| Four Motets: Have Mercy on Us, O My Lord | | | | Motet | | | |
| Four Motets: Help Us, O Lord | | | | Motet | | | |
| Four Motets: Sing Ye Praises to Our King | | | | Motet | | | |
| Four Motets: Thou, O Jehova, Abideth Forever | | | | Motet | | | |
| Four Piano Blues | | | | | | | |
| Four Piano Blues: I. For Leo Smit. Freely poetic | | | | | | | |
| Four Piano Blues: II. For Andor Foldes. Soft and languid | | | | | | | |
| Four Piano Blues: III. For William Kapell. Muted and sensuous | | | | | | | |
| Four Piano Blues: IV. For John Kirkpatrick. With bounce | | | | | | | |
| Grohg | | | | | | | |
| Grohg: I. Introduction & Cortège - Entrance of Grohg | | | | | | | |
| Grohg: II. Dance of the Adolescent | | | | | | | |
| Grohg: III. Dance of the Opium-Eater (Visions of Jazz) | | | | | | | |
| Grohg: IV. Dance of the Street-Walker | | | | | | | |
| Grohg: V. Imagines the Dead Are Mocking Him | | | | | | | |
| Grohg: VI. Illumination and Disappearance of Grohg | | | | | | | |
| Half-time, H 142 | | | | | | | |
| Hear Ye! Hear Ye! | | | | Ballet | | | |
| Hear Ye! Hear Ye!: Scene I | | | | | | | |
| Hear Ye! Hear Ye!: Scene II | | | | | | | |
| Hear Ye! Hear Ye!: Scene III | | | | | | | |
| Hear Ye! Hear Ye!: Scene IV | | | | | | | |
| Hear Ye! Hear Ye!: Scene IX | | | | | | | |
| Hear Ye! Hear Ye!: Scene V | | | | | | | |
| Hear Ye! Hear Ye!: Scene VI | | | | | | | |
| Hear Ye! Hear Ye!: Scene VII | | | | | | | |
| Hear Ye! Hear Ye!: Scene VIII | | | | | | | |
| Hear Ye! Hear Ye!: Scene X | | | | | | | |
| Hear Ye! Hear Ye!: Scene XI | | | | | | | |
| Hear Ye! Hear Ye!: Scene XII | | | | | | | |
| Hear Ye! Hear Ye!: Scene XIII | | | | | | | |
| Hear Ye! Hear Ye!: Scene XIV | | | | | | | |
| Hear Ye! Hear Ye!: Scene XV | | | | | | | |
| Hear Ye! Hear Ye!: Scene XVI | | | | | | | |
| Hear Ye! Hear Ye!: Scene XVII | | | | | | | |
| Hear Ye! Hear Ye!: Scene XVIII | | | | | | | |
| Hoe-Down | | | | | | | |
| Hoe‐Down | | | | | | | |
| Hoedown from Rodeo | | | | | | | |
| Holiday Overture | | | | Overture | | | |
| Hommage à trois: I. Luca’s Swell: Hommage à Aaron Copland | | | | | | | |
| In Evening Air | | | | | | | |
| In the Beginning | | | | | | | |
| Incarceration and Nightmares | | | | | | | |
| Inscape | | | | | | | |
| Jingo | | | | | | | |
| John Henry: A Railroad Ballad for Orchestra | | | | | | | |
| Jubilee Variations | | | | | | | |
| Lark | | | | | | | |
| Las agachadas | | | | Song | | | |
| Les Noces: Part 1, Scene 1. The Bride's Chamber "The Tresses" | | - Nicholas Cleobury, English Bach Festival Chorus, Paul Hudson, John Mitchinson, Martha Argerich, Homero Francesch, Cyprien Katsaris, Krystian Zimerman, Leonard Bernstein
- Игорь Фёдорович Стравинский
- Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky
- Nadine Koutcher, Natalya Buklaga, Stanislav Leontieff, Vasiliy Korostelev, MusicAeterna Chorus, MusicAeterna, Teodor Currentzis
- (show 11 more)
| | | | | |
| Les Noces: Part 1, Scene 2. The Bridegroom's House | | - Nicholas Cleobury, English Bach Festival Chorus, Paul Hudson, John Mitchinson, Martha Argerich, Homero Francesch, Cyprien Katsaris, Krystian Zimerman, Leonard Bernstein
- Игорь Фёдорович Стравинский
- Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky
- Nadine Koutcher, Natalya Buklaga, Stanislav Leontieff, Vasiliy Korostelev, MusicAeterna Chorus, MusicAeterna, Teodor Currentzis
- (show 10 more)
| | | | | |
| Les Noces: Part 1, Scene 3. The Departure of the Bride | | - Nicholas Cleobury, English Bach Festival Chorus, Paul Hudson, John Mitchinson, Martha Argerich, Homero Francesch, Cyprien Katsaris, Krystian Zimerman, Leonard Bernstein
- Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky
- Игорь Фёдорович Стравинский
- Nadine Koutcher, Natalya Buklaga, Stanislav Leontieff, Vasiliy Korostelev, MusicAeterna Chorus, MusicAeterna, Teodor Currentzis
- (show 10 more)
| | | | | |
| Les Noces: Part 2, Scene 4. The Wedding Feast | | - Nicholas Cleobury, English Bach Festival Chorus, Paul Hudson, John Mitchinson, Martha Argerich, Homero Francesch, Cyprien Katsaris, Krystian Zimerman, Leonard Bernstein
- Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky
- Игорь Фёдорович Стравинский
- Nadine Koutcher, Natalya Buklaga, Stanislav Leontieff, Vasiliy Korostelev, MusicAeterna Chorus, MusicAeterna, Teodor Currentzis
- (show 10 more)
| | | | | |
| Letter from Home | | | | | | | |
| Lincoln Portrait | | | | | | | |
| Love Music | | | | | | | |
| Mary Ann Resigned | | | | | | | |
| Midday Thoughts | | | | | | | |
| Midsummer Nocturne | | | | | | | |
| Mother Alone | | | | | | | |
| Movement for String Quartet | | | | | | | |
| Movement for the Common Man: Children of the Land / Street Collage / Fanfare for the Common Man / Mother Nature's Matinee | | | | | | | |
| Music for a Great City | | | | | | | |
| Music for a Great City: I. Skyline | | | | | | | |
| Music for a Great City: II. Night Thoughts | | | | | | | |
| Music for a Great City: III. Subway Jam | | | | | | | |
| Music for a Great City: IV. Toward the Bridge | | | | | | | |
| Music for Movies Suite | | | | Suite | | | |
| Music for Movies Suite: I. New England Countryside | | | | | | | |
| Music for Movies Suite: II. Barley Wagons | | | | | | | |
| Music for Movies Suite: III. Sunday Traffic | | | | | | | |
| Music for Movies Suite: IV. Grover’s Corners | | | | | | | |
| Music for Movies Suite: V. Threshing Machines | | | | | | | |
| Music for the Theatre | | | | Suite | | | |
| Music for the Theatre: I. Prologue | | | | | | | |
| Music for the Theatre: II. Dance | | | | | | | |
| Music for the Theatre: III. Interlude | | | | | | | |
| Music for the Theatre: IV. Burlesque | | | | | | | |
| Music for the Theatre: V. Epilogue | | | | | | | |
| My Heart Is in the East | | | | | | | |
| Near the BrushOf Mice and Men: | | | | | | | |
| New England Triptych | | | | | | | |
| New York Profile | | | | | | | |
| Night | | | | | | | |
| Night Thoughts (Hommage to Ives) | | | | | | | |
| Nocturne | | | | | | | |
| Nonet | | | | | | | |
| Nonet: I. Slow and solemn | | | | | | | |
| Nonet: II. Ritmico ed un poco marcato | | | | | | | |
| Nonet: III. Tempo as at first | | | | | | | |
| Ode (Elegiacal Chant in Three Parts) | | | | | | | |
| Of Mice and Men | | | | Soundtrack | | | |
| Of Mice and Men: Barley Wagons | | | | | | | |
| Of Mice and Men: Death of Candy's Dog | | | | | | | |
| Of Mice and Men: Death of Mae | | | | | | | |
| Of Mice and Men: End Title | | | | | | | |
| Of Mice and Men: George Determined | | | | | | | |
| Of Mice and Men: In the Bunkhouse | | | | | | | |
| Of Mice and Men: Lennie's Death | | | | | | | |
