"...zwei Gefühle..." (Musik mit Leonardo) | | | | | | | |
“Now, Miss!” | | | | | | | |
Adventures of the Dominant Seventh Chord for Solo Violin | | | | | | | |
Alle vittime senza nome | | | | | | | |
Alle vittime senza nome: I. | | | | | | | |
Alle vittime senza nome: II. | | | | | | | |
Alle vittime senza nome: III. | | | | | | | |
Apparitions: I. Lento | | | | | | | |
Apparitions: II. Agitato | | | | | | | |
Archipelago | | | | | | | |
Arcus | | | | | | | |
ASKO Concerto | | | | Concerto | | | |
Atlantis | | | | | | | |
Atlantis: Part I | | | | | | | |
Atlantis: Part II | | | | | | | |
Atlantis: Part III | | | | | | | |
CAP-KO | | | | Concerto | | | |
CAP-KO: I. | | | | | | | |
CAP-KO: II. | | | | | | | |
CAP-KO: III. | | | | | | | |
CAP-KO: IV. Bartók Crosses the Ocean | | | | | | | |
CAP-KO: V. | | | | | | | |
Cello Concerto Grosso | | | | Concerto | | | |
Cello Concerto Grosso: I. | | | | | | | |
Cello Concerto Grosso: II. | | | | | | | |
Cello Concerto Grosso: III. | | | | | | | |
Chamber Concerto: I. Corrente (Fliessend) | | | | | | | |
Chamber Concerto: II. Calmo, sostenuto | | | | | | | |
Chamber Concerto: III. Movimento preciso e meccanico | | | | | | | |
Chamber Concerto: IV. Presto | | | | | | | |
Chamber Symphony no. 1, op. 9: I. Langsam - Sehr rasch | | | | | | | |
Chamber Symphony no. 1, op. 9: II. Sehr rasch | | | | | | | |
Chamber Symphony no. 1, op. 9: III. Viel langsamer, aber doch fließend | | | | | | | |
Chamber Symphony no. 1, op. 9: IV. Viel langsamer | | | | | | | |
Chamber Symphony no. 1, op. 9: V. Schwungvoll | | | | | | | |
Chinese Opera | | | | | | | |
Concerto for Percussion: I | | | | | | | |
Concerto for Percussion: II | | | | | | | |
Concerto for Percussion: III | | | | | | | |
Concerto for Piano and Orchestra: I. Vivace molto ritmico e preciso - attacca subito | | | | | | | |
Concerto for Piano and Orchestra: II. Lento e deserto | | | | | | | |
Concerto for Piano and Orchestra: III. Vivace cantabile | | | | | | | |
Concerto for Piano and Orchestra: IV. Allegro, risoluto, colto ritmico - attacca subito | | | | | | | |
Concerto for Piano and Orchestra: V. Presto luminoso: fluido, constate, sempre molto ritmico | | | | | | | |
Concerto for Viola and Orchestra, Sz. 120, BB 128: I. Moderato | | | | | | | |
Concerto for Viola and Orchestra, Sz. 120, BB 128: II. Adagio religioso | | | | | | | |
Concerto for Viola and Orchestra, Sz. 120, BB 128: III. Allegro vivace | | | | | | | |
Concerto for Violoncello and Orchestra: I. | | | | | | | |
Concerto for Violoncello and Orchestra: II. | | | | | | | |
Concerto pour flute | | | | Concerto | | | |
Coptic Light | | | | | | | 5 |
Corrente | | | | | | | |
Das Floß der Medusa: Erster Teil | | | | | | | |
Das Floß der Medusa: Zweiter Teil | | | | | | | |
Derwischtanz | | | | | | | |
Derwischtanz | | | | | | | |
Dialog mit Mozart | | | | | | | |
Double Up | | | | | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 1. „Mondestrunken“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Marianne Pousseur, Ensemble Musique Oblique, Philippe Herreweghe
- Mary Thomas, London Sinfonietta, David Atherton
- (show 19 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 2. „Colombine“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Marianne Pousseur, Ensemble Musique Oblique, Philippe Herreweghe
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- (show 17 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 3. „Der Dandy“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- Anja Silja, The Twentieth Century Classics Ensemble, Robert Craft
- (show 18 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 4. „Eine blasse Wäscherin“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- Anja Silja, The Twentieth Century Classics Ensemble, Robert Craft
- (show 17 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 5. „Valse de Chopin“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- Anja Silja, The Twentieth Century Classics Ensemble, Robert Craft
- (show 17 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 6. „Madonna“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Mary Thomas, London Sinfonietta, David Atherton
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- (show 17 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 7. „Der kranke Mond“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Mary Thomas, London Sinfonietta, David Atherton
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- (show 17 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 8. „Nacht (Passacaglia)“ | | | | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 9. „Gebet an Pierrot“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Marianne Pousseur, Ensemble Musique Oblique, Philippe Herreweghe
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- (show 15 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 10. „Raub“ | | | | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 11. „Rote Messe“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- Anja Silja, The Twentieth Century Classics Ensemble, Robert Craft
- (show 15 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 12. „Galgenlied“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- Anja Silja, The Twentieth Century Classics Ensemble, Robert Craft
- (show 15 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 13. „Enthauptung“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- [unknown]
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- (show 18 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: II. Teil: 14. „Die Kreuze“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- Anja Silja, The Twentieth Century Classics Ensemble, Robert Craft
- (show 16 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 15. „Heimweh“ | | | | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 16. „Gemeinheit!“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- Anja Silja, The Twentieth Century Classics Ensemble, Robert Craft
- (show 17 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 17. „Parodie“ | | | | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 18. „Der Mondfleck“ | | - [unknown]
- Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Mary Thomas, London Sinfonietta, David Atherton
- (show 18 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 19. „Serenade“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- [unknown]
- Luisa Castellani, Staatskapelle Dresden, Giuseppe Sinopoli
- (show 18 more)
| | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 20. „Heimfahrt (Barcarole)“ | | | | Song | | | |
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: III. Teil: 21. „O alter Duft“ | | - Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
- [unknown]
- Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
- Mary Thomas, London Sinfonietta, David Atherton
- (show 16 more)
| | Song | | | |
Duo concertante | | | | | | | |
Earth Dances | | | | | | | |
Ekphrasis (Continuo II) | | | | | | | |
Elektrochronik | | | | | | | |
Engramme | | | | | | | |
Für kommende Zeiten: Japan | | | | | | | |
Für kommende Zeiten: Wach | | | | | | | |
Gruppen | | - WDR Sinfonieorchester Köln, Michael Gielen, Bruno Maderna, Karlheinz Stockhausen
- Berliner Philharmoniker, Claudio Abbado, Marcus Creed, Friedrich Goldmann
- Schönberg Ensemble, Asko Ensemble, Amsterdam Sinfonietta, Nederlands Blazers Ensemble, Nieuw Ensemble, Slagwerkgroep Den Haag, Reinbert de Leeuw, Oliver Knussen, Robert Spano
- Karlheinz Stockhausen
- (show 2 more)
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IMA | | | | | | | |
IMA: I. | | | | | | | |
IMA: II. | | | | | | | |
IMA: III. | | | | | | | |
Intervalles-Intérieurs | | | | | | | |
Jet Stream | | | | Concerto | | | |
Jeux, L. 126, CD 133 | | | | Ballet | | | |
Joy | | | | | | | |
Kammersymphonie in einem Satz | | | | Symphony | | | |
Konzert für Schlagzeug und Orchester | | | | | | | |
Konzert für Violoncello und Orchester: I | | | | | | | |
Konzert für Violoncello und Orchester: II | | | | | | | |
Konzert für Violoncello und Orchester: III | | | | | | | |