| Hyperprism | | | | | | | |
| Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) | | | | Aria | | | |
| Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia) | | | | | | | |
| Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Ei stesso vien... oh Dei!" (Ilia) | | | | | | | |
| Il canto sospeso: I. Orchestra | | | | | | | |
| Il canto sospeso: III. Soprano, contralto e tenore soli e orchestra | | | | | | | |
| Il canto sospeso: IV. Orchestra | | | | | | | |
| Il canto sospeso: IX. Coro e timpani | | | | | | | |
| Il canto sospeso: V. Tenore solo e orchestra | | | | | | | |
| Il canto sospeso: VIa. Coro e orchestra / VIb. Coro e orchestra | | | | | | | |
| Il canto sospeso: VII. Soprano solo, coro femminile e orchestra | | | | | | | |
| Il canto sospeso: VIII. Orchestra | | | | | | | |
| Il pirata: Atto II, scena 4. “Ah! S'io potessi dissipar le nubi” (Imogene, Adele, coro) | | - Philharmonia Chorus, Maria Callas, Philharmonia Orchestra, Nicola Rescigno
- Maria Callas
- Maria Callas, Philharmonia Chorus, Philharmonia Orchestra, Nicola Rescigno
- American Opera Society Chorus, Maria Callas, Regina Sarfaty, American Opera Society Orchestra, Nicola Rescigno
- (show 12 more)
| | | | | |
| Il pirata: Atto II, scena 4. “Col sorriso d'innocenza” (Imogene) | | | | Aria | | | |
| Il pirata: Atto II, scena 4. “Oh sole! Ti vela di tenebre oscure” (Imogene, coro, Adele, Gualtiero, Itulbo) | | | | | | | |
| Il pirata: Atto II, scena 4. “Qual suono ferale echeggia” (Imogene, coro) | | | | | | | |
| Il pirata: Atto II, scena 4. Introduzione | | | | | | | |
| Im großen Schweigen | | | | | | | |
| Im Sommerwind, Idyll for large orchestra | | | | | | | 5 |
| Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins | | | | | | | |
| Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit | | | | | | | |
| Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête | | | | | | | |
| Images pour orchestre, L. 122, CD 118: I. Gigues | | | | | | | |
| Images pour orchestre, L. 122, CD 118: III. Rondes de printemps | | | | | | | |
| Improvisations on an Impromptu of Benjamin Britten | | | | | | | |
| In Nature's Realm Overture, op. 91, B. 168 "V přírodě" | | | | Overture | | | |
| In the Steppes of Central Asia | | | | Symphonic poem | | | 3 |
| Ionisation | | | | | | | |
| Jeu de cartes: Deuxième donne: I. Introduction. Alla breve | | | | | | | |
| Jeu de cartes: Deuxième donne: II. March. Marcia | | | | | | | |
| Jeu de cartes: Deuxième donne: III. Variation I | | | | | | | |
| Jeu de cartes: Deuxième donne: IV. Variation II | | | | | | | |
| Jeu de cartes: Deuxième donne: IX. Reprise of March. Marcia | | | | | | | |
| Jeu de cartes: Deuxième donne: V. Variation III | | | | | | | |
| Jeu de cartes: Deuxième donne: VI. Variation IV | | | | | | | |
| Jeu de cartes: Deuxième donne: VII. Variation V. Pas de quatre. Sostenuto e pesante | | | | | | | |
| Jeu de cartes: Deuxième donne: VIII. Coda. Più mosso | | | | | | | |
| Jeu de cartes: Deuxième donne: X. Ensemble. Con moto | | | | | | | |
| Jeu de cartes: Première donne: I. Introduction. Alla breve | | | | | | | |
| Jeu de cartes: Première donne: II. Pas d’action. Meno mosso | | | | | | | |
| Jeu de cartes: Première donne: III. Dance Variation. Moderato assai | | | | | | | |
| Jeu de cartes: Première donne: IV. Dance of the Joker. Stringendo | | | | | | | |
| Jeu de cartes: Première donne: V. Waltz-Coda. Tranquillo | | | | | | | |
| Jeu de cartes: Troisième donne: I. Introduction. Alla breve | | | | | | | |
| Jeu de cartes: Troisième donne: II. Waltz | | | | | | | |
| Jeu de cartes: Troisième donne: III. Battle between Spades and Hearts. Presto | | | | | | | |
| Jeu de cartes: Troisième donne: IV. Final Dance – Coda. Tempo del principio | | | | | | | |
| Jeux d’enfants, op. 22 : II. La Toupie | | | | | | | |
| Jeux d’enfants, op. 22 : VI. Trompette et Tambour | | | | | | | |
| Jeux d’enfants, op. 22 : XI. Petit Mari, petite Femme | | | | | | | |
| Jeux d’enfants, op. 22 : XII. Le Bal | | | | | | | |
| Jeux vénitiens: I. | | | | | | | |
| Jeux vénitiens: II. | | | | | | | |
| Jeux vénitiens: III. | | | | | | | |
| Jeux vénitiens: IV. | | | | | | | |
| Jeux, L. 126, CD 133 | | | | Ballet | | | |
| Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Jesus, Chorus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) | | - Fritz Rothschuh, Kieth Engen, Ernst Haefliger, Münchener Bach‐Chor, Münchener Chorknaben, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
- The Brandenburg Consort, Stephen Cleobury
- English Baroque Soloists, Sir John Eliot Gardiner
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 48 more)
| | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 22 Choral "Durch dein Gefängnis, Gottes Sohn" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 23 "Die Juden aber schrieen" (Evangelista, Chorus, Pilatus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) "Eilt, ihr angefochtnen Seelen" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 25 "Allda kreuzigten sie ihn" (Evangelista, Chorus, Pilatus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 26 Choral "In meines Herzens Grunde" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 31 "Und neiget sein Haupt" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" | | | | | | | |
| Kammermusik No. 1, op. 24 no. 1: I. Sehr schnell und wild | | | | | | | |
| Kammermusik No. 1, op. 24 no. 1: II. Mäßig schnell Halbe | | | | | | | |
| Kammermusik No. 1, op. 24 no. 1: III. Quartett: Sehr langsam und mit Ausdruck | | | | | | | |
| Kammermusik No. 1, op. 24 no. 1: IV. Finale 1921: Lebhaft | | | | | | | |
