| appears on video |
|---|
| 1982-02 | 1982-02-20: La Bohème: Act I. Al Quartiere Latin | | John Rawnsley, Thomas Allen, Gwynne Howell, Neil Shicoff | 1:46 |
| 1982-02 | 1982-02-20: La Bohème: Act I. Già dell’apocalisse | | Gwynne Howell, Thomas Allen, Neil Shicoff | 2:16 |
| 1982-02 | 1982-02-20: La Bohème: Act I. Legna! Sigari! Bordò! | | Neil Shicoff, Thomas Allen, Gwynne Howell, John Rawnsley | 3:52 |
| 1982-02 | 1982-02-20: La Bohème: Act I. Si può? Chi è la? | | Brian Donlan, Neil Shicoff, Thomas Allen, Gwynne Howell, John Rawnsley | 4:46 |
| 1982-02 | 1982-02-20: La Bohème: Act II. Due posti | | Neil Shicoff, Thomas Allen, John Rawnsley, Gwynne Howell | 2:44 |
| 1982-02 | 1982-02-20: La Bohème: Act II. Il conto? | | Neil Shicoff, Ileana Cotrubaș, Thomas Allen, John Rawnsley, Gwynne Howell, Marilyn Zschau, John Gibbs | 4:36 |
| 1982-02 | 1982-02-20: La Bohème: Act IV. Che ora sia? | | Neil Shicoff, Thomas Allen, John Rawnsley, Gwynne Howell | 4:19 |
| 1982-02 | 1982-02-20: La Bohème: Act IV. Vecchia zimarra, senti | | Gwynne Howell | 2:41 |
| instruments |
|---|
| 1976-07 | Messiah, Part 3: "The trumpet shall sound" | bass | Gwynne Howell, John Wilbraham, Academy of St Martin in the Fields, Sir Neville Marriner | 4:01 |
| vocals |
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| 1969-06 | Roberto Devereux: Atto I, Scena 1. “Nunzio son del Parlamento“ | bass vocals | Beverly Sills, Kenneth MacDonald, Beverly Wolff, Gwynne Howell, Don Garrard, Ambrosian Opera Chorus, John McCarthy, Royal Philharmonic Orchestra, Sir Charles Mackerras | 5:52 |
| 1969-06 | Roberto Devereux: Atto I, Scena I | bass vocals | Beverly Sills, Beverly Wolff, Kenneth MacDonald, Don Garrard, Gwynne Howell, Ambrosian Opera Chorus, John McCarthy, Royal Philharmonic Orchestra, Charles Mackerras | 9:52 |
| 1969-06 | Roberto Devereux: Atto I. “Nunzio son del Parlamento“ (Elisabetta, Sara) | bass vocals | John McCarthy, Ambrosian Singers, Don Garrard, Gwynne Howell, Kenneth MacDonald, Beverly Sills, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 5:50 |
| 1969-06 | Roberto Devereux: Atto I. Scena I (Part 1) | bass vocals | Beverly Sills, Beverly Wolff, Kenneth MacDonald, Gwynne Howell | 27:00 |
| 1969-09-14 – 1969-09-15 | Les Troyens: 2ème tableau. Un appartement de Didon. "Va ma soeur, I'implorer... En mer, voyez !... Je vais mourir... Adieu, fière cité" (Didon, Anna, Narbal, Iopas, Chœurs) | baritone vocals [Narbal] | Janet Baker, Bernadette Greevy, Gwynne Howell, Keith Erwen, Ambrosian Singers, John McCarthy, London Symphony Orchestra, Sir Alexander Gibson | 13:55 |
| 1969-09-14 – 1969-09-15 | Les Troyens: 3ème tableau. Une terasse dominant la mer. "Dieux de l'oubli... D'un malheureux amour... Au secours ! La reine est frappée... Rome, Rome immortelle... Haine éternelle à la race d'Enée" (Chœurs, Anna, Narbal, Didon) | baritone vocals [Narbal] | Ambrosian Singers, John McCarthy, Bernadette Greevy, Gwynne Howell, Janet Baker, London Symphony Orchestra, Sir Alexander Gibson | 11:04 |
| 1971-04 | Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110) | bass vocals | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 3:51 |
| 1971-04 | Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111) | bass vocals | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 5:14 |
| 1971-04 | Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112) | bass vocals | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 4:21 |
| 1971-04 | Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113) | bass vocals | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 4:47 |
| 1971-04 | Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55) | bass vocals | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 5:29 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto I, scena 1. “La rivedrà nell'estasi” | bass vocals [Samuel] | Richard van Allan, Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 2:01 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto I, scena 1. “Ogni cura si doni al diletto“ | bass vocals [Samuel] | Richard van Allan, Piero Cappuccilli, Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Reri Grist, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 2:05 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto I, scena 1. “Posa in pace, a' bei sogni ristora” | bass vocals [Samuel] | Richard van Allan, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 1:44 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto I, scena 2. “Chi voi siate, l'audace parola” | bass vocals [Samuel] | Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Plácido Domingo, Reri Grist, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 2:38 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto I, scena 2. “È scherzo od è follia” | bass vocals [Samuel] | Richard van Allan, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Plácido Domingo, Reri Grist, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 3:34 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto I, scena 2. “Finisci il vaticinio” | bass vocals [Samuel] | Richard van Allan, Piero Cappuccilli, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Plácido Domingo, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 4:16 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto II. “Ve', se di notte qui colla sposa” | bass vocals [Samuel] | Richard van Allan, Martina Arroyo, Piero Cappuccilli, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 5:06 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto III, scena 1. “Ah! Di che fulgor, che musiche” | bass vocals [Samuel] | Richard van Allan, Martina Arroyo, Piero Cappuccilli, Reri Grist, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 2:55 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto III, scena 1. “D'una grazia vi supplico” | bass vocals [Samuel] | Richard van Allan, Martina Arroyo, Piero Cappuccilli, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 4:20 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto III, scena 1. “Dunque l'onta di tutti sol una” | bass vocals [Samuel] | Richard van Allan, Piero Cappuccilli, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 0:45 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto III, scena 1. “Il messaggio entri” | bass vocals [Samuel] | Richard van Allan, Martina Arroyo, Piero Cappuccilli, Reri Grist, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 0:54 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto III, scena 1. “Qual é dunque l'eletto ... Ah! Del conte la morte si vuole!” | bass vocals [Samuel] | Richard van Allan, Martina Arroyo, Piero Cappuccilli, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 1:13 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto III, scena 1. “Siam soli. Udite” | bass vocals [Samuel] | Richard van Allan, Piero Cappuccilli, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 2:22 |
| 1975-06 – 1975-07 | Un ballo in maschera: Atto III, scena 2. “Ella è pura; in braccio a morte” | bass vocals [Samuel] | Richard van Allan, Martina Arroyo, Piero Cappuccilli, Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Reri Grist, Gwynne Howell, New Philharmonia Orchestra, Riccardo Muti | 5:02 |
| 1976-07 | Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide" | bass vocals | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | 4:29 |
| 1976-07 | Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness" | bass vocals | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | 6:14 |
| 1976-07 | Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high" | bass vocals | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | 3:11 |
| 1976-07 | Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together..." | bass vocals | Academy of St. Martin in the Fields Chorus, Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | 3:08 |
| 1976-07 | Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery..." | bass vocals | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | 10:10 |
| 1977-06 | La fanciulla del West: Atto I. “Che faranno i vecchi miei” (Jake Wallace) | bass vocals [Jake Wallace] | Chorus of the Royal Opera House, Covent Garden, Francis Egerton, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 3:43 |
| 1978 | Un ballo in maschera: Atto I. Coro d'introduzione "Posa in pace" | bass vocals [Tom] | Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:41 |
| 1978 | Un ballo in maschera: Atto I. Scena e inno. Finale I "Finisci il vaticinio" | bass vocals [Tom] | José Carreras, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, Robert Lloyd, Patricia Payne, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:31 |
| 1978 | Un ballo in maschera: Atto I. Scena e quintetto "È scherzo od è follia" | bass vocals [Tom] | José Carreras, Chorus of the Royal Opera House, Covent Garden, Sona Ghazarian, Gwynne Howell, Robert Lloyd, Patricia Payne, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:30 |
| 1978 | Un ballo in maschera: Atto I. Scena e romanza "S'avanza il conte" / "La rivedrà nell'estasi" | bass vocals [Tom] | José Carreras, Chorus of the Royal Opera House, Covent Garden, Sona Ghazarian, Gwynne Howell, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:38 |
| 1978 | Un ballo in maschera: Atto I. Seguito e stretta dell'introduzione "Signori: oggi d'Ulrica" | bass vocals [Tom] | José Carreras, Chorus of the Royal Opera House, Covent Garden, Sona Ghazarian, Gwynne Howell, Robin Leggate, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:58 |
| 1978 | Un ballo in maschera: Atto II. Quartetto - Finale II "Ve' se di notte" | bass vocals [Tom] | Montserrat Caballé, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, Robert Lloyd, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 5:22 |
| 1978 | Un ballo in maschera: Atto III. Congiura: Terzotto e quartetto "Siam soli. Udite" | bass vocals [Tom] | Gwynne Howell, Robert Lloyd, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 8:36 |
| 1978 | Un ballo in maschera: Atto III. Scena e quintetto "Il messaggio entri" | bass vocals [Tom] | Montserrat Caballé, Sona Ghazarian, Gwynne Howell, Robert Lloyd, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:52 |
| 1978 | Un ballo in maschera: Atto III. Scena finale "Ella è pura" | bass vocals [Tom] | Montserrat Caballé, José Carreras, Chorus of the Royal Opera House, Covent Garden, Sona Ghazarian, Gwynne Howell, Robert Lloyd, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 5:11 |
| 1979-01 | Mass in C minor, K. 427: Benedictus | bass vocals | Academy of St. Martin in the Fields Chorus, Gwynne Howell, Margaret Marshall, Felicity Palmer, Anthony Rolfe Johnson, Academy of St Martin in the Fields, Sir Neville Marriner | 5:33 |
| 1979-05 | Fidelio, Act II: Des besten koenigs wink und wille | bass-baritone vocals [Don Fernando] and solo | Chicago Symphony Orchestra, Sir Georg Solti | 8:09 |
| 1979-05 | Fidelio, Act II: Heil sei den tag! | bass-baritone vocals [Don Fernando] and solo | Chicago Symphony Orchestra, Sir Georg Solti | 2:00 |
| 1979-05 | Fidelio, Act II: Wer ein holdes weib errungen | bass-baritone vocals [Don Fernando] and solo | Chicago Symphony Orchestra, Sir Georg Solti | 3:43 |
| 1979 | Luisa Miller: Atto I. “Che mai narrasti” | bass vocals [Walter] | Wladimiro Ganzarolli, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | 1:25 |
| 1979 | Luisa Miller: Atto I. “Fra' mortali ancora oppressa” | bass vocals [Walter] | Renato Bruson, Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Gwynne Howell, Audrey Michael, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | 4:24 |
| 1979 | Luisa Miller: Atto I. “I cenni miei si compiano” | bass vocals [Walter] | Renato Bruson, Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Gwynne Howell, Audrey Michael, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | 2:25 |
| 1979 | Luisa Miller: Atto I. “Il mio sangue, la vita” | bass vocals [Walter] | Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | 2:59 |
| 1979 | Luisa Miller: Atto I. “Padre, m'abbraccia” | bass vocals [Walter] | Plácido Domingo, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | 2:05 |
| 1979 | Luisa Miller: Atto II. “Di me chiedeste” | bass vocals [Walter] | Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Wladimiro Ganzarolli, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | 2:27 |
| 1979 | Luisa Miller: Atto II. “Egli delira” | bass vocals [Walter] | Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | 2:47 |
| 1979 | Luisa Miller: Atto II. “L'alto retaggio” | bass vocals [Walter] | Wladimiro Ganzarolli, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | 4:16 |
| 1979 | Luisa Miller: Atto II. “L'ara, o l'avello” | bass vocals [Walter] | Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | 3:29 |
| 1979 | Luisa Miller: Atto II. “Presentarti alla Duchessa” | bass vocals [Walter] | Wladimiro Ganzarolli, Gwynne Howell, Elena Obraztsova, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | 6:07 |
| 1979 | Luisa Miller: Atto II. “Vien la Duchessa” | bass vocals [Walter] | Gwynne Howell, Elena Obraztsova, Orchestra of the Royal Opera House, Covent Garden, Lorin Maazel | 0:51 |
| 1980-11 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus | bass vocals and solo | Boston Symphony Orchestra, Seiji Ozawa | 23:07 |
| 1980-11 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..." | bass vocals and solo | Boston Symphony Orchestra, Seiji Ozawa | 6:02 |
| 1980-11 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..." | bass vocals [Pater Profundus] and solo | Boston Symphony Orchestra, Seiji Ozawa | 13:52 |
| 1981-07-20 | Das klagende Lied: Der Spielmann (Sehr gehalten) | bass vocals | John Poole, BBC Singers, BBC Symphony Chorus, Dame Janet Baker, Teresa Cahill, Gwynne Howell, Robert Tear, BBC Symphony Orchestra, Gennadi Rozhdestvensky | 17:11 |
| 1981-07-20 | Das klagende Lied: Hochzeitsstück (Heftig bewegt) | bass vocals | John Poole, BBC Singers, BBC Symphony Chorus, Dame Janet Baker, Teresa Cahill, Gwynne Howell, Robert Tear, BBC Symphony Orchestra, Gennadi Rozhdestvensky | 19:23 |
| 1981-07-20 | Das klagende Lied: Waldmärchen | bass vocals | John Poole, BBC Singers, BBC Symphony Chorus, Dame Janet Baker, Teresa Cahill, Gwynne Howell, Robert Tear, BBC Symphony Orchestra, Gennadi Rozhdestvensky | 28:17 |
| 1981-09-17 – 1981-09-19 | Stabat Mater: I. Stabat mater dolorosa | bass vocals | Agnes Baltsa, Coro del Maggio Musicale Fiorentino, Robert Gambill, Gwynne Howell, Catherine Malfitano, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti | 9:52 |
| 1981-09-17 – 1981-09-19 | Stabat Mater: IV. Pro peccatis suae gentis | bass vocals | Gwynne Howell, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti | 5:16 |
| 1981-09-17 – 1981-09-19 | Stabat Mater: IX. Quando corpus morietur | bass vocals | Agnes Baltsa, Coro del Maggio Musicale Fiorentino, Robert Gambill, Gwynne Howell, Catherine Malfitano, Riccardo Muti | 4:33 |
| 1981-09-17 – 1981-09-19 | Stabat Mater: V. Eja, mater, fons amoris | bass vocals | Coro del Maggio Musicale Fiorentino, Gwynne Howell, Riccardo Muti | 5:02 |
| 1981-09-17 – 1981-09-19 | Stabat Mater: VI. Sancta mater, istud agas | bass vocals | Agnes Baltsa, Robert Gambill, Gwynne Howell, Catherine Malfitano, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti | 7:48 |
| 1981-09-17 – 1981-09-19 | Stabat Mater: X. Amen. In sempiternal saecula | bass vocals | Agnes Baltsa, Coro del Maggio Musicale Fiorentino, Robert Gambill, Gwynne Howell, Catherine Malfitano, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti | 5:59 |
| 1982-02 | 1982-02-20: La Bohème: Act I. Al Quartiere Latin | bass vocals [Colline] | John Rawnsley, Thomas Allen, Gwynne Howell, Neil Shicoff | 1:46 |
| 1982-02 | 1982-02-20: La Bohème: Act I. Già dell’apocalisse | bass vocals [Colline] | Gwynne Howell, Thomas Allen, Neil Shicoff | 2:16 |
| 1982-02 | 1982-02-20: La Bohème: Act I. Legna! Sigari! Bordò! | bass vocals [Colline] | Neil Shicoff, Thomas Allen, Gwynne Howell, John Rawnsley | 3:52 |
| 1982-02 | 1982-02-20: La Bohème: Act I. Si può? Chi è la? | bass vocals [Colline] | Brian Donlan, Neil Shicoff, Thomas Allen, Gwynne Howell, John Rawnsley | 4:46 |
| 1982-02 | 1982-02-20: La Bohème: Act II. Due posti | bass vocals [Colline] | Neil Shicoff, Thomas Allen, John Rawnsley, Gwynne Howell | 2:44 |
| 1982-02 | 1982-02-20: La Bohème: Act II. Il conto? | bass vocals [Colline] | Neil Shicoff, Ileana Cotrubaș, Thomas Allen, John Rawnsley, Gwynne Howell, Marilyn Zschau, John Gibbs | 4:36 |
| 1982-02 | 1982-02-20: La Bohème: Act IV. Che ora sia? | bass vocals [Colline] | Neil Shicoff, Thomas Allen, John Rawnsley, Gwynne Howell | 4:19 |
| 1982-02 | 1982-02-20: La Bohème: Act IV. Vecchia zimarra, senti | bass vocals [Colline] | Gwynne Howell | 2:41 |
| 1983-07-22 | Mass in C, op. 86: Agnus Dei | bass vocals | BBC Singers, BBC Symphony Chorus, Ileana Cotrubas, Gwynne Howell, Kathleen Kuhlmann, London Philharmonic Choir, Robert Tear, BBC Symphony Orchestra, Sir John Pritchard | 7:29 |
| 1983-07-22 | Mass in C, op. 86: Benedictus | bass vocals | BBC Singers, BBC Symphony Chorus, Ileana Cotrubas, Gwynne Howell, Kathleen Kuhlmann, London Philharmonic Choir, Robert Tear, BBC Symphony Orchestra, Sir John Pritchard | 9:00 |
| 1983-07-22 | Mass in C, op. 86: Credo | bass vocals | BBC Singers, BBC Symphony Chorus, Ileana Cotrubas, Gwynne Howell, Kathleen Kuhlmann, London Philharmonic Choir, Robert Tear, BBC Symphony Orchestra, Sir John Pritchard | 11:45 |
| 1983-07-22 | Mass in C, op. 86: Gloria | bass vocals | BBC Singers, BBC Symphony Chorus, Ileana Cotrubas, Gwynne Howell, Kathleen Kuhlmann, London Philharmonic Choir, Robert Tear, BBC Symphony Orchestra, Sir John Pritchard | 11:02 |
| 1983-07-22 | Mass in C, op. 86: Kyrie | bass vocals | BBC Singers, BBC Symphony Chorus, Ileana Cotrubas, Gwynne Howell, Kathleen Kuhlmann, London Philharmonic Choir, Robert Tear, BBC Symphony Orchestra, Sir John Pritchard | 5:45 |
| 1983-07-22 | Mass in C, op. 86: Sanctus | bass vocals | BBC Singers, BBC Symphony Chorus, Ileana Cotrubas, Gwynne Howell, Kathleen Kuhlmann, London Philharmonic Choir, Robert Tear, BBC Symphony Orchestra, Sir John Pritchard | 3:32 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena II. "L'amo tanto, e m'e si cara" (Tebaldo, Capellio, Capuleti, Lorenzo) | bass vocals [Capellio] | Rainer Steubing, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, Dano Raffanti, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 4:19 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena II. "Si, m'abbraccia" (Capellio, Lorenzo, Capuleti) | bass vocals [Capellio] | Rainer Steubing, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 1:06 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena II. Scena e Cavatina "O di Capellio, generosi amici" (Tebaldo, Capuleti, Capellio, Lorenzo) | bass vocals [Capellio] | Rainer Steubing, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, Dano Raffanti, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 2:29 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena II. Scena e Cavatina "Vanne Lorenzo; e tu, che il puoi" (Capellio, Tebaldo, Capuleti) | bass vocals [Capellio] | Rainer Steubing, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, Dano Raffanti, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 2:00 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena III. "La tremenda ultrice spada" (Romeo, Capellio, Tebaldo, Capuleti) | bass vocals [Capellio] | Rainer Steubing, Agnes Baltsa, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, Dano Raffanti, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 3:31 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena III. "Lieto del dolce incarco" (Romeo, Tebaldo, Capellio, Capuleti) | bass vocals [Capellio] | Rainer Steubing, Agnes Baltsa, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, Dano Raffanti, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 2:28 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena III. "Riedi al campo, e di allo stolto" (Capellio, Romeo, Tebaldo, Capuleti) | bass vocals [Capellio] | Rainer Steubing, Agnes Baltsa, Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, Dano Raffanti, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 0:48 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena XI. "Accorriam...Romeo!" / "Se ogni speme è a noi rapita" (Giulietta, Romeo, Tebaldo, Capellio, Montecchi, Lorenzo) | bass vocals [Capellio] | Rainer Steubing, Agnes Baltsa, Chorus of the Royal Opera House, Covent Garden, Edita Gruberová, Gwynne Howell, Dano Raffanti, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 4:33 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena XI. "Che miro?" (Tebaldo, Lorenzo, Giulietta, Romeo, Capellio) | bass vocals [Capellio] | Agnes Baltsa, Edita Gruberová, Gwynne Howell, Dano Raffanti, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 1:57 |
| 1984-04 | I Capuleti e i Montecchi: Atto I, Scena XI. "Soccorso, sostegno accordagli" (Giulietta, Romeo, Tebaldo, Capellio, Lorenzo) | bass vocals [Capellio] | Agnes Baltsa, Edita Gruberová, Gwynne Howell, Dano Raffanti, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 2:56 |
| 1984-04 | I Capuleti e i Montecchi: Atto II, Scena III. "Deh! padre mio" (Giulietta, Capellio, Lorenzo, Capuleti) | bass vocals [Capellio] | Rainer Steubing, Chorus of the Royal Opera House, Covent Garden, Edita Gruberová, Gwynne Howell, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 5:23 |
| 1984-04 | I Capuleti e i Montecchi: Atto II, Scena III. "Prendi, gl'istanti volano" (Lorenzo, Giulietta, Capellio, Capuleti) | bass vocals [Capellio] | Rainer Steubing, Chorus of the Royal Opera House, Covent Garden, Edita Gruberová, Gwynne Howell, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 1:21 |
| 1984-04 | I Capuleti e i Montecchi: Atto II, Scena X. "Ah! crudel! che mai facesti?" (Giulietta, Romeo, Montecchi, Capellio, Lorenzo, Capuleti) | bass vocals [Capellio] | Rainer Steubing, Agnes Baltsa, Chorus of the Royal Opera House, Covent Garden, Edita Gruberová, Gwynne Howell, John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | 5:02 |
| 1985-09-13 | Symphony no. 9 in D minor, op. 125 “Choral”: Rezitativo: “O Freunde, nicht diese Töne!” – Allegro assai | bass vocals | MariAnne Häggander, Alfreda Hodgson, Robert Tear, Gwynne Howell, London Philharmonic Choir, London Philharmonic Orchestra, Klaus Tennstedt | 17:42 |
| 1988-02-14 – 1988-02-16 | The Dream of Gerontius, op. 38: Part I. "Profociscere, anima Christiana" (The Priest) | bass vocals | Gwynne Howell, London Symphony Orchestra, Richard Hickox | 1:37 |
| 1988-02-14 – 1988-02-16 | The Dream of Gerontius, op. 38: Part II. "Jesu! By that shuddering dread" (The Angel of the Agony) | bass vocals | Gwynne Howell, London Symphony Orchestra, Richard Hickox | 3:54 |
| 1988-05 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | bass vocals | Heather Harper, Alfreda Hodgson, Gwynne Howell, Members of London Symphony Chorus, Sinfonia Chorus, Robert Tear, Northern Sinfonia of England, Richard Hickox | 24:33 |
| 1990-01-25 – 1990-01-28 | Messe in h-Moll, BWV 232: Gloria: Quoniam tu solus sanctus | bass vocals | Chicago Symphony Orchestra, Sir Georg Solti | 4:46 |
| 1990-02-18 – 1990-02-19 | Serenade to Music | bass vocals | John Mark Ainsley, Sir Thomas Allen, Elizabeth Connell, John Connell, Arthur Davies, Maldwyn Davies, Anne Dawson, Martyn Hill, Gwynne Howell, Linda Kitchen, Diana Montague, Alan Opie, Jean Rigby, Amanda Roocroft, Sarah Walker, Catherine Wyn‐Rogers, English Chamber Orchestra, Matthew Best | 13:45 |
| See all 184 relationships |
| vocals |
|---|
| Lulu | bass vocals and solo | Alban Berg; Lisa Saffer, English National Opera Orchestra, Paul Daniel | |
| Messiah | bass vocals | Handel; Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti | |
| Requiem in D minor, K. 626 | bass vocals | Wolfgang Amadeus Mozart; Northern Sinfonia, Richard Hickox | |
| Requiem in D minor, K. 626 | bass vocals | Wolfgang Amadeus Mozart; Northern Sinfonia, Richard Hickox | |
