pro Arte de Lausanne, Chœur de Chambre Romand, André Charlet
- Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston
- Westminster Cathedral Choir, Iain Simcock, City of London Sinfonia, James O’Donnell
- Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
- John Mark Ainsley, Stephen Roberts, Westminster Cathedral Choir, Iain Simcock, City of London Sinfonia, James O’Donnell
| | | | | |
| Canticum Sacrum: IV. Jesus autem ait illi | | - Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston
- L’Orchestre de la Suisse Romande, Neeme Järvi, Chœur Pro Arte de Lausanne, Chœur de Chambre Romand, André Charlet
- Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
- Stephen Roberts, Westminster Cathedral Choir, Iain Simcock, City of London Sinfonia, James O’Donnell
| | | | | |
| Canticum Sacrum: V. Illi autem profecti | | - Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston
- L’Orchestre de la Suisse Romande, Neeme Järvi, Chœur Pro Arte de Lausanne, Chœur de Chambre Romand, André Charlet
- Howard Chitjian, Los Angeles Festival Symphony Chorus, Richard Robinson, Los Angeles Festival Symphony Orchestra, Igor Stravinsky
- Westminster Cathedral Choir, City of London Sinfonia, James O’Donnell
| | | | | |
| Canzonetta, op. 62a | | | | | | | |
| Capriccio for Piano and Orchestra | | | | | | | |
| Capriccio for Piano and Orchestra: I. Presto | | | | | | | |
| Capriccio for Piano and Orchestra: II. Andante rapsodico | | | | | | | |
| Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto | | | | | | | |
| Chant des bateliers du Volga | | | | | | | |
| Chant funèbre, op. 5 | | | | | | | |
| Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach) | | | | | | | |
| Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Choral | | | | | | | |
| Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation I. In canone all'Ottava | | | | | | | |
| Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation II. Alio modo canone alla Quinta | | | | | | | |
| Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation III. In canone alla Settima | | | | | | | |
| Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation IV. In canone all'Ottava per augmentationem | | | | | | | |
| Chorale Variations on the Christmas Carol "Von Himmel hoch, da komm' ich her" (J. S. Bach): Variation V. L'altra sorte del canone al rovescio | | | | | | | |
