| Apollo et Hyacinthus, K. 38: Act II, Chorus I. No. 6 Duetto "Discede crudelis!" (Melia, Apollo) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act III, Chorus II. No. 8 Duetto "Natus cadit" (Oebalus, Melia) | | | | | | | |
| Artaxerxes: Act I: Accompanied recitative: Dear and beloved shade | | | | | | | |
| Artaxerxes: Act I: No. 1. Duettino: Fair Aurora, prithee stay | | | | | | | |
| Artaxerxes: Act I: No. 2. Air: Adieu, thou lovely youth | | | | | | | |
| Artaxerxes: Act I: No. 3. Air: Amid a thousand racking woes | | | | | | | |
| Artaxerxes: Act I: No. 4. Air: Behold, on Lethe’s dismal strand | | | | | | | |
| Artaxerxes: Act I: No. 5. Air: Fair Semira, lovely maid | | | | | | | |
| Artaxerxes: Act I: No. 6. Air: When real joy we miss | | | | | | | |
| Artaxerxes: Act I: No. 7. Air: How hard is the fate | | | | | | | |
| Artaxerxes: Act I: No. 8. Air: Thy father! Away, I renounce the soft claim | | | | | | | |
| Artaxerxes: Act I: No. 9. Air: Acquit thee of this foul offence | | | | | | | |
| Artaxerxes: Act I: No. 10. Air: O too lovely, too unkind | | | | | | | |
| Artaxerxes: Act I: No. 11. Air: Fly, soft ideas, fly | | | | | | | |
| Artaxerxes: Act I: Overture | | | | Overture | | | |
| Artaxerxes: Act I: Recitative: Alas, thou know’st that for my love to thee | | | | | | | |
| Artaxerxes: Act I: Recitative: Appearance, I must own, is strong against me | | | | | | | |
| Artaxerxes: Act I: Recitative: Be firm, my heart | | | | | | | |
| Artaxerxes: Act I: Recitative: I fear some dread disaster… | | | | | | | |
| Artaxerxes: Act I: Recitative: O cruel parting! How can I survive? | | | | | | | |
| Artaxerxes: Act I: Recitative: Stay, Artaxerxes, stay | | | | | | | |
| Artaxerxes: Act I: Recitative: Still silence reigns around | | | | | | | |
| Artaxerxes: Act I: Recitative: Whither do I fly? | | | | | | | |
| Artaxerxes: Act I: Recitative: Ye cruel Gods, what crime have I committed | | | | | | | |
| Artaxerxes: Act I: Recitative: Ye Gods, protectors of the Persian Empire | | | | | | | |
| Artaxerxes: Act II: Accompanied recitative: At last my soul has room | | | | | | | |
| Artaxerxes: Act II: No. 12. Air: In infancy, our hopes and fears | | | | | | | |
| Artaxerxes: Act II: No. 13. Air: Disdainful you fly me | | | | | | | |
| Artaxerxes: Act II: No. 14. Air: To sigh and complain | | | | | | | |
| Artaxerxes: Act II: No. 15. Air: If o’er the cruel tyrant love | | | | | | | |
| Artaxerxes: Act II: No. 16. Air: If the river’s swelling waves | | | | | | | |
| Artaxerxes: Act II: No. 17. Air: By that belov’d embrace | | | | | | | |
| Artaxerxes: Act II: No. 18. Air: Monster, away | | | | | | | |
| Artaxerxes: Act II: No. 19. Air: Thou, like the glorious sun | | | | Aria | | | |
| Artaxerxes: Act II: Recitative: Ah me, at poor Arbaces’ parting | | | | | | | |
| Artaxerxes: Act II: Recitative: Guards, speed ye to the tower | | | | | | | |
| Artaxerxes: Act II: Recitative: How many links to dire misfortune’s chain | | | | | | | |
| Artaxerxes: Act II: Recitative: See, lov’d Semira | | | | | | | |
| Artaxerxes: Act II: Recitative: So far my great resolve succeeds | | | | | | | |
| Artaxerxes: Act II: Recitative: Which fatal evil shall I first oppose? | | | | | | | |
| Artaxerxes: Act II: Recitative: Why, my dear friend, so pensive, so inactive? | | | | | | | |
| Artaxerxes: Act II: Recitative: Ye solid pillars of the Persian Empire | | | | | | | |
| Artaxerxes: Act III: Accompanied recitative: Ye adverse Gods! | | | | | | | |
| Artaxerxes: Act III: No. 20. Air: Why is death for ever late | | | | | | | |
| Artaxerxes: Act III: No. 21. Air: Water parted from the sea | | | | | | | |
| Artaxerxes: Act III: No. 22. Air: Though oft a cloud with envious shade | | | | | | | |
| Artaxerxes: Act III: No. 23. Air: O let the danger of a son | | | | | | | |
| Artaxerxes: Act III: No. 24. Air: O, much lov’d son, if death | | | | | | | |
| Artaxerxes: Act III: No. 25. Air: Let not rage, thy bosom firing | | | | | | | |
| Artaxerxes: Act III: No. 26. Air: ’Tis not true that in our grief | | | | | | | |
| Artaxerxes: Act III: No. 27. Duetto: For thee I live, my dearest | | | | | | | |
| Artaxerxes: Act III: No. 28. Air: The soldier, tir'd of war's alarms | | | | Aria | | | |
| Artaxerxes: Act III: No. 29. Finale: Live to us, to Empire live | | | | | | | |
| Artaxerxes: Act III: Recitative: Arbaces! Gracious Heav’n, what’s this I see? | | | | | | | |
| Artaxerxes: Act III: Recitative: Behold, my King, Arbaces at thy feet | | | | | | | |
| Artaxerxes: Act III: Recitative: My son, Arbaces... where art thou retir’d? | | | | | | | |
| Artaxerxes: Act III: Recitative: Nor here my searching eyes can find Mandane | | | | | | | |
| Artaxerxes: Act III: Recitative: Perhaps the King releas’d Arbaces | | | | | | | |
| Artaxerxes: Act III: Recitative: That face, secure in conscious innocence | | | | | | | |
| Artaxerxes: Act III: Recitative: To you, my people, much belov’d | | | | | | | |
| Artaxerxes: Act III: Recitative: What have I done? Alas, I vainly thought | | | | | | | |
| Bastien und Bastienne, K.50: No. 10 Aria: "Diggi, daggi"(Colas) Dialog "Ist die Hexerei zu Endie?" (Bastien, Colas) | | | | | | | |
| Così fan tutte: Atto I. No. 9 Quintetto e coro “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, coro) | | - Wiener Philharmoniker, Karl Böhm
- Chamber Orchestra of Europe, Sir Georg Solti
- La Petite Bande, Sigiswald Kuijken
- Sesto Bruscantini, Nan Merriman, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan
- (show 29 more)
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| Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) | | | | | | | |
| Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) | | - Cvetka Ahlin, Dietrich Fischer‐Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
- Walter Berry, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer
- Erich Kunz, Anton Dermota, Sena Jurinac, Friedl Riegler, Else Schürhoff, Wiener Philharmoniker, Herbert von Karajan
- English Baroque Soloists, Sir John Eliot Gardiner
- (show 39 more)
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| Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) | | | | Aria | | | |
| Idomeneo, rè di Creta, K. 366: Act III, Scene III. No. 21 Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra) | | - Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
- Roberta Alexander, Francisco Araiza, Barbara Hendricks, Susanne Mentzer, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis
- Agnes Baltsa, Edita Gruberová, Leo Nucci, Luciano Pavarotti, Lucia Popp, Wiener Philharmoniker, Sir John Pritchard
- Glyndebourne Festival Orchestra, Sir John Pritchard
- (show 8 more)
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| Il rè pastore, K. 208: Act II, Scene XIII. No. 14 Coro "Viva l'invitto duce" (Elisa, Tamiri, Aminta, Agenore, Alessandro) | | - Claes‐Håkan Ahnsjö, Angela Maria Blasi, Jerry Hadley, Sylvia McNair, Iris Vermillion, John Constable, Academy of St Martin in the Fields, Sir Neville Marriner
- Musica ad Rhenum, Jed Wentz
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Classical Opera Company, Ian Page
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| La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) | | | | | | | |
| La finta giardiniera, K. 196: Act I, Scene X. No. 11 Cavatina "Geme la tortorella" (Sandrina) | | | | | | | |
| La finta semplice, K. 46a / KV 51: Act II, Scene V. No. 15 Aria "Amoretti, che ascosi qui siete" (Rosina) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) | | | | Aria | | | |
| Lucio Silla, K. 135: Act III, Scene V. No. 22 Aria "Fra i pensier più funesti di morte" (Giunia) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. No. 2 Aria "Soffre il mio cor con pace" (Sifare) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativi "Sin a quando, O Regina... Ferma, O germano... All'ire freno, Principi, olà" (Farnace, Aspasia, Silfare, Arbate) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace) | | | | Aria | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" (Farnace, Marzio) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI-VII. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia) No. 4 Aria "Nel sen mi palpita" (Aspasia) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. No. 3 Aria "L'odio nel cor frenate" (Arbate) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. No. 5 Aria "Parto: Nel gran cimento" (Sifare) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. Recitativo "Un tale addio, germano, si spiega assai" (Farnace, Sifare) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 7 Marcia. Maestoso | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 8 Cavata "Se di lauri il crine adorno" (Mitridate) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII. Recitativo "Teme Ismene a ragion" (Mitridate, Arbate) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. No. 10 Aria "Quel ribelle e quell'ingrato" (Mitridate) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. Recitativo accompagnato "Respira alfin" (Mitridate) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. No. 11 Aria "Va, l'error mio palesa" (Farnace) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. Recitativo "Questo è l'amor, Franace" (Ismene, Farnace) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia, Sifare) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IV. No. 12 Aria "Tu, che fedel mi sei" (Mitridate) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio) | | - Les Talens Lyriques, Christophe Rousset
- Classical Opera Company, Ian Page
- Musica ad Rhenum, Jed Wentz
- Aγνή Mπάλτσα, Ileana Cotrubaș, Edita Gruberová, Werner Hollweg, David Kuebler, Christine Weidinger, Leopold Hager, Mozarteum Orchester Salzburg
- Wolfgang Amadeus Mozart
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| Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. Recitativo accompagnato "Grazie ai Numi parti" (Aspasia) | | | | | | | |
| Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VIII. No. 14 Aria "Nel grave tormento" (Aspasia) | | | | | | | |
