| A Fellow Needs a Girl | | | | Song | | - 4347700 (AGADU ID)
- 5421924 (APA ID)
- (show 18 more)
- 000463 664 73 (SUISA ID)
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| An American in Paris | | | | Symphonic poem | | | |
| Antarctica: I. The Last Place on Earth | | | | | | | |
| Après un rêve, op. 7 no. 1 | | | | | | | |
| Ave Maria | | | | | | | |
| Belshazzar’s Feast: I. Thus spake Isaiah | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
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| Belshazzar’s Feast: II. If I forget thee, O Jerusalem / By the waters of Babylon | | | | | | | |
| Belshazzar’s Feast: III. Babylon was a great city | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- F. Austin Walter, Walter Cassel, Rutgers University Choir, The Philadelphia Orchestra, Eugene Ormandy
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
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| Belshazzar’s Feast: IV. In Babylon, Belshazzar the King made a great feast | | - Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- Bryn Terfel, BBC Symphony Orchestra, Andrew Davis
- F. Austin Walter, Walter Cassel, Rutgers University Choir, The Philadelphia Orchestra, Eugene Ormandy
- London Philharmonic Choir, Benjamin Luxon, Ralph Downes, London Philharmonic Orchestra, Sir Georg Solti
- (show 4 more)
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| Belshazzar’s Feast: IX. The trumpeters and pipers are silent | | | | | | | |
| Belshazzar’s Feast: V. Praise ye the God of Gold | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- Royal Philharmonic Orchestra, André Previn
- (show 12 more)
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| Belshazzar’s Feast: VI. Thus in Babylon the mighty city | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
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| Belshazzar’s Feast: VII. And in that same hour, as they feasted | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- (show 11 more)
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| Belshazzar’s Feast: VIII. Then sing aloud to God our strength | | - Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- Royal Philharmonic Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox
- (show 11 more)
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| Belshazzar’s Feast: X. Then sing aloud to God our strength (reprise) | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 9 more)
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| Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) | | - Teresa Berganza, Ileana Cotrubaș, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Andréa Guiot, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
- Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Tullio Serafin
- (show 58 more)
| | Aria | | | |
| Chants d'Auvergne: Première Série: No. 2. Baïlèro | | | | Song | | | |
| Chants d'Auvergne: Quatrième Série: No. 4. Chut, chut | | | | Song | | | |
| Concerto Antico: I. Alborada | | | | | | | |
| Concerto Antico: II. Contredanse | | | | | | | |
| Concerto Antico: III. Cantilena | | | | | | | |
| Concerto Antico: IV. Forlana | | | | | | | |
| Concerto Antico: V. Lavolta | | | | | | | |
| Concerto fantasia: Epilogue | | | | | | | |
| Concerto fantasia: I. Quasi cadenza | | | | | | | |
| Concerto fantasia: II. Scherzo | | | | | | | |
| Concerto fantasia: III. Improvisation | | | | | | | |
| Concerto fantasia: IV. Finale | | | | | | | |
| Concerto for Cello and Orchestra: I. Moderato | | | | | | | |
| Concerto for Cello and Orchestra: II. Allegro appassionato | | | | | | | |
| Concerto for Cello and Orchestra: III. Lento | | | | | | | |
| Concerto for Flute and Orchestra, op. 39: I. Moderato | | | | | | | |
| Concerto for Flute and Orchestra, op. 39: II. Molto adagio | | | | | | | |
| Concerto for Flute and Orchestra, op. 39: III. Presto | | | | | | | |
| Concerto for Marimba and Orchestra, op. 12: I. Saudação | | | | | | | |
| Concerto for Marimba and Orchestra, op. 12: II. Lamento | | | | | | | |
| Concerto for Marimba and Orchestra, op. 12: III. Dança | | | | | | | |
| Concerto for Marimba and Orchestra, op. 12: IV. Despedida | | | | | | | |
| Concerto for Solo Percussions and Chamber Orchestra: I | | | | | | | |
| Concerto for Solo Percussions and Chamber Orchestra: II | | | | | | | |
| Concerto for Solo Percussions and Chamber Orchestra: III | | | | | | | |
| Concerto for Solo Percussions and Chamber Orchestra: IV | | | | | | | |
| Concerto for Violin and Orchestra, op. 14: I. Allegro | | | | | | | |
| Concerto for Violin and Orchestra, op. 14: II. Andante | | | | | | | |
| Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo | | | | | | | |
| Concerto pour batterie et petit orchestre, op. 109 | | | | Concerto | | | |
| Concerto pour marimba et ensemble à cordes | | | | | | | |
| Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” | | - Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
- Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, The Band of the Royal Military School of Music, New Philharmonia Orchestra, Philip Ledger, Cambridge University Musical Society
- Laura Wright
- Royal Scottish National Orchestra, Sir Alexander Gibson
- (show 7 more)
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| Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) | | - Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
- [unknown]
- Renée Fleming, Anne Sofie von Otter, Michele Pertusi, Chamber Orchestra of Europe, Sir Georg Solti
- Joanna Borowska, Peter Mikuláš, Slovak Philharmonic Chorus, Rohangiz Yachmi, Capella Istropolitana, Johannes Wildner
- (show 77 more)
| | Aria | | | |
| Crown Imperial | | | | | | | |
| Cuatro madrigales amatorios, nº 4: De los álamos vengo, madre | | | | | | | |
| Dances from Powder Her Face: I. Overture | | | | | | | |
| Dances from Powder Her Face: II. Waltz | | | | | | | |
| Dances from Powder Her Face: III. Finale | | | | | | | |
| Der Freischütz: Akt I. Nr. 5. Arie „Schweig, schweig - damit dich niemand warnt!“ (Kaspar) | | | | | | | |
| Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) | | | | Aria | | | |
| Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer | | | | Song | | | |
| Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) | | | | Aria | | | |
| Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) | | - Philharmonia Orchestra, Carlo Maria Giulini
- Ferruccio Furlanetto, Paata Burchuladze, Samuel Ramey, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan
- Rod Gilfry, Andrea Silvestrelli, Ildebrando d’Arcangelo, English Baroque Soloists, Sir John Eliot Gardiner
- The Ambrosian Singers, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 60 more)
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| Elijah, op. 70: Air - "Hear ye, Israel!" | | | | | | | |
| Elijah, op. 70: Air - "Then shall the righteous shine forth" | | | | | | | |
| Elijah, op. 70: Air - "Woe unto them who forsake Him" | | | | | | | |
| Elijah, op. 70: Air (Angel) - "O rest in the Lord" | | | | | | | |
| Elijah, op. 70: Air (Elijah) - "Is not His word like a fire?" | | | | | | | |
| Elijah, op. 70: Air (Elijah) - "It is enough, O Lord" | | | | | | | |
| Elijah, op. 70: Air (Elijah) - "Lord God of Abraham, Isaac and Israel" | | | | | | | |
| Elijah, op. 70: Air (Obadiah) - "If with all your hearts" | | | | | | | |
| Elijah, op. 70: Arioso (Elijah) - "For the mountains shall depart" | | | | | | | |
| Elijah, op. 70: Chorus - "And then shall your light break forth" | | | | | | | |
| Elijah, op. 70: Chorus - "Be not afraid" | | | | | | | |
| Elijah, op. 70: Chorus - "Behold, Gold the Lord passed by" | | | | | | | |
| Elijah, op. 70: Chorus - "Blessed are they that fear Him" | | | | | | | |
| Elijah, op. 70: Chorus - "Go, return upon thy way", and Recitative (Elijah), "I go on my way" | | | | | | | |
| Elijah, op. 70: Chorus - "He that shall endure to the end" | | | | | | | |
| Elijah, op. 70: Chorus - "He, watching over Israel" | | | | | | | |
| Elijah, op. 70: Chorus - "Help, Lord!" | | | | | | | |
| Elijah, op. 70: Chorus - "Thanks be to God!" | | | | | | | |
| Elijah, op. 70: Chorus - "Thus did Elijah the prophet break forth" | | | | | | | |
| Elijah, op. 70: Chorus - "Woe to him!" | | | | | | | |
| Elijah, op. 70: Chorus - "Yet doth the Lord see it not" | | | | | | | |
| Elijah, op. 70: Chorus (Priests of Baal) | | | | | | | |
| Elijah, op. 70: Double Quartet - "For He shall give His angels" | | | | | | | |
| Elijah, op. 70: Introduction (Elijah) - "As God the Lord of Israel Liveth" | | | | | | | |
| Elijah, op. 70: Ouvertüre | | | | Overture | | | |
| Elijah, op. 70: Part I, no. 2 Duet with chorus "Lord, bow Thine ear to our prayer" (the people, two women) | | | | | | | |
| Elijah, op. 70: Part II, no. 41 Chorus - Quartet "But the Lord from the north hath raised one...Oh come everyone that thirsteth" | | | | | | | |
| Elijah, op. 70: Quartet (Angels) - "Cast thy burden upon the Lord" | | | | | | | |
| Elijah, op. 70: RecitAir (Widow) - "What have I to do with Thee", and Recitative (Elijah, Widow) - "Give me Thy son!" | | | | | | | |
| Elijah, op. 70: Recitative - "For God sent his people the prophet Elijah" | | | | | | | |
| Elijah, op. 70: Recitative - "See, now he sleepeth" | | | | | | | |
| Elijah, op. 70: Recitative (Angel, Elijah) - "Arise, Elijah" | | | | | | | |
| Elijah, op. 70: Recitative (Angel) - "Elijah! Get thee hence" | | | | | | | |
| Elijah, op. 70: Recitative (Elijah and Chorus) - "Call him louder, for he is a god!" | | | | | | | |
| Elijah, op. 70: Recitative (Elijah and Chorus) - "Call him louder! He heareth not!" | | | | | | | |
| Elijah, op. 70: Recitative (Elijah, Ahab) with Chorus - "As God the Lord of Saboath liveth" | | | | | | | |
| Elijah, op. 70: Recitative (Elijah, Angel) - "Night falleth 'round me" | | | | | | | |
| Elijah, op. 70: Recitative (Elijah, Queen) and Chorus - "The Lord hath exalted thee" | | | | | | | |
| Elijah, op. 70: Recitative (Elijah) and Chorus - "O Thou who makest Thine angels sprits" | | | | | | | |
| Elijah, op. 70: Recitative (Obadiah, Elijah, Youth) and Chorus - "O man of God, help Thy people!" | | | | | | | |
| Elijah, op. 70: Recitative (Obadiah, Elijah) - "Man of God, now let my words be precious" | | | | | | | |
