| “Grand Duo” in C major, D. 812: I. Allegro moderato | | | | | | | |
| “Grand Duo” in C major, D. 812: II. Andante | | | | | | | |
| “Grand Duo” in C major, D. 812: III. Scherzo, allegro vivace | | | | | | | |
| “Grand Duo” in C major, D. 812: IV. Allegro vivace | | | | | | | |
| 6 Polonaises, D. 824: No. 1 in D minor | | | | | | | |
| 6 Polonaises, D. 824: No. 2 in F major | | | | | | | |
| 6 Polonaises, D. 824: No. 3 in B-flat major | | | | | | | |
| 6 Polonaises, D. 824: No. 4 in D major | | | | | | | |
| 6 Polonaises, D. 824: No. 5 in A major | | | | | | | |
| 6 Polonaises, D. 824: No. 6 in E major | | | | | | | |
| 9 Variations for Piano in D major on a Menuet by Duport, K. 573 | | | | | | | |
| À la manière de Borodine | | | | | | | |
| À la manière de Chabrier | | | | | | | |
| Allegro in A minor, D. 947 "Lebensstürme" | | | | | | | |
| Au gré des ondes: I. Prélude en berceuse | | | | | | | |
| Au gré des ondes: II. Claquettes | | | | | | | |
| Au gré des ondes: III. Improvisation | | | | | | | |
| Au gré des ondes: IV. Mouvement perpétuel | | | | | | | |
| Au gré des ondes: V. Hommage à Bach | | | | | | | |
| Au gré des ondes: VI. Étude | | | | | | | |
| Au parc Monceau: III. Nonchalante | | | | | | | |
| Avant-dernières pensées | | | | | | | |
| Avant-dernières pensées : I. Idylle (à Debussy) | | | | | | | |
| Avant-dernières pensées : II. Aubade (à Paul Dukas) | | | | | | | |
| Avant-dernières pensées : III. Méditation (à Albert Roussel) | | | | | | | |
| Ballade no. 4 in F minor, op. 52 | | | | | | | |
| Barcarolle in F-sharp major, op. 60 | | | | | | | |
| Berceuse in D-flat major, op. 57 | | | | | | | |
| Bergerie | | | | | | | |
| Blackbird | | | | | | | |
| Cançó i dansa núm. 4 | | | | | | | |
| Cantabile in B-flat major, BI 84 | | | | | | | |
| Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit" (Actus tragicus): Sonatina | | | | | | | |
| Caresse | | | | | | | |
| Chapitres tournés en tous sens | | | | | | | |
| Chapitres tournés en tous sens : I. Celle qui parle trop | | | | | | | |
| Chapitres tournés en tous sens : II. Le Porteur de grosses pierres | | | | | | | |
| Chapitres tournés en tous sens : III. Regrets des enfermés | | | | | | | |
| Children’s Corner, L. 113: IV. The Snow is Dancing | | | | | | | |
| Cinq pièces pour piano : IV. Feuillet d'album | | | | | | | |
| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- London Symphony Orchestra, André Previn
- Academy of St Martin in the Fields, Sir Neville Marriner, Anne Queffélec, Imogen Cooper
- (show 55 more)
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| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: I. [no tempo indication] | | | | | | | |
| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: II. Alla Siciliana | | - Karl Richter, Hedwig Bilgram, Iwona Fütterer, Ulrike Schott, Münchener Bach‐Orchester
- William Bennett, Neil Black, Carmel Kaine, Academy of St Martin-in-the-Fields, Neville Marriner
- Mieczysław Horszowski, Ruth Laredo, Rudolf Serkin, Marlboro Festival Orchestra, Alexander Schneider
- Anne Queffélec, Michel Dalberto, Pascal Devoyon
- (show 5 more)
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| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: III. Allegro | | | | | | | |
| Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: I. [Allegro] | | - The English Concert, Trevor Pinnock
- Bob Van Asperen, Carsten Lohff, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam
- Christine Schornsheim, Armin Thalheim, Mechtild Stark, Violetta Liebsch, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
- Christiane Jaccottet, Christine Sartoretti, Nicole Hostettler, Leonore Klinckerfuss, Württemberg Chamber Orchestra, Jörg Faerber
- (show 40 more)
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| Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: II. Largo | | | | | | | |
| Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: III. Allegro | | | | | | | |
| Concerto for Piano and Orchestra for the Left Hand in D major | | | | Concerto | | | |
| Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: I. Allegro | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Mark Zeltser, Anne‐Sophie Mutter, Yo‐Yo Ma, Berliner Philharmoniker, Herbert von Karajan
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- Eugene Istomin, Leonard Rose, Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy
- (show 66 more)
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| Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Mark Zeltser, Anne‐Sophie Mutter, Yo‐Yo Ma, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 72 more)
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| Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: III. Rondo alla polacca | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Yo‐Yo Ma, Anne‐Sophie Mutter, Mark Zeltser, Berliner Philharmoniker, Herbert von Karajan
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- Eugene Istomin, Leonard Rose, Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy
- (show 67 more)
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| Concerto for Two Pianos and Orchestra in D minor, FP 61: I. Allegro ma non troppo | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
- Martha Argerich, Alexander Gurning, Orchestra della Svizzera italiana, Erasmo Capilla
- (show 25 more)
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| Concerto for Two Pianos and Orchestra in D minor, FP 61: II. Larghetto | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Anne Queffélec, Jean‐Bernard Pommier, City of London Sinfonia, Richard Hickox
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
- (show 32 more)
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| Concerto for Two Pianos and Orchestra in D minor, FP 61: III. Finale (Allegro molto) | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
- Martha Argerich, Alexander Gurning, Orchestra della Svizzera italiana, Erasmo Capilla
- (show 25 more)
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| Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio | | | | | | | |
| Croquis et agaceries d'un gros bonhomme en bois : I. Tyrolienne turque | | | | | | | |
| Croquis et agaceries d'un gros bonhomme en bois : II. Danse maigre (à la manière de ces messieurs) | | | | | | | |
| Croquis et agaceries d'un gros bonhomme en bois : III. Españana | | | | | | | |
| Dans l’ombre de la montagne: V. Ronde | | | | | | | |
| Danse de travers (Avant-première en forme d’air à faire fuir) | | | | | | | |
| Danse lente, M.22 | | | | | | | |
| Descriptions automatiques : I. Sur un vaisseau | | | | | | | |
| Descriptions automatiques : II. Sur une lanterne | | | | | | | |
| Descriptions automatiques : III. Sur un casque | | | | | | | |
| Deuxième Gymnopédie: Lent et triste | | | | | | | |
| Divertissement sur des motifs originaux français, D. 823: II. Andantino varié | | | | | | | |
| Dolly Suite, op. 56: VI. Le pas espagnol | | | | | | | |
| Embryons desséchés | | | | | | | |
| Embryons desséchés : I. d'Holothurie | | | | | | | |
| Embryons desséchés : II. d'Edriopthalma | | | | | | | |
| Embryons desséchés : III. de Podophthalma | | | | | | | |
| En vacances, Premier recueil "Au château et dans le parc": VII. Où l'on entend une vieille boîte à musique | | | | | | | |
| Englische Suite Nr. 2 a-Moll, BWV 807: IV. Sarabande | | | | | | | |
| Englische Suite Nr. 3 g-Moll, BWV 808: IV. Sarabande | | | | | | | |
| Fanfare | | | | | | | |
| Fantaisie pour piano et orchestre, L. 73, CD 72 : I. Andante - Allegro | | | | | | | |
| Fantaisie pour piano et orchestre, L. 73, CD 72 : II. Lento e molto espressivo | | | | | | | |
| Fantaisie pour piano et orchestre, L. 73, CD 72 : III. Allegro molto | | | | | | | |
| Fantaisie-impromptu in C-sharp minor, op. 66 | | | | | | - 0O5-1326-3 (JASRAC ID)
- C-sharp minor (Key)
| |
| Fantaisie-valse (à mon ami J.P. Contamine de Latour) | | | | | | | |
| Fantasia for Piano in D minor, K. 397/385g | | | | | | | |
| Fantasia in F minor, op. 103, D. 940: I. Allegro molto moderato | | | | | | | |
| Fantasia in F minor, op. 103, D. 940: II. Largo | | | | | | | |
| Fantasia in F minor, op. 103, D. 940: III. Scherzo. Allegro vivace | | | | | | | |
| Fantasia in F minor, op. 103, D. 940: IV. Finale. Allegro molto moderato | | | | | | | |
| Fantasie Nr. 4 in c-Moll, KV 475 | | | | | | | |
| Flute Sonata in E-flat major, BWV 1031: II. Siciliano | | | | | | | |
| Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): I. Ondine | | | | | | | |
| Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): II. Le Gibet | | | | | | | |
| Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): III. Scarbo | | | | | | | |
| Gnossienne no. 1 | | | | | | - 200035283 (ASCAP ID)
- 504055874 (ASCAP ID)
- (show 11 more)
- 003331 996 59 (SUISA ID)
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| Gnossienne no. 2 | | | | | | | |
| Gnossienne no. 3 | | | | | | | |
| Gnossienne no. 4 | | | | | | | |
| Gnossienne no. 5 | | | | | | | |
| Gnossienne no. 6 | | | | | | | |
| Goldberg-Variationen, BWV 988 | | | | | | | 5 |
| Gymnopédies | | | | | | | |
| Heures séculaires et Instantanées | | | | | | | |
| Heures séculaires et instantanées : No. 1. Obstacles venimeux | | | | | | | |
